Would she have made it on her own? Who knows, even with Livia’s remarkable resilience which she still exhibits today in her nineties. It was Rose, with her desire to protect Livia and her instincts for survival that kept them, time and time again, from the many dangers which could have cost both of them their lives. From the moment they were on the transport to Auschwitz, and then saw their mother, along with Rose’s little son taken away and sent to the gas chambers, it was Rose who seem to anticipate what lay ahead. Maybe it was an extra morsel of food that could be obtained or an article of warm clothing. Rose always came through, even at great risk. Two Sisters is so much more than a story of survival during the Holocaust. It is the beautiful portrayal of a young girl―and later young woman―coming of age in rural Romania. Her academic achievements, schoolgirl crushes, and family life are all explored, revealed in detail for all of us. Carefully written and beautifully crafted, it serves as an extraordinary example of the power of the memoir in Holocaust understanding.

    In "Fracture: Life and Culture in the West, 1918-1938", critically acclaimed historian Philipp Blom argues that, amid this uncertainty, Europeans and Americans directed their energies inwards toward aesthetic and intellectual self-discovery. Europe produced strange new brands of art, science, and spirituality—such as Surrealism and Art Deco—while flocking to exciting but dangerous new ideologies including communism and fascism. In America, the Harlem Renaissance marked the flourishing of black culture, and flappers sparked new thinking about the place of women in society. Yet undercurrents of racial and class conflict were pronounced, fueled by immigration quotas and the poverty of the Dust Bowl."Fracture: Life and Culture in the West, 1918-1938" is a sweeping evocation of the tumultuous interwar period, and the sublime cultural movements and terrifying ideologies it spawned.

    Abram and Julia Bobrow escaped from the Nazi death squads and fled to the vast forests of Byelorussia where they learned to survive with little food, shelter or warm clothing. Finally adapting to the severe conditions, they began to do little things like cutting telephone wires or tearing up railroad tracks. Still, they were never more than one step ahead of the SS and their auxiliaries—units bent on destroying the partisan movement and ridding Europe of its Jewish population. Most partisan groups were made up of Soviet soldiers and they wouldn't accept anyone who didn't have their own weapons. Julia was lucky and was accepted to a Russian group as a nurse; Abram’s group consisted of himself, his brother Label and his father. They had a sawed-off rifle and one pistol with six bullets. Abram and Label used their first two bullets to kill two peasants that had turned in their aunt and her children for blood money. The story is told in Abram's own words.

    Max is a British Territorial soldier and Zia is a Jewess from the south of France. Zia's grandmother is a wealthy socialite who owns a painting that could embarrass the Nazis. Zia is kidnapped by the Gestapo and Max is hospitalised on the same day. He awakes to find no trace of his beloved who he had planned to marry in England. The Red Cross reported that it was almost certain that Zia was trafficked across the border and delivered to Sachsenhausen Labour Camp at Oranienburg, not far from Berlin on the night of May 26th, 1939. A criminal act, regardless of the forthcoming war. The first warring Germans to step over the border onto French soil did not do so until May 13th, 1940. The Gestapo had kidnapped her 343 days before they attacked France.June 6th, 1944 - four years later, Max is one of 150,000 Allied troops headed towards the Normandy beaches. He has two options - find the woman he could never forget or kill the people responsible for her death. From the very beginning, Berlin had ordered SS Hauptsturmführer Dieter Baumann to deal harshly with their VIP captive but never to kill her. Through three concentration camps, ending in Auschwitz, Zia wishes she had been killed many times over. Traumatized, she has no idea that Max and a few unlikely friends are battling their way through Nazi occupied Europe in a crazy attempt to rescue her. Berlin tries one last ploy to get their hands on her grandmother's painting. Zia's life hangs in the balance when Max meets his own personal nemesis in the guise of an undercover Gestapo officer. This novel explores the dark depths that humans can sink to in times of war. It is for adults only and even then; it is not for readers of a sensitive disposition. Whatever you read in this novel of extraordinary graphic Holocaust content, consider this – it was immeasurably worse, a hundred thousand times so.

    Within are some of the most senior officers of the Allied army, guarded by almost two hundred Italian soldiers and a vicious fascist commando who answers directly to "Il Duce" Mussolini himself. Their unbelievable escape, told by Mark Felton in Castle of the Eagles, is a little-known marvel of World War II.By March 1943, the plan is ready: this extraordinary assemblage of middle-aged POWs has crafted civilian clothes, forged identity papers, gathered rations, and even constructed dummies to place in their beds, all in preparation for the moment they step into the tunnel they have been digging for six months.How they got to this point and what happens after is a story that reads like fiction, supported by an eccentric cast of characters, but is nonetheless true to its core.

    Manifestoes of Surrealism is a book by André Breton, describing the aims, meaning, and political position of the Surrealist movement.The translators of this edition were finalists of the 1970 National Book Awards in the category of translation.

    The first two - the French Revolution and the Industrial Revolution - have inspired the greatest volume of literature. But the third - the romantic revolution - was perhaps the most fundamental and far-reaching.From Byron, Wordsworth, Coleridge and Burns, to Beethoven, Wagner, Berlioz, Rossini and Liszt, to Goya, Turner, Delacroix and Blake, the romantics brought about nothing less than a revolution when they tore up the artistic rule book of the old regime. This was the period in which art acquired its modern meaning; for the first time the creator, rather than the created, took centre-stage. Artists became the high priests of a new religion, and as the concert hall and gallery came to take the place of the church, the public found a new subject worthy of veneration in paintings, poetry and music. Tim Blanning's wide-ranging survey traces the roots and evolution of a cultural revolution whose reverberations continue to be felt today.

