His grandmother burns his precious crosses for kindling. His cousins meet to plot their grandfather's death. Yet in the hills surrounding his home, another reality exists, a place where his mother wears flowers in her hair, and his cousin Celestino, a poet who inscribes verse on the trunks of trees, understands his visions. The first novel in Reinaldo Arenas's "secret history of Cuba," a quintet he called the Pentagonia, Singing from the Well is by turns explosively crude and breathtakingly lyrical. In the end, it is a stunning depiction of a childhood besieged by horror--and a moving defense of liberty and the imagination in a world of barbarity, persecution, and ignorance.

    She inherits their house while her twin brother Mark is left the family steel works. When World War I breaks out, Mark joins the RAF, and the management of the business is left in Isabel's hands, which is not welcomed by the town's industrialists. She makes many enemies and has to struggle to keep her business alive. After much unhappiness, she finally finds love with the manager of a local foundry as well as the identity of her real father.

    His father, however, having fallen foul of the regime, is accused of embezzlement and dies of a stroke. Following her husband's death, his mother flees the country and settles in Madrid. Our hero separates from his wife and now spends much of his time in the company of his Russian neighbor, from whom he discovers the pleasures of reading. The books he reads gradually open his eyes to the incongruity between party slogans and the gray oppressive reality that surrounds him: the office routine; the daily complaints of his colleagues about problems big and small; his own obsessive thoughts which circulate like a broken record. Every day he photographs the spontaneous eruptions of dissent on the streets and witnesses the sad spectacle of young people crowding onto makeshift rafts and leaving the island. Every night he suffers from Kafkaesque nightmares in which he is arrested and tried for unknown crimes. His disappointment and delusion grow until a day comes when he declares his unwillingness to become an informer, and his real troubles begin. 33 Revolutions is a candid and moving story about the disappointments of a generation that believed in the ideals of the Castro Revolution. it is a unique look into the lives of ordinary people in Cuba over the past five decades and a stylish work of fiction about a young man's awakening.

    . . there are many kinds of light.The light of fires. The light of stars.The light that reflects off rivers.Light that penetrates through cracks.Then there’s the type of light that reflects off the skin.—Nilo Cruz, Anna in the TropicsThis lush romantic drama depicts a family of cigar makers whose loves and lives are played out against the backdrop of Depression-era America. Set in Ybor City (Tampa) in 1930, Cruz imagines the catalytic effect the arrival of a new "lector" (who reads Tolstoy’s Anna Karenina to the workers as they toil in the cigar factory) has on a Cuban-American family. Cruz celebrates the search for identity in a new land.Reviews: "The words of Nilo Cruz waft from the stage like a scented breeze. They sparkle and prickle and swirl, enveloping those who listen in both specific place and time . . . and in timeless passions that touch us all. In Anna in the Tropics, Cruz claims his place as a storyteller of intricate craftsmanship and poetic power."—Miami Herald“Deeply engrossing.” –Robert Hurwitt, San Francisco Chronicle“Earnestly poetic…Mr. Cruz has created a work as wistful and affectingly ambitious as its characters. Anna in the Tropics reaches for the artistic heavens -- specifically, that corner of eternity occupied by the plays of Anton Chekhov, where yearning is an existential condition.” –Ben Brantley, New York TimesNilo Cruz is a young Cuban-American playwright whose work has been produced widely around the United States, including the Public Theater (New York, NY), South Coast Repertory (Costa Mesa, CA), Magic Theatre (San Francisco, CA), Oregon Shakespeare Festival, McCarter Theater (Princeton, NJ) and New Theatre (Coral Gables, FL). His other plays include Night Train to Bolina, Two Sisters and a Piano, Hortensia and the Museum of Dreams, and Anna in the Tropics (Winner of 2003 Pulitzer Prize). Mr. Cruz teaches playwriting at Yale University and lives in New York City.

    A brilliant tale of ineptitude, self-righteousness, and human folly, it combines the mordant wit of W. Somerset Maugham with a sense of humor reminiscent of P.G. Wodehouse.When Dr. Sydney Prout is named the head of the United Nations mission to Elephant Island, he believes he is more than ready to meet the challenge of guiding its primitive inhabitants into the post-Colonial era, and eventually, full independence. But neither his many academic credentials nor the Journal of Race Relations have prepared Dr. Prout to reckon with the unrepentant bloody-mindedness of the natives, or anticipate the inventive ways their tribal philosophers will incorporate the most unlikely aspects of modern civilization into their religious lore and traditional way of life.Author Owen Stanley is an Australian explorer, a philosopher, and a poet who speaks seven languages. He is at much at home in the remote jungles of the South Pacific as flying his Staudacher aerobatic plane, deep-sea diving, or translating the complete works of Charles Darwin into Tok Pisin.

    Betrayal. Assassination. Rome, 133 b.c. Gaius Marius is back from war in the West. They fought for the peace and prosperity of Rome, but the legions return to find the Eternal City far less peaceful and prosperous than they had hoped. People are starving, homelessness abounds, war after war has overtaxed the legions. And the revolutionary tribune, Tiberius Gracchus, thinks he has a solution for everything. Political parties are developing, the people are up in arms, the senate is enraged. And Tiberius is at the center of it all. Before Marius has a chance to reacclimate to civilian life, he’s thrust into this political upheaval in Rome. His allegiances are put to the test as Rome is almost brought to the brink of civil war. For the first time in the history of the Republic, blood will be shed in the forum.

