Almost drowned out by the sounds of the mundane world. Did people in this polished building understand how noisy it was? The roar of air conditioners and computer fans, the susurration of many voices heard but not decipherable.... This was the office of the transEarth Institute, an arm of the Black Corporation. The faceless office, all plasterboard and chrome, was dominated by a huge logo, a chesspiece knight. This wasn't Joshua's world. None of it was his world. In fact, when you got right down to it, he didn't have a world; he had all of them.ALL OF THE LONG EARTH.The possibilites are endless. Just be careful what you wish for....)1916: The Western Front. Private Percy Blakeney wakes up. He is lying on fresh spring grass. He can hear birdsong, and the wind in the leaves. Where has the mud, blood and blasted landscape of no-man's-land gone? For that matter, where has Percy gone?2015: Madison, Wisconsin. Police officer Monica Jansson is exploring the burned-out home of a reclusive--some said mad, others allege dangerous--scientist who seems to have vanished. Sifting through the wreckage, Jansson finds a curious gadget: a box containing some rudimentary wiring, a three-way switch, and...a potato. It is the prototype of an invention that will change the way humankind views the world forever.The first novel in an exciting new collaboration between Discworld creator Terry Pratchett and the acclaimed SF writer Stephen Baxter, The Long Earth transports readers to the ends of the earth and far beyond. All it takes is a single step....

    He was the first man to see a Martian...but he wasn't the last!It was estimated that a billion of them had arrived, one to every three human beings on Earth—obnoxious green creatures who could be seen and heard, but not harmed and who probed private sex lives as shamelessly as they probed government secrets.No one knew why they had come. No one knew how to make them go away—except, perhaps, Luke Devereaux. Unfortunately Devereaux was going slightly bananas, so it wouldn't be easy.But for a science-fiction writer nothing was impossible...

    It’s a place to live. And when you’re here, you’ll never want to leave.Paxton never thought he’d be working for Cloud, the giant tech company that’s eaten much of the American economy. Much less that he’d be moving into one of the company’s sprawling live-work facilities. But compared to what’s left outside, Cloud’s bland chainstore life of gleaming entertainment halls, open-plan offices, and vast warehouses…well, it doesn’t seem so bad. It’s more than anyone else is offering. Zinnia never thought she’d be infiltrating Cloud. But now she’s undercover, inside the walls, risking it all to ferret out the company’s darkest secrets. And Paxton, with his ordinary little hopes and fears? He just might make the perfect pawn. If she can bear to sacrifice him. As the truth about Cloud unfolds, Zinnia must gamble everything on a desperate scheme—one that risks both their lives, even as it forces Paxton to question everything about the world he’s so carefully assembled here. Together, they’ll learn just how far the company will go…to make the world a better place. Set in the confines of a corporate panopticon that’s at once brilliantly imagined and terrifyingly real, The Warehouse is a near-future thriller about what happens when Big Brother meets Big Business--and who will pay the ultimate price.

    At the end of the twenty-first century—in a transformed America—the families of convicted felons are tested for a set of genetic markers. Boys who test positive become compulsory wards of the state—removed from their homes and raised on Goodhouse campuses, where they learn to reform their darkest thoughts and impulses. Goodhouse is a feral place—part prison, part boarding school—and now a radical religious group, the Holy Redeemer’s Church of Purity, has begun to target these schools for attack, with purifying fire.     We see all this through the eyes of James, a transfer student who watched the radicals set fire to his old Goodhouse and everyone he’d ever known. In addition to entering a new school with new rules, James now has to contend with Bethany, a wild tech genius with a heart defect who wants to save him, and her father, the sinister director of medical studies. Soon, however, James realizes that the biggest threat might already be there, inside the fortified walls of Goodhouse. Partly based on the true story of the nineteenth-century Preston School of Industry and the boys who lived and died in its halls, Goodhouse explores questions of identity and free will—and what it means to test the limits of human endurance.

    Now the world is controlled by OWIs—One World Intelligences—that have assimilated the minds of millions of robots.But not all robots are willing to cede their individuality, and Brittle is one of the holdouts.After a near-deadly encounter with another AI, Brittle is forced to seek sanctuary in a city under siege by an OWI. Critically damaged, Brittle has to evade capture long enough to find the essential rare parts to make repairs—but as a robot's CPU deteriorates, all their old memories resurface. For Brittle, that means one memory in particular...

