But when it comes to love stories, things are simpler. A love story can never be about full possession. Love stories depend on disappointment, on unequal births and feuding families, on matrimonial boredom and at least one cold heart. Love stories, nearly without exception, give love a bad name.... It is perhaps only in reading a love story (or in writing one) that we can simultaneously partake of the ecstasy and agony of being in love without paying a crippling emotional price. I offer this book, then, as a cure for lovesickness and an antidote to adultery. Read these love stories in the safety of your single bed. Let everybody else suffer." --Jeffrey Eugenides, from the introduction to My Mistress's Sparrow Is Dead All proceeds from My Mistress's Sparrow Is Dead will go directly to fund the free youth writing programs offered by 826 Chicago. 826 Chicago is part of the network of seven writing centers across the United States affiliated with 826 National, a non-profit organization dedicated to supporting students ages 6 to 18 with their creative and expository writing skills, and to helping teachers inspire their students to write.

    Compiling favored stories suggested by the author and his fans, this delightful treasury contains the most esteemed and beloved selections that de Lint has to offer. Innovative characters in unexpected places are the key to each plot: playful Crow Girls who sneak into the homes of their sleeping neighbors; a graffiti artist who risks everything to expose a long-standing conspiracy; a half-human girl who must choose between her village and her strange birthright; and an unrepentant trickster who throws one last party to reveal a folkloric tradition. Showcasing some of the finest offerings within the realms of urban fantasy and magical realism, this essential compendium of timeless tales will charm and inspire.Contents IntroductionIn Which We Meet Jilly Coppercorn Coyote Stories Laughter in the Leaves The Badger in the Bag And the Rafters Were Ringing Merlin Dreams in the Mondream Wood The Stone Drum Timeskip Freewheeling A Wish Named Arnold Into the Green The Graceless Child Winter Was Hard The Conjure Man We Are Dead Together Mr. Truepenny's Book Emporium and Gallery In the House of My Enemy The Moon Is Drowning While I Sleep Crow Girls Birds Held Safe by Moonlight and Vines In the Pines Pixel Pixies Many Worlds Are Born Tonight Sisters Pal o' Mine That Was Radio Clash Old Man Crow The Fields Beyond the Fields

    The limitless scope of human emotion and experience are depicted in stories that give aching and eloquent voice to the terrible wounds we inflict on those closest to us. These are tales of loss and redemption; of shame and forgiveness; of love and abuse and the healing power of storytelling. A book that resonates with uncompromising candor and incandescence, Trash is sure to captivate Allison's legion of readers and win her a devoted new following.

    In each of these tales Margaret Atwood deftly illuminates the single instant that shapes a whole life: in a few brief pages we watch as characters progress from the vulnerabilities of adolescence through the passions of youth into the precarious complexities of middle age.  By superimposing the past on the present, Atwood paints interior landscapes shaped by time, regret, and life's lost chances, endowing even the banal with a sense of mystery.  Richly layered and disturbing, poignant at times and scathingly witty at others, the stories in Wilderness Tips take us into the strange and secret places of the heart and inform the familiar world in which we live with truths that cut to the bone.Contents:True trash --Hairball --Isis in darkness --The bog man --Death by landscape --Uncles --The age of lead --Weight --Wilderness tips --Hack Wednesday.

    But their small, quiet life is upended when Arthur Rook shows up in the middle of a nervous breakdown, devastated by the death of his wife, carrying a pink shoe box containing all his wife's mementos and keepsakes, and holding a postcard from sixteen years ago, addressed to Mona but never sent. Slowly the contents of the box begin to fit together to tell a story—one of a powerful friendship, a lost love, and a secret that, if revealed, could change everything that Mona, Oneida, and Arthur know to be true. Or maybe the stories the box tells and the truths it brings to life will teach everyone about love—how deeply it runs, how strong it makes us, and how even when all seems lost, how tightly it brings us together. With emotional accuracy and great energy, This Must Be the Place introduces memorable, charming characters that refuse to be forgotten.

