From that single beginning, Ferguson’s life will take four simultaneous and independent fictional paths. Four identical Fergusons made of the same DNA, four boys who are the same boy, go on to lead four parallel and entirely different lives. Family fortunes diverge. Athletic skills and sex lives and friendships and intellectual passions contrast. Each Ferguson falls under the spell of the magnificent Amy Schneiderman, yet each Amy and each Ferguson have a relationship like no other. Meanwhile, readers will take in each Ferguson’s pleasures and ache from each Ferguson’s pains, as the mortal plot of each Ferguson’s life rushes on.As inventive and dexterously constructed as anything Paul Auster has ever written, yet with a passion for realism and a great tenderness and fierce attachment to history and to life itself that readers have never seen from Auster before. 4 3 2 1 is a marvelous and unforgettably affecting tour de force.

    He is determined to prove—to the subway bosses who have recently fired him, to his badgering, pregnant wife—“that the hours of his life belong to himself alone.” In the aftermath of the fire that follows, Sister St. Savior, an aging nun, appears, unbidden, to direct the way forward for his widow and his unborn child.We begin deep inside Catholic Brooklyn, in the early part of the twentieth century. Decorum, superstition, and shame collude to erase the man’s brief existence. Yet his suicide, although never spoken of, reverberates through many lives and over the decades—testing the limits and the demands of love and sacrifice, of forgiveness and forgetfulness, even through multiple generations.The characters we meet, from Sally, the unborn baby at the beginning of the novel, who becomes the center of the story, to the nuns whose personalities we come to know and love, to the neighborhood families with whose lives they are entwined, are all rendered with extraordinary sympathy and McDermott’s trademark lucidity and intelligence.Alice McDermott’s The Ninth Hour is a crowning achievement by one of the premiere writers at work in America today.

    She agrees, and together they stake their claim in the forebodingly beautiful South Dakota Badlands. Fourteen years later, in the summer of 1917, the cattle are bellowing with thirst. It hasn't rained in months, and supplies have dwindled. Pregnant, and struggling to feed her family, Rachel is isolated by more than just geography. She is determined to give her surviving children the life they deserve, but she knows that her husband, a fiercely proud former Buffalo Soldier, will never leave his ranch: black families are rare in the West, and land means a measure of equality with the white man. Somehow Rachel must find the strength to do what is right-for herself, and for her children. Reminiscent of The Color Purple as well as the frontier novels of Laura Ingalls Wilder and Willa Cather, The Personal History of Rachel DuPree opens a window on the little-known history of African American homesteaders and gives voice to an extraordinary heroine who embodies the spirit that built America.

    “Bean” Holladay is twelve and her sister, Liz, is fifteen when their artistic mother, Charlotte, takes off to find herself, leaving her girls enough money to last a month or two. When Bean returns from school one day and sees a police car outside the house, she and Liz decide to take the bus to Virginia, where their widowed Uncle Tinsley lives in the decaying mansion that’s been in Charlotte’s family for generations. An impetuous optimist, Bean soon discovers who her father was, and hears stories about why their mother left Virginia in the first place. Money is tight, and the sisters start babysitting and doing office work for Jerry Maddox, foreman of the mill in town, who bullies his workers, his tenants, his children, and his wife. Liz is whip-smart--an inventor of word games, reader of Edgar Allan Poe, nonconformist, but when school starts in the fall, it’s Bean who easily adjusts, and Liz who becomes increasingly withdrawn. And then something happens to Liz in the car with Maddox.Jeannette