For fourteen years, her library has been a meeting place for those who love books. Until now. Now war has come, and Alia fears that the library--along with the thirty thousand books within it--will be destroyed forever.In a war-stricken country where civilians--especially women--have little power, this true story about a librarian's struggle to save her community's priceless collection of books reminds us all how, throughout the world, the love of literature and the respect for knowledge know no boundaries. Illustrated by Jeanette Winter in bright acrylic and ink.Includes an author's note. *From the New York Times, July 27, 2003

    The golem's task was to vanquish those who persecuted the Jews of Prague, and he performed it almost too well. Retold from traditional sources and accompanied by masterly cutpaper illustrations, Golem is a dramatic tale of supernatural forces invoked to save an oppressed people. It offers a thought-provoking look at the consequences of unleashing power beyond human control.Winner of the 1997 Caldecott Medal.

    His neighborhood is empty--except for the many cats left behind.Alaa loves Aleppo, but when war comes his neighbors flee to safety, leaving their many pets behind. Alaa decides to stay--he can make a difference by driving an ambulance, carrying the sick and wounded to safety. One day he hears hungry cats calling out to him on his way home. They are lonely and scared, just like him. He feeds and pets them to let them know they are loved. The next day more cats come, and then even more! There are too many for Alaa to take care of on his own. Alaa has a big heart, but he will need help from others if he wants to keep all of his new friends safe.

    He crawls like a catfish, blows bubbles like a swamp monster, but he doesn’t swim in the town pool with me. He’s not allowed. Joe and John Henry are a lot alike. They both like shooting marbles, they both want to be firemen, and they both love to swim. But there’s one important way they're different: Joe is white and John Henry is black, and in the South in 1964, that means John Henry isn’t allowed to do everything his best friend is. Then a law is passed that forbids segregation and opens the town pool to everyone. Joe and John Henry are so excited they race each other there...only to discover that it takes more than a new law to change people’s hearts.

    in full color. "In this affectionate story, three children follow their grandfather up to the attic, where he pulls out his old bowler hat, gold-tipped cane, and his tap shoes. Grandpa once danced on the vaudeville stage, and as he glides across the floor, the children can see what it was like to be a song and dance man. Gammell captures all the story's inherent joie de vivre with color pencil renderings that leap off the pages. Bespectacled, enthusiastic Grandpa clearly exudes the message that you're only as old as you feel, but the children respond--as will readers--to the nostalgia of the moment. Utterly original."--(starred) Booklist.

    For the young protagonist of this lyrical and hopeful picture book, that landing is something that inspires her to make one giant step toward all of the possibilities that life has to offer. Caldecott Honor– winning painter Jerry Pinkney and the poetic Dianna Hutts Aston create a moving tribute to the historic Apollo 11 Mission, just in time to commemorate its upcoming fortieth anniversary.

    But with the fierce and fearless Grandma Rachel at her side, the woods turn magical, and berry picking becomes an enchanting adventure that ends with the beauty and power of the sunrise.A memory from Dovey Johnson Roundtree’s childhood. With Grandma Rachel’s lessons as her guiding light, Dovey Mae would go on to become a trailblazer of the civil rights movement—fighting for justice and equality in the military, the courtroom, and the church.

    She didn't know that young women had to go to work, that they traded an education for long hours of labor, that she was expected to grow up fast. But that did not stop Clara. She went to night school, spent hours studying English, and helped support her family by sewing in a factory. Clara never quit. And she never accepted that girls should be treated poorly and paid little. So Clara fought back. Fed up with the mistreatment of her fellow laborers, Clara led the largest walkout of women workers in the country's history. Clara had learned a lot from her short time in America. She learned that everyone deserved a fair chance. That you had to stand together and fight for what you wanted. And, most importantly, that you could do anything you put your mind to.“In her simple but powerful text Markel shows how multiple arrests, serious physical attacks, and endless misogyny failed to deter this remarkable woman as she set off on her lifelong path as a union activist.” --The Horn Book

    And who is the best partner? The wind, of course!   Grandmama Beasley says, “Can’t nobody put shackles on Brother Wind, chile. He be special. He be free.” With neighbors up and down Ridgetop suggesting all manner of strategies, and friend Ezel laughing at each foiled one, Mirandy grows ever more determined: she’ll get hold of that Brother Wind yet!             Patricia C. McKissack’s thoroughly engaging tale dances with spirit and rollicking good humor. Complemented by Jerry Pinkney’s rich, eye-catching watercolors of the rural South, here’s one of those rare, rewarding picture books that is sure to be read and enjoyed again and again.

    Boys go in as lumps of clay and, with princely robes draped around their shoulders, a dab of cool shaving cream on their foreheads, and a slow, steady cut, they become royalty. That crisp yet subtle line makes boys sharper, more visible, more aware of every great thing that could happen to them when they look good: lesser grades turn into As; girls take notice; even a mother's hug gets a little tighter. Everyone notices.A fresh cut makes boys fly.This rhythmic, read-aloud title is a celebration of the way boys feel when they leave the barber's chair.

    . . nothing. But then . . . BANG! Stars caught fire and burned so long that they exploded, flinging stardust everywhere. And the ash of those stars turned into planets. Into our Earth. And into us. In a poetic text, Marion Dane Bauer takes readers from the trillionth of a second when our universe was born to the singularities that became each one of us, while vivid illustrations by Ekua Holmes capture the void before the Big Bang and the ensuing life that burst across galaxies. A seamless blend of science and art, this picture book reveals the composition of our world and beyond -- and how we are all the stuff of stars.

    Nic makes his way home from a busy day at school with a double bass on his back, the symphony of his surroundings in his heart, and a sweet surprise for the reader at the end of his journey.

    Before it was legal for her mother and father to officially be married, the broom was what made them a family anyway. But now all former slaves who had already been married in their hearts could register as lawful husband and wife. When Ellen and her family make the long trip to the courthouse dressed in their best, she brings the broom her parents had jumped so many years before. Even though freedom has come, Ellen knows the old traditions are important too. After Mama and Papa's names are recorded in the register, Ellen nearly bursts with pride as her parents jump the broom once again. Ellen is a wonderfully endearing character whose love for her family is brought to life in Daniel Minter's rich and eye-catching block print illustrations.

    Winner of the 1995 Caldecott Medal. During the Los Angeles riots, Daniel and his mother witness the night's events unfold from the safety of shelter after they are forced to leave their apartment. “Diaz has not been afraid to take risks in illustrating the story with thickly textured paintings against a background of torn-paper and found-object collage. Without becoming cluttered or gimmicky, these pictures manage to capture a calamitous atmosphere that finally calms. . . . Both author and artist have managed to portray a politically charged event without pretense or preaching.”--The Bulletin

    Horton became the first African American to be published in the South, protesting slavery in the form of verse.