The Agnes Browne Trilogy includes: * The Mammy * The Chisellers * The Granny

    In the days that followed, Úna-Minh had only one niggling regret: that she had not responded in her first language, Irish.Úna-Minh was adopted as a newborn from Hanoi, Vietnam, in 1991 by a single woman from Kerry. Six weeks later she arrived in her new home of Ireland. Raised in a loving home by her teacher mother and retired Garda grandfather, Úna-Minh was instilled with a multi-faceted sense of Irish identity. In her first book, Úna-Minh writes honestly about how the racist attack on Parnell Street was a catalyst for her to live through Irish in a twenty-first century way: online, globalised, in activism and feminism. And she talks frankly and humorously about tackling trolls, flirting abroad, gaming and her passion for creating accessible content in Irish.Sprinkled throughout with funny and relatable Frása an Lae (phrase of the day), this is the heart-warming and important story of a diverse and contemporary Irish life.

    Why does Mr Kipling bake such exceedingly good cakes? Is Jeremy Beadle really the devil incarnate? What happens when advertising turns you into a monomaniac? This title allows you to find out the answers.

    But when she was in her late twenties, she realized that she had a strong need to know the woman who had given birth to her. She was able to locate her birth mother, Sarah, and they developed a strong attachment.But Sarah set one painful condition to this joyous new relationship: she wished to keep it - to keep Caitriona - secret from her family, from her friends, from everyone.Who was Sarah, and why did she want to preserve a decades-old secret? An Affair with My Mother tells the story of Caitriona's quest to answer these questions, and of the intense, furtive 'affair' she and her mother conducted in carefully chosen locations around Dublin. By turns heartwarming and heartbreaking, An Affair with My Mother is a searing portrait of the social and familial forces that left Sarah - and so many other unwed Irish mothers of her generation - frightened, traumatized and bereft. It is also a beautifully written account of a remarkable relationship.'Caitriona Palmer has called out the false shame of her origins, with a kind of anguished courage that is incredibly moving. An Affair With My Mother is a forensic account of how it feels to be - in the interests of Catholic "respectability" - excluded from the facts of your own life. In its commitment to family love, to joy and truth, it is a gift.' Anne Enright, winner of the Man Booker Prize

    It is time to return from Dublin, London and New York to Rossmore and the old stone house overlooking the Irish Sea where they grew up. But ancient jealousies surface as each sister confronts the past and the decisions they have made.For work-driven Kate it is time to take stock of her role as a high-flying ambitious lawyer and single parent; life is a battle between work and looking after Molly with little time for a proper relationship. Even Patrick, the man she once fell for, has ended up marrying her sister. Beautiful and intense Moya must take a hard look at her marriage to the charming but unfaithful Patrick and consider her own worth. For wild child Romy who has travelled the world and hasn't put a foot on Irish soil for years, it is time to finally stop running and find the courage to confront her family.A good and caring mother, Maeve Dillon has somehow over the years labelled each of her three daughters: Moya the beautiful, Kate the brains, and Romy, the bold and wild one. Now it is finally time for all three to break out of the box.

    How to Survive a Pandemic: Life Lessons for Coping with Covid-19

    As writer and presenter of the 13-part TV series Civilisation he was responsible for the greatest syntheses of art, music, literature and thought ever made – ‘a contribution to civilisation itself’.Drawing on previously unseen archives, James Stourton reveals the formidable intellect and the complicated private man who wielded enormous influence on all aspects of the arts and drew into his circle a diverse group, many of whom he and his wife Jane would entertain at Saltwood Castle. These included E.M. Forster, Vivien Leigh, Margot Fonteyn, the Queen Mother, Winston Churchill, John Betjeman, Graham Sutherland and Henry Moore. Hidden from view, however, was his wife’s alcoholism and his own womanising.From his time as Bernard Berenson’s protege at I Tatti in Florence to being the Keeper of Western Art at the Ashmolean aged 27 – by which time he had published The Gothic Revival, the first of his many books – to his appointment as the youngest-ever director of the National Gallery, Clark displayed precocious genius. During the war he arranged for the gallery’s entire collection to be hidden in slate mines in Wales, and organised packed concerts of German classical music at the empty gallery to keep up the spirits of Londoners. The war and the Cold War that followed convinced him of the fragility of culture and that, as a potent humanising force, art should be brought to the widest possible audience, a social and moral position that would inform the rest of his career.No voice has exercised so much power and influence over the arts in Britain as Clark’s. James Stourton has written a dazzling biography of a towering figure in the art world, a passionate art historian of the Italian Renaissance and a brilliant communicator who, through the many mediums of his work, conveyed the profound beauty and importance of art, architecture and civilisation for generations to come.

