Twelve-year-old David Karmi, a master of the art, is about to be put to the ultimate test.War has consumed the world and David finds himself in the middle of a human slaughter on a planetary scale. Whole towns are vaporized. Cities obliterated in firestorms. More than fifty million people will die—twelve million either gassed, shot, hanged, worked to death or subjected to biological experiments. And now David’s luck has finally run out. Having already endured one horrifying deportation, he and his family are rounded up for the second time and forced onto a train that will bring them all to the very heart of the Nazi extermination machine.Separated from his parents and siblings, the teenager is hurled into a nightmare of death camps, forced marches, sickness, violence and depravity. On his own, through the torturous months that follow, David endures Auschwitz, Dachau, and the Warsaw ghetto. Though he’s just a kid, David will try to stay alive by his wits and instincts, taking terrifying chances, making split-second decisions, and learning the tricks and techniques of survival. But time is running out. His only hope is that the Nazis will be defeated and the American soldiers will free him—and his family—before it’s too late. “[Karmi’s debut forgoes] the despair employed by Primo Levi and Elie Wiesel, instead echoing the optimism of Anne Frank…Eminently readable and largely remarkable.”—Kirkus Reviews"‘Some people have a knack for survival, for getting out of jams.’ Karmi is one of those, and he faces the ultimate test as a young teen in Nazi-occupied Europe as he and his family are deported to Auschwitz."—Publishers Weekly"Survivor’s Game reads not so much like a memoir but a novel, replete with tension, drama, and twists and turns. Recommended."—Midwest Book Review"This is a story we all need to know…the cost of forgetting is too high."—New York Times best-selling author Maya Kaathryn Bohnhoff

    It’s an approach that has become her trademark. Now in Small Victories, Lamott offers a new message of hope that celebrates the triumph of light over the darkness in our lives. Our victories over hardship and pain may seem small, she writes, but they change us—our perceptions, our perspectives, and our lives. Lamott writes of forgiveness, restoration, and transformation, how we can turn toward love even in the most hopeless situations, how we find the joy in getting lost and our amazement in finally being found.Profound and hilarious, honest and unexpected, the stories in Small Victories are proof that the human spirit is irrepressible.

    It is up to you.Eddie Jaku always considered himself a German first, a Jew second. He was proud of his country. But all of that changed in November 1938, when he was beaten, arrested and taken to a concentration camp.Over the next seven years, Eddie faced unimaginable horrors every day, first in Buchenwald, then in Auschwitz, then on a Nazi death march. He lost family, friends, his country.Because he survived, Eddie made the vow to smile every day. He pays tribute to those who were lost by telling his story, sharing his wisdom and living his best possible life. He now believes he is the 'happiest man on earth'.Published as Eddie turns 100, this is a powerful, heartbreaking and ultimately hopeful memoir of how happiness can be found even in the darkest of times.

    Critics have called her "sweet, adorable, and vicious." But there is so much more to be said about Samantha Bee. For one, she's Canadian. Whatever that means. And now, she opens up for the very first time about her checkered Canadian past. With charming candor, she admits to her Lennie from "Of Mice and Men"-style love of baby animals, her teenage crime spree as one-half of a car-thieving couple (Bonnie and Clyde in Bermuda shorts and braces), and the fact that strangers seem compelled to show her their genitals. She also details her intriguing career history, which includes stints working in a frame store, at a penis clinic, and as a Japanese anime character in a touring children's show.Samantha delves into all these topics and many more in this thoroughly hilarious, unabashedly frank collection of personal essays. Whether detailing the creepiness that ensues when strangers assume that your mom is your lesbian lover, or recalling her girlhood crush on Jesus (who looked like Kris Kristofferson and sang like Kenny Loggins), Samantha turns the spotlight on her own imperfect yet highly entertaining life as relentlessly as she skewers hapless interview subjects on "The Daily Show." She shares her unique point of view on a variety of subjects as wide ranging as her deep affinity for old people, to her hatred of hot ham. It's all here, in irresistible prose that will leave you in stitches and eager for more.

