The letters appear to have been written after Anne Boleyn had been sent away from court, in consequence of reports injurious to her reputation, which had begun to be publicly circulated. Her removal indeed was so abrupt that she had resolved never to return. The king soon repented his harshness, and strove to persuade her to come back; but it was a long time, and not without great trouble, before he could induce her to comply. This book is very different from other works on the same topic and two of its letters-the fifth and the thirteenth-are not comprehended in the Vatican collection. Of the seventeen letters here included eight were written in English and nine in French.

    Ricks, a dual biography of Winston Churchill and George Orwell, whose farsighted vision and inspired action preserved democracy from the threats of authoritarianism, from the left and right alike.Both George Orwell and Winston Churchill came close to death in the mid-1930s—Orwell shot in the neck in a trench line in the Spanish Civil War, and Churchill struck by a car in New York City. If they'd died then, history would scarcely remember them. At the time, Churchill was a politician on the outs, his loyalty to his class and party suspect. Orwell was a mildly successful novelist, to put it generously. No one would have predicted that by the end of the 20th century they would be considered two of the most important people in British history for having the vision and courage to campaign tirelessly, in words and deeds, against the totalitarian threat from both the left and the right. In a crucial moment, they responded first by seeking the facts of the matter, seeing through the lies and obfuscations, and then acting on their beliefs. Together, to an extent not sufficiently appreciated, they kept the West's compass set toward freedom as its due north.It's not easy to recall now how lonely a position both men once occupied. By the late 1930s, democracy was discredited in many circles and authoritarian rulers were everywhere in the ascent. There were some who decried the scourge of communism, but saw in Hitler and Mussolini men we could do business with, if not in fact saviors. And there were others who saw the Nazi and fascist threat as malign but tended to view communism as the path to salvation. Churchill and Orwell, on the other hand, had the foresight to see clearly that the issue was human freedom—that whatever its coloration, a government that denied its people basic freedoms was a totalitarian menace and had to be resisted.In the end, Churchill and Orwell proved their age's necessary men. The glorious climax of Churchill and Orwell is the work they both did in the decade of the 1940s to triumph over freedom's enemies. And though Churchill played the larger role in the defeat of Hitler and the Axis, Orwell's reckoning with the menace of authoritarian rule in Animal Farm and 1984 would define the stakes of the Cold War for its 50-year course and continues to give inspiration to fighters for freedom to this day. Taken together, in Thomas E. Ricks' masterful hands, their lives are a beautiful testament to the power of moral conviction and to the courage it can take to stay true to it, through thick and thin.

    As seen on Netflix's The Crown.Anne Glenconner has been at the center of the royal circle from childhood, when she met and befriended the future Queen Elizabeth II and her sister, the Princess Margaret. Though the firstborn child of the 5th Earl of Leicester, who controlled one of the largest estates in England, as a daughter she was deemed "the greatest disappointment" and unable to inherit. Since then she has needed all her resilience to survive the vipers of court life with her sense of humor intact. A unique witness to landmark moments in royal history, Maid of Honor at Queen Elizabeth's coronation, and a lady in waiting to Princess Margaret until her death in 2002, Anne's life has encompassed extraordinary drama and tragedy. In Lady in Waiting, she will share many intimate royal stories from her time as Princess Margaret's closest confidante as well as her own battle for survival: her broken-off first engagement on the basis of her "mad blood"; her 54-year marriage to the volatile, unfaithful Colin Tennant, Lord Glenconner, who left his fortune to a former servant; the death in adulthood of two of her sons; a third son she nursed back from a six-month coma following a horrific motorcycle accident. Through it all, Anne has carried on, traveling the world with the royal family, including visiting the White House, and developing the Caribbean island of Mustique as a safe harbor for the rich and famous-hosting Mick Jagger, David Bowie, Raquel Welch, and many other politicians, aristocrats, and celebrities.

    They were the closest of sisters and the best of friends. But when, in a quixotic twist of fate, their uncle Edward Vlll abdicated the throne, the dynamic between Elizabeth and Margaret was dramatically altered. Forever more Margaret would have to curtsey to the sister she called 'Lillibet.' And bow to her wishes. Margaret's struggle to find a place and position inside the royal system—and her fraught relationship with its expectations—was often a source of tension.. This book explores their relationship over the years.

    Much of the serious work on her life and historical importance has never been translated from German, and almost all has concentrated on the years of her struggle with Stephen for the English crown. This book examines her career as a whole, including the years as consort of the Emperor Henry V and as regent in Normandy for her son Henry II. It illustrates the problems of female succession in the early twelfth century, and gives a balanced assessment of Matilda's character and achievements in the context of her own times.