    A line from that song stays in my mind - 'when the dark midnight is over, watch for the breaking of day'. Let me hope that this day and this debate heralds a new dawn for all those who feared that the dark midnight might never end." - Taoiseach Enda Kenny's State apology to the Magdalene women.On 19 February 2013 the Irish Taoiseach Enda Kenny apologized to the women who had been incarcerated in Ireland's Magdalene laundries. In the audience sat Steven O'Riordan, a documentary filmmaker and founder of the Magdalene Survivors Together group. And by his side, waiting patiently for the words they'd been fighting to hear, were some of the women he had helped.For Nancy, Kathleen, Diane, Marie and Marina were confined in Magdalene laundries throughout Ireland during the 1950s, 60s and 70s. The harrowing physical and psychological abuse they endured in the institutions, run on behalf of the State, led to a lifetime of shame and secrecy.Now, in WHISPERING HOPE, these women tell their stories for the first time. Their fight for justice and forged friendships has enabled them to move forward and have their voices heard, their individual accounts weaving together in an immensely powerful narrative that shines a light on a dark chapter in Ireland's history.Inspirational and moving, this is the story of five women brave enough to confront their past and strong enough to not let it define them.

    Of the other four provinces, Connaught acknowledged the rule of the O'Connors, Munster that of the O'Briens, Leinster of the McMurroughs, and Ulster of the O'Neills, who were also in theory over-kings, or, as the native word was, Ard-Reaghs of the entire island.

    Sentenced to 539 years' imprisonment for IRA crimes including two murders and many terrorist attacks, O'Callaghan served six of those years before being released by royal prerogative.The reason? For the previous sixteen years O'Callaghan had been the most highly placed informer within the ranks of the IRA and had fed the Irish Garda with countless pieces of invaluable information. He prevented the assassination of the Prince and Princess of Wales at a London theatre; he sabotaged operations, explained strategy and caused the arrests of many IRA members. He has done more than any individual to unlock the code of silence which governs the IRA's members, and in effect made it possible to fight the war against the terrorists.The Informer is the story of a courageous life lived under the constant threat of discovery and its fatal consequences. It is the story of a very modern hero, who is not without sin but who has done and is doing everything in his power, and at whatever personal cost, to atone for the past.

    Many of Dublin's inhabitants wanted to weaken or terminate London's rule but there remained a vast and conflicting range of visions of that future: far more immediate was the unfolding disaster of the First World War that had put 'home rule' issues on ice for the duration. The devastating events of that Easter changed everything. Both the rising itself and-even more significantly-the ferocious British response ended any sense at all that Dublin could be anything other than the capital of an independent country, as an entire nation turned away in revulsion from the British artillery and executions. As we approach the 90th anniversary of the rebellion it is time for a new account of what really happened over those fateful few days. What did the rebels actually hope to achieve? What did the British think they were doing? And how were the events really interpreted by ordinary people across Ireland? Vivid, authoritative and gripping, Easter 1916 is a major work.

    But three years later, with the economy crashing and the house refurbishments unfinished, their plan for a tranquil life is falling apart. Are they in danger of replicating the very lifestyle they had hoped to escape, or can they get their lives back on track? Only time will tell.Chock-full of laughter and with a few tears too, this third installment of their quirky life in County Clare sees these whimsical chicken farmers forge ahead with the renovations, make new friends, rescue more dogs, eat a lot of cake and dance joyfully, whilst enduring floods, droughts, fire and ice, and debating the curious problem of what to do with 300 eggs.

    A remarkable memoir which is often humorous and ultimately very moving as a young Catholic girl struggles to break away from destructive influence of her father in 1960s Ulster.

    Each year, on his birthday - the 8th of December, Feast of the Immaculate Conception - he and his mother would journey by train to the capital city, passing frosted pink fields at dawn, to arrive at Westland Row and the beginning of a day's adventures that included much-anticipated trips to Clery's and the Palm Beach ice-cream parlour. The aspiring writer first came to live in the city when he was eighteen. In a once grand but now dilapidated flat in Upper Mount Street, he wrote and dreamed and hoped. It was a cold time, for society and for the individual - one the writer would later explore through the famed Benjamin Black protagonist Quirke - but underneath the seeming permafrost a thaw was setting in, and Ireland was beginning to change.Alternating between vignettes of Banville's own past, and present-day historical explorations of the city, Time Pieces is a vivid evocation of childhood and memory - that 'bright abyss' in which 'time's alchemy works' - and a tender and powerful ode to a formative time and place for the artist as a young man. Accompanied by images of the city by photographer Paul Joyce.

    He transformed Ryanair from a loss-making joke of an Irish carrier into one of the most valuable airlines in the world, and in the process he has revolutionized the very nature of commercial aviation. In this, the first biography of O'Leary, Alan Ruddock portrays the man in three dimensions and examines the business miracle - often talked about but poorly understood - that O'Leary has wrought.'Ruddock's fast-paced retelling of Ryanair's rise and rise confirms O'Leary's insistence that his success has little to do with the management maxims of business gurus and everything to do with graft and ruthless attention to detail' Observer'Probably the definitive Ryanair story ... a good read' Sunday Independent'The fullest and most accurate picture of O'Leary to date' Irish Daily Mail'Unlike previous books which simply chart the growth of the airline, this one is bound to get under O'Leary's skin because it reveals a great deal about his hugely driven character' Irish Independent'Ruddock is good on the flavour of the man, a bundle of energy whose two favourite words start with an F and an S (they aren't flower and sugar)' Irish Examiner