Two siblings divided by fate.Italy, 1938. Mussolini is in power and war is not far away . . .Clara and Pippo are just children: quiet, thoughtful Clara is the older sister, Pippo the younger brother is forever chatting. The family has only recently arrived in the city carrying their few possessions.When Mamma goes missing early one morning, both Clara and Pippo go in search of her. Clara turns right; Pippo, left.As a result of the choices they make that morning, their lives will be changed forever.Diana Rosie’s Pippo and Clara tells the story of a family and a country divided. But will Clara and Pippo – and their mother – find each other again?

    he is later found in a vegetative state at a railway station, where an old rag-picker takes him to his home where Mumukshu gradually recovers.Eventually, the old man dies leaving Mumukshu alone once again. slowly Mumukshu realizes that the old man was much wiser than what he appeared to be. he soon starts teaching the slum children from where he is eventually invited to serve in well known NGO.With his focus and dedication, Mumukshu becomes a well - known personality, yet he still feels a void inside him. One day almost 25 years post fateful incident of his wife's demise, Mumukshu meets tara, a young reporter, who constantly reminds him of his late wife. As the bond between the two grows, Mumukshu must find out the truth behind the same and decode the mysteries of life as he stands at the crossroads once again.About the Author:Niles is a writer, a poet a philanthropist but most importantly a seeker. His first book " Ladakh: Chronicles from the land of lamas " which was published in 2009. "Beyond The Night. Before the Dawn" is an attempt from him to share his experiences and learnings through the aid of a comprehensible fictional narrative of love story stretching beyond life.

     The true account of a teenage soldier in World War 2 Germany. Germany, 1945. Ever since Anton Kohler first heard the vibrant sound of the violin, he’s dreamed of mastering the instrument. But when his father dies, the fifteen-year-old must give up his passion to support his seven younger siblings. As the Russian army marches closer to his hometown, Anton and his best friend Gerhard are pulled from their families and forced to help defend their home in a last desperate stand. When Anton witnesses the slaughter of concentration camp prisoners, he vows to escape the war and find a way home to his family and his girl, Luise. In the chaos of impending defeat, Anton is torn between his promise to protect the life of his best friend and his desire to survive the war with his conscience intact. Based on a true account, this coming-of-age story set in the last turbulent months of World War 2, Germany, is a tale of love and friendship, of hope and loss. Read When the War is Over now to experience the poignant journey of a teenage soldier.

    Nazism was finished in the bunker in Berlin and its death warrant signed on the bench at Nuremberg.”   That’s Milton Mayer, writing in a foreword to the 1966 edition of They Thought They Were Free. He’s right about the critics: the book was a finalist for the National Book Award in 1956. General readers may have been slower to take notice, but over time they did—what we’ve seen over decades is that any time people, across the political spectrum, start to feel that freedom is threatened, the book experiences a ripple of word-of-mouth interest. And that interest has never been more prominent or potent than what we’ve seen in the past year.  They Thought They Were Free is an eloquent and provocative examination of the development of fascism in Germany. Mayer’s book is a study of ten Germans and their lives from 1933-45, based on interviews he conducted after the war when he lived in Germany. Mayer had a position as a research professor at the University of Frankfurt and lived in a nearby small Hessian town which he disguised with the name “Kronenberg.” “These ten men were not men of distinction,” Mayer noted, but they had been members of the Nazi Party; Mayer wanted to discover what had made them Nazis. His discussions with them of Nazism, the rise of the Reich, and mass complicity with evil became the backbone of this book, an indictment of the ordinary German that is all the more powerful for its refusal to let the rest of us pretend that our moment, our society, our country are fundamentally immune.   A new foreword to this edition by eminent historian of the Reich Richard J. Evans puts the book in historical and contemporary context. We live in an age of fervid politics and hyperbolic rhetoric. They Thought They Were Free cuts through that, revealing instead the slow, quiet accretions of change, complicity, and abdication of moral authority that quietly mark the rise of evil.

    Bob Altemeyer—author of Atheists and The Authoritarian Specter —gives a readable analysis of the nature of authoritarianism and its current impact on American politics.Full text available at theauthoritarians.org.

