But, also like his father, Octavio has never mastered the art of reading and his only knowledge of the world beyond the bakery door comes from his own imagination. Just a few streets away, Isabeau works out of sight in the basement of the Louvre, trying to forget her disfigured beauty by losing herself in the paintings she restores and the stories she reads. The two might never have met, but for a curious chain of coincidences involving a mysterious traveller, an impoverished painter, a jaded bookseller, and a book of fairytales, lost and found . . .

    But when matriarch Kate Parker miraculously survives plummeting over a waterfall in a barrel -- a feat captured on a video that goes viral -- it's Kate's family who tumbles into chaos under the spotlight. Her prodigal daughter returns to town. Her 16-year-old granddaughter gets caught up in an online relationship with a man she has never met. Her husband sifts through their marriage to search for what sent his wife over the falls. Her adopted son fears losing the only family he's ever known. Then there is Kate, who once made a life-changing choice and now fears her advancing dementia will rob her of memories from when she was most herself. Set over the course of four calamitous days, Amy Jones's big-hearted first novel follows the Parkers' misadventures as catastrophe forces them to do something they never thought possible -- act like a family.

    Against the unsettling backdrop of Mau Mau violence, Vic and his sister Deepa, the grandchildren of an Indian railroad worker, search for their place in a world sharply divided between Kenyans and the British. We follow Vic from a changing Africa in the fifties, to the hope of the sixties, and through the corruption and fear of the seventies and eighties. Hauntingly told in the voice of the now exiled Vic, The In-Between World of Vikram Lall is an acute and bittersweet novel of identity and family, of lost love and abiding friendship, and of the insidious legacy of the British Empire.--back cover

    But when her debilitating tuberculosis means exile, she and her devoted lady's maid, Sally, set sail for Egypt. It is Sally who describes, with a mixture of wonder and trepidation, the odd menage marshalled by the resourceful Omar, which travels down the Nile to a new life in Luxor. When Lady Duff Gordon undoes her stays and takes to native dress, throwing herself into weekly salons; language lessons; excursions to the tombs; Sally too adapts to a new world, affording her heady and heartfelt freedoms never known before. But freedom is a luxury that a maid can ill-afford, and when Sally grasps more than her status entitles her to, she is brutally reminded that she is mistress of nothing.

    It can also be as dark, as violent, as rapturous. In the end, there may be no difference between them.A girl grows up in Nunavut in the 1970s. She knows joy, and friendship, and parents' love. She knows boredom, and listlessness, and bullying. She knows the tedium of the everyday world, and the raw, amoral power of the ice and sky, the seductive energy of the animal world. She knows the ravages of alcohol, and violence at the hands of those she should be able to trust. She sees the spirits that surround her, and the immense power that dwarfs all of us. When she becomes pregnant, she must navigate all this.Veering back and forth between the grittiest features of a small arctic town, the electrifying proximity of the world of animals, and ravishing world of myth, Tanya Tagaq explores a world where the distinctions between good and evil, animal and human, victim and transgressor, real and imagined lose their meaning, but the guiding power of love remains.Haunting, brooding, exhilarating, and tender all at once, Tagaq moves effortlessly between fiction and memoir, myth and reality, poetry and prose, and conjures a world and a heroine readers will never forget.

    When Edal Jones can't cope with the casual cruelty she encounters in her job as a federal wildlife officer, she finds herself drawn to a beacon of solace nestled in the valley under the unlikely banner of an auto-wrecker's yard. Guy Howell, the handsome proprietor, offers sanctuary to animals and people alike: a half-starved hawk and a brood of orphaned raccoon kits, a young soldier whose spirit failed him during his first tour of duty, a teenage runaway and her massive black dog. Guy is well versed in the delicate workings of damaged beings, and he might just stand a chance at mending Edal's heart.But before love can bloom, the little community must come to terms with a different breed of lost soul - a young man whose brutal backwoods childhood is catching up with him, causing him to persecute the creatures that call the valley home.

