Dysfunctional like her parents' marriage; her doll-crazy twelve-year-old sister, Kasey; and even her own anti-social, anti-cheerleader attitude. When a family fight results in some tearful sisterly bonding, Alexis realizes that her life is creeping from dysfunction into danger. Kasey is acting stranger than ever: her blue eyes go green sometimes; she uses old-fashioned language; and she even loses track of chunks of time, claiming to know nothing about her strange behavior. Their old house is changing, too. Doors open and close by themselves; water boils on the unlit stove; and an unplugged air conditioner turns the house cold enough to see their breath in.Alexis wants to think that it's all in her head, but soon, what she liked to think of as silly parlor tricks are becoming life-threatening--to her, her family, and to her budding relationship with the class president. Alexis knows she's the only person who can stop Kasey -- but what if that green-eyed girl isn't even Kasey anymore?

    Each story contains the common elements of the gothic tale--a warped sense of time, a claustrophobic setting, a link to archaic modes of thought, and the impression of a descent into disintegration. Yet taken together, they reveal the progression of the genre from stories of feudal villains amid crumbling ruins to a greater level of sophistication in which writers brought the gothic tale out of its medieval setting, and placed it in the contemporary world. Bringing together the work of such writers as Eudora Welty, Thomas Hardy, Edgar Allan Poe, William Faulkner, Arthur Conan Doyle, Joyce Carol Oates, and Jorge Luis Borges, The Oxford Book of Gothic Tales presents a wide array of the sinister and unsettling for all lovers of ghost stories, fantasy, and horror.

    Contains stories such as "The Goose Girl", "Hansel and Grethel", "Cinderella", "The Golden Goose", "The Frog Prince" and many more.

    From acclaimed director Guillermo del Toro.

    Dick the greatest science fiction mind on any planet. Since his untimely death in 1982, interest in Dick's works has continued to mount, and his reputation has been further enhanced by a growing body of critical attention. The Philip K. Dick Award is now given annually to a distinguished work of science fiction, and the Philip K. Dick Society is devoted to the study and promulgation of his works.Dick won the prestigious Hugo Award for the best novel of 1963 for The Man in the High Castle. In the last year of his life, the film Blade Runner was made from his novel Do Androids Dream of Electric Sheep ?This collection includes some of Dick's earliest short and medium-length fiction, including "We Can Remember it for You Wholesale" (the story that inspired the motion picture Total Recall), "Second Variety" (which inspired the motion picture Screamers), "Paychecks", "The Minority Report", and 21 more.Content: "Fair Game" (1959) "The Hanging Stranger" (1953) ""The Eyes Have It"" (1953) "The Golden Man" (1954) "The Turning Wheel" (1954) "The Last of the Masters" (1954) "The Father-Thing" (1954) "Strange Eden" (1954) "Tony and the Beetles" (1954) "Null-O" (1958) "To Serve the Master" (1956) "Exhibit Piece" (1954) "The Crawlers" (1954) "Sales Pitch" (1954) "Shell Game" (1954) "Upon the Dull Earth" (1954) "Foster, You're Dead!" (1955) "Pay for the Printer" (1956) "War Veteran" (1955) "The Chromium Fence" (1955) "We Can Remember It for You Wholesale" (1966) "The Minority Report" (1956) "Paycheck" (1953) "Second Variety" (1953)

    Considered one of the English language's greatest writers, he was acclaimed for his rich storytelling and memorable characters, and achieved massive worldwide popularity in his lifetime. The popularity of his novels and short stories has meant that not one has ever gone out of print. Dickens wrote serialised novels, the usual format for fiction at the time, and each new part of his stories was eagerly anticipated by the reading public. Among his best-known works are Sketches by Boz (1836), The Pickwick Papers (1837), Oliver Twist (1838), Nicholas Nickleby (1839), Barnaby Rudge (1841), A Christmas Carol (1843), Martin Chuzzlewit (1844), David Copperfield (1850), Bleak House (1853), Little Dorrit (1857), A Tale of Two Cities (1859), Great Expectations (1861) and Our Mutual Friend (1865).

    Faraday, the son of a maid who has built a life of quiet respectability as a country physician, is called to a patient at lonely Hundreds Hall. Home to the Ayres family for over two centuries, the Georgian house, once impressive and handsome, is now in decline, its masonry crumbling, its gardens choked with weeds, the clock in its stable yard permanently fixed at twenty to nine. Its owners—mother, son, and daughter—are struggling to keep pace with a changing society, as well as with conflicts of their own. But are the Ayreses haunted by something more sinister than a dying way of life? Little does Dr. Faraday know how closely, and how terrifyingly, their story is about to become intimately entwined with his.

    For Kirby, the gift of dance. For Brendon, the gift of music. And for Nancy, the most extraordinary gift of all . . . the gift of magic.

