See the sample for the complete and navigable table of contents.

    A family torn apart. A decision that could change everything.Berlin, 1939. Fourteen year old Simon Horowitz is awash in a world of music. His family owns a superb collection of instruments and at its heart is his father's 1742 Guarneri de Gesu violin. But all is lost when the Nazis march across Europe and Simon and his father and brother are sent to Dachau. Amid unimaginable cruelty and death, Simon finds kindness from an unexpected corner, and a chance to pick up a violin again and a chance to live.In the present day, orchestra conductor Rafael Gomez has seen much in his time on the world's stage, but he finds himself oddly inspired by the playing of an aspiring violin virtuoso, a fantastic talent who is only just fourteen. Then the boy, Daniel Horowitz, suddenly refuses to play another note, and Rafael knows he'll do anything he can to change that. When he learns the boy's family once owned a precious violin, believed to have been lost forever, Rafael thinks he might know exactly how to get Daniel playing again. In taking on the task he discovers a family story like no other that winds from World War II and Communist Russia all the way to Rafael's very own stage.

    There is her lover, Callum Finella, a twenty-year-old Scottish prisoner of war who was brought from the stalag to her family’s farm as forced labor. And there is a twenty-six-year-old Wehrmacht corporal, who the pair know as Manfred–who is, in reality, Uri Singer, a Jew from Germany who managed to escape a train bound for Auschwitz.As they work their way west, they encounter a countryside ravaged by war. Their flight will test both Anna’s and Callum’s love, as well as their friendship with Manfred–assuming any of them even survive. Perhaps not since The English Patient has a novel so deftly captured both the power and poignancy of romance and the terror and tragedy of war. Skillfully portraying the flesh and blood of history, Chris Bohjalian has crafted a rich tapestry that puts a face on one of the twentieth century’s greatest tragedies–while creating, perhaps, a masterpiece that will haunt readers for generations.

    It was a mystery of sorts: a young Jewish girl named Lientje had been taken in during the war by relatives and hidden from the Nazis, handed over by her parents, who understood the danger they were in all too well. The girl had been raised by her foster family as one of their own, but then, well after the war, there was a falling out, and they were no longer in touch. What was the girl's side of the story, Bart wondered? What really happened during the war, and after?So began an investigation that would consume Bart van Es's life, and change it. After some sleuthing, he learned that Lientje was now in her 80s and living in Amsterdam. Somewhat reluctantly, she agreed to meet him, and eventually they struck up a remarkable friendship, even a partnership. The Cut Out Girl braids together a powerful recreation of that intensely harrowing childhood story of Lientje's with the present-day account of Bart's efforts to piece that story together, including bringing some old ghosts back into the light.It is a story rich with contradictions. There is great bravery and generosity--first Lientje's parents, giving up their beloved daughter, and then the Dutch families who face great danger from the Nazi occupation for taking Lientje and other Jewish children in. And there are more mundane sacrifices a family under brutal occupation must make to provide for even the family they already have. But tidy Holland also must face a darker truth, namely that it was more cooperative in rounding up its Jews for the Nazis than any other Western European country; that is part of Lientje's story too. Her time in hiding was made much more terrifying by the energetic efforts of the local Dutch authorities, zealous accomplices in the mission of sending every Jew, man, woman and child, East to their extermination. And Lientje was not always particularly well treated, and sometimes, Bart learned, she was very badly treated indeed.The Cut Out Girl is an astonishment, a deeply moving reckoning with a young girl's struggle for survival during war, a story about the powerful love of foster families but also the powerful challenges, and about the ways our most painful experiences define us but also can be redefined, on a more honest level, even many years after the fact. A triumph of subtlety, decency and unflinching observation, The Cut Out Girl is a triumphant marriage of many keys of writing, ultimately blending them into an extraordinary new harmony, and a deeper truth.

    The characters in Infidelities––soldiers and civilians alike––are caught in the ridiculous, often cruelly whimsical contradictions of war and the paranoia and folly of those who conduct it. In "Ribs," a Croatian woman whose husband has already been taken by the war will go to any length to keep her son out of the army, including sleeping with the draft officer, a tryst that leads to an unexpected, and disturbing, spiritual vision. A Buddhist soldier in the Bosnian Muslim military isly accused of being an informer to the enemy Serbs after his detachment ambushes itself in "Hail." A draft dodger is in the hospital for a transplant, in "A Purple Heart," when a high–ranking Croatian general steals the heart for himself (and dies) while the dodger suddenly discovers a new thirst for life. In "Spleen," a Bosnian émigré in America learns that even in the throes of passion she cannot find release from the haunting memories of her homeland.These stories cover a broad sweep of time, reaching back to the first shots of World War I in Sarajevo and forward to the plight of Balkan immigrants in contemporary America. Throughout, acts of compassion, gallows humour, even desire arise from a landscape devastated by tragedy.

    She is a slave to the Roman Empire, but unlike most slaves, she has a rare, special talent; Liviana has a medical education, one she uses to tend to the wounds of the performing gladiators, including the cuts and bruises of a man she comes to find irresistible, Servius. That same day, however, Liviana is summoned to the Emperor's Palace urgently! Assuming that a mere aide or servant requires her medical knowledge, she's astonished to find the Emperor himself desperately in need of a healer's touch! As the weeks go on, slave and emperor become better acquainted, and they're soon united in a stormy, forbidden affair! But how will Liviana reconcile her feelings for her fellow slave Servius, especially as she learns he may have been mortally wounded? This steamy 15,000 word novelette is the first installment of Bethany Rousseau's thrilling historical erotic romance series, Bound To The Emperor. Intended for an adult audience, this enthralling tale follows a strong, beautiful, and enslaved young healer, caught between two men; one the intensely powerful Emperor, and the other a silently assertive gladiator, fearing the consequences of over treading the fine line between them both! Pick up a copy today!

