After a decade of work and groundbreaking anthologies, "Everything Together" collects his short-story comics, which condense vast amounts of emotion and information into nuanced cartoon narratives. Harkham's classic style is both articulate and expedient. At the center of the book are two vastly different tales: "Poor Sailor," a sea-faring myth of a man gone to find wealth for his love; and "Somersaulting," a kind of fever dream of teenagers in love, wiling away the summer. Alongside these stories are shorter comic strips tackling everything from Napoleon as a tortured artist to touching examinations of Jewish mysticism and life in a shtetl, to satires on contemporary university life. Throughout these tales, Harkham maintains a light touch and emotive wit. The works in this book confirm his place among the best storytellers of his generation.Sammy Harkham was born in Los Angeles in 1980, moving to Sydney, Australia, at the age of 14. He soon started making his own comics and a zine, "Kramers Ergot," which has evolved into one of the most influential comics anthologies published today. His comic strip "Poor Sailor," originally published in "Kramers Ergot" 4, was subsequently included in "Best American Nonrequired Reading of 2004 "and has been published in French, Korean and Italian. "Kramers Ergot" has been on numerous "best of the year" lists including the "LA Weekly," "Time," "The New York Times," "Dazed and Confused," "The Comics Journal" and "Publishers Weekly." In 2006 Harkham started the ongoing comic series, "Crickets," and edited "The Simpsons' Treehouse of Horror," and most recently the eighth volume of "Kramers Ergot." A partner in both the renowned bookstore Family, and the movie theater, Cinefamily, Harkham lives in Los Angeles with his wife and three children.

    Dumped in this collapsing urban trashzone, Richard Fell is starting all over again. In a place where nothing seems to make any sense, Fell clings to the one thing he knows to be true: everybody's hiding something.

    Contains tales that are illustrated in black, white, and blood red by some of the top talents in comics, including Jill Thompson (Scary Godmother), Michael Avon Oeming (Powers), Darick Robertson (Transmetropolitan), Kelley Jones (Sandman), Andi Watson (Geisha), Dan Brereton (The Nocturnals), Phil Noto (Birds of Prey), and others.

    The first four were self-xeroxed efforts, and led to a prestigious Xeric Grant in 1996, enabling her to publish a more professionally packaged fifth issue. This volume presents the best of these five comic books, as well as other short strips, to a larger audience for the first time. Abel's stories are peppered with hipsters, fashion, and trendy locales - all of which have contributed to her considerable appeal - but don't let the generational trappings fool you. Her intuitive ear for dialogue and characterization have made Artbabe a hit amongst people of all ages, especially women. TP, 120pg, b&w

    At the same time, while preparing for the Sandman 10th anniversary, he met Yoshitaka Amano, his artist for the 11th Sandman book. Amano is the famed designer of the Final Fantasy game series. The product of Gaiman's immersion in Japanese art, culture, and history, Sandman: Dream Hunters is a classic Japanese tale (adapted from "The Fox, the Monk, and the Mikado of All Night's Dreaming") that he has subtly morphed into his Sandman universe.Like most fables, the story begins with a wager between two jealous animals, a fox and a badger: which of them can drive a young monk from his solitary temple? The winner will make the temple into a new fox or badger home. But as the fox adopts the form of a woman to woo the monk from his hermitage, she falls in love with him. Meanwhile, in far away Kyoto, the wealthy Master of Yin-Yang, the onmyoji, is plagued by his fears and seeks tranquility in his command of sorcery. He learns of the monk and his inner peace; he dispatches demons to plague the monk in his dreams and eventually kill him to bring his peace to the onmyoji. The fox overhears the demons on their way to the monk and begins her struggle to save the man whom at first she so envied.Dream Hunters is a beautiful package. From the ink-brush painted endpapers to the luminous page layouts--including Amano's gate-fold painting of Morpheus in a sea of reds, oranges, and violets--this book has been crafted for a sensuous reading experience. Gaiman has developed as a prose stylist in the last several years with novels and stories such as Neverwhere and Stardust, and his narrative rings with a sense of timelessness and magic that gently sustains this adult fairy tale. The only disappointment here is that the book is so brief. One could imagine this creative team being even better suited to a longer story of more epic proportions. On the final page of Dream Hunters, in fact, Amano suggest that he will collaborate further with Mr. Gaiman in the future. Readers of Dream Hunters will hope that Amano's dream comes true. --Patrick O'Kelley

    Trade paperback.

