He believes his five-week old granddaughter is Gerry Adams.His family keep telling him to stop living in the past and fighting old battles that nobody cares about anymore, but his cultural heritage is under siege. He must act.David Ireland's black comedy takes one man's identity crisis to the limits as he uncovers the modern day complexity of Ulster Loyalism.Cyprus Avenue was first performed at the Abbey Theatre, Dublin, on 11 February 2016, before transferring to the Royal Court Theatre, London in April 2016.

    In James Goldman’s classic play The Lion in Winter, domestic turmoil rises to an art form. Keenly self-aware and motivated as much by spite as by any sense of duty, Henry II and Eleanor of Aquitaine maneuver against each other to position their favorite son in line for succession. By imagining the inner lives of Henry, Eleanor, and their sons, John, Geoffrey, and Richard, Goldman created the quintessential drama of family strife and competing ambitions, a work that gives visceral, modern-day relevance to the intrigues of Angevin England. Combining keen historical and psychological insight with delicious, mordant wit, the stage play has become a touchstone of today’s theater scene, and Goldman’s screenplay for the 1968 film adaptation won him an Academy Award. Told in “marvelously articulate language, with humor that bristles and burns” (Los Angeles Times), The Lion in Winter is the rare play that bursts into life on the printed page.

    But what play could possibly suit the point-and-click attention spans of kids born with remote controls in their cribs? Cue the lights for ZAP, a nonstop farce that juxtaposes seven different plays — performed simultaneously — with a comic genius reminiscent of masters from Monty Python to the Marx Brothers. Combining spot-on parodies of Anton Chekhov, Agatha Christie, Tennessee Williams, Samuel Beckett, Neil Simon and performance art and throwing in scenes from RICHARD III for good measure, ZAP flicks rapidly back and forth from play to play, with hilarious results. As characters from one play end up on the set of another, their befuddlement, exasperation, and brave attempts at improvisation are truly priceless. A hoot to read, ZAP is a dream to perform — as high schools in California, New York, and Florida have already discovered.

    Presentation, translation and notes by Anacleto Ferrer. Bilingual edition.

    The story in Someday, though told through fictional characters and full of Taylor's distinctive wit and humour, is based on the real-life tragedies suffered by many Native Canadian families.Anne Wabung's daughter was taken away by children's aid workers when the girl was only a toddler. It is Christmastime 35 years later, and Anne's yearning to see her now-grown daughter is stronger than ever.When the family is finally reunited, however, the dreams of neither women are fulfilled.The setting for the play is a fictional Ojibway community, but could be any reserve in Canada, where thousands of Native children were removed from their families in what is known among Native people as the "scoop-up" of the 1950s and 1960s. Somedayis an entertaining, humourous, and spirited play that packs an intense emotional wallop.Reviews: "One of the 50 Essential Canadian Plays"-- Toronto Star

    254 -184 bc ) are the earliest surviving complete works of Latin literature. The four plays collected here reveal a playwright in his prime, exploring classic themes and developing standard characters that were to influence the comedies of Shakespeare, Molière and many others. In The Ghost, a dissolute son who has squandered his father's money is thrown into disarray when he returns from abroad, a theme that is explored further in the comedy of errors A Three-Dollar Day. In The Rope - regarded by many as the best of Plautus' plays - the shipwreck of a pimp and his slaves leads to the touching reunion of a father and his daughter, while Amphitryo, Plautus's only excursion into divine mythology, offers a cheerful account of how Jupiter became father to Hercules.

    Jacobs Theater, New York City, in March 2009.

     Part 2 continues the saga of the Bassett brothers and their twin wives as they return to Riverbreeze and begin their married lives. All is not well at the Bassett home though. A pair of misfortunes set the stage for this action-packed sequel. Robert must also face the consequences of his reckless behavior in Part 1; and Elizabeth and Evelyn discover a strange phenomenon about themselves that threatens to destroy their young relationships with their husbands; and finally Robert makes the one dreaded mistake that almost drives a wedge between the two brothers. Full of drama, excitement, humor, romance and details of early American life, Riverbreeze, the series will appeal to a wide range of readers.

