. . nothing. But then . . . BANG! Stars caught fire and burned so long that they exploded, flinging stardust everywhere. And the ash of those stars turned into planets. Into our Earth. And into us. In a poetic text, Marion Dane Bauer takes readers from the trillionth of a second when our universe was born to the singularities that became each one of us, while vivid illustrations by Ekua Holmes capture the void before the Big Bang and the ensuing life that burst across galaxies. A seamless blend of science and art, this picture book reveals the composition of our world and beyond -- and how we are all the stuff of stars.

    In this Caldecott Honor book, illustrator Pam Zagarenski's interpretations go beyond the concrete, allowing us to not just see color, but feel it.

    . . There was a town that had 3,168 tons of garbage and nowhere to put it. What did they do? Enter the Garbage Barge!Amazing art built out of junk, toys, and found objects by Red Nose Studio makes this the perfect book for Earth Day or any day, and photos on the back side of the jacket show how the art was created.

    Joseph's Day. Juan loves las golondrinas, and so does his friend, Julian, the gardener at the mission.This year Juan plants a garden in his own yard. There's nothing he wants more than for the swallows to nest there. And on St. Joseph's Day, his dream comes true.Leo Politi is beloved author and illustrator of Pedro, The Angel of Olvera Street, among many other books for children. Song of the Swallows won the Caldecott Medal in 1950.

    At the time, sharks were seen as mindless killing machines, but Eugenie knew better and set out to prove it. Despite many obstacles in her path, Eugenie was able to study the creatures she loved so much. From her many discoveries to the shark-related myths she dispelled, Eugenie's wide scientific contributions led to the well-earned nickname "Shark Lady."

    When a fox bursts into his domain, dupes him into crowing, and then grabs him in a viselike grip, Chanticleer must do some quick thinking to save himself and his barnyard kingdom.

    The Russian folktale about an old woman's endless search for the Christ child.

    She pieced together bright patches with names like North Star and Crossroads, patches with secret meanings made into quilts called Show Ways -- maps for slaves to follow to freedom. When she grew up and had a little girl, she passed on this knowledge. And generations later, Soonie -- who was born free -- taught her own daughter how to sew beautiful quilts to be sold at market and how to read.From slavery to freedom, through segregation, freedom marches and the fight for literacy, the tradition they called Show Way has been passed down by the women in Jacqueline Woodson's family as a way to remember the past and celebrate the possibilities of the future. Beautifully rendered in Hudson Talbott's luminous art, this moving, lyrical account pays tribute to women whose strength and knowledge illuminate their daughters' lives.

    Instead of aspiring to get married, Ruby is determined to attend university when she grows up, just like the boys in her family. Based upon the inspirational story of the author's grandmother and accompanied by richly detailed illustrations, Ruby's Wish is an engaging portrait of a young girl who strives for more and a family who rewards her hard work and courage.

    Brightly dressed in full uniform, each soldier brings a part for the remarkable machine.

    Follow Jane from her childhood in London watching a robin on her windowsill, to her years in the African forests of Gombe, Tanzania, invited by brilliant scientist Louis Leakey to observe chimps, to her worldwide crusade to save these primates who are now in danger of extinction, and their habitat. Young animal lovers and Winter's many fans will welcome this fascinating and moving portrait of an extraordinary person and the animals to whom she has dedicated her life.The Watcher was named a Best Book of the Year by the Boston Globe, Kirkus Reviews, Booklist, and the Bank Street College of Education.

    With roots in American slave tales, Tops & Bottoms celebrates the trickster tradition of using one’s wits to overcome hardship. “As usual, Stevens’ animal characters, bold and colorful, are delightful. . . . It’s all wonderful fun, and the book opens, fittingly, from top to bottom instead of from side to side, making it perfect for story-time sharing.”--BooklistThis title has been selected as a Common Core Text Exemplar (Grades 2-3, Stories)

    When Lisa's red-and-white woolen stocking blows off the clothesline, Hedgie finds it and sticks his nose inside, only to discover his prickles prevent him from pulling out of it. Soon all the farm animals are coming around to chuckle at silly Hedgie's stocking cap. But in the end, nimble-witted Hedgie gets the last laugh. Now young fans of this glorious Scandinavian picture book can curl up with the illustrious Hedgie, himself! This fluffy 5-inch fellow, with long, lush, decidedly unprickly fur, sports the very sock--uh, hat--that got him in trouble. A soft body and cheerful smile guarantee many friends for this huggable guy. Packaged with the only available board book version of the award-winning The Hat, this delightful book and sweet plush toy set make a perfect gift any time of year! (Ages 3 to 8) --Emilie Coulter

    . . . The droll illustrations, with tones blended to luminescent shading, are complete and humorous themselves.' -- Association of Library Service to Children, ALA.

    Zelinsky has once again with unmatched emotional authority, control of space, and narrativecapability brought forth a unique vision for an age-old tale. Few artists at work today can touch the level at which his paintings tell a story and exert their hold.Zelinsky's retelling of Rapunzel reaches back beyond the Grimms to a late-seventeenth-century French tale by Mlle. la Force, who based hers on the Neapolitan tale Petrosinella in a collection popular at the time. The artist understands the story's fundamentals to be about possessiveness, confinement, and separation, rather than about punishment and deprivation. Thus the tower the sorceress gives Rapunzel here is not a desolate, barren structure of denial but one of esoteric beauty on the outside and physical luxury within. And the world the artist creates through the elements in his paintings the palette, control of light, landscape, characters, architecture,interiors, costumes speaks to us not of an ugly witch who cruelly imprisons a beautiful young girl, but of a mother figure who powerfully resists her child's inevitable growth, and of a young woman and man who must struggle in the wilderness for the self-reliance that is the true beginningof their adulthood.As ever, and yet always somehow in newly arresting fashion, Paul O. Zelinsky's work thrillingly shows us the events of the story while guiding us beyond them to the truths that have made it endure.