    Part detective, part paranormal exterminator, Ellie operates out of Savannah, Georgia, the most haunted city in the United States.When a family contacts her to deal with a disturbing presence in the old mansion they’ve recently purchased, Ellie first believes it to be a typical, by-the-book specter, a residual haunting by a restless spirit. Instead, she finds herself confronting an evil older and more powerful than she’d ever expected, rooted in the house’s long and sordid history of luxury, sin, and murder. The dangerous entity seems particularly interested in her clients’ ten-year-old daughter.Soon her own life is in danger, and Ellie must find a way to exorcise the darkness of the house before it can kill her, her clients, or their frightened young child.

    Six dead children. A garden of statues.With every step he takes around the carefully manicured grounds of Minerva Hall, Jim is haunted by the ghosts of children, long dead, whom no one else can see. Urging him to "find the Seventh," the children leave him cryptic clues pointing to a devastating ancient prophecy that only he can stop from being fulfilled.Jim befriends another boy--Einstein, who lives at the Hall. Einstein is autistic and very, very smart. If anyone can help Jim find the Seventh, perhaps he can--Einstein clearly knows more than he is saying. At the same time, the dead children seem to be leaving Jim some sort of macabre treasure trail.If Jim doesn't figure out the clues, innocent people will die. But how can Jim find the answers while the dangers of the Hall grow ever more threatening? And even if he can, the real question is--is Jim already too late?Linking ancient rites with modern mystery, Christine Morton-Shaw has crafted an eerie thriller that will keep readers guessing until its startling conclusion.

    'Disappearances', inspired by local legends of mysterious vanishings, mixes gossip and fact; 'Lois the Witch', a novella based on an account of the Salem witch hunts, shows how sexual desire and jealousy lead to hysteria; while in 'The Old Nurse's Story' a mysterious child roams the freezing Northumberland moors. Whether darkly surreal, such as 'The Poor Clare', where an evil doppelganger is formed by a woman's bitter curse, or mischievous like 'Curious, if True', a playful reworking of fairy tales, all the pieces in this volume form a start contrast to the social realism of Gaskell's novels, revealing a darker and more unsettling style of writing.Laura Kranzler's introduction discusses how Gaskell's tales, with their ghostly doublings and transgressive passions, show the Gothic underside of female identity, domestic relations and male authority. This edition also contains a chronology, further reading and explanatory notes.

    Or caught on one of the most terrifying roller coasters of all time, when suddenly the tracks ahead just disappear. Enter the world of Darkness Creeping, where hollow-eyed skulls arrive in the mail and nothing is as it seems. Boston Globe–Horn Book Award winner and beloved author Neal Shusterman walks on the dark side with this classic collection of masterfully creepy stories so horrifying, you may have to read them twice to remind yourself they’re not real.Contents:• Foreword (Darkness Creeping: Twenty Twisted Tales) (2007) - essay by Neal Shusterman• Catching Cold (2007)• Who Do We Appreciate? (2007)• Soul Survivor (1995)• Black Box (1993)• Resting Deep (1993)• Security Blanket (1995)• Same Time Next Year (1993)• The River Tour (2007)• Flushie (1993)• Monkeys Tonight (1993)• Screaming at the Wall (1993)• Growing Pains (1995)• Alexander's Skull (1993)• Connecting Flight (1995)• Ralphy Sherman's Root Canal (2007)• An Ear for Music (1995)• Riding the Raptor (1995)• Trash Day (1995)• Crystalloid (1995)• Shadows of Doubt (1993)

    Struggling to hang on to the deep, pure love she's found within her marriage to her husband, Jonathan, she is inexorably drawn into a secret, passionate affair with a charismatic but dangerous lover. This haunted and haunting creature has awakened feelings and desires within her that she has never before known, which remake her as a woman.Although everyone she knows fears him and is pledged to destroy him, Mina sees a side to him that the others cannot: a tender, romantic side; a man who is deeply in love, and who may not be evil after all. Yet to surrender is surely madness, for to be with him could end her life. It may cost Mina all she holds dear, but to make her choice she must learn everything she can about the remarkable origins and sensuous powers of this man, this exquisite monster, this...Dracula!

    CareyThe brightest names in horror showcase a ghastly collection of eighteen ghost stories that will have you watching over your shoulder, heart racing at every bump in the night. In “My Life in Politics” by M.R. Carey the spirits of those without a voice refuse to let a politician keep them silent. In “The Adjoining Room” by A.K. Benedict a woman finds her hotel neighbour trapped and screaming behind a door that doesn’t exist. George Mann’s “The Restoration” sees a young artist become obsessed with returning a forgotten painting to its former glory, even if it kills her. And Laura Purcell’s “Cameo” shows that the parting gift of a loved one can have far darker consequences than ever imagined…These unsettling tales from the some of the best modern horror writers will send a chill down your spine like someone has walked over your grave…or perhaps just woken up in their own.

    There he finds a manuscript, and from the moment his mother catches him in the act, Gerard Freeman's life is irrevocably changed. What is the invisible, ever-present threat from which his mother strives so obsessively to protect him? And why should stories written a century ago entwine themselves ever more closely around events in his own life? Gerard's quest to unveil the mystery that shrouds his family, and his life, will lead him from Mawson to London, to a long-abandoned house and the terror of a ghost story come alive.