    In the wake of rape allegations made against director and actor Nate Parker, Union—a forty-four-year-old actress who launched her career with roles in iconic ’90s movies—instantly became the insightful, outspoken actress that Hollywood has been desperately awaiting. With honesty and heartbreaking wisdom, she revealed her own trauma as a victim of sexual assault: "It is for you that I am speaking. This is real. We are real." In this moving collection of thought provoking essays infused with her unique wisdom and deep humor, Union uses that same fearlessness to tell astonishingly personal and true stories about power, color, gender, feminism, and fame. Union tackles a range of experiences, including bullying, beauty standards, and competition between women in Hollywood, growing up in white California suburbia and then spending summers with her black relatives in Nebraska, coping with crushes, puberty, and the divorce of her parents. Genuine and perceptive, Union bravely lays herself bare, uncovering a complex and courageous life of self-doubt and self-discovery with incredible poise and brutal honesty. Throughout, she compels us to be ethical and empathetic, and reminds us of the importance of confidence, self-awareness, and the power of sharing truth, laughter, and support.

    She draws from her own experiences of illness and bodily injury to engage in an exploration that extends far beyond her life, spanning wide-ranging territory—from poverty tourism to phantom diseases, street violence to reality television, illness to incarceration—in its search for a kind of sight shaped by humility and grace.

    For Cazzie David, the world is one big trap door leading to death and despair and social phobia. From shame spirals caused by hookups to panic attacks about being alive and everyone else having to be alive too, David chronicles her life’s most chaotic moments with wit, bleak humor, and a mega-dose of self-awareness. In No One Asked for This, David provides readers with a singular but ultimately relatable tour through her mind, as she explores existential anxiety, family dynamics, and the utterly modern dilemma of having your breakup displayed on the Internet. With pitch-black humor resonant of her father, comedy legend Larry David, and topics that speak uniquely to generational malaise, No One Asked for This is the perfect companion for when you don’t really want a companion.Mean sister --Do not disturb --Ex dysmorphia --Almost pretty --Is everything gonna be fine? --Tweets I would tweet if I weren't morally opposed to Twitter: I --Why God is definitely real --Too full to fuck --So embarrassing --Love you to death --Insecurity when you're the new girlfriend --Environ-mental mom --Tweets I would tweet if I weren't morally opposed to Twitter: II --Shit-talking etiquette --My parasite --Privileged assistant --I got a cat for my anxiety --This essay doesn't pass the Bechdel test --Tweets I would tweet if I weren't morally opposed to Twitter: III --Moving out --Erase me --Thanksgiving

    It will make you laugh, think and feel and is the perfect Christmas gift for those who speak human. Illustrations by Shaun Tan Every copy sold will contribute to cancer research

    He doesn’t have any friends yet; he can’t get his surly flatmate, Mark, to crack a smile; and the only people who talk to him are the odd assortment of characters at the KeepCup warehouse where he works, plugging lids into cups in an endless cycle.His hours consist of daydreams: sweet, touching reveries of driving down the freeway with the girl of his dreams, and outlandish fantasies of bursting through the roof at bedroom store Snooze.Oliver is lonely. For the most part, he is sleepwalking through life. At nights, he begins to write memories of growing up in pre-9/11 America, as he finds himself thinking of his childhood in Texas. But when he meets up with Lisa, the girl he’s been writing to on Facebook, things begin to change.Lion Attack! is a startlingly original, ambitious work about a young man trying to navigate contemporary Australia and his own life. Part romance, part tragicomedy, and part social critique, it is hilarious, poignant, and ultimately deeply moving.

    Clichés around marriage—eternal bliss, domestic harmony, soul mates—leave out the real stuff. After marriage you may still want to sleep with other people. Sometimes your partner will bore the hell out of you. And when stuck paying for your spouse’s mistakes, you might miss being single.In Wedding Toasts I’ll Never Give, Ada Calhoun presents an unflinching but also loving portrait of her own marriage, opening a long-overdue conversation about the institution as it truly is: not the happy ending of a love story or a relic doomed by high divorce rates, but the beginning of a challenging new chapter of which “the first twenty years are the hardest.”Calhoun’s funny, poignant personal essays explore the bedrooms of modern coupledom for a nuanced discussion of infidelity, existential anxiety, and the many other obstacles to staying together. Both realistic and openhearted, Wedding Toasts I’ll Never Give offers a refreshing new way to think about marriage as a brave, tough, creative decision to stay with another person for the rest of your life. “What a burden,” Calhoun calls marriage, “and what a gift.”