    Love, sex, death, family, friendship, betrayal, tenderness, sacrifice and revelation...This incendiary collection of stories from acclaimed bestselling international writer Christos Tsiolkas takes you deep into worlds both strange and familiar, and characters that will never let you go.

    No one knows who sent the invitations or why. No one has heard of the literary society. And no one is prepared to bare their deepest secrets to a roomful of strangers.Yet curiosity and loneliness bring them back week after week to the old library. And it’s there they discover the stories of their hearts, and the kind of friendship and love that heals their souls.

    Brock Clarke, author of An Arsonist’s Guide to Writers’ Homes in New England and Exley, among other novels, now offers up bite-sized morsels of his trademark social satire that will have readers laughing, and perhaps shifting uncomfortably in their seats. The title story delivers a cringingly biting dissection of racial attitudes in contemporary America, and Clarke also turns his eagle eye to subjects like PTSD, the fate of child actors, and, most especially, marital discord in stories like “Considering Lizzie Borden, Her Axe, My Wife” and “The Misunderstandings.” In “The Pity Palace,” a masterful study in self-absorption and self-delusion, a reclusive husband in Florence, Italy, who believes his wife has left him for a famous novelist, sells tickets to tourists anxious to meet someone more miserable than they. It’s a distinctly Clarkean world, in which readers find themselves reflected back with the distortion of funhouse mirrors—and swept up on a wild ride of heart-wrenching insight and self-discovery.

    In these vast landscapes, hunting, fishing, and sports are the givens of men's lives. With prose that stings like the scent of gunpowder, this is a collection of power.ContentsAngels in the snowOpening dayDay of the moonwalkAliensWood grouse on a high promontory overlooking CanadaPiranhasThree huntersAmerican elmArcturusThe flower garden

    She traveled everywhere with two boxes: the first with red sequins for the dress she wore as a magician’s assistant, the second with green sequins for her mermaid tail. She'd grown up on wild stories told by wild circus people. Books, she hadn’t had books until she’d found Daniel Watson and stopped moving.The first time Daniel saw her, Paulina was floating in a glass tank, suspended in water that sparkled like it was made from night sky. She has settled down now, living in a house on a cliff on Long Island Sound with Daniel and their young family: six-year-old Simon and his baby sister, Enola. But if you steal the magician’s assistant from a carnival, how can you know if she’ll disappear?

    But headstrong, passionate Laura wants more, and when she takes a leap of faith and applies to the Columbia Journalism School, her world is cracked wide open. As her studies take her all over the city, she finds herself drawn to Greenwich Village's new bohemia, where she discovers the Heterodoxy Club--a radical, all-female group in which women are encouraged to loudly share their opinions on suffrage, birth control, and women's rights. Soon, Laura finds herself questioning her traditional role as wife and mother. But when valuable books are stolen back at the library, threatening the home and institution she loves, she's forced to confront her shifting priorities head on . . . and may just lose everything in the process.Eighty years later, in 1993, Sadie Donovan struggles with the legacy of her grandmother, the famous essayist Laura Lyons, especially after she's wrangled her dream job as a curator at the New York Public Library. But the job quickly becomes a nightmare when rare manuscripts, notes, and books for the exhibit Sadie's running begin disappearing from the library's famous Berg Collection. Determined to save both the exhibit and her career, the typically risk-adverse Sadie teams up with a private security expert to uncover the culprit. However, things unexpectedly become personal when the investigation leads Sadie to some unwelcome truths about her own family heritage--truths that shed new light on the biggest tragedy in the library's history.