    No longer able to linger over her beloved books or gaze at the paintings that move her spirit, she fills the void with music and memories of her family—a past that suddenly becomes all too present when her late father's journals are found amid the ruins of an old shipwreck.With the help of Morgan, a delinquent teenager performing community service, Elizabeth goes through the diaries, a journey through time that brings the two women closer together. Entry by entry, these unlikely friends are drawn deep into a world far removed from their own—to Porphyry Island on Lake Superior, where Elizabeth’s father manned the lighthouse seventy years before.As the words on these musty pages come alive, Elizabeth and Morgan begin to realize that their fates are connected to the isolated island in ways they never dreamed. While the discovery of Morgan's connection sheds light onto her own family mysteries, the faded pages of the journals hold more questions than answers for Elizabeth, and threaten the very core of who she is.

    There’s Tuyen, a lesbian avant-garde artist and the daughter of Vietnamese parents who’ve never recovered from losing one of their children in the crush to board a boat out of Vietnam in the 1970s. Tuyen defines herself in opposition to just about everything her family believes in and strives for. She’s in love with her best friend Carla, a biracial bicycle courier, who’s still reeling from the loss of her mother to suicide eighteen years earlier and who must now deal with her brother Jamal’s latest acts of delinquency. Oku is a jazz-loving poet who, unbeknownst to his Jamaican-born parents, has dropped out of university. He is in constant conflict with his narrow-minded and verbally abusive father and tormented by his unrequited love for Jackie, a gorgeous black woman who runs a hip clothing shop on Queen Street West and dates only white men. Like each of her friends, Jackie feels alienated from her parents, former hipsters from Nova Scotia who never made it out of subsidized housing after their lives became entangled with desire and disappointment. The four characters try to make a life for themselves in the city, supporting one another through their family struggles.There’s a fifth main character, Quy, the child who Tuyen’s parents lost in Vietnam. In his first-person narrative, Quy describes how he survived in various refugee camps, then in the Thai underworld. After years of being hardened, he has finally made his way to Toronto and will soon be reunited with his family – whether to love them or hurt them, it’s not clear. His story builds to a breathless crescendo in an ending that will both shock and satisfy readers. What We All Long For is a gripping and, at times, heart-rending story about identity, longing and loss in a cosmopolitan city. No other writer has presented such a powerful and richly textured portrait of present-day Toronto. Rinaldo Walcott writes in The Globe and Mail: “… every great city has its literary moments, and contemporary Toronto has been longing for one. We can now say with certainty that we no longer have to long for a novel that speaks this city’s uniqueness: Dionne Brand has given us exactly that.” Donna Bailey Nurse writes in the National Post: “What We All Long For is a watershed novel. From now on, Canadian writers will be pressed to portray contemporary Toronto in all its multiracial colour and polyphonic sound.” But What We All Long For is not only about a particular city. It’s about the universal experience of being human. As Walcott puts it, “Brand makes us see ourselves differently and anew. She translates our desires and experiences into a language, an art that allows us to voice that which we live, but could not utter or bring to voice until she did so for us.”

    The story opens in Halifax in 2009, travels back to the French Shore of Newfoundland during the mid-thirties and the heyday of the Maritime shipping industry, makes its way to wartorn Halifax during the battle of the Atlantic in World War II, then leaps ahead to the bedside of the elder Livvy.Caught between a troubled past, and her present and worsening living conditions, Livvy is forced to pick apart the lies and secrets told by her greedy, prideful father, Durwin Higgs, who judges her a failure, and her formidable Grandmother Creed, who has mysteriously aligned herself with Livvy's father, despite their mutual hatred.Tending to Livvy during her illness is her young next-door neighbour, Gen, a single mother and social-work student. Overnight, a violent scene embroils the two in each other's lives in a manner that will entwine them forever. In The Deception of Livvy Higgs, the inimitable Morrissey has written a powerful tale, the Stone Angel of the East Coast.