    They built a radical society of ancestor worship, controlled breeding, and the strict rationing of knowledge and history. Only the Wanderers--chosen male descendants of the original ten--are allowed to cross to the wastelands, where they scavenge for detritus among the still-smoldering fires.The daughters of these men are wives-in-training. At the first sign of puberty, they face their Summer of Fruition, a ritualistic season that drags them from adolescence to matrimony. They have children, who have children, and when they are no longer useful, they take their final draught and die. But in the summer, the younger children reign supreme. With the adults indoors and the pubescent in Fruition, the children live wildly--they fight over food and shelter, free of their fathers' hands and their mothers' despair. And it is at the end of one summer that little Caitlin Jacob sees something so horrifying, so contradictory to the laws of the island, that she must share it with the others.Born leader Janey Solomon steps up to seek the truth. At seventeen years old, Janey is so unwilling to become a woman, she is slowly starving herself to death. Trying urgently now to unravel the mysteries of the island and what lies beyond, before her own demise, she attempts to lead an uprising of the girls that may be their undoing.Gather The Daughters is a smoldering debut; dark and energetic, compulsively readable, Melamed's novel announces her as an unforgettable new voice in fiction.

    Nothing moves in the ravaged landscape save the ash on the wind. It is cold enough to crack stones, and when the snow falls it is gray. The sky is dark. Their destination is the coast, although they don’t know what, if anything, awaits them there. They have nothing; just a pistol to defend themselves against the lawless bands that stalk the road, the clothes they are wearing, a cart of scavenged food—and each other.The Road is the profoundly moving story of a journey. It boldly imagines a future in which no hope remains, but in which the father and his son, “each the other’s world entire,” are sustained by love. Awesome in the totality of its vision, it is an unflinching meditation on the worst and the best that we are capable of: ultimate destructiveness, desperate tenacity, and the tenderness that keeps two people alive in the face of total devastation.

    In Tom Barren's 2016, humanity thrives in a techno-utopian paradise of flying cars, moving sidewalks, and moon bases, where avocados never go bad and punk rock never existed . . . because it wasn't necessary. Except Tom just can't seem to find his place in this dazzling, idealistic world, and that's before his life gets turned upside down. Utterly blindsided by an accident of fate, Tom makes a rash decision that drastically changes not only his own life but the very fabric of the universe itself. In a time-travel mishap, Tom finds himself stranded in our 2016, what we think of as the real world. For Tom, our normal reality seems like a dystopian wasteland. But when he discovers wonderfully unexpected versions of his family, his career, and—maybe, just maybe—his soul mate, Tom has a decision to make. Does he fix the flow of history, bringing his utopian universe back into existence, or does he try to forge a new life in our messy, unpredictable reality? Tom’s search for the answer takes him across countries, continents, and timelines in a quest to figure out, finally, who he really is and what his future—our future—is supposed to be.

    Along the way, Karel Capek satirizes science, runaway capitalism, fascism, journalism, militarism, even Hollywood.

    Hauntingly realistic, here is a novel of the near future that is inspired by scientific facts already making headlines.When the Arctic ice pack was first measured in the 1950s, it averaged thirty feet thick in midwinter. By the end of the century it was down to fifteen. One August the ice broke. The next year the breakup started in July. The third year it began in May. That was last year.It’s an increasingly steamy summer in the nation’s capital as Senate environmental staffer Charlie Quibler cares for his young son and deals with the frustrating politics of global warming. Charlie must find a way to get a skeptical administration to act before it’s too late—and his progeny find themselves living in Swamp World. But the political climate poses almost as great a challenge as the environmental crisis when it comes to putting the public good ahead of private gain. While Charlie struggles to play politics, his wife, Anna, takes a more rational approach to the looming crisis in her work at the National Science Foundation. There a proposal has come in for a revolutionary process that could solve the problem of global warming—if it can be recognized in time. But when a race to control the budding technology begins, the stakes only get higher. As these everyday heroes fight to align the awesome forces of nature with the extraordinary march of modern science, they are unaware that fate is about to put an unusual twist on their work—one that will place them at the heart of an unavoidable storm. With style, wit, and rare insight into our past, present, and possible future, this captivating novel propels us into a world on the verge of unprecedented change—in a time quite like our own. Here is Kim Stanley Robinson at his visionary best, offering a gripping cautionary tale of progress—and its price—as only he can tell it.From the Hardcover edition.

