Barry's set of experiences with these legends of humour is unique, and will delight all who made PIGS CAN FLY a runaway porcine bestseller. In this completely new, organically grown book, old Baz recalls, reminisces, recounts and other words beginning with 'R', on a trip down Memory Lane, pausing only for tea and macaroons at the Stannah Stairlift Cafe. What memories - if only he can remember them. Currently 74, a third of his life has already passed and he invites you to enjoy this wonderfully funny account of it, a decorous orgy of nostalgia.

    Each play possesses its own distinctive mood, tone and style, and together they inhabit the turbulent period of change from the usurpation of the throne of Richard II by Bolingbroke to the triumph of heroic kingship in Henry V.

    Jack, a possible paranoid schizophrenic with a Messiah complex, inherits the title of the 14th Earl of Gurney after his father passes away in a bizarre accident. Singularly unsuited to a life in the upper echelons of elite society, Jack finds himself at the centre of a ruthless power struggle as his scheming family strives to uphold their reputation.Bubbling with acerbic wit and feverish energy, Olivier Award-winning and Oscar-nominated-writer Peter Barnes's razor-sharp satire combines a ferocious mix of hilarity and horror whilst mercilessly exposing the foibles of the English nobility.This edition of the play is published to coincide with the first-ever revival of this classic cult comedy at the Trafalgar Studios, London, on 16 January 2015.

    An artist and a showman he was always willing to take the difficult fight: his gruelling encounters with Roberto Duran, Thomas Hearns and Marvin Hagler have become legendary.Ruthlessly honest and inspiring, Ray's autobiography lets you get into the ring - with the mind games, brutality and euphoria. But, outside of the ring, Ray's biggest opponent of all was himself. From early domestic violence and experience of sexual abuse, he began a determined rise to Olympic champion and national icon, before losing control of his life at the height of his career in the blur of fame, sex, greed, drink and drug addiction that cost him so much.The Big Fight is a remarkable portrait of the rise, fall and final redemption of a true fighter in every sense.

    A resourceful young man, driven to go underground, establishes a life in Central Park, until he witnesses a crime.

    They are also enticed by a hidden quality-the uplifting healing energy and sacred vibrations of Sedona's spiritual vortexes. Here Ilchi Lee shares his Sedona experiences in an intimate, heart-expanding exploration of natural and spiritual mysteries. Through the profound meditations the author was guided to create in Sedona, anyone anywhere can experience the deep peace, joy, and messages of hope, healing, and guidance that Sedona offers. This is a guidebook like no other.

    This volume collects one example of each type of composition for which Bierce is most famed: a hilarious satire, a bone-chilling horror story, a sardonic piece of humor, and a macabre poem. Renowned artist Gahan Wilson, whose work finds the comic and the eerir in the most common of situations, brings the perfect, blackly humorous touch to Bierce's eccentrically unique visions.

    Rahman's first film Roja was released in 1992, his astonishing music with its other-worldly melodies, tonal texture, pulsating rhythms made an instant impact in India. His abundantly flowing talent has given life to the score of over a hundred films, including Dil Se, Bombay, Lagaan, Warriors of Heaven and Earth, 127 Hours and Jodhaa Akbar. According to a recent estimate by the BBC, 150 million Copies of his albums have sold worldwide. A.R. Rahman has won a host of awards, together with a Golden Globe, a Bafta, two Oscars and two Grammys for his score in Slumdog Millionaire. In 2010, he received the Padma Bhusan, the third civilian honour, awarded by the Government of India. Despite all his great success, Rahman remains a deeply private person, shying away from the glitz and glamour of show business. A.R. Rahman, The Spirit of Music is in the form of biographical conversations between the composer and Nasreen Munni Kabir in which we hear of Rahman's amazing journey from modest beginning to an assured place in world music history.

