4,243  At Madeline’s Tea Salon, the cozy hub of the Avalon community, local residents scrapbook their memories and make new ones. But across town, other Avalonians are struggling to free themselves of the past: Isabel Kidd is fixing up her ramshackle house while sorting through the complications of her late husband’s affair. Ava Catalina is mourning the love of her life and helping her young son grow up without his father. Local plumber Yvonne Tate is smart, beautiful, and new to Avalon, but finds that despite a decade of living life on her own terms, the past has a way of catching up—no matter where she goes. And Frances Latham, mother to a boisterous brood of boys, eagerly anticipates the arrival of a little girl from China—unprepared for the emotional roller coaster of foreign adoption.   Enter Bettie Shelton, the irascible founder of the Avalon Ladies Scrapbooking Society. Under Bettie’s guidance, even the most reluctant of Avalon’s residents come to terms with their past and make bold decisions about their future. But when the group receives unexpected news about their steadfast leader, they must pull together to create something truly memorable.   By turns humorous, wise, and deeply moving, The Avalon Ladies Scrapbooking Society is a luminous reminder that the things we hold most dear will last a lifetime.

    There, amid the buffets and lounge singers, between the imagined appearance of her late husband and the very real arrival of her estranged daughter midway through the cruise, Harriet is forced to take a long look back, confronting the truth about pivotal events that changed the course of her life.  Jonathan Evison—bestselling author of West of Here, The Revised Fundamentals of Caregiving, and All About Lulu—has crafted a bighearted novel with a supremely endearing heroine at its center. Through Harriet, he paints a bittersweet portrait of a postmodern everywoman with great warmth, humanity, and humor. Part dysfunctional love story, part poignant exploration of the mother/daughter relationship, nothing is what it seems in this tale of acceptance, reexamination, forgiveness, and, ultimately, healing. It is sure to appeal to admirers of Evison’s previous work, as well as fans of such writers as Meg Wolitzer, Junot Diaz, and Karen Joy Fowler.

    Bestselling novelist Octavia Frost has just completed her latest book, a revolutionary novel in which she has rewritten the last chapters of all her previous books, removing clues about her personal life concealed within, especially a horrific tragedy that befell her family years ago. On her way to deliver the manuscript to her editor, Octavia reads a news crawl in Times Square and learns that her rock-star son, Milo, has been arrested for murder. Though she and Milo haven’t spoken in years, an estrangement stemming from that tragic day, she drops everything to go to him. The “last chapters” of Octavia’s novel are layered throughout The Nobodies  Album, the scattered puzzle pieces to her and Milo’s dark and troubled past. Did she drive her son to murder? Did Milo murder anyone at all? And what exactly happened all those years ago? As the novel builds to a stunning reveal, Octavia must consider how this story will come to a close. Universally praised for her candid explorations of the human psyche, Parkhurst delivers an emotionally gripping and resonant mystery about a mother and her son, and about the possibility that one can never truly know another person.

    Now, fifty years later, when the beloved columnist suffers a massive stroke and falls into a coma, publisher Susan McGrath fills the void (temporarily, she hopes) with Haze’s past columns, along with the occasional reprinted responses from readers. Most letters were favorable, although Haze did have her trolls; one Joseph Snell in particular dubbed her “liberal” ideas the “chronicles of a radical hag.” Never censoring herself, Haze chose to mollify her critics with homey recipes—recognizing, in her constantly practical approach to the world and her community, that buttery Almond Crescents will certainly “melt away any misdirected anger.”Framed by news stories of half a century and annotated with the town’s chorus of voices, Haze’s story unfolds, as do those of others touched by the Granite Creek Gazette, including Susan, struggling with her troubled marriage, and her teenage son Sam, who—much to his surprise—enjoys his summer job reading the paper archives and discovers secrets that have been locked in the files for decades, along with sad and surprising truths about Haze’s past. With her customary warmth and wit, Lorna Landvik summons a lifetime at once lost and recovered, a complicated past that speaks with knowing eloquence to a confused present. Her topical but timeless Chronicles of a Radical Hag reminds us—sometimes with a subtle touch, sometimes with gobsmacking humor—of the power of words and of silence, as well as the wonder of finding in each other what we never even knew we were missing.