    He has been a basement- dweller, gallery troll, and a purveyor of forbidden notions. Originally distributed into the world as Xeroxed pamphlets, these “underground comix” reflect the true nature of its nomenclature: Here are the archeological findings of the subterranean ruins of the psyche. Finally, these scattered elements have been compiled into a compact, lushly illustrated bedside reader. Give your cerebellum a tug and become a spelunker of the subconscious as we trespassamong the scorched archaic wastelands of the offspring of apes and fools. Here we find the profane, beautiful progeny of prurient ideals. Immerse yourself in the nocturnal meanderings of unnamed protagonists. Ponder the uncomfortable sexuality of the twins, Cochlea Eustachia. Recoil at the doings of a dwarfish malefactor in Hail Jeffrey, or simply stare at the pretty pictures. Suffice to say that readers of The Squirrel Machine will not be disappointed.The author instructs you not misuse this tome. Poke it gently with a long stick, if you must. Careful, it might ruin the carpet. Placate it with a belly-rub or sweet pastry before it attacks the children. Don’t worry, your tongue won’t stick. If it fits, don’t shove it in too quickly. Keep it as your own cherished object; a shameful, guarded secret. The filter for reality’s blinding glare. Detritus of the Under-Brain. The Unspeakable Thing You Always Knew.FOLLY: The Consequences Of Indiscretion. By one of the most inscrutable and discomforting cartoonists alive.

    Wrapped from head to toe in bandages and wearing weird goggles, he quietly took up residence in the sleepy town’s motel. Driven by curiosity, the townfolk quickly learn the tragic story of his past, and of the terrible accident that left him horribly disfigured. Eventually, the town embraces the stranger as one of their own – but do his bandages hide more than just scars? Inspired by H.G. Wells’ The Invisible Man, THE NOBODY explores themes of identity, fear and paranoia in a small community from up-and-coming alternative comics creator and Xeric Award-winner Jeff Lemire (The Essex County Trilogy) in a story that’ll have you guessing until the very end.

    Presented as a series of comic novellas that together comprise a thoughtful, sometimes dark and often hilarious memoir about childhood, family, death, mental illness, sex and drug use, the entire book is told through cleverly inviting conceits like cat histories and card games. The graphic novel is told in five parts: In "Thirteen Cats" (featured in The Best American Comics), Reklaw discovers coping mechanisms that mimic his family pets; "Toys I Love" relates the author's pre-pubescent brushes with deviant sexual activity, and the way innocence converges with real sexual trauma; "The Fred Robinson Story" tells the story of Reklaw's period stalking perfect strangers; "The Stacked Deck," in which hereditary influences towards criminal behavior, drug use and depression are explored via card games the author played with his family; and "Lessoned," a family history of mental illness.

    Dear Julia, is the story of how he got there. Boyd's vivid memory of the past and shaky comprehension of the present give clues to the events that lead him to the edge: his childhood, his parents, and a particular trip to Tucson, Arizona where everything began to go terribly awry. Brian Biggs tells the tale with deft wit and a sharp eye, leaving crumbs both verbal and visual along the reader's path to the climactic end. Also available is the Dear Julia, short film directed by Alistair Banks Griffin.

    Countless light years away, far outside the bounds of the charted universe, 513 people find themselves in the middle of an ancient, primordial wilderness. Where are they? Why are they there? The answers will prove stranger than anyone could possibly imagine.

    By which we mean: orderly, neat, contained and, moreover, beardless.Or at least it is until one famous day, when Dave, bald but for a single hair, finds himself assailed by a terrifying, unstoppable... monster*!Where did it come from? How should the islanders deal with it? And what, most importantly, are they going to do with Dave?The first book from a new leading light of UK comics, The Gigantic Beard That Was Evil is an off-beat fable worthy of Roald Dahl. It is about life, death and the meaning of beards.(*We mean a gigantic beard, basically.)

    Romero-esque zombie comedy that he intends to be the middle installment of his "horror trilogy" begun with the Frankenstein monster love triangle of You Can't Get There From Here. Jason's elegant deadpan style somehow manages to make the gruesome gore and splatter effects almost... charming — and yes, it is a sweet love story at heart. If you read only one book in which a zombie devours a baby this year (even Romero never quite summoned up the nerve for that), read this one!

    This is the first time these hilarious stories, starring the hapless Buddy Bradley and his cast of loser cohorts, have ever been available under one cover, and never have they been available at such a low price (it would have cost at least three times as much to read all of these classic stories in any previous editions). Bagge's riotous tales of the early 1990s subculture are more hilarious now than ever, find out why he has been praised by R. Crumb, Matt Groening, John Kricfalusi, Publishers Weekly, Entertainment Weekly and many more. Comedy genius.

    The Adventuress follows the dreamlike journey of an alchemist’s daughter. After she is kidnapped by a lascivious baron, she turns herself into a moth and flees to the garden of a charming butterfly collector named Napoleon Bonaparte. The story of how the two become lovers, and how their affair ends in tragedy and transcendence, is told through Niffenegger’s spare prose and haunting aquatint etchings. With a stunning and distinctive visual style reminiscent of the work of Edward Gorey, this gothic romance packs the emotional heft of the world’s great fairy tales. It will delight fans of the author’s previous works and enchant an entirely new legion of readers.