Beatrice Hempel, teacher of seventh grade, is new—new to teaching, new to the school, newly engaged, and newly bereft of her idiosyncratic father. Grappling awkwardly with her newness, she struggles to figure out what is expected of her in life and at work. Is it acceptable to introduce swear words into the English curriculum, enlist students to write their own report cards, or bring up personal experiences while teaching a sex-education class?Sarah Shun-lien Bynum finds characters at their most vulnerable, then explores those precarious moments in sharp, graceful prose. From this most innovative of young writers comes another journey down the rabbit hole to the wonderland of middle school, memory, daydreaming, and the extraordinary business of growing up.

    With an unforgettable comic touch, Bank skillfully teases out issues of the heart, puts a new spin on the mating dance, and captures in perfect pitch what it's like to be a young woman coming of age in America today.

    Young Lenny Sethi is kept out of school because she suffers from polio. She spends her days with Ayah, her beautiful nanny, visiting with the large group of admirers that Ayah draws. It is in the company of these working class characters that Lenny learns about religious differences, religious intolerance, and the blossoming genocidal strife on the eve of Partition. As she matures, Lenny begins to identify the differences between the Hindus, Moslems, and Sikhs engaging in political arguments all around her. Lenny enjoys a happy, privileged life in Lahore, but the kidnapping of her beloved Ayah signals a dramatic change. Soon Lenny’s world erupts in religious, ethnic, and racial violence. By turns hilarious and heartbreaking, the domestic drama serves as a microcosm for a profound political upheaval.

    Until his wife's death, not even his children -- Diana's nieces and nephews -- have known about Diana and her lifetime companion Constance. But now David seeks to bridge over those years and recapture the closeness of childhood, to become part of Diana's life, to have her be a major part of his.For the independent, irascible Diana, the overtures from her brother are an unwelcome intrusion. Retired from her medical practice, she spends her days fully occupied with Constance, for whom memory is increasingly a sometime thing.David, growing ever more fond of the enchanting Constance, struggles to win her trust... and Diana is inexorably drawn into the events and drama of David's family life.In Memory Board the incomparable Jane Rule gives us her tenderest, most poignant, most humor-filled novel... and brings to us altogether fresh insights into living and loving and the nature of commitment.

    Devastated by his beloved sister's tragic death, twenty-four-year-old bachelor Gordon McKenna assumes that he will be entrusted with raising his niece, whom he has grown extremely close to over the few precious months of Keefer's life. But the child's paternal grandparents have different ideas—and a fierce legal battle ensues that will test the capacity and limitations of family love again and again . . . and no one will emerge from it unscathed or unchanged.Jacquelyn Mitchard, whose powerful, emotionally rich novels have won resounding critical acclaim and a wide, enthusiastic audience worldwide, brings us a soaring, heartbreaking, and unforgettable tale of love and the bonds that unite us all.

    Sandy Pressman is a nice suburban wife whose boredom is getting the best of her. She could be making friends at the club, like her husband keeps encouraging her to do.Or working on her golf game.Or getting her hair done.But for some reason, these things don't interest her as much as the naked man on the motorcycle...

    In it, he found both a structure and a persona that gave his vision a new power and coherence. A. Alvarez wrote in the Observer, 'Each fresh encounter with despair becomes the occasion for a separate, almost funny, story in which natural forces and creatures, mythic figures, even parts of the body, act out their special roles, each endowed with its own irrepressible life. With Crow, Hughes joins the select band of survivor-poets whose work is adequate to the destructive reality we inhabit.'

    The book has been translated into numerous languages and was chosen by QBR Black Book Review as one of Africa's 100 best books of the twentieth century. No African woman had ever been so frank, in an autobiography, or written so poignantly, about the intimate details of her life—a distinction that, more than two decades later, still holds true. Abandoned by her mother and sent to live with relatives in Dakar, the author tells of being educated in the French colonial school system, where she comes gradually to feel alienated from her family and Muslim upbringing, growing enamored with the West. Academic success gives her the opportunity to study in Belgium, which she looks upon as a "promised land." There she is objectified as an exotic creature, however, and she descends into promiscuity, alcohol and drug abuse, and, eventually, prostitution. (It was out of concern on her editor's part about her candor that the author used the pseudonym Ken Bugul, the Wolof phrase for "the person no one wants.") Her return to Senegal, which concludes the book, presents her with a past she cannot reenter, a painful but necessary realization as she begins to create a new life there. As Norman Rush wrote in the New York Times Book Review, "One comes away from The Abandoned Baobab reluctant to take leave of a brave, sympathetic, and resilient woman." Despite its unflinching look at our darkest impulses, and at the stark facts of being a colonized African, the book is ultimatelyinspirational, for it exposes us to a remarkable sensibility and a hard-won understanding of one's place in the world.CARAF Books: Caribbean and African Literature Translated from French

    The shantytown established by Marie-Sophie is menaced from without by hostile landowners and from within by the volatility of its own provisional state. Hers is a brilliant polyphonic rendering of individual stories informed by rhythmic orality and subversive humor that shape a collective experience.A joyous affirmation of literature that brings to mind Boccaccio, La Fontaine, Lewis Carroll, Montaigne, Rabelais, and Joyce, Texaco is a work of rare power and ambition, a masterpiece.

    Stories of Ourselves is a set text for the Cambridge Literature in English courses at IGCSE, O Level, AS and A Level. The anthology contains stories by writers from many different countries and cultures.

    sparkles with wit, intelligence and bold characterization." --Women's Review of Books..". a ripping yarn... admirable translation... sensitive introductory essay." --Times Literary Supplement..". a remarkable journal worthy of the attention of a wide audience." --Doris Grumbach, National Public RadioIn male guise, Nadezhda Durova served ten years in the Russian cavalry. The Cavalry Maiden is a lively narrative which appeals in our own time as a unique and gripping contribution to the literature of female experience.

    Houseboy, written in the form of Toundi's captivating diary and translated from the original French, discloses his awe of the white world and a web of unpredictable experiences. Early on, he escapes his father's angry blows by seeking asylum with his benefactor, the local European priest who meets an untimely death. Toundi then becomes "the Chief European's 'boy'--the dog of the King." Toundi's attempt to fulfill a dream of advancement and improvement opens his eyes to troubling realities. Gradually, preconceptions of the Europeans come crashing down on him as he struggles with his identity, his place in society, and the changing culture.

    It's a warmhearted place where good friends share laughter, tears and comfort. A funny, poignant first novel about the bonds between women, says the Houston Chronicle.

    This novel, in the words of its title character, is set in "the hermetic world of the old-fashioned black bourgeoisie--a group largely unknown to other Americans, which has carried on with cautious pomp for years in eastern cities and suburbs, using its considerable funds to attempt poignant imitations of high society, acting with genuine gallantry in the struggle for civil rights, and finally producing a generation of children educated in newly integrated schools and impatient to escape the outworn rituals of their parents."