    Over the years, she's turned inward, finding pleasure in language, her work as a gardener, and keeping her neighbors at arm's length while keenly observing them. But when she is unexpectedly granted some leave from her job, May is inspired to reconnect with four once close friends. She knows they will never have a proper reunion, so she goes, one-by-one, to each of them. A student of the classics, May considers her journey a female Odyssey. What might the world have had if, instead of waiting, Penelope had set out on an adventure of her own?RULES FOR VISITING is a woman's exploration of friendship in the digital age. Deeply alert to the nobility and the ridiculousness of ordinary people, May savors the pleasures along the way--afternoon ice cream with a long-lost friend, surprise postcards from an unexpected crush, and a moving encounter with ancient beauty. Though she gets a taste of viral online fame, May chooses to bypass her friends' perfectly cultivated online lives to instead meet them in their messy analog ones.Ultimately, May learns that a best friend is someone who knows your story--and she inspires us all to master the art of visiting.

    Ava joins a book group, not only for her love of reading but also out of sheer desperation for companionship. The group’s goal throughout the year is for each member to present the book that matters most to them. Ava rediscovers a mysterious book from her childhood—one that helped her through the traumas of the untimely deaths of her sister and mother. Alternating with Ava’s story is that of her troubled daughter Maggie, who, living in Paris, descends into a destructive relationship with an older man. Ava’s mission to find that book and its enigmatic author takes her on a quest that unravels the secrets of her past and offers her and Maggie the chance to remake their lives.

    It's a peaceful life, really, and surely with her recent purchase of a sweet bungalow on Turpentine Lane her life is finally on track. Never mind that her fiancé is off on a crowdfunded cross-country walk, too busy to return her texts (but not too busy to post photos of himself with a different woman in every state.) And never mind her witless boss, or a mother who lives too close, or a philandering father who thinks he's Chagall. When she finds some mysterious artifacts in the attic of her new home, she wonders whether anything in her life is as it seems. What good fortune, then, that Faith has found a friend in affable, collegial Nick Franconi, officemate par excellence . . .

    Kate Battista feels stuck. How did she end up running house and home for her eccentric scientist father and uppity, pretty younger sister Bunny? Plus, she’s always in trouble at work – her pre-school charges adore her, but their parents don’t always appreciate her unusual opinions and forthright manner. Dr. Battista has other problems. After years out in the academic wilderness, he is on the verge of a breakthrough. His research could help millions. There’s only one problem: his brilliant young lab assistant, Pyotr, is about to be deported. And without Pyotr, all would be lost.When Dr. Battista cooks up an outrageous plan that will enable Pyotr to stay in the country, he’s relying – as usual – on Kate to help him. Kate is furious: this time he’s really asking too much. But will she be able to resist the two men’s touchingly ludicrous campaign to bring her around?

    But Hildy isn't one for self-pity and instead meets the world with a wry smile, a dark wit and a glass or two of Pinot Noir. When her two earnest grown-up children stage 'an intervention' and pack Hildy off to an addiction centre, she thinks all this fuss is ridiculous. After all, why shouldn't Hildy enjoy a drink now and then?But as the story progresses, we start to see another side to Hildy Good, and to her life's greatest passion - the lies and self deceptions needed to support her drinking, and the damage she causes to those she loves. When a cluster of secrets become dangerously entwined, the reckless behaviour of one threatens to expose the other, with devastating consequences.

    . . and so do the women who are drawn there.Yellow Samsonite suitcase with ivory, quilted lining, 1950s...Violet Turner had always dreamed of owning a shop like Hourglass Vintage. Though she knows the personal history behind each precious item she sells, Violet refuses to acknowledge her own past. When she is faced with the possibility of losing the store, she realizes that, as much as she wants to, she cannot save it alone.Taffeta tea length wedding gown with scooped neckline and cap sleeves, 1952...Eighteen-year-old April Morgan is nearly five months along in an unplanned pregnancy when her hasty engagement is broken. When she returns the perfect 1950s wedding dress, she discovers unexpected possibilities and friends who won't let her give up on her dreams.Orange sari made from silk dupioni with gold paisley design, 1968...Betrayed by her husband, Amithi Singh begins selling off her old clothes, remnants of her past life. After decades of housekeeping and parenting a daughter who rejects her traditional ways, she fears she has nothing more ahead for her.An engaging story that beautifully captures the essence of women's friendship and love, Vintage is a charming tale of possibility, of finding renewal and hope when we least expect it.

