Why would she be..? After all, she's the only girl in school who carries a Norse war hammer in her purse and kills giants for a living... At least, that's what she'll tell you - but where does the fantasy end and reality begin in the heart of this troubled girl? And what if she's telling the truth?Brought to life with unexpected tenderness by JOE KELLY (Supergirl, Action Comics, Deadpool) and breakout talent J. M. KEN NIIMURA, I KILL GIANTS is the bittersweet story of a young girl struggling to conquer monsters both real and imagined as her carefully constructed world crumbles at the feet of giants bigger than any one child can handle.

    O, here comes another batch of goofy gags crammed with little frames showing the mishaps of Mr. i, who, no matter what he tries, always ends up killed, poor fellah. You gotta love him, he’s a walking disaster.

    The series is the winner of the Harvey Award and has been nominated for multiple Eisner Awards.

    It collects seven short stories, each a headspinning display of craft and storytelling that mixes early twentieth-century comics influences like Winsor McCay with a thoroughly contemporary voice that provokes and entertains with subversively surreal humor and subtle criticism of twentieth-century tropes and images. The stories themselves, though each stands alone, are intertwined thematically, offering peeks into the minds of semi-autistic, achingly isolated men and their feverish inner worlds and how they interact and contrast with their real environment. Though Schrauwen taps ‘surrealist’ or ‘absurdist’ impulses in his work, you will not read a more careful and precise collection of stories this year.The stories included are: “Hair Types,” a hilarious piece that on the surface explores the pseudoscientific classification of personality as a function of hair but becomes something more akin to a fable about self-fulfilling prophecy; “Chromo Congo,” a silent story about two men on safari who meet a corpulent and obnoxious hunter; as well as “The Task,” “The Man Who Grew His Beard,” “The Lock,” “The Cave,” and “The Imaginist.”Though this is Schrauwen’s first U.S. edition of comics, he has wowed American fans with his appearances in the anthology MOME over the last few years, and one of his MOME stories was one of three comics selected for the 2009 edition of Dave Eggers’ influential Best American Nonrequired Reading.

    Sir ... May we come in? ... What could the policemen want at their door at this hour? ... I'm afraid we have some bad news! ... Before these dreadful words were spoken it had been a normal start to the day in the Germonprez residence. Carl checking on his modest investments in the newspaper, Simone tackling some early morning housework and their son Bart ... Your son has jumped off the roof! ... At first there was no pain, just the blur. Carl, in an emotional haze, heads off to work only to discover, on the sidewalk outside their home, a chalk outline where there had been a son. Willy Linthout follows Carl's journey intimately and sympathetically with unfinished art as he careers from colleagues to friends, therapists to machines, crazy to angry in his attempt to deal with his son's suicide. But, as Willy knows only too well himself, this particular journey is long and may be never ending.