His outlook and destiny are irreparably changed, however, when an unusual dark red spot appears on the ceiling in the hallway. Bit by bit, the spot grows, first into a dripping blood stain and eventually into a grotesque, muttering creature. As the creature grows, Walt finds himself more and more interested in fostering its well-being. At first he only feeds it stray animals so that the blood-hungry monster can survive, but this soon fails to satisfy the creature’s ghastly needs. It is gradually becoming human again, and for that to happen it requires human blood and human flesh. And once Walt has crossed the line from curiosity to murder, there is no going back."Page after stunning page, Ed Kurtz gets it right. This book was like memory lane for me, its luminous prose and unstoppable tension taking me back to the great small town horror novels of the '70s and '80s. I didn't think they made 'em like this anymore, but thankfully, I was wrong. For, with Bleed, Kurtz has not only written an intensely scary tale, but a timeless one as well."- Joe McKinney, author of Apocalypse of the Dead and Flesh Eaters

    Her mother’s union with an outsider of a different race cast her once-proud family into disgrace, so Immanuelle does her best to worship the Father, follow Holy Protocol, and lead a life of submission, devotion, and absolute conformity, like all the other women in the settlement.But a mishap lures her into the forbidden Darkwood surrounding Bethel, where the first prophet once chased and killed four powerful witches. Their spirits are still lurking there, and they bestow a gift on Immanuelle: the journal of her dead mother, who Immanuelle is shocked to learn once sought sanctuary in the wood.Fascinated by the secrets in the diary, Immanuelle finds herself struggling to understand how her mother could have consorted with the witches. But when she begins to learn grim truths about the Church and its history, she realizes the true threat to Bethel is its own darkness. And she starts to understand that if Bethel is to change, it must begin with her.

    A yawning, bottomless crack spreads through the earth, out of which creeps a fog that resembles no other. Whatever it is, it must be controlled.

    New York audiobook narrator Peter Larson and his wife Hannah head to his hometown of Maple City to help Peter's ailing father and to put a recent tragedy behind them. Though the small, Midwestern town seems the idyllic place to start afresh, Peter and Hannah will soon learn that evil currents flow beneath its surface. They move into an old farmhouse on the outskirts of town—a house purchased by Peter's father at auction and kept secret until now—and start to settle into their new life. But as Peter sets up his recording studio in a small basement room, disturbing things begin to occur—mysterious voices haunt audio tracks, malevolent shadows creep about the house. And when an insidious presence emerges from the woodwork, Peter must face old demons in order to save his family and himself.

    They don’t always show their ugly faces to us. Sometimes we’ll have a day that is fine. Nice and quiet. Other days, one of us will see our monster peeking around a corner, its grin ghastly and wide.I would tell the story of how I saw my monster for the first time, but I don’t really remember it. As far as I know, I saw it the day I was born. It was in the eyes of my mother, in the freefall of my father, in the cold heart of my sister, in the emptiness of a family so scared, the very fabric under its feet was coming undone and letting every demon through.No, this isn’t the story of how I first saw my monster. This is the story of how I killed it.

    The endless creaking of the house at night and the eerie stillness of the woods surrounding them would be enough of a sign, but there are secrets too—questions that Silla can’t ignore: Why does it seem that, ever since they arrived, the trees have been creeping closer? Who is the beautiful boy who’s appeared from the woods? And who is the tall man with no eyes who Nori plays with in the basement at night… a man no one else can see?

    A woman offers colonizer blood to the Mother of Chaos. A boy joins corpse destroyers to seek vengeance for the death of his father.These stories intertwine with those of a vengeful spirit and a hungry creature to paint a timely, compelling, pulpy portrait of revenge, family, and hope.

    That’s what they say every time one of Charley Winslow’s friends vanishes from The Old Cross School for Boys.It’s just a tall tale. That’s what they tell Charley when he sees the ragged grey figure stalking the abbey halls at night.When Charley follows his pet insects to a pool of blood behind a false wall, he could run and let those stones bury their secrets. He could assimilate, focus on his studies, and wait for his father to send for him. Or he could walk the dark tunnels of the school’s heart, scour its abandoned passages, and pick at the scab of a family’s legacy of madness and murder.With the help of Sam Forster, the school’s gardener, and Matron Grace, the staff nurse, Charley unravels Old Cross’ history and exposes a scandal stretching back to when the school was a home with a noble family and a dark secret—a secret that still haunts its halls with scraping steps, twisting its bones into a new generation of nightmares.