    One will seek redemption and atonement for the evil he has done. One will destroy everything to deny his wrongs.Volume One contains the first three books of the series.---THE WEIGHT OF BLOOD – At his brother’s insistence, Harruq Tun pledges loyalty to the death prophet Velixar, dooming their lives to murder and bloodshed. Only an elf named Aurelia provides hope for escape…an elf on the side of the enemy. An elf Harruq is ordered to kill.THE COST OF BETRAYAL – The battle of Woodhaven behind them, Harruq hopes for a better life with Aurelia. Qurrah, however, continues his practice of the dark arts. When he falls for a girl lost to madness, he will do anything to save her – even if it means harming those his brother loves most.THE DEATH OF PROMISES - After a bloody conflict with his brother, Qurrah Tun flees west with his lover, the strange and powerful Tessanna. He seeks an ancient tome known as Darakken’s spellbook, its pages containing the secrets of the world's very creation. Only Harruq and his friends can stand against the darkness his brother might unleash.---About the Author:David Dalglish currently lives in rural Missouri with his wife Samantha, daughter Morgan, and bearded dragon. He graduated from Missouri Southern State University in 2006 with a degree in Mathematics and currently spends his free time watching PBS and Spongebob Squarepants with his daughter.

    This new edition, with an extensive amount of fresh material, will prove irresistible to all fans of the most popular TV series of all time. Illustrations.

    Acknowledged since the 1930s as a major figure in Modernist poetry, first by Pound and Zukofsky and later by younger writers, the Northumbrian master poet had to wait over 30 years before his genius was finally recognised in Britain - in 1966, with the publication of "BRIGGFLATTS", which Cyril Connolly called 'the finest long poem to have been published in England since T.S. Eliot's "Four Quartets". Bunting called "BRIGGFLATTS" his 'autobiography'. It is a complex work, drawing on many elements of his life, experience and knowledge, and features the saint Cuthbert and the warrior king Eric Bloodaxe as two opposing aspects of the Northumbrian - and his - character. Its structural models include the sonata form (and Scarlatti's music in particular) and the latticework of the Lindisfarne Gospels, while thematically it recalls Wordsworth's "Prelude". Bunting wrote that 'Poetry, like music, is to be heard.' His own readings of his own work are essential listening for a full appreciation of his highly musical poetry. This new edition includes a CD with an audio recording Bunting made of "BRIGGFLATTS" in 1967 and a DVD of Peter Bell's 1982 film portrait of Bunting. As well as his own notes to the poem, the book includes his seminal essay on sound and meaning in poetry, "The Poet's Point of View" (1966). All his poetry is available in "Complet Poems" (Bloodaxe Books, 2000).

     When Kayla Lawrence wakes up in her best friend’s arms after a night of hot sex, she wants to pretend that it never happened. He’s not just her best friend. He’s also her partner. But as much as she loves Joshua Tanner, he’s not the type to commit. She’s not sure where their relationship is going after their night together. Joshua has wanted Kayla since the moment they met. He’s loved her almost as long. Waking up in her bed was his dream come true. Now he just has to convince Kayla that he’s relationship material.

    Imperfect Thirst includes beautiful love poems and approaches elemental subjects with a remarkable balance of good nature and holy dread: recollections of childhood, snapshots of impassive cruelty, reflections on art and nature. This energetic collection will prove once again why Galway Kinnell is one of America's masters of the art.

    I make no prayer. Save us the green In the weed of time.Now is November; In night uneasy Nothing I say. I make no prayer. Save us from the water That washes us away.What do I ponder? All smiled disguise, Lights in cold places, I make no prayer. Save us from air That wears us loosely.The leaf of summer To cold has come In little time. I make no prayer. From earth deliver And the dark therein.Now is no whisper Through all the living. I speak to nothing. I make no prayer. Save us from fire Consuming up and down.Evening with Lee Shore and CliffsSea-shimmer, faint haze, and far out a bird Dipping for flies or fish. Then, when over That wide silk suddenly the shadow Spread skating, who turned with a shiver High in the rocks? And knew, then only, the waves' Layering patience: how they would follow after, After, dogged as sleep, to his inland Dreams, oh beyond the one lamb that cried In the olives, past the pines' derision. And heard Behind him not the sea's gaiety but its laughter.The FishermenWhen you think how big their feet are in black rubber And it slippery underfoot always, it is clever How they thread and manage among the sprawled nets, lines, Hooks, spidery cages with small entrances. But they are used to it. We do not know their names. They know our needs, and live by them, lending them wiles And beguilements we could never have fashioned for them; They carry the ends of our hungers out to drop them To wait swaying in a dark place we could never have chosen. By motions we have never learned they feed us. We lay wreaths on the sea when it has drowned them.

    The works in the series are suitable for ages eight and up. The books are simple, retellings of the great literary classics which remain faithful to the original text.