Cloud tells the haunting story of a young man who narrowly survives a terrible car wreck that kills his little brother. Years later, the brothers’ bond remains so strong that it transcends the normal boundaries separating life and death. Charlie St. Cloud lives in a snug New England fishing village. By day he tends the lawns and monuments of the ancient cemetery where his younger brother, Sam, is buried. Graced with an extraordinary gift after surviving the accident, he can still see, talk, and even play catch with Sam’s spirit. But townsfolk whisper that Charlie has never recovered from his loss.Into his carefully ordered life comes Tess Carroll, a captivating, adventuresome woman training for a solo sailing trip around the globe. Fate steers her boat into a treacherous storm that blows her back to harbor, to a charged encounter with Charlie, and to a surprise more overwhelming than the violent sea itself. Charlie and Tess discover a beautiful and uncommon connection that leads to a race against time and a desperate choice between death and life, between the past and the future, between holding on and letting go.Luminous, soulful, and filled with unforgettable characters, The Death and Life of Charlie St. Cloud is one of those rare, wise books that reveal the mysteries of the unseen world around us, gently transforming the worst pain of loss into hope, healing, and even laughter. Suspenseful and deeply moving, its startling climax reminds us that sometimes tragedies can bring about miracles if we simply open our hearts.

    But when she walks into a Dallas art studio in search of a job, she doesn’t expect to become deeply attracted to the studio’s enigmatic artist, Owen Gentry.For once, Auburn takes a chance and puts her heart in control, only to discover that Owen is hiding a huge secret. The magnitude of his past threatens to destroy everything Auburn loves most, and the only way to get her life back on track is to cut Owen out of it—but can she do it?

    Rachel has always been the consummate good girl—until her thirtieth birthday, when her best friend, Darcy, throws her a party. That night, after too many drinks, Rachel ends up in bed with Darcy's fiancé. Although she wakes up determined to put the one-night fling behind her, Rachel is horrified to discover that she has genuine feelings for the one guy she should run from. As the September wedding date nears, Rachel knows she has to make a choice. In doing so, she discovers that the lines between right and wrong can be blurry, endings aren't always neat, and sometimes you have to risk all to win true happiness. Something Borrowed is a phenomenal debut novel that will have you laughing, crying, and calling your best friend.

    It is a saga, as well. A saga must have a hero, and the hero of this one is a janitor with a missing bottle. The bottle is blue, very, very old, and embossed with the image of a goat-horned god. If the liquid in the bottle is actually is the secret essence of the universe, as some folks seem to think, it had better be discovered soon because it is leaking and there is only a drop or two left.

    In the Bible, her life is only hinted at in a brief and violent detour within the more familiar chapters of the Book of Genesis that are about her father, Jacob, and his dozen sons. Told in Dinah's voice, this novel reveals the traditions and turmoils of ancient womanhood—the world of the red tent. It begins with the story of her mothers—Leah, Rachel, Zilpah, and Bilhah—the four wives of Jacob. They love Dinah and give her gifts that sustain her through a hard-working youth, a calling to midwifery, and a new home in a foreign land. Dinah's story reaches out from a remarkable period of early history and creates an intimate connection with the past. Deeply affecting, The Red Tent combines rich storytelling with a valuable achievement in modern fiction: a new view of biblical women's society.

    They own vast lands and profitable businesses, they employ their neighbors, and they influence the government. A prolific and eccentric group, they include several millionaires, a mass murderer, a spiritual seeker who climbs into the mountains looking for God, a wealthy noctambulist who dies of a chicken scratch.Bellefleur traces the lives of several generations of this unusual family. At its center is Gideon Bellefleur and his imperious, somewhat psychic, very beautiful wife, Leah, their three children (one with frightening psychic abilities), and the servants and relatives, living and dead, who inhabit the mansion and its environs. Their story offers a profound look at the world's changeableness, time and eternity, space and soul, pride and physicality versus love. Bellefleur is an allegory of caritas versus cupiditas, love and selflessness versus pride and selfishness. It is a novel of change, baffling complexity, mystery.Written with a voluptuousness and startling immediacy that transcends Joyce Carol Oates's early works, Bellefleur is widely regarded as a masterwork—a feat of literary genius.

    When Lily's fierce-hearted black "stand-in mother," Rosaleen, insults three of the deepest racists in town, Lily decides to spring them both free. They escape to Tiburon, South Carolina--a town that holds the secret to her mother's past. Taken in by an eccentric trio of black beekeeping sisters, Lily is introduced to their mesmerizing world of bees and honey, and the Black Madonna. This is a remarkable novel about divine female power, a story women will share and pass on to their daughters for years to come.

    But when he sets out to find the author's other works, he makes a shocking discovery: someone has been systematically destroying every copy of every book Carax has written. In fact, Daniel may have the last of Carax's books in existence. Soon Daniel's seemingly innocent quest opens a door into one of Barcelona's darkest secrets--an epic story of murder, madness, and doomed love.--back cover

    Now, very pregnant and not quite married, she actually doesn’t mind that she and her live-in fiancé, Dean, accidentally started their family a little earlier than planned; she’s happy to have so much to look forward to. But Dean–whom Jenny loves enough to overlook his bad facial hair, his smoking habit, and his total commitment to a cheesy cover band–is acting distant, and not in a pre-wedding-jitters kind of way. The night he runs out for cigarettes and just doesn’t come back, he demotes himself from future husband to sperm donor.And the very next day, Jenny goes into labor.In the months that follow, Jenny plunges into a life she never anticipated: single motherhood. At least with the sleep deprivation, sore boobs, and fits of crying (both hers and the baby’s), there’s not much time to dwell on her broken heart. And things start looking up. She learns how to do everything one-handed, makes friends in a mommy group, and even manages to give dating tips to her sweet, clueless father–who’s trying to court her sassy mother again, fifteen years after their divorce. She also gets to know a handsome, helpful neighbor–with a knack for soothing babies–who invites her out dancing. But Dean is never far from Jenny’s thoughts or, it turns out, her doorstep, and in the end Jenny must choose between the old life she thought she wanted and the new life she’s been lucky to find.A spirited debut novel with a terrifically appealing voice, a fantastic sense of humor, and a lot of heart, The Bright Side of Disaster reminds us that sometimes it takes the worst-case scenario to show us the best in everything.From the Hardcover edition.