    To others, Maggie’s life seems practically perfect—she’s lovely, charming, and a successful real estate agent at Red Mountain Realty. Still, Maggie can’t help but wonder how she wound up in her present condition. She had been on her hopeful way to becoming Miss America and realizing her childhood dream of someday living in one of the elegant old homes on top of Red Mountain, with the adoring husband and the 2.5 children, but then something unexpected happened and changed everything.Maggie graduated at the top of her class at charm school, can fold a napkin in more than forty-eight different ways, and can enter and exit a car gracefully, but all the finesse in the world cannot help her now. Since the legendary real estate dynamo Hazel Whisenknott, beloved founder of Red Mountain Realty, died five years ago, business has gone from bad to worse—and the future isn’t looking much better. But just when things seem completely hopeless, Maggie suddenly comes up with the perfect plan to solve it all.As Maggie prepares to put her plan into action, we meet the cast of high-spirited characters around her. To Brenda Peoples, Maggie’s best friend and real estate partner, Maggie’s life seems easy as pie. Slender Maggie doesn’t have to worry about her figure, or about her Weight Watchers sponsor catching her at the Krispy Kreme doughnut shop. And Ethel Clipp, Red Mountain’s ancient and grumpy office manager with the bright purple hair, thinks the world of Maggie but has absolutely nothing nice to say about their rival Babs “The Beast of Birmingham” Bingington, the unscrupulous estate agent who hates Maggie and is determined to put her out of business.Maggie has heartbreaking secrets in her past, but through a strange turn of events, she soon discovers, quite by accident, that everybody, it seems—dead or alive—has at least one little secret.I Still Dream About You is a wonderful novel that is equal parts Southern charm, murder mystery, and that perfect combination of comedy and old-fashioned wisdom that can be served up only by America’s own remarkable Fannie Flagg.

    The story begins when Luz Avila's grandmother, the local butterfly lady, purchases an old, orange VW bug for a road trip home to Mexico. When she unexpectedly dies, Luz is inspired to take her grandmother's ashes home. In the manner of the Aztec myth of the goddess who brings light to the world, Luz attracts a collection of lost women, each seeking change in their lives. The Mexican people believe the monarchs are the spirits of the recently departed and Luz taps into ancient rituals and myths as she follows the spectacular, glittering river of orange monarchs in the sky to home.

    You learn too much. And you learn to move quietly through your own small domain. You also know when the men are gone. No more boots stomping above, no more football games turned up too high, and, best of all, no more front doors slamming before dawn as they trudge out for their early formation, sneakers on metal stairs, cars starting, shouts to the windows above to throw them down their gloves on cold desert mornings. Babies still cry, telephones ring, Saturday morning cartoons screech, but without the men, there is a sense of muted silence, a sense of muted life. There is an army of women waiting for their men to return in Fort Hood, Texas. Through a series of loosely interconnected stories, Siobhan Fallon takes readers onto the base, inside the homes, into the marriages and families-intimate places not seen in newspaper articles or politicians' speeches. When you leave Fort Hood, the sign above the gate warns, You've Survived the War, Now Survive the Homecoming. It is eerily prescient.

    Romeo Cacciamani and Julie Roseman are rival florists in Boston, whose families have hated each other for as long as anyone can remember (what they can't remember is why). When these two vital, lonely people see each other across a crowded lobby at a small business owners' seminar, an intense attraction blooms that neither tries to squelch. They're not sure what fate has in store for them, but they're not about to let something as silly as a generations-long feud stand in the way of finding out. That is, not until Romeo's octogenarian mother, Julie's meddling ex-husband, and a cast of grown Cacciamani and Roseman children begin to intervene with a passionate hatred that matches their newly found love, stroke for stroke. Think Montagues and Capulets, think wise and witty and thoroughly modern. Julie and Romeo is a love story for the ages.

    Haunted by an accident of which she was the lone survivor, Elena knows better than anyone how to survive the odds. With her faithful dog, Alvin, and her grandmother’s recipes, Elena arrives in Colorado to find a restaurant in as desperate need of a fresh start as she is–and a man whose passionate approach to food and life rivals her own. Owner Julian Liswood is a name many people know but a man few do. He’s come to Aspen with a troubled teenage daughter and a dream of the kind of stability and love only a family can provide. But for Elena, old ghosts don’t die quietly, yet a chance to find happiness at last is worth the risk.