How did that day you've forgotten look? What did it feel like? Were you lonely? Did you have the sense you were progressing anywhere? Probably not. Yet string a few thousand of them together and that's a life. --From Boy WondersCathal Kelly grew up in the seventies and eighties, decades when dressing like Michael Jackson seemed like a good idea and The Beachcombers--an adventure show about logging--seemed to make sense. But apart from fashion missteps and baffling TV plotlines, Kelly's youth was a time of wonder, obsession and discovery. Navigating an often fraught fam­ily life, Kelly sought refuge in books, music, movies, games and at least one backyard hole. However, looking back he sees that his passion for George Orwell, Star Wars or The Smiths was never just about the book, movie or band. Rather, it was about the promise each new experience offered him in making sense of the world, and how he might find a home within it.By turns funny, elegiac and insightful, Boy Wonders is an unvarnished celebration of grow­ing up and stumbling toward identity. It's about the good and the bad of those brief years when we find purpose without end, obsession with­out limit and joy in the strangest of places.

    After major surgery to remove a spinal cord tumour, George set himself the ultimate challenge – a 2.4 mile swim, a 112 mile bike ride, and a 26.2 mile run, all to be completed within 16 hours. He couldn’t swim more than a length of front crawl, he had never ridden a proper road bike, and he had not run further than 10k in 18 months. He had four months to prepare. Could he do it?

    Adored by millions, Ali is a role model and symbol of courage to us all. Davis Miller was a small, sickly child mourning the loss of his mother when he first encountered Ali. From this meeting, there developed a strong personal relationship that has lasted more than thirty years. Brilliantly weaving Ali's story with his own coming-of-age memoir, Miller captures the true meaning of hero worship, fathers and sons, and strength through wisdom.

    Mine is predicated on formative years spent cleaning my father’s calf pens: Just keep shoveling until you’ve got a pile so big, someone has to notice. The fact that I cast my life’s work as slung manure simply proves that I recognize an apt metaphor when I accidentally stick it with a pitchfork. . . . Poetry was my first love, my gateway drug—still the poets are my favorites—but I quickly realized I lacked the chops or insights to survive on verse alone. But I wanted to write. Every day. And so I read everything I could about freelancing, and started shoveling."  The pieces gathered within this book draw on fifteen years of what Michael Perry calls "shovel time"—a writer going to work as the work is offered. The range of subjects is wide, from musky fishing, puking, and mountain-climbing Iraq War veterans to the frozen head of Ted Williams. Some assignments lead to self-examination of an alarming magnitude (as Perry notes, "It quickly becomes obvious that I am a self-absorbed hypochondriac forever resolving to do better nutritionally and fitness-wise but my follow-through is laughable.") But his favorites are those that allow him to turn the lens outward: "My greatest privilege," he says, "lies not in telling my own story; it lies in being trusted to tell the story of another."

    It's this juxtaposition, the poet's gift for poignant love songs paired with a comedian's timing and self-deprecating wit, that has earned Jann a legion of loyal fans on the stage as well as the page. Two years after the success of her first publication if i knew, don(c)^t you think i'd tell you? (Insomniac Press), acclaimed singer / songwriter and now bestselling author Jann Arden is at it again with her second book, i'll tell you one damn thing, and that's all i know. Little escapes the observant and immensely creative Jann whose musings and entertaining ramblings travel beyond goose poop (if you don't remember, buy the first book) to ponder the state of the world, the state of the States, and the state of her hair (she really is a blonde).

    His frank and often humorous descriptions cover everything from his comically wretched sea voyage to his sheer astonishment at the magnificence of the Niagara Falls, while he also visited hospitals, prisons and law courts and found them exemplary. But Dickens's opinion of America as a land ruled by money, built on slavery, with a corrupt press and unsavoury manners, provoked a hostile reaction on both sides of the Atlantic. American Notes is an illuminating account of a great writer's revelatory encounter with the New World. In her introduction, Patricia Ingham examines the response the book received when it was published, and compares it with similar travel writings of the period and with Dickens's fiction, in particular Martin Chuzzlewit. This edition includes an updated chronology, appendices and notes. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

    why? But Abbi had always found comfort in solitude, and needed space to step back and hit the reset button. As she spent time in each city and town on her way to Los Angeles, she mulled over the big questions -- What do I really want? What is the worst possible scenario in which I could run into my ex? How has the decision to wear my shirts tucked in been pivotal in my adulthood? In this collection of anecdotes, observations and reflections--all told in the sharp, wildly funny, and relatable voice that has endeared Abbi to critics and fans alike--readers will feel like they're in the passenger seat on a fun and, ultimately, inspiring journey. With some original illustrations by the author.

    Despite the fact that he had no experience in advertising. And despite the fact that he barely spoke French. After an unimaginable amount of red tape and bureaucracy, Rosecrans and his wife packed up their Brooklyn apartment and left the Big Apple for the City of Light. But when they arrived, things were not eactly what Rosecrans remembered from a family vacation when he was nine years old.Paris, I Love You but You're Bringing Me Down is a nimble comic account of observing the French capital from the inside out. It is an exploration of the Paris of Sarkozy, text-message romances, smoking bans, and a McDonald's beneath the Louvre—the story of an American who arrives loving Paris all out of proportion, but finds life there to be completely unlike what he expected. Over eighteen months, Rosecrans must rely on his dogged American optimism to get him through some very unromantic situations—at work (writing booklets on how to breast-feed, raise, and nurture children), at home (trying to finish writing his first novel in an apartment surrounded on all sides by construction workers), and at every confusing French dinner party in between. An offbeat update to the expat canon, Paris, I Love You is a book about a young man finding his preconceptions replaced by the oddities of a vigorous, nervy city—which is just what he needs to fall in love with Paris for the second time.