    Caroline Knapp describes how the distorted world of her well-to-do parents pushed her toward anorexia and alcoholism. Fittingly, it was literature that saved her: she found inspiration in Pete Hamill's 'A Drinking Life' and sobered up. Her tale is spiced up with the characters she has known along the way. A journalist describes her twenty years as a functioning alcoholic, explaining how she used alcohol to escape personal relationships and the realities of life until a series of personal crises forced her to confront her problem.

    Do boys get anorexia? they would ask. How did he get it?That was the question Amanda asked herself, too. She had trained as a doctor; she knew that every disease has a cause. And if her son had an eating disorder, she wondered what the cause could possibly be but something she and her husband Kevin had done—or failed to do? Quick to blame both Kevin and herself, worried about how her two other kids were coping, Amanda also found herself at odds with a medical establishment that barely understood Riche’s illness, far less how to treat it. And as she embarked on the long, agonising process of saving her son’s life she found herself battling not just Riche’s demons but her own.Amanda Webster graduated from the University of Western Australia as a doctor, following in the footsteps of her father and grandfather. She left medicine to raise a family with her husband, Kevin. Amanda turned to writing after her son Riche’s illness and is currently an MFA candidate in the low residency program at City University of Hong Kong. Her work has appeared in several US literary journals.

    By turns hilarious and moving, Amanda Keller takes us on a nostalgia filled journey through her life. From her childhood in sunny Brisbane to her daggy teen years in suburban Sydney. Then onto heady college days in Bathurst, where wine was called 'claret' and came in a box, and finally to establishing a stellar career in TV and radio.Along the way she falls in love with 'a nice Kiwi boy' who becomes her husband and she tells the story of the arrival of their two hard-won sons. But without too many icky bits.Amanda also takes us behind the scenes of her TV career - from the challenge of turning on a typewriter at Simon Townsend's Wonder World! to the fun of travelling the globe for Beyond 2000, despite having no scientific background and absolutely no sense of direction. More recently she was able to officially represent an entire generation on Talkin' 'Bout Your Generation and share a couch with three blokes and the odd snake on The Living Room.Amanda loves 'the wireless' and looks back on twenty years of radio. From sharing a mic with Andrew Denton on Triple M to topping the breakfast show ratings with Jonesy on WSFM.Vivid, funny and hugely entertaining, Natural Born Keller will have you laughing out loud, nodding in recognition and occasionally bawling uncontrollably - in a cathartic sort of way.

    It's an energy that longtime resident Ed Hamilton will tell you often drives inhabitants to madness. In a series of linked cyanide capsules, Legends of the Chelsea Hotel tells the odd, funny, and often tragic truth of the writers, artists, and musicians — the famous and the obscure alike — who have fallen prey to the Chelsea. Readers enter one of Dee Dee Ramone's flashbacks; meet the ghost of author Thomas Wolfe; learn of movie star Ethan Hawke's mystical powers over women; see the ungodly acts allegedly being perpetrated in the basement club Serena's; and feel the dark aura of Room 100, where punk rocker Sid Vicious killed his girlfriend Nancy.

    unless there were guests in the house. Then she'd watch everyone, telling stories, making each other laugh. This was where she discovered the rhythm of stories and the lubrication that alcohol leant the telling. Years later, as a mum of five, Fiona would become one of Australia's most-loved comedians, performing gigs in New York, Montreal, Singapore, London, Toronto and Edinburgh. Fiona looked like she was living her dream - but she was hiding a secret in open sight, using alcoholism as material for her comedy and using comedy as an excuse for her alcoholism.Truths from an Unreliable Witness is a fiercely honest and wryly funny memoir of melancholy, love, marriage, the loss of love and marriage, homelessness, of hotel rooms strewn with empty mini-bar bottles of vodka, of waking from a two-week coma, of putrid drug dens and using a jungle to confront yourself. It is about hitting rock bottom and then realising you are only halfway down. Ultimately, it's about hanging on to your last straw of sanity and finding laughter in the darkest of times. You may want to sit down for this...