    Purely an advisory role, they are told.Harry Delhaze is on a lonely path to self-destruction; George Marriott has promises to keep. It seems to them like the easiest money they’ll ever make.They couldn’t be more wrong.They are forced to battle frostbite in the Atlas Mountains and endure the baking deserts of the sub-Sahara; they are traded, kidnapped, and used as pawns in high-stakes political rivalries; they encounter women who worship cannons for fertility and magician-warlords who talk to the dead and play bloody games of chess with living slaves; and the three muzzle-loading cannon the Sultan has hired them to command are antiques that could explode in their faces at any moment.Then there is the Lord of the Atlas himself, Amastan el-Karim, who harbors a shocking secret that could cost them both their lives – or give one of them a reason to live again.An epic historical adventure that evokes the beautiful and the barbaric of nineteenth century Morocco that transports the reader to a now-lost world of ancient medinas, crumbling palaces, and wild mountain passes.

    The Great Khan, Attila, overlord of the Scythian and Germani hordes is no more.The lands of Rome lie in ruin, razed by the Scourge of God.From the ashes of civilization a new power is destined to emerge. Warriors whose fearsome reputation would remain for more than a thousand years.On the plains of Pannonia a boy is born. A boy destined to shape history.Meet Ragnaris, the son of no man.

    It is the family story of Celia del Pino, and her husband, daughter and grandchildren, from the mid-1930s to 1980. Celia's story mirrors the magical realism of Cuba itself, a country of beauty and poverty, idealism and corruption. DREAMING IN CUBAN presents a unique vision and a haunting lamentation for a past that might have been.

    E. Rölvaag lyrically chronicles the experiences of Nils Vaag, a young Norwegian immigrant. Abandoning the life of a fisherman in Nordland, a region poor but full of mystical beauty, Nils emigrates to the New World in 1912. There he sweeps saloons, lives in a boardinghouse called "Babel" for the many languages used by its residents, and begins to find his way among the people of the city.The Boat of Longing was Rölvaag's favorite of all his books and the only one set in urban America. When it was first published in English in 1933, it received wide praise from American critics. This edition includes an introduction by Einar Haugen, professor emeritus of Scandinavian and Linguistics at Harvard University and author of a critical study of Rölvaag.

    . . Thirteen year old Ephraim Wright suffers the depredations of war along with the white family who reared him. Raised with the family since he was two years old, he is never once required to call Jonathan Wright, his benevolent owner, "master." His speech, manners and outlook on life are more akin to his white "siblings than the other slaves in the community who chide him for being a "pet" and "talkin' like white folk." He is stranded between two worlds; that of free whites, and of enslaved blacks. His life is irreversibly changed when Confederate conscript officers take the family's oldest son at gun point and a bushwhacker gang guns down Jonathan Wright. The law forbids a slave to touch a firearm, because a “negro with a gun is a nervous thing to white folks.” But where his family is concerned, Ep is never one to care about what the slave laws say. By seeking to send men to hell, will Ephraim send himself there as well?Advance Praise for The Secret of Wattensaw BayouWhile reading the book my feelings of anger and resentment toward the institution of slavery and those who fought to protect such rights were sometimes overwhelming and required me to take a deep breath. Nevertheless, the story from a historical perspective, although it was a work of fiction, was masterly woven and I found myself with the urge to continue reading. . . The book is well written and the author provides a fascinating glimpse into the everyday existence of many Southern families during the Civil War. Commander Harold Barnes (US Navy, retired)

    But when he sees the brutality and disrespect to Mauryavansh by the Pashtun rebels, he cannot stay silent. His sword is as quick as his temper, and the result is swift and bloody justice. Taxila is saved—but the Emperor is furious. Emperor Bindusara, egged on by his favorite queen, Noor Khorasan, becomes convinced that Ashoka’s show of initiative is an act of treason. Even the wise words of nonagenarian Kautilya, emerging from retirement, fall on deaf ears. Queen Khorasan’s well-mounted plot to control the empire sweeps up everyone who opposes her. Suddenly, Ashoka is forced to choose between his mother’s life and his own. What will the young prince do?India’s epic storyteller brings alive the battles, brutality, lust and politics of ancient India in vivid detail with thrilling action, and no-holds-barred storytelling. Relive the extraordinary life story of India’s greatest emperor as a young man in Ashoka: Satrap of Taxila.

    Mao, at least, is still on view for the masses to see, some two decades after his demise. But no corpse engendered as much intrigue as that of Eva Peron. Elevated to near sainthood in Argentina after her death in 1952, her perfectly preserved corpse was seized by the Argentine Army following the ouster of her husband in 1955. By then, her corpse was the equivalent of a sacred relic, and while army officials wanted to keep it out of the hands of Peronists, they were loath to destroy the corpse for fear of the wrath that might follow. Tomas Eloy Martinez has reassembled the story of the corpse of Eve Peron in Santa Evita, and in the process, produced a riveting, rich book that not only tells the tale of one of the more bizarre sagas in the history of South American politics, but that also gets to the heart of the age-old human impulse to create myths and tell stories.

    They were the men who came to your father in his hour of need. They were the men who fought with him. They were men, and that is the highest that can be written of them…”Ittai of Gath, a Philistine, has been the enemy of the Hebrews for many years and among their most capable opponents. But now he has been defeated by the fearsome warriors of the Hebrew king David’s army. While a storm rolls in to settle over the central hill country, Ittai escapes his capture and wrestles with his fate until he finds himself at the city of the Jebusites…which David intends to capture.A companion piece to the Lion of War series about the battles of King David, “Ittai” is a short story in the collection known as The Hall of the Mighty Men, set between the events of “Covenant of War” and the upcoming “Song of War.”Narrated by Jehoshaphat, the historian of King Solomon, this collection of origin tales expands the Lion of War literary universe and contains character origins, epic battles, and feats of bravery unable to be included in the novels and upcoming movies.Thrilling and passionate, The Hall of the Mighty Men is another chapter in the epic Lion of War series that fans will enjoy for years to come.

    The author relates his own life experiences to offer a view of contemporary Native American life.