The boy's compelling and protean personality (he is Devon to the keepers of the Boys' Home, Alex to the Fatman with whom he lives, Priestly to the young rent-boy who reveres him, and Durwood to Sean's daughter) arches over this disturbing novel and is mirrored in the lives of all the people Sean encounters. From these different perspectives we witness the boy's many incarnations, which reflect, aggravate, and distort the desires of those around him, involving these characters irrevocably in his own mysterious intentions. The boy keeps just beyond Sean's reach, then draws him into a final encounter that is both poignant and brutal. This first novel is a penetrating study of innocence and malice ineluctably bound. With his protean sexuality and personality, the boy insinuates himself into the lives of those he encounters. We witness how he feeds their deepest desires, nourishes their greatest needs, and involves them irrevocably in his own intentions. Winner of the Lambda Literary Foundation's Editors' Choice Award for 1998!

    It’s not how her career, or her life, is supposed to unfold. But necessity is the mother of invention and Lauren has a new plan. She’s going to spruce up the inn, turn the attached pub into a hot spot, sell it for a killing, and start her own advertising agency. Gin distiller Camden Crawley has a soft spot for the Rose & Crown, the pub where her parents and grandparents got engaged. But the opinionated new owner who wants to turn it into some trendy bed and bar? Not so much. The last thing she wants to do is stick her nose in, but that might be her best chance to save a place she holds dear. And boosting her new line of gin wouldn’t hurt either.

     The most captivating woman in the city has walked into my office. Hair as red as carnal passion and a body I can’t stop fantasizing about. She doesn’t know it yet, but I’m about to ask her out. And she will say yes, because she won’t have a reason to say no. When my conquest is complete, I intend to forget all about her. She is, after all, the reason for my pain. She is the source of my breakup and the woman my good-for-nothing ex seduced. I will consume the woman who wrecked my relationship. I will not fall for her, no matter how tempting she is. It’s not becoming to be The Other Woman, after all. Good girls shouldn’t cross me.But Keira isn’t a good girl, is she? I’m no saint myself. In the end, we’ll probably go down together. It’ll be what we both deserve. THE OTHER WOMAN is a heated tale of revenge and scarred hearts. It has a HEA – but how Evelyn and Keira get there? You’ll have to find out for yourself.

    Sent away to safety, she meets another displaced child and they, star-crossed, fall in love. They are from different ethnic communities. They are also both girls. When their love is discovered, Ijeoma learns that she will have to hide this part of herself. But there is a cost to living inside a lie. As Edwidge Danticat has made personal the legacy of Haiti's political coming of age, Okparanta's Under the Udala Trees uses one woman's lifetime to examine the ways in which Nigerians continue to struggle toward selfhood. Even as their nation contends with and recovers from the effects of war and division, Nigerian lives are also wrecked and lost from taboo and prejudice. This story offers a glimmer of hope — a future where a woman might just be able to shape her life around truth and love.

    From the back cover copy:Max Desir loved his Italian-American family--even after his iron-willed father exiled him from its intimate innner circle.Max Desir loved his lover, Nick, with whom he openly took up life first amid the enchantment of Rome, then amid the realities of New York.Two loves so deeply felt--in a man so painfully divided...

    The first is of Ritwik’s; a story of a young man’s escape from a blighted childhood of squalor and abuse in Calcutta to the edge of what he considers to be a new world, full of possibilities, in England, where he has a chance to start all over again. But his past, especially the scarred, all-consuming relationship with his mother, is a minefield: will Ritwik find the salvation he is looking for? Could it arrive in the form of the second story that comprises the novel, the one he is writing himself, the story of an Englishwoman in the old world of Bengal on the eve of India’s first partition? Or could it be in the figure of the eighty-six-year-old Anne Cameron, fragile and damaged, who gives shelter to Ritwik in London in exchange of the care that she needs? And then one night, in the badlands of King’s Cross, Ritwik meets the suave, unfathomable Zafar bin Hashm. As present and past of several lives collide, Ritwik’s own goes into free fall. Set in India during the 1970s and ’80s, in England in the ’90s and in Raj Bengal in the 1900s, this award-winning first novel from one of India’s most acclaimed new writers is about dislocation and alienation, outsiders and losers, the tenuous and unconscious intersections of lives and histories, and the consolations of storytelling. Unsentimental yet full of compassion, and written with unrelenting honesty, this scalding debut marks a new turning point in writing from and of the Subcontinent.

    But a secret Jason has been keeping from his sister threatens to tear the siblings apart…right when they need each other most. Scott is waiting to hear about his girlfriend, Aimee, who was on a bus with her theater group when the bridge went down. Their relationship has been rocky, but Scott knows that if he can just see Aimee one more time, if she can just make it through this ordeal and he can tell her he loves her, everything will be all right. And then there’s Skyler, whose sister Kate—the sister who is more like a mother, the sister who is basically Skyler’s everything—was crossing the bridge when it collapsed. As the minutes tick by without a word from the hospital staff, Skyler is left to wonder how she can possibly move through life without the one person who makes her feel strong when she’s at her weakest.