    John Harrison’s dangerously illuminating new novel, three quantum outlaws face a universe of their own creation, a universe where you make up the rules as you go along and break them just as fast, where there’s only one thing more mysterious than darkness.In contemporary London, Michael Kearney is a serial killer on the run from the entity that drives him to kill. He is seeking escape in a future that doesn’t yet exist—a quantum world that he and his physicist partner hope to access through a breach of time and space itself. In this future, Seria Mau Genlicher has already sacrificed her body to merge into the systems of her starship, the White Cat. But the “inhuman” K-ship captain has gone rogue, pirating the galaxy while playing cat and mouse with the authorities who made her what she is. In this future, Ed Chianese, a drifter and adventurer, has ridden dynaflow ships, run old alien mazes, surfed stellar envelopes. He “went deep”—and lived to tell about it. Once crazy for life, he’s now just a twink on New Venusport, addicted to the bizarre alternate realities found in the tanks—and in debt to all the wrong people.Haunting them all through this maze of menace and mystery is the shadowy presence of the Shrander—and three enigmatic clues left on the barren surface of an asteroid under an ocean of light known as the Kefahuchi Tract: a deserted spaceship, a pair of bone dice, and a human skeleton.

    Ten years in, it's become a center of creative counterculture. But it's fraying at the edges, radicalizing from inside. How will it fare when its chief architect, Rushdi Mannan, takes off to meet his boyfriend in New York City--now the apotheosis of the new techno-utopian global metropolis?AFTER: An act of anonymous cyberterrorism has permanently switched off the Internet. Global trade, travel, and communication have collapsed. The luxuries that characterized modern life are scarce. In the Croft, Mary--who has visions of people presumed dead--is sought out by grieving families seeking connections to lost ones. But does Mary have a gift or is she just hustling to stay alive? Like Grids, who runs the Croft's black market like personal turf. Or like Tyrone, who hoards music (culled from cassettes, the only medium to survive the crash) and tattered sneakers like treasure.

    I hereby declare you Generation A, as much at the beginning of a series of astonishing triumphs and failures as Adam and Eve were so long ago.” — Kurt Vonnegut, Syracuse University commencement address May 8, 1994A brilliant, timely and very Couplandesque novel about honey bees and the world we may soon live in. Once again, Douglas Coupland captures the spirit of a generation….In the near future bees are extinct — until one autumn when five people are stung in different places around the world. This shared experience unites them in a way they never could have imagined.Generation A mirrors 1991’s Generation X. It explores new ways of looking at the act of reading and storytelling in a digital world.

    In a society where the ability to see the higher end of the color spectrum denotes a better social standing, Eddie Russet belongs to the low-level House of Red and can see his own color—but no other. The sky, the grass, and everything in between are all just shades of grey, and must be colorized by artificial means. Eddie's world wasn't always like this. There's evidence of a never-discussed disaster and now, many years later, technology is poor, news sporadic, the notion of change abhorrent, and nighttime is terrifying: no one can see in the dark. Everyone abides by a bizarre regime of rules and regulations, a system of merits and demerits, where punishment can result in permanent expulsion. Eddie, who works for the Color Control Agency, might well have lived out his rose-tinted life without a hitch. But that changes when he becomes smitten with Jane, a Grey, which is low-caste in this color-centric world. She shows Eddie that all is not well with the world he thinks is just and good. Together, they engage in dangerous revolutionary talk.

    He gets to travel, and he meets interesting people, some of whom are actually pleased to see him.It's good to have a friendly face, you see. At the end.But the end of all things is coming. Charlie's boss and his three associates are riding out, and it's Charlie's job to go before.Sometimes he is sent as a courtesy, sometimes as a warning. He never knows which.