    What we as her audience take away from this remarkable drama is a keener sense that, while death is real and unavoidable, our lives are ours to cherish or throw away—a lesson that can be both uplifting and redemptive. As the playwright herself puts it, “The play is not about doctors or even about cancer. It’s about kindness, but it shows arrogance. It’s about compassion, but it shows insensitivity.” In Wit, Edson delves into timeless questions with no final answers: How should we live our lives knowing that we will die? Is the way we live our lives and interact with others more important than what we achieve materially, professionally, or intellectually? How does language figure into our lives? Can science and art help us conquer death, or our fear of it? What will seem most important to each of us about life as that life comes to an end?The immediacy of the presentation, and the clarity and elegance of Edson’s writing, make this sophisticated, multilayered play accessible to almost any interested reader. As the play begins, Vivian Bearing, a renowned professor of English who has spent years studying and teaching the intricate, difficult Holy Sonnets of the seventeenth-century poet John Donne, is diagnosed with advanced ovarian cancer. Confident of her ability to stay in control of events, she brings to her illness the same intensely rational and painstakingly methodical approach that has guided her stellar academic career. But as her disease and its excruciatingly painful treatment inexorably progress, she begins to question the single-minded values and standards that have always directed her, finally coming to understand the aspects of life that make it truly worth living.

    His parents retired and moved to Florida. That doesn't mean his family isn't still in Jersey. In fact, he sees both sets of his grandparents every Sunday for dinner. This is routine until he has to tell them that he's been offered a dream job. The job he's been waiting for - marketing executive - would take him away from his beloved, but annoying, grandparents. He tells them. The news doesn't sit so well. Thus begins a series of schemes to keep Nick around. How could he betray his family's love to move to Seattle for a job, wonder his grandparents? Well, Frank, Aida, Nunzio, and Emma do their level best, that includes bringing the lovely - and single - Caitlin O'Hare as bait.

    legal system. The play centers on Juror Eight, who is at first the sole holdout in an 11-1 guilty vote. Eight sets his sights not on proving the other jurors wrong but rather on getting them to look at the situation in a clear-eyed way not affected by their personal prejudices or biases. Reginald Rose deliberately and carefully peels away the layers of artifice from the men and allows a fuller picture to form of them—and of America, at its best and worst.   After the critically acclaimed teleplay aired in 1954, this landmark American drama went on to become a cinematic masterpiece in 1957 starring Henry Fonda, for which Rose wrote the adaptation. More recently, Twelve Angry Men had a successful, and award-winning, run on Broadway.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

    Edited with an introduction, notes and a glossary by Dennis Walder, a leading critic of South African literature, this book collects his five township plays: Nongogo, No-Good Friday, Sizure Bansi is Dead, The Island and The Coat, the latter of which has never been published in Britain before.

    It's about each and every club in the League and about soccer, rugby and baseball too," writes the Melbourne Sun's football commentator, Lou Richards, himself a former Aussie Rules champion who has seen it all. He and fellow fanatic, Professor Ian Turner of Monash University, introduce David Williamson's latest probe into the confrontations of Australian life. If you have ever belonged to a sports club, if you have ever been part of any organisation in which the will to win prevails and the trial of strength goes on in the clubroom long after the players have left the field - then you will know the men of The Club.

    When Agnes finds Tilly's Dungeons & Dragons notebook, however, she stumbles into a journey of discovery and action-packed adventure in the imaginary world that was Tilly's refuge. In this high-octane dramatic comedy laden with homicidal fairies, nasty ogres, and 90s pop culture, acclaimed young playwright Qui Nguyen offers a heart-pounding homage to the geek and warrior within us all.

    The narrator, a Polish shepherd called Jacob, is deliberately a cipher, serving as a Polish everyman. After a bombing that signals the outbreak of an unnamed war, Jacob finds himself alone in the enormous palace of his master, the local lord. Everyone else has fled, and as Jacob wanders from room to room, he marvels at the wealth manifested there. He feels anger, too, and gives vent to an incongruously articulate monologue expressing his bitter resentment of the stratification of Polish society. Surveying portraits of the noble family, Jacob himself assumes the role of the lord of the manor--or perhaps several generations of lords, as this ``character'' has many voices. He personifies others as well, including a peasant girl who is treated as a sexual slave by the master of the estate. In his ramblings, Jacob portrays both classes unflatteringly-- the palace nobles as genuinely evil, the local peasants as little more than animals. Mysliwski is a master of literary pyrotechnics--Jacob's voices are grand opera, dramatic, exaggerated--and they are propelled by the author's moral outrage, which makes the destruction of the palace not only inevitable but justifiable. Yet the novel's sense of urgency seems to have been dispelled by time and intervening events.