The girl and the beast should never have met, but when they do, a quiet fairytale begins. This is a story of two people--one human, one inhuman--who linger in the hazy twilight that separates night from day.

    Their lives suddenly change with the arrival at their doorstep of a hulking, affable Canadian named Mike Flanagan, who declares himself the widower of Yaichi's estranged gay twin, Ryoji. Mike is on a quest to explore Ryoji's past, and the family reluctantly but dutifully takes him in. What follows is an unprecedented and heartbreaking look at the state of a largely still-closeted Japanese gay culture: how it's been affected by the West, and how the next generation can change the preconceptions about it and prejudices against it.(Please note: This book is a traditional work of manga, and reads back to front and right to left.)

    Natsuru plays hookey from soccer camp that summer, and instead of telling the truth to his mother, he spends all his time with Rio and her kid brother at their rickety house, where a dark secret threatens to upend their fragile happiness.

    Set against the backdrop of the Meiji Restoration, it tells the saga of Himura Kenshin, once an assassin of ferocious power, now a humble rurouni, a wandering swordsman fighting to protect the honor of those in need. A hundred and fifty years ago in Kyoto, amid the flames of revolution, there arose a warrior, an assassin of such ferocious power he was given the title Hitokiri: Manslayer. With his bloodstained blade, Hitokiri Battosai helped close the turbulent Bakumatsu period and end the reign of the shoguns, slashing open the way toward the progressive Meiji Era.  Then he vanished, and with the flow of years became legend. In the 11th year of Meiji, in the middle of Tokyo, the tale begins. Himura Kenshin, a humble rurouni, or wandering swordsman, comes to the aid of Kamiya Kaoru, a young woman struggling to defend her father's school of swordsmanship against attacks by the infamous Hitokiri Battosai. But neither Kenshin nor Battosai are quite what they seem...

    Not for the squeamish or the easily offended, Berserk asks for no quarter - and offers none! His name is Guts, the Black Swordsman, a feared warrior spoken of only in whispers. Bearer of a gigantic sword, an iron hand, and the scars of countless battles and tortures, his flesh is also indelibly marked with The Brand, an unholy symbol that draws the forces of darkness to him and dooms him as their sacrifice. But Guts won't take his fate lying down; he'll cut a crimson swath of carnage through the ranks of the damned - and anyone else foolish enough to oppose him! Accompanied by Puck the Elf, more an annoyance than a companion, Guts relentlessly follows a dark, bloodstained path that leads only to death...or vengeance.

    Legendary cartoonist Yoshihiro Tatsumi is the grandfather of alternative manga for the adult reader. Predating the advent of the literary graphic novel movement in the United States by thirty years, Tatsumi created a library of literary comics that draws parallels with modern prose fiction and today's alternative comics. Designed and edited by one of today's most popular cartoonists, Adrian Tomine, The Push Man and Other Stories is the debut volume in a groundbreaking new series that collects Tatsumi's short stories about Japanese urban life. Tatsumi's stories are simultaneously haunting, disturbing, and darkly humorous, commenting on the interplay between an overwhelming, bustling, crowded modern society and the troubled emotional and sexual life of the individual.

    But before he became a director, he was a manga artist, and Dark Horse is honored to remember Kon with the release of Satoshi Kon’s OPUS,an omnibus collection of a two-volume manga from 1996, created by Kon on the eve of his first film. OPUS contains the mastery of both realism and surrealism that would make Kon famous in Perfect Blue,as a manga artist planning a shocking surprise ending to his story gets literally pulled into his own work—to face for himself what he had planned for his characters!OPUS is Kon's metafictional tale of Chikara Nagai, a creator under pressure to finish his latest graphic novel, Resonance, who finds that the harshest critic of the shock ending he's got planned is the character who'll have to die in it! Nagai's stregths and weaknesses as a creator are tested beyond their limits as his present and his past, and the worlds of the manga and of reality, become the levels of a maze he may never escape... let alone get a chance to resolve the story!

    Her debut title UTSUBORA was being pitched about to a number of editors and at least one person felt it was set to propel her into stardom. However, before she could ever have her book published, the young woman was found dead. Some believe it was a suicide, but those close to her feel there is something more sinister involved in this young talent's death. Aki's death has become something straight out of a mystery. Much like the story behind UTSUBORA, there is something more to Aki, Sakura and their relationship with an author named Mizorogi than meets the eye. And it is possible that the only way to solve this mystery may be to uncover all their secrets.

    Kouno examines the impact that WWII and the dropping of the atomic bomb had on the people of Japan through the eyes of an average woman living in 1955.

    The Man Without Talent, his first book ever to be translated into English, is an unforgiving self-portrait of frustration. Swearing off cartooning as a profession, Tsuge takes on a series of unconventional jobs—used camera salesman, ferryman, and stone collector—hoping to find success among the hucksters, speculators, and deadbeats he does business with.Instead, he fails again and again, unable to provide for his family, earning only their contempt and his own. The result is a dryly funny look at the pitfalls of the creative life, and an off-kilter portrait of modern Japan. Accompanied by an essay from translator Ryan Holmberg that discusses Tsuge’s importance in comics and Japanese literature, The Man Without Talent is one of the great works of comics literature.

    among the living, that is! But all that stuff in college they were told would never pay off - you know, channeling, dowsing, ESP - gives them a direct line to the dead... the dead who are still trapped in their corpses and can't move on to the next reincarnation. The five form the Kurosagi ("Black Heron" - their ominous bird logo) Corpse Delivery Service: whether suicide, murder, accident, or illness, they'll carry your body wherever it needs to go to free your soul! The kids from Kurosagi can smell a customer a mile away - it's a good thing one of the girls majored in embalming!

    But standing in their way is Thorkell, one of the Viking world's most daring warriors. The defeat of a living legend will be a formidable test of Askeladd's cunning and Thorfinn's ruthlessness, and of their ability to set aside personal grudges and fell a common enemy!

    Thriving industrial societies disappeared. The earth is slowly submerging beneath the expanding Sea of Corruption, an enormous toxic forest that creates mutant insects and releases a miasma of poisonous spores into the air. At the periphery of the sea, tiny kingdoms are scattered on tiny parcels of land. Here lies the Valley of the Wind, a kingdom of barely 500 citizens; a nation given fragile protection from the decaying sea's poisons by the ocean breezes; and home to Nausicaä .Nausicaä, a young princess, has an emphatic bond with the giant Ohmu insects and animals of every creed. She fights to create tolerance, understanding and patience among empires that are fighting over the world's remaining precious natural resources.

    Within eighty years of the first outbreak, the male population has fallen by seventy-five percent. Women have taken on all the roles traditionally granted to men, even that of the Shogun. The men, precious providers of life, are carefully protected. And the most beautiful of the men are sent to serve in the Shogun's Inner Chamber...

    He doesn't know who. For ten years he has been confined in a private prison. He doesn't know why. For ten years his only contact with the outside world has been a television set and the voice of his jailers. In time, he lost himself... changed... transformed himself into something else... something hard... something lethal. Suddenly one day, his incarceration ends, again without explanation. He is sedated, stuffed inside a trunk, and dumped in a park. When he awakes, he is free to reclaim what's left of his life... and what's left is revenge.