    Three young people leave their far-flung birthplaces to follow their own songs of migration. Each ends up in Montreal, each on a voyage of self-discovery, dealing with the mishaps of heartbreak and the twisted branches of their shared family tree.Filled with humor, charm, and good storytelling, this novel shows the surprising links between cartography, garbage-obsessed archeologists, pirates past and present, a mysterious book with no cover, and a broken compass whose needle obstinately points to the Aleutian village of Nikolski (a minuscule village inhabited by thirty-six people, five thousand sheep, and an indeterminate number of dogs).

    Although Sharla is not the angelic child Addy Shadd had pictured when she agreed to look after her, the two soon forge a deep bond. To Addy's surprise, Sharla's presence brings back memories of her own childhood in Rusholme, a town settled by fugitive slaves in the mid-1800s. She reminisces about her family, her first love, and the painful experience that drove her away from home. Brilliantly structured -- and achingly lyrical, this is a story about the redeeming power of love and memory, and about two unlikely people who transform each other's lives forever.

    For some, it’s denial; for others, blunt pragmatism. Still others depend on an over-inflated view of self to keep criticism and doubt at bay. In his new short story collection, Whirl Away, Russell Wangersky – author of critically-acclaimed fiction and non-fiction including The Glass Harmonica, Burning Down the House: Fighting Fires and Losing Myself and The Hour of Bad Decisions – looks at what happens when people’s personal coping skills go awry. These are people who discover their anchor-chain has broken: characters safe in the world of self-deception or even self-delusion, forced to face the fact that their main line of defense has become their greatest weakness. From the caretaker of a prairie amusement park to the lone occupant of a collapsing Newfoundland town, from a travelling sports drink marketer with a pressing need to get off the road to an elevator inspector who finds himself losing his marriage while sensuously burying himself in the tastes and smells of the kitchen, these are people who spin wildly out of control, finding themselves in a new and different world.

    With a firm devotion to the historical record, Lampedusa leaps effortlessly into the mind of the writer and inhabits the complicated heart of a man facing down the end of his life, struggling to make something of lasting worth, while there is still time.Achingly beautiful and elegantly conceived, Lampedusa is an intensely moving story of one man's awakening to the possibilities of life, intimately woven against the transformative power of a great work of art.

    In lushly evocative language, Smart recounts her love affair with the poet George Barker with an operatic grandeur that takes in the tragedy of her passion; the suffering of Barker's wife;the children the lovers conceived. Accompanied in this edition by The Assumption of the Rogues and Rascals, a short novel that may be read as its sequel, By Grand Central Station I Sat Down and Wept has been hailed by critics worldwide as a work of sheer genius.

    And like the tumultuous meeting of the cataract's waters with the rocks below, a chance encounter between Tom and 17-year-old Bess Heath has an explosive effect. When they first meet on a trolley platform, Bess immediately recognizes the chemistry between them, and the feeling is mutual. But the hopes of young love are constrained by the 1915 conventions of Niagara Falls, Ontario. Tom's working-class pedigree doesn't suit Bess's family, despite their recent fall from grace. Sacked from his position at a hydroelectric power company, Bess's father has taken to drink, forcing her mother to take in sewing for the society women who were once her peers. Bess pitches in as she pines for Tom, but at her young age, she's unable to fully realize how drastically her world is about to change. Set against the resounding backdrop of the falls, Cathy Marie Buchanan's carefully researched, capaciously imagined debut novel entwines the romantic trials of a young couple with the historical drama of the exploitation of the river's natural resources. The current of the river, like that of the human heart, is under threat: "Sometimes it seems like the river is being made into this measly thing," says Tom, bemoaning the shortsighted schemes of the power companies. "The river's been bound up with cables and concrete and steel, like a turkey at Christmastime." Skillfully portraying individuals, families, a community, and an environment imperiled by progress and the devastations of the Great War, The Day the Falls Stood Still beautifully evokes the wild wonder of its setting, a wonder that always overcomes any attempt to tame it. But at the same time, Buchanan's tale never loses hold of the gripping emotions of Tom and Bess's intimate drama. The result is a transporting novel that captures both the majesty of nature and the mystery of love.Also, download the free study guide: http://bookclubs.barnesandnoble.com/t....