    Rimbaud, the delinquent symbolist prodigy, is deserted by his lover Verlaine time and time again. Airplane takes a job dancing at Fun City, the seventh tier of the sex industry, in order to support her good-for-nothing boyfriend. And Capitol feels alive only when she's having sex with her brother, Quentin. In Memoriam to Identity is at once a revelatory addition to, and an irreverent critique of, the literature of decadence and self-destruction.

    On the way home from his lab one night he runs into Tony, a fitness instructor from his gym who he harbors a crush for, on the same platform waiting for the subway. When Michael imagines Tony naked, a pleasant fantasy to spice up a dull journey home, an extraordinary thing happens: Tony strips then and there on the platform and offers himself to Michael in front of all onlookers. Horrified, Michael flees. But back at his apartment, Tony reappears, as if by magic. And disappears again, when Michael wishes him away. Being a scientist, Michael recognizes an experiment when he sees one, and sets out to test the parameters of his newfound gift. In quick succession he conjures up Billie Holliday, Johnny Weismuller, Daffy Duck, Picasso, Sophia Loren, even his younger self. The world is seemingly there for the taking. But what does Michael really desire? Mad with lust and losing all scientific objectivity, he runs the gamut of his fantasies inventing new lovers and calling up old ones, until, sated and morally bankrupt, he's forced to confront himself. What happens to the heart when it gets everything it desires?From the renowned author of Was and 253 comes a witty, disturbing and intensely erotic fable for the modern age.

    They spend their days swimming, smoking and daydreaming about the future, oblivious to the storm gathering on the other side of the Berlin Wall.But an unsettling discovery about his family and a meeting with the mysterious Oz shatters everything Ralf thought he knew about love and loyalty. And as old Cold War tensions begin to tear his life apart, he finds himself caught up in a web of deceit, forced to make impossible choices about his country, his family and his heart.

    Ron Blythe was the chemist who helped to create the spray and now, with thousands of people suffering and dying, his conscience forces him to try to work to find an antidote. Unfortunately, he gets stranded inside Birmingham, now sealed off, and full of anarchists, escape criminals and weedkiller-poisoned sufferers from the Thirst, all of which turn the city into a hell inside England.

    History has already begun its steady march. Six native women clad in black and scarlet pichauras huddle around Naineetal Lake, attempting to cleanse it of threatening new influences. For, these are the days of Upper Mall Road (for Europeans and their horses) and Lower Mall Road (‘for dogs, servants and other Indians’). And this is the story of feisty young Tilottama Dutt, whose uncle hangs when he protests the reigning order—and her daughter, Deoki, who will confront change as Indians and as women. Things to Leave Behind brings alive the romance of the mixed legacy of British-Indian past. Full of the fascinating backstory of Naineetal and its unwilling entry into Indian history, throwing a shining light on the elemental confusion of caste, creed and culture, illuminated with painstaking detail, here is a fascinating historical epic and Namita Gokhale’s most ambitious novel yet.

    But never has he blended these disparate elements into such a brilliantly cohesive whole as he has in Lips Together, Teeth Apart,hailed by Frank Rich of the New York Times as McNallys"most ambitious and most accomplished play yet."At the heart of this haunting play is a dramatically incisive portrait of two married couples - the Trumans and the Haddocks. Uncomfortable with themselves and each other, they are forced to spend a Fourth of July weekend at the Fire Island house that the brother of one of the women left his sister when he died of AIDS. Though the house is beautiful, it is as empty as their lives and marriages have become, a symbol of their failed hopes, their rage, their fears, and of the capricious nature of death. Acerbic and haunting, Lips Together, Teeth Apart probes the stifledlives of people and their prejudices with a stunning clarity that resonates long after.

    In the decade that followed, Will relocated to the other end of the continent, filling his days with shallow and pointless affairs, unable to come to terms with the bizarre disappearance that could have been a tragic drowning, a well-planned abandonment, or both. While immersing himself in New York’s gay bar and disco scene, and a hedonistic Fire Island culture darkened by the grim specter of AIDS, Will meets Sean Paris, a young man as tortured and damaged by the past as Will himself. Drawn together by mutual doubts, needs, secrets, and obsessions, the intense relationship that they form will make waves in their circles of friends and ex-lovers, transforming Will’s life forever.

    Only hours after disembarking in Alexandria, William Marsh, an Australian corporal at twenty-one, is face down in the sand, caught in a stoush with the Italian enemy. He is saved by James Kelly, a childhood friend from Sydney and the last person he expected to see. But where William escapes unharmed, not all are so fortunate. William is sent to supervise an army depot in the Western Desert, with a private directive to find an AWOL soldier: James Kelly. When the two are reunited, James is recovering from an accident, hidden away in the home of an unusual family - a family with secrets. Together they will risk it all to find answers.Soon William and James are thrust headlong into territory more dangerous than either could have imagined.