    For grades 8-12.Featured book is about a searing personal memoir of a boy who lived through the horrors of Auschwitz and Buchenwald, a witness to the evils of the Nazi regime.

    There about 270 men and women await their future and try to recover from their past. Diamant with infinite compassion and understanding tells the stories of the women gathered in this place. Shayndel is a Polish Zionist who fought the Germans with a band of partisans. Leonie is a Parisian beauty. Tedi is Dutch a strapping blond who wants only to forget. Zorah survived Auschwitz. Haunted by unspeakable memories and too many losses to bear these young women along with a stunning cast of supporting characters who work in or pass through Atlit begin to find salvation in the bonds of friendship and shared experience as they confront the challenge of re-creating themselves and discovering a way to live again.

    Restless and unable to sleep, she wanders through her parents' house, revisiting the scenes of her childhood. In a cupboard drawer, folded and pushed away from sight, she finds a sepia photograph of her grandmother, Hanna, whom she remembers as old and forbidding, a silent stranger enveloped in a huge pleated black dress. Now, looking at the features Anna recognises as her own, she realises she is looking at a different woman from the one of her memory. Set against the majestic isolation of the Scandinavian lakes and mountains, this is more than a story of three Swedish women. It is a moving testament of a time forgotten and an epic romance in every sense of the word.

    Christians serving Hitler? Never before undertaken in a novel, 'The Seduction of Eva Volk' explores the reality of this no-so-simple paradox from the German point of view.Through the eyes of young Eva Volk, the alluring charm of the Hitler movement is personified in a lover. Desperately seeking wholeness in her broken world, she is quickly swept away by the passions of love and war...until she finds herself facing the consequences of blindness. Her's is a story that serves as a warning to us all.

    "I wonder how the book got to Guernsey? Perhaps there is some sort of secret homing instinct in books that brings them to their perfect readers." January 1946: London is emerging from the shadow of the Second World War, and writer Juliet Ashton is looking for her next book subject. Who could imagine that she would find it in a letter from a man she's never met, a native of the island of Guernsey, who has come across her name written inside a book by Charles Lamb...As Juliet and her new correspondent exchange letters, Juliet is drawn into the world of this man and his friends—and what a wonderfully eccentric world it is. The Guernsey Literary and Potato Peel Pie Society—born as a spur-of-the-moment alibi when its members were discovered breaking curfew by the Germans occupying their island—boasts a charming, funny, deeply human cast of characters, from pig farmers to phrenologists, literature lovers all.Juliet begins a remarkable correspondence with the society's members, learning about their island, their taste in books, and the impact the recent German occupation has had on their lives. Captivated by their stories, she sets sail for Guernsey, and what she finds will change her forever.Written with warmth and humor as a series of letters, this novel is a celebration of the written word in all its guises and of finding connection in the most surprising ways.

    On New Year’s Eve he shares a bottle of champagne with his wife, and when he drops it, she warns him that he has suffered an omen of ill-luck.

    

    Norris and Goodbye to Berlin, which make up The Berlin Stories are recognized today as classics of modern fiction.A charming city of avenues and cafés, a grotesque city of night-people and fantasts, a dangerous city of vice and intrigue, a powerful city of millionaires and mobs - all this was Berlin in 1931, the period when Hitler was beginning his move to power.Here are Mr. Norris, the improbable old debauchee mysteriously caught in the struggle between Nazis and Communists; plump Fräulein Schroeder, who thinks an operation to reduce the scale of her Büste might relieve her heart palpitations; the Landauers, a distinguished and doomed Jewish family; Sally Bowles, whose misadventures in the demimonde were popularized on the American stage and screen by Julie Harris in "I Am a Camera" and by Liza Minelli in "Cabaret."

    Or so the story runs-it was in the early days of settlement and the town had never heard of the Sobbin' Women then. But it opened its eyes one day, and there were the Pontipees. They were there but they didn't stay long-just time enough to buy meal and get a new shoe for the lead horse. You couldn't call them unsociable, exactly-they seemed to be sociable enough among themselves. But you could tell, somehow, from the look of them, that they weren't going to settle on ground other people had cleared. They were all high-colored and dark-haired-handsome with a wilderness handsomeness-and when you got them all together, they looked more like a tribe or a nation than an ordinary family. I don't know how they gave folks that feeling, but they did. Yes, even the baby, when the town women tried to handle him. He was a fine, healthy baby, but they said it was like trying to pet a young raccoon. Well, that was all there was to it, at the start. They paid for what they bought in good money and drove on up into Sobbin' Women Valley-only it wasn't called Sobbin' Women Valley then. And pretty soon, there was smoke from a chimney there that hadn't been there before. But you know what town gossip is when it gets started. The Pontipees were willing enough to let other folks alone-in fact, that was what they wanted. But, because it was what they wanted, the town couldn't see why they wanted it. Towns get that way, sometimes.