    Against the background of an age which saw the rebirth of ancient and classical learning - of humanism which penetrated and explored the arts and sciences and the 'dark' knowledge of alchemy, astrology, and numerology - Paul Strathern explores the intensely dramatic rise and fall of the Medici family in Florence, as well as the Italian Renaissance which they did so much to sponsor and encourage. Interwoven into the narrative are the lives of many of the great Renaissance artists with whom the Medici had dealings, including Leonardo, Michelangelo and Donatello, as well as scientists like Galileo and Pico della Mirandola, both of whom clashed with the religious authorities. In this enthralling study, Paul Strathern also follows the fortunes of those members of the Medici family who achieved success away from Florence, including the two Medici popes and Catherine de' Médicis who became Queen of France and played a major role in that country through three turbulent reigns. Vivid and accessible, the book ends with the gloriously decadent decline of the Medici family in Florence as they strove to be recognised as European Princes.

    Will Sarah’s strong will and determination be enough for her to survive when everything she loves is taken from her? Part memoir, part fiction, What She Lost is the reimagined true-life story of the author’s grandmother growing into a woman amid the anguish of the Holocaust. It is a tale of resilience, of rebuilding a life, and of rediscovering love. About the Author Melissa W. Hunter is an author and blogger from Cincinnati, Ohio. She studied creative writing and journalism at the University of Cincinnati, receiving a BA in English literature and a minor in Judaic studies. She received the English Department’s Undergraduate Essay Award and Undergraduate Fiction Award over two consecutive years. In her senior year, she received a grant to study and write about the Holocaust at the United States Holocaust Museum in Washington, DC. Her articles have been published on Kveller.com and LiteraryMama.com, and her short stories have appeared in the Jewish Literary Journal. She is a contributing blogger to the Today Show parenting community, and her novella Through a Mirror Clear was published as a serial installment on TheSame.blog, an online literary journal written for women by women. Her novel What She Lost is inspired by her grandmother’s life as a Holocaust survivor. When not writing, Melissa loves spending family time with her husband and two beautiful daughters.

    We see Leonardo, having just completed The Last Supper, and being celebrated by all of Florence for his miraculous portrait of the wife of a textile manufacturer. That painting—the Mona Lisa—being called the most lifelike anyone had ever seen yet, more divine than human, was captivating the entire Florentine Republic.And Michelangelo, completing a commissioned statue of David, the first colossus of the Renaissance, the archetype hero for the Republic epitomizing the triumph of the weak over the strong, helping to reshape the public identity of the city of Florence and conquer its heart.In The Lost Battles, published in England to great acclaim (“Superb”—The Observer; “Beguilingly written”—The Guardian), Jonathan Jones brilliantly sets the scene of the time—the politics; the world of art and artisans; and the shifting, agitated cultural landscape. We see Florence, a city freed from the oppressive reach of the Medicis, lurching from one crisis to another, trying to protect its liberty in an Italy descending into chaos, with the new head of the Republic in search of a metaphor that will make clear the glory that is Florence, and seeing in the commissioned paintings the expression of his vision.Jones reconstructs the paintings that Leonardo and Michelangelo undertook—Leonardo’s Battle of Anghiari, a nightmare seen in the eyes of the warrior (it became the first modern depiction of the disenchantment of war) and Michelangelo’s Battle of Cascina, a call to arms and the first great transfiguration of the erotic into art. Jones writes about the competition; how it unfolded and became the defining moment in the transformation of “craftsman” to “artist”; why the Florentine government began to fall out of love with one artist in favor of the other; and how—and why—in a competition that had no formal prize to clearly resolve the outcome, the battle became one for the hearts and minds of the Florentine Republic, with Michelangelo setting out to prove that his work, not Leonardo’s, embodied the future of art. Finally, we see how the result of the competition went on to shape a generation of narrative paintings, beginning with those of Raphael.A riveting exploration into one of history’s most resonant exchanges of ideas, a rich, fascinating book that gives us a whole new understanding of an age and those at its center.

    In a world beset by critical problems and ambiguous boundaries, Fred Ritchin argues that it is time to begin energetically exploring the possibilities created by digital innovations and to use them to better understand our rapidly changing world.Ritchin—one of our most influential commentators on photography—investigates the future of visual media as the digital revolution transforms images into a hypertextual medium, fundamentally changing the way we conceptualize the world. Simultaneously, the increased manipulation of photographs makes photography suspect as reliable documentation, raising questions about its role in recounting personal and public histories. In the tradition of John Berger and Susan Sontag, Ritchin analyzes photography's failings and reveals untapped potentials for the medium.