    Just Enough Liebling gathers in one volume the vividest and most enjoyable of his pieces. Charles McGrath (in The New York Times Book Review) praised it as a judicious sampling-a useful window on Liebling's vast body of writing and a reminder, to those lucky enough to have read him the first time around, of why he was so beloved. Today Liebling is best known as a celebrant of the sweet science of boxing, and as a feeder who ravishes the reader with his descriptions of food and wine. But as David Remnick observes in his fond and insightful introduction, Liebling is boundlessly curious, a listener, a boulevardier, a man of appetites and sympathy-and a writer who, with his great friend and colleague Joseph Mitchell, deftly traversed the boundaries between reporting and storytelling, between news and art.

    George Saunders's first foray into nonfiction is composed of essays on literature, travel, and politics. At the core of this unique collection are Saunders's travel essays based on his trips to seek out the mysteries of the "Buddha Boy" of Nepal; to attempt to indulge in the extravagant pleasures of Dubai; and to join the exploits of the minutemen at the Mexican border. Saunders expertly navigates the works of Mark Twain, Kurt Vonnegut, and Esther Forbes, and leads the reader across the rocky political landscape of modern America. Emblazoned with his trademark wit and singular vision, Saunders's endeavor into the art of the essay is testament to his exceptional range and ability as a writer and thinker.

    She quit her job to pursue her dream. Thirty years old and a rising star at a Wall Street investment bank, Patricia wanted nothing more than to work as a foreign correspondent. So, that's just what she did, moving to Mongolia after landing an internship at the country's national TV station. Live from Mongolia follows Patricia's unlikely journey from Wall Street to Ulan Bator. Not only does Patricia manage to get promoted to anchor of the Mongolian news, she also meets some unusual people following unusual dreams of their own. There's the Mongolian hip-hop star who worked in London restaurants to make his dream come true or the French corporate exec now tracking endangered horses in the steppe. All this whilePatricia is living with Mongolian Mormons, camping with nomads in the Gobi desert, and even crashing Genghis Khan's 800th anniversary party. But of course Patricia has her fair share of stumbles, including a brief return to Wall Street--even after meeting with the president of CNN. Live from Mongolia is the story of this ongoing journey--from a corporate career to a dream job Patricia hadn't even imagined she would land.

    Picking up where the "New York Times" bestseller "The Bullpen Gospels" leaves off, "Out of My League" continues Hayhurst's hilarious roller-coaster baseball odyssey through his rookie season.

    1 of Red Sox Nation, those seven words meant "No more ‘1918’ chants. No more smug glances from Yankee fans. No more worrying about living an entire life -- that’s eighty years, followed by death -- without seeing the Red Sox win a Series." But once he was able -- finally -- to type those life-changing words, Bill Simmons decided to look back at his "Sports Guy" columns for the last five years to find out how the miracle came to pass. And that’s where the trouble began. The result is Now I Can Die in Peace, a hilarious and fresh new look at some of the best sportswriting in America, with sharp, critical commentary (and fresh insights) from the guy who wrote it in the first place.

    Never before has a single book combined awesome vans, unicorns, Billy Joel, and erotic fiction in such a potent combination. A writing tour de force? Perhaps. A reading experience that will sear itself into your consciousness like a red-hot branding iron? Without question. Comedian and basic cable superstar Michael Ian Black unleashes the full fury of his astonishing intellect in this collection of short comic essays. My Custom Van is a no-holds-barred assault to the funny bone that will literally beat you into submission with hilarity*. How did he do it? How did he create such a fine anthology? Answer: With love. Michael opened his heart and used the magical power of love to write more than fifty thought-provoking essays like, "Why I Used a Day-Glo Magic Marker to Color My Dick Yellow," and "An Open Letter to the Hair Stylist Who Somehow Convinced Me to Get a Perm When I Was in Sixth Grade." Maybe you think love is not a substitute for "good writing skills" and "spell check." Bull pucky! When it comes to writing books, love is the most powerful word processor of all. Sounds pretty great, right? And yet...something is still holding you back from paying the full purchase price of this book. What is it? Perhaps you secretly believe you do not deserve a book this good. Nonsense -- you deserve this book and so much more. In fact, if Michael could have written you all the stars in the sky, that's what he would have done. But he couldn't do that, due to his lack of knowledge in the area of astronomy. So he wrote this book instead. And this flap copy. Enjoy. * Michael Ian Black is not responsible for any actual injuries caused by reading this book.

    In this vivid account, Hemingway captures the exhausting pace and pressure of the season, the camaraderie and pride of the matadors, and the mortal drama as in fight after fight the rival matadors try to outdo each other with ever more daring performances. At the same time Hemingway offers an often complex and deeply personal self-portrait that reveals much about one of the twentieth century's preeminent writers.