    Steep-banked, fast-moving, it offers the promise of fine fishing, and of something more, a possibility too fantastic to be true. When Abe and Dan, two widowers who have found solace in each other's company and a shared passion for fishing, hear rumors of the Creek, and what might be found there, the remedy to both their losses, they dismiss it as just another fish story. Soon, though, the men find themselves drawn into a tale as deep and old as the Reservoir. It's a tale of dark pacts, of long-buried secrets, and of a mysterious figure known as Der Fisher: the Fisherman. It will bring Abe and Dan face to face with all that they have lost, and with the price they must pay to regain it.

    The local Indian tribe offers another explanation: Crota, a great beast of legend, has reawakened. As the body count increases, a hand-picked group of hunters stalk the mythical creature through an underground labyrinth where they will discover a horror beyond all imagining...but all too real!

    Forced to figure out the mystery for herself, Michele encounters terror she has never known, and witnesses the impossible.When other members of the community begin to change or vanish, Sheriff Shane Davis must look beyond reason in order to stop the evil seeping into this small town. With help from an unlikely source, Sheriff Davis will come face-to-face with the truth.You can't destroy what you don't understand. For the town of Avalon, Maine, the future is about change...for better or worse.Becoming is the next horrifying novel from author, Glenn Rolfe. Includes the bonus novella, Boom Town.

    Manic and increasingly out of touch with reality, Lexie has pushed Jax away for over a year. But the next day, Lexie is dead: drowned in the pool at their grandmother’s estate. When Jax arrives at the house to go through her sister’s things, she learns that Lexie was researching the history of their family and the property. And as she dives deeper into the research herself, she discovers that the land holds a far darker past than she could have ever imagined.In 1929, thirty-seven-year-old newlywed Ethel Monroe hopes desperately for a baby. In an effort to distract her, her husband whisks her away on a trip to Vermont, where a natural spring is showcased by the newest and most modern hotel in the Northeast. Once there, Ethel learns that the water is rumored to grant wishes, never suspecting that the spring takes in equal measure to what it gives.

    It also has a very, very old one.   Pepper is a rambunctious big man, minor-league troublemaker, working-class hero (in his own mind), and, suddenly, the surprised inmate of a budget-strapped mental institution in Queens, New York. He’s not mentally ill, but that doesn’t seem to matter. He is accused of a crime he can’t quite square with his memory. In the darkness of his room on his first night, he’s visited by a terrifying creature with the body of an old man and the head of a bison who nearly kills him before being hustled away by the hospital staff. It’s no delusion: The other patients confirm that a hungry devil roams the hallways when the sun goes down. Pepper rallies three other inmates in a plot to fight back: Dorry, an octogenarian schizophrenic who’s been on the ward for decades and knows all its secrets; Coffee, an African immigrant with severe OCD, who tries desperately to send alarms to the outside world; and Loochie, a bipolar teenage girl who acts as the group’s enforcer. Battling the pill-pushing staff, one another, and their own minds, they try to kill the monster that’s stalking them. But can the Devil die?  The Devil in Silver brilliantly brings together the compelling themes that spark all of Victor LaValle’s radiant fiction: faith, race, class, madness, and our relationship with the unseen and the uncanny. More than that, it’s a thrillingly suspenseful work of literary horror about friendship, love, and the courage to slay our own demons.

    Each one hoped to be the last to leave. Now they're just hoping to stay alive. It seems the island isn't deserted after all. Contestants and crew members are disappearing, but they aren't being eliminated by the game. They're being taken by the monstrous half-human creatures that live in the jungle. The men will be slaughtered. The women will be kept alive as captives. Night is falling, the creatures are coming, and rescue is so far away. . .

    . . until now.But the journals of resident Kate Holland, recovered from the town’s bloody wreckage, capture a tale too harrowing—and too earth-shattering in its implications—to be forgotten. In these pages, Max Brooks brings Kate’s extraordinary account to light for the first time, faithfully reproducing her words alongside his own extensive investigations into the massacre and the legendary beasts behind it. Kate’s is a tale of unexpected strength and resilience, of humanity’s defiance in the face of a terrible predator’s gaze, and inevitably, of savagery and death. Yet it is also far more than that. Because if what Kate Holland saw in those days is real, then we must accept the impossible. We must accept that the creature known as Bigfoot walks among us—and that it is a beast of terrible strength and ferocity. Part survival narrative, part bloody horror tale, part scientific journey into the boundaries between truth and fiction, this is a Bigfoot story as only Max Brooks could chronicle it—and like none you’ve ever read before.