    

    In the Inferno, Dante not only judges sin but strives to understand it so that the reader can as well. With this major new translation, Anthony Esolen has succeeded brilliantly in marrying sense with sound, poetry with meaning, capturing both the poem’s line-by-line vigor and its allegorically and philosophically exacting structure, yielding an Inferno that will be as popular with general readers as with teachers and students. For, as Dante insists, without a trace of sentimentality or intellectual compromise, even Hell is a work of divine art.Esolen also provides a critical Introduction and endnotes, plus appendices containing Dante’s most important sources—from Virgil to Saint Thomas Aquinas and other Catholic theologians—that deftly illuminate the religious universe the poet inhabited.

    They died only a few miles apart and yet there cannot be a bigger contrast between their legacies. Edward had been born into poverty in west London on the eve of the twentieth century, had a job washing railway carriages, was conscripted into the army at the age of eighteen and sent to the Western Front from where he would never return.He lies buried miles from home in a small military cemetery on the outskirts of an obscure town close to the French border in western Belgium. No-one has ever visited him.Like thousands of other young boys, Edward’s life and death were forgotten.By delving into and uncovering letters, poems and war diaries to reconstruct his great uncle’s brief life and needless death; Charlie fills in the blanks of Edward’s life with the experiences of similar young men giving a voice to the voiceless. Edward Connelly’s tragic story comes to represent all the young men who went off to the Great War and never came home.This is a book about the unsung heroes, the ordinary men who did their duty with utmost courage, and who deserve to be remembered.

    The story’s focus is not on drama but on a bitter truth: both armies want nothing more than to stop fighting and go home. Achilles—the electrifying hero who is Homer’s brilliant creation—quarrels with his commander, Agamemnon, but eventually returns to the field to avenge a comrade’s death. Few warriors, in life or literature, have challenged their commanding officer and the rationale of the war they fought as fiercely as did Homer’s Achilles.Homer’s Iliad addresses the central questions defining the war experience of every age. Is a warrior ever justified in challenging his commander? Must he sacrifice his life for someone else’s cause? Giving his life for his country, does a man betray his family? Can death ever be compensated by glory? How is a catastrophic war ever allowed to start—and why, if all parties wish it over, can it not be ended?As she did in The Endurance and The Bounty, Caroline Alexander has taken apart a story we think we know and put it back together in a way that reveals what Homer really meant us to glean from his masterpiece. Written with the authority of a scholar and the vigor of a bestselling narrative historian, The War That Killed Achilles is a superb and utterly timely presentation of one of the timeless stories of our civilization.

    This is his superb account of his life up until that 'bitter leave-taking': from his childhood and desperately unhappy school days at Charterhouse, to his time serving as a young officer in the First World War that was to haunt him throughout his life. It also contains memorable encounters with fellow writers and poets, including Siegfried Sassoon and Thomas Hardy, and looks at his increasingly unhappy marriage to Nancy Nicholson. Goodbye to All That, with its vivid, harrowing descriptions of the Western Front, is a classic war document, and also has immense value as one of the most candid self-portraits of an artist ever written.Robert Ranke Graves (1895-1985) was a British poet, novelist, and critic. He is best known for the historical novel I, Claudius and the critical study of myth and poetry The White Goddess. His autobiography, Goodbye to All That, was published in 1929, quickly establishing itself as a modern classic. Graves also translated Apuleius, Lucan and Suetonius for the Penguin Classics, and compiled the first modern dictionary of Greek Mythology, The Greek Myths. His translation of The Rubáiyát of Omar Khayyám (with Omar Ali-Shah) is also published in Penguin Classics.

    From there, they traveled across the Pacific to Japan, and then on to occupied France, landing in that country on the very day that Germany declared war on the United States. Their epic adventure had suddenly taken a dark turn. Wolfgang Wergin and Herbie Haupt were American citizens, though German by birth. Both had lived in America since the age of five, yet now they were given a choice by German officials. They could join a Nazi sabotage mission heading back to the United States to blow up aluminum factories, or they could be drafted into the German army and sent to the Russian front. One of these young men chose the first option, and one the second. Only one of them would survive. While this fragment of history is mostly forgotten today, the episode became one of the most sensational news stories of its time, garnering intense national interest. "Enemies: A War Story" is a fictionalized version of this true story, sticking as close to the facts as possible. This is a novel that raises challenging questions about the meanings of patriotism, justice, and American morality during difficult times.