    Heartbroken at his death, she travels to his childhood home to spread his ashes. There, overcome with memories of the man she adored and consumed by a history she never knew, she is pulled into another time.The Ireland of 1921, teetering on the edge of war, is a dangerous place in which to awaken. But there Anne finds herself, hurt, disoriented, and under the care of Dr. Thomas Smith, guardian to a young boy who is oddly familiar. Mistaken for the boy’s long-missing mother, Anne adopts her identity, convinced the woman’s disappearance is connected to her own.As tensions rise, Thomas joins the struggle for Ireland’s independence and Anne is drawn into the conflict beside him. Caught between history and her heart, she must decide whether she’s willing to let go of the life she knew for a love she never thought she’d find. But in the end, is the choice actually hers to make?

    It’s 1964 in idyllic Zephyr, Alabama. People either work for the paper mill up the Tecumseh River, or for the local dairy. It’s a simple life, but it stirs the impressionable imagination of twelve-year-old aspiring writer Cory Mackenson. He’s certain he’s sensed spirits whispering in the churchyard. He’s heard of the weird bootleggers who lurk in the dark outside of town. He’s seen a flood leave Main Street crawling with snakes. Cory thrills to all of it as only a young boy can.   Then one morning, while accompanying his father on his milk route, he sees a car careen off the road and slowly sink into fathomless Saxon’s Lake. His father dives into the icy water to rescue the driver, and finds a beaten corpse, naked and handcuffed to the steering wheel—a copper wire tightened around the stranger’s neck. In time, the townsfolk seem to forget all about the unsolved murder. But Cory and his father can’t.   Their search for the truth is a journey into a world where innocence and evil collide. What lies before them is the stuff of fear and awe, magic and madness, fantasy and reality. As Cory wades into the deep end of Zephyr and all its mysteries, he’ll discover that while the pleasures of childish things fade away, growing up can be a strange and beautiful ride.   “Strongly echoing the childhood-elegies of King and Bradbury, and every bit their equal,” Boy’s Life, a winner of both the Bram Stoker and World Fantasy Awards, represents a brilliant blend of mystery and rich atmosphere, the finest work of one of today’s most accomplished writers (Kirkus Reviews).

    For generations, the Sawtelles have raised and trained a fictional breed of dog whose thoughtful companionship is epitomized by Almondine, Edgar's lifelong friend and ally. But with the unexpected return of Claude, Edgar's paternal uncle, turmoil consumes the Sawtelles' once peaceful home. When Edgar's father dies suddenly, Claude insinuates himself into the life of the farm—and into Edgar's mother's affections. Grief-stricken and bewildered, Edgar tries to prove Claude played a role in his father's death, but his plan backfires—spectacularly. Forced to flee into the vast wilderness lying beyond the farm, Edgar comes of age in the wild, fighting for his survival and that of the three yearling dogs who follow him. But his need to face his father's murderer and his devotion to the Sawtelle dogs turn Edgar ever homeward. David Wroblewski is a master storyteller, and his breathtaking scenes—the elemental north woods, the sweep of seasons, an iconic American barn, a fateful vision rendered in the falling rain—create a riveting family saga, a brilliant exploration of the limits of language, and a compulsively readable modern classic.

    She feels lost in social situations, saying the wrong thing or acting the wrong way. She just can't read people. She prefers the quiet solitude of books or playing chess to being around others. Apart from Jonathan. She liked being around him, but she hasn't seen him for ten years. Until now that is. And she's not sure he'll want to see her again after what happened all those years ago. Annika Rose likes being alone.Except that, actually, she doesn't like being alone at all.The Girl He Used to Know is an uplifting novel full of surprising revelations that keep you turning the page. Perfect for fans of Jojo Moyes, Gail Honeyman, Jill Santopolo and Sliding Doors.

    Through her vivacious and spirited heroines and their circle, she paints vivid portraits of English middle-class life as the eighteenth century came to a close. Each of the novels is a love story and a story about marriage — marriage for love, for financial security, for social status. But they are not mere romances; ironic, comic and wise, they are masterly studies of the society Jane Austen observed. The seven novels in this volume contain some of the most brilliant, dazzling prose in the English language.--back coverEmma / Lady Susan / Mansfield Park / Northanger Abbey / Persuasion / Pride and Prejudice / Sense and Sensibility

    As night turns to day, it becomes frighteningly clear to Mary that he is gone. Through the years, disappointment and worry have brought Mary's life to a standstill, and she has let her universe shrink to the well-worn path from the bedroom to the refrigerator. But her husband's disappearance startles her out of her inertia, and she begins a desperate search. For the first time in her life, she boards a plane and flies across the country to find her lost husband. So used to hiding from the world, Mary finds that in the bright sun and broad vistas of California, she is forced to look up from the pavement. And what she finds fills her with inner strength she's never felt before. Through it all, Mary not only finds kindred spirits, but reunites with a more intimate stranger no longer sequestered by fear and habit: herself.