--Margarett Loke, "ARTnews""His coverage of the Spanish civil war established Capa's reputation as a peerless battlefield photojournalist... But he was also a man who loved making pictures of beautiful women, famous men and grand parties. Often overlooked when discussing the Capa legacy, those too, were his life's work. Both Capas--the raconteur of high society and the fearless witness to war--are evident in "Robert Capa: Photographs." The two sides of Capa's work may seem irreconcilable, but they're not. He was recording one world. His own."--Allison Adato, "Life Magazine"

    By the time Pat Postiglione arrived there in 1980, it was also the scene of an unsolved series of vicious sex slayings that served as a harbinger of worse to come. As Postiglione was promoted from street-beat Metro cop to detective sergeant heading Music City’s elite cold-case Murder Squad, some of America’s most bizarre, elusive, and savage serial killers were calling Nashville home. And during the next two decades, the body count climbed.From Vanderbilt University to dive bars and out-of-the-way motels, Postiglione followed the bloody tracks of these ever-escalating crimes—each enacted by a different psychopath with the same intent: to murder without motive or remorse. But of all the investigations, of all the monsters Postiglione chased, few were as chilling, or as game changing, as the Rest Stop Killer: a homicidal trucker who turned the interstates into his trolling ground. Next stop, Nashville. But Postiglione was waiting.

    Bryant was one of Wyoming's native sons and grown by that high, dry place, he never once wanted to leave it. "Wyoming loves me," he said, and it was true. Wyoming—roughneck, wild, open, and searingly beautiful—loved him, and Colton loved it back. As a child in school, Colton never could force himself to focus on his lessons. Instead, he'd plan where he'd go fishing later, or he'd wonder how many jackrabbits he might find on his favorite hunting patch, or he'd dream about the rides he would take on the wild mare he was breaking. "At my funeral, you'll all feel sorry for making me waste so much time in school," he said to his best friend Jake—and it was true.Two things got Colton through the boredom of school and the neighborhood "K-mart cowboys" who bullied him: His best friend Jake and his favorite mantra, a snatch of a saying he heard on TV: Mind over matter, which meant to him: If you don't mind, it don't matter. Colton and Jake grew up wanting nothing more than the freedom to sleep out under the great Wyoming night sky, to hunt and fish and chase the horizon and to be just like Colton's dad, a strong and gentle man of few words. When it was time for Colton to marry and make money on his own, he took up as a hand on an oil rig. It was dangerous work, but Colton was the third generation in his family to work on the oil patch and he claimed it was in his blood. And anyway, he joked, he always knew he'd die young.Colton did die young, and he died on the rig, falling to his death because the drilling company had neglected to spend two thousand dollars on the mandated safety rails that would have saved his life. His family received no compensation. But they didn't expect to—they knew the company's ways, and after all as Colton would have said: Mind over matter.In Scribbling the Cat, Alexandra Fuller brought us the examined life of a Rhodesian soldier; now, in her inimitable poetic voice and with her pitch-perfect ear for dialogue, she brings before us the life of someone much closer to home, as unexpected as he is iconic. The moving, tough, and in many ways quintessentially American story of Colton H. Bryant's life could not be told without also telling the story of the land that grew him—the beautiful and somehow tragic Wyoming; the land where there are still such things as cowboys roaming the plains, where it's relationships that get you through, and where a just, soulful, passionate man named Colton H. Bryant lived and died.

    This story of three closely related Oxfordshire communities - a hamlet, the nearby village and a small market town - is based on the author's experiences during childhood and youth. It chronicles May Day celebrations and forgotten children's games, the daily lives of farmworkers and craftsmen, friends and relations - all painted with a gaiety and freshness of observation that make this trilogy an evocative and sensitive memorial to Victorian rural England.With a new introduction by Richard Mabey

    It includes Contemplation, a collection of his earlier short studies; The Judgement, written in a single night of frenzied creativity; The Stoker, the first chapter of a novel set in America; and an eyewitness account of an air display. Together, these stories, fragments and miniature gems reveal the breadth of his vision, his sense of the absurd, and above all his acute, uncanny wit. Translated with an introduction by Michael Hofmann