    He waits with the German war machine for the order from Adolf Hitler to start the western Blitzkrieg--the "lightning war."Six hundred kilometers away, WWI veteran René Legrand plows his fields. He is enjoying the life he has made with his wife and two sons in the peaceful village of Sainte-Mère-Église. Since the end of the last war, he has tried to forget the atrocities he'd witnessed. Most of all, he has tried to forget the horrors he inflicted on others as the deadliest assassin the French Army has ever known, unaware he will soon need the skills of war he once used to perfection.His youngest son, Jean-Pierre, lives the life of a typical thirteen-year-old. He attends school, helps his father in the fields, and tries not to be nervous around the mesmerizing Angelique Lapierre. Events will soon force him to become a man, and along with his father, brother, and a small group of citizens, they harass their German occupiers and help the Allies prepare for the D-Day invasion.Guilty of nothing other than being a Jew, Jean-Pierre's best friend, Alfred Shapiro, flees to Spain with his family. They hope to make it through the treacherous Pyrenees Mountains before the Nazis capture them.Working with the French Resistance, Gabrielle Hall uses her beauty and cunning to obtain military intelligence from the Nazi officers who frequent her café.In Fort Benning, Georgia, Captain James Gavin discusses a plan with Major William Lee to begin the U.S. Army's first parachute brigade. Four years later, General "Jumpin' Jim" Gavin will descend through the night sky and into Normandy, France, along with the greatest invasion force the world has ever seen.These and others are the heroes of Sainte-Mère-Église.

    Defines and explains various concepts regarding the painter's intentions in order to provide a basis for understanding of a work of art.

    War Refugee Board, arrives in Rome at war’s end, determined to bring aid to the destitute European Jews streaming into the city. Marguerite d’Erasmo, a French-Italian Red Cross worker with a shadowed past, is initially Warburg’s guide to a complicated Rome; while a charismatic young American Catholic priest, Monsignor Kevin Deane, seems equally committed to aiding Italian Jews. But the city is a labyrinth of desperate fugitives, runaway Nazis, Jewish resisters, and criminal Church figures. Marguerite, caught between justice and revenge, is forced to play a double game. At the center of the maze, Warburg discovers one of history’s great scandals—the Vatican ratline, a clandestine escape route maintained by Church officials and providing scores of Nazi war criminals with secret passage to Argentina. Warburg’s disillusionment is complete when, turning to American intelligence officials, he learns that the dark secret is not so secret, and that even those he trusts may betray him.James Carroll delivers an authoritative, stirring novel that reckons powerfully with the postwar complexities of good and evil in the Eternal City.

    publication of Simon Watson Taylor's authoritative translation, completed after consultations with the author. Unconventional in form--Aragon consciously avoided recognizable narration or character development--Paris Peasant is, in the author's words, -a mythology of the modern.- The book uses the city of Paris as a stage, or framework, and Aragon interweaves his text with images of related ephemera: cafe menus, maps, inscriptions on monuments and newspaper clippings. A detailed description of a Parisian arcade (nineteenth-century precursor to the mini-mall) and another of the Buttes-Chaumont park, are among the great set pieces within Aragon's swirling prose of philosophy, dream and satire. Andre Breton wrote of this work: -no one could have been a more astute detector of the unwonted in all its forms; no one else could have been carried away by such intoxicating reveries about a sort of secret life of the city. . . .-

    But this is Nazi Germany in 1933, and things like love don’t count for much any more. Netanel Rosenberg never expected Marie Helder to stand by him. He told her not to, it was too dangerous. She should forget about him. Even when he is the last Jew left in the town, hiding away in secret, still she will not abandon him. Her last words to him, when he is finally discovered: “Whatever happens, don’t give up – live for me.” Through the nightmare of the holocaust, Netanel clings to the promise he made her. But neither he or Marie can imagine what fate has in store for each of them – and what they will have to do to keep their promise to each other.

    Inspired by the order and beauty inherent in nature, his groundbreaking work sets out the principles of distance, dimension and proportion; instructs the painter on how to use the rules of composition, representation, light and colour to create work that is graceful and pleasing to the eye; and stipulates the moral and artistic pre-requisites of the successful painter. On Painting had an immediate and profound influence on Italian Renaissance artists including Ghiberti, Fra Angelico and Veneziano and on later figures such as Leonardo da Vinci, and remains a compelling theory of art.

    Soon, she finds herself sitting before Leonardo da Vinci, who wants to ensure his own place in the ducal palace by painting his most ambitious portrait to date.Munich, World War II: After a modest conservator unwittingly places a priceless Italian Renaissance portrait into the hands of a high-ranking Nazi leader, she risks her life to recover it, working with an American soldier, part of the famed Monuments Men team, to get it back. Two women, separated by 500 years, are swept up in the tide of history as one painting stands at the center of their quests for their own destinies.

    He also imagines conversations between Hercules and Atlas, Nature and an Icelander, and the Earth and the Moon, as well as producing a simple essay praising the humble bird.