    Her father, Maharajah Duleep Singh, was heir to the Kingdom of the Sikhs, one of the greatest empires of the Indian subcontinent, a realm that stretched from the lush Kashmir Valley to the craggy foothills of the Khyber Pass and included the mighty cities of Lahore and Peshawar. It was a territory irresistible to the British, who plundered everything, including the fabled Koh-I-Noor diamond. Exiled to England, the dispossessed Maharajah transformed his estate at Elveden in Suffolk into a Moghul palace, its grounds stocked with leopards, monkeys and exotic birds. Sophia, god-daughter of Queen Victoria, was raised a genteel aristocratic Englishwoman: presented at court, afforded grace and favor lodgings at Hampton Court Palace and photographed wearing the latest fashions for the society pages. But when, in secret defiance of the British government, she travelled to India, she returned a revolutionary. Sophia transcended her heritage to devote herself to battling injustice and inequality, a far cry from the life to which she was born. Her causes were the struggle for Indian Independence, the fate of the lascars, the welfare of Indian soldiers in the First World War – and, above all, the fight for female suffrage. She was bold and fearless, attacking politicians, putting herself in the front line and swapping her silks for a nurse's uniform to tend wounded soldiers evacuated from the battlefields. Meticulously researched and passionately written, this enthralling story of the rise of women and the fall of empire introduces an extraordinary individual and her part in the defining moments of recent British and Indian history.

    Traditional biographies tell us that Queen Victoria inherited the throne as a naïve teenager, when the British Empire was at the height of its power, and seemed doomed to find failure as a monarch and misery as a woman until she married her German cousin Albert and accepted him as her lord and master. Now renowned chronicler Gillian Gill turns this familiar story on its head, revealing a strong, feisty queen and a brilliant, fragile prince working together to build a family based on support, trust, and fidelity, qualities neither had seen much of as children. The love affair that emerges is far more captivating, complex, and relevant than that depicted in any previous account. The epic relationship began poorly. The cousins first met as teenagers for a few brief, awkward, chaperoned weeks in 1836. At seventeen, charming rather than beautiful, Victoria already “showed signs of wanting her own way.” Albert, the boy who had been groomed for her since birth, was chubby, self-absorbed, and showed no interest in girls, let alone this princess. So when they met again in 1839 as queen and presumed prince-consort-to-be, neither had particularly high hopes. But the queen was delighted to discover a grown man, refined, accomplished, and whiskered. “Albert is beautiful!” Victoria wrote, and she proposed just three days later.As Gill reveals, Victoria and Albert entered their marriage longing for intimate companionship, yet each was determined to be the ruler. This dynamic would continue through the years–each spouse, headstrong and impassioned, eager to lead the marriage on his or her own terms. For two decades, Victoria and Albert engaged in a very public contest for dominance. Against all odds, the marriage succeeded, but it was always a work in progress. And in the end, it was Albert’s early death that set the Queen free to create the myth of her marriage as a peaceful idyll and her husband as Galahad, pure and perfect. As Gill shows, the marriage of Victoria and Albert was great not because it was perfect but because it was passionate and complicated. Wonderfully nuanced, surprising, often acerbic–and informed by revealing excerpts from the pair’s journals and letters–We Two is a revolutionary portrait of a queen and her prince, a fascinating modern perspective on a couple who have become a legend.

    "I like this London life . . . the street-sauntering and square-haunting."--Virginia Woolf, diary, 1925In the early twentieth century, Mecklenburgh Square--a hidden architectural gem in London's Bloomsbury--was a radical address, home to students, struggling artists, and revolutionaries. And in the pivotal era between the two world wars, the lives of five remarkable women intertwined around this one address: the modernist poet H. D., detective novelist Dorothy L. Sayers, classicist Jane Harrison, economic historian Eileen Power, and author and publisher Virginia Woolf. In an era when women's freedoms were fast expanding, they each sought a space where they could live, love, and--above all--work independently.With sparkling insight and a novelistic style, Francesca Wade sheds new light on a group of artists and thinkers whose pioneering work would enrich the possibilities of women's lives for generations to come.

    In response to the recent upsurge of interest, her 2009 paperback has been updated with details of the discovery plus new illustrations, and a larger typeface for easier readability. Carson's premise is that for centuries the vision of Richard III has been dominated by the fictional creations of Thomas More and Shakespeare. Many voices, some of them eminent and scholarly, have urged a more reasoned view to replace the traditional black portrait. This book seeks to redress the balance by examining the events of his reign as they actually happened, based on reports in the original sources. Eschewing the overlay of assumptions so beloved by historians, she instead traces actions and activities of the principal characters, using facts and time-lines revealed in documentary evidence. In the process Carson dares to investigate areas where historians fear to tread, and raises many controversial questions.