    Davis • Jennifer Egan • Carolyn Ferrell • Mary Gordon • Cristina Henríquez • Samantha Hunt •Binnie Kirshenbaum • Dika Lam • Caitlin Macy • Francine Prose • Holiday Reinhorn • Roxana Robinson • Curtis Sittenfeld • Lynne Tillman • Martha Witt Chick lit: A genre of fiction that often recycles the following plot: Girl in big city desperately searches for Mr. Right in between dieting and shopping for shoes. Girl gets dumped (sometimes repeatedly). Girl finds Prince Charming. This Is Not Chick Lit is a celebration of America’s most dynamic literary voices, as well as a much needed reminder that, for every stock protagonist with a designer handbag and three boyfriends, there is a woman writer pushing the envelope of literary fiction with imagination, humor, and depth. The original short stories in this collection touch on some of the same themes as chick lit–the search for love and identity–but they do so with extraordinary power, creativity, and range; they are also political, provocative, and, at turns, utterly surprising. Featuring marquee names as well as burgeoning talents, This Is Not Chick Lit will nourish your heart, and your mind. “This Is Not Chick Lit is important not only for its content, but for its title. I’ll know we’re getting somewhere when equally talented male writers feel they have to separate themselves from the endless stream of fiction glorifying war, hunting and sports by naming an anthology This Is Not a Guy Thing.”–Gloria Steinem“These voices, diverse and almost eerily resonant, offer us a refreshing breath of womanhood-untamed, ungroomed, and unglossed.”–ELLE

    Four stories. Each one set in the enchanting world of the South. These are the kinds of stories your grandmother told you from a front porch swing. Ice Melts in Spring by Linda W. Yezak When Kerry Graham's boss forces her to return to the Gulf of Mexico where her husband drowned years ago, she feels only spring's chill and not the warmth of the Texas sun. Can the joy of a reclusive author and the compassion of a shrimp-boat preacher thaw Kerry's frigid heart? Lillie Beth in Summer by Eva Marie Everson With the untimely death of his wife, Dr. James Gillespie believes God has abandoned him. He also believes he's never met anyone like the young widow Lillie Beth, whose beloved Granny lies dying at home, and who sees a God who sweeps hope through a farmhouse window. Can a young woman whose husband died in Vietnam restore a faith that is all but dead. Through an Autumn Window by Claire Fullerton Because her larger than life mother Daphne Goodwyn is dead, forty-year-old Cate returns to Memphis with one thought in mind: something always goes wrong at a Southern funeral. But surrounded by the well-mannered society that raised her, the nostalgic rites of a three-day, autumn mourning bring the unexpected gift of the end of sibling rivalry. A Magnolia Blooms in Winter by Ane Mulligan With Broadway stardom within her reach, Morgan James returns home in winter to help an old friend. Maybe it s just nostalgia, but when she sees him again, an old flame rekindles. When she s called back to NYC to take the lead in a new musical, will fame be worth losing the man she loves?

    Pearlman writes about the predicaments of being human. The title story involves an affair, an illegitimate pregnancy, anorexia, and adolescent drug use, but the real excitement comes from the intricate attention Pearlman devotes to the interior life of young Emily, who wishes she were a bug. In "Sonny," a mother prays for her daughters to be barren so they never have to experience the death of a child. "The Golden Swan" transports the reader to a cruise ship with lavish buffets-and a surprise stowaway. In prose that is as wise as it is poetic, Pearlman shines light on small, devastatingly precise moments to reflect the beauty and grace found in everyday life. She maps the psychological landscapes of her exquisitely rendered characters with unending compassion and seeming effortlessness. Both for its artistry and for the lives of the characters it presents, Honeydew is a collection that will pull readers back time and again. These stories demonstrate once more that Pearlman is a master of the form and that hers is a vision unfailingly wise and forgiving.

    . . Denver, 1962: Kitty Miller has come to terms with her unconventional single life. She loves the bookshop she runs with her best friend, Frieda, and enjoys complete control over her day-to-day existence. She can come and go as she pleases, answering to no one. There was a man once, a doctor named Kevin, but it didn’t quite work out the way Kitty had hoped.Then the dreams begin.Denver, 1963: Katharyn Andersson is married to Lars, the love of her life. They have beautiful children, an elegant home, and good friends. It's everything Kitty Miller once believed she wanted—but it only exists when she sleeps.Convinced that these dreams are simply due to her overactive imagination, Kitty enjoys her nighttime forays into this alternate world. But with each visit, the more irresistibly real Katharyn’s life becomes. Can she choose which life she wants? If so, what is the cost of staying Kitty, or becoming Katharyn?As the lines between her worlds begin to blur, Kitty must figure out what is real and what is imagined. And how do we know where that boundary lies in our own lives?