    At seven o'clock on the morning of 13th February 1542, Catherine Howard stepped out into the cold of the great courtyard of the Tower of London. Slowly she was escorted across the yard and carefully helped up the steps of the wooden scaffold. Only a small group of sightseers had gathered to watch the death of a queen; there was no weeping, no remorse, only chilly curiosity. The ax rose and fell, a life ceased, an episode came to an end. The life and death of Catherine was truly a Tudor tragedy. A mere teenager, the vivacious and flirty Catherine Howard was an unsuitable bride for the elderly and fat Henry VIII. Like most of Henry's wives she had come to his attention at court whilst lady-in-waiting to his fourth wife of only a few months, Anne of Cleves. Henry was soon besotted and came to adore Catherine, his 'very jewel of womanhood'. His head already turned by the 19 year old, Henry never consummated his marriage to Anne, he divorced her and married for the fifth time on 28th July 1540.Lacey Baldwin Smith, one of the finest historians of the Tudor age, narrates the rise and fall of the most tragic of Henry's queens, the woman who dared to cuckold the king of England.

    Now, William Shawcross—given unrestricted access to the Queen Mother’s personal papers, letters, and diaries—gives us a portrait of unprecedented vividness and detail. Here is the girl who helped convalescing soldiers during the First World War . . . the young Duchess of York helping her reluctant husband assume the throne when his brother abdicated . . . the Queen refusing to take refuge from the bombing of London, risking her own life to instill courage and hope in others who were living through the Blitz . . . the dowager Queen—the last Edwardian, the charming survivor of a long-lost era—representing her nation at home and abroad . . . the matriarch of the Royal Family and “the nation’s best-loved grandmother.”A revelatory royal biography that is, as well, a singular history of Britain in the twentieth century.

    What begins with a peace match—the marriage of the twelve-year-old daughter of France's Philip IV to the dissolute Edward II in 1308—ends in bloody conflict, a possible regicide, the usurpation of royal power, execution, and exile. In a lively narrative that brings a fresh perspective to the history of Isabella's catastrophic marriage, Doherty illuminates the people, passions, and politics that prompted the young queen, after thirteen years, to flee the feckless, ineffectual king who had sacrificed the English army to ignominious and unnecessary defeat at Bannockburn and to escape court intrigues and her personal persecution by men like the sinister Hugh Despenser. At Isabella's command, though, Despenser eventually met a gruesome death, when she returned to England with the exiled Roger Mortimer and a mercenary army that deposed Edward and enthroned the conquering queen in the name of her young son, Edward III.

    This is a page-turning, revisionist history of the villainised and misunderstood Mary Tudor, the first queen of England.

    Their relationship continued until 1601, when the Earl of Essex was beheaded for treason. And, in a succession of brilliant scenes, Strachey portrays the Queen's and the Earl's compelling attraction for on another, their impassioned disagreements, and their mutual contest for power, which led to a final, tragic confrontation. Here we also have superb portraits of influential people of the time: Francis Bacon, Robert Cecil, Walter Raleigh, and other figures of the court who struggled to assert themselves in a kingdom that was primarily defined by her sovereign, and so now seen through history's lens as Elizabethan England.

    Nagel brings the formidable Marie-Thérèse to life, along with the age of revolution and the waning days of the aristocracy, in a page-turning biography that will appeal to fans of Antonia Fraser's Marie Antoinette and Amanda Foreman's Georgiana: Duchess of Devonshire.In December 1795, at midnight on her seventeenth birthday, Marie-Thérèse, the only surviving child of Marie Antoinette and Louis XVI, escaped from Paris's notorious Temple Prison. To this day many believe that the real Marie-Thérèse, traumatized following her family's brutal execution during the Reign of Terror, switched identities with an illegitimate half sister who was often mistaken for her twin. Was the real Marie-Thérèse spirited away to a remote castle to live her life as the woman called "the Dark Countess," while an imposter played her role on the political stage of Europe? Now, two hundred years later, using handwriting samples, DNA testing, and an undiscovered cache of Bourbon family letters, Nagel finally solves this mystery. She tells the remarkable story in full and draws a vivid portrait of an astonishing woman who both defined and shaped an era. Marie-Thérèse's deliberate choice of husbands determined the map of nineteenth-century Europe. Even Napoleon was in awe and called her "the only man in the family." Nagel's gripping narrative captures the events of her fascinating life from her very public birth in front of the rowdy crowds and her precocious childhood to her hideous time in prison and her later reincarnation in the public eye as a saint, and, above all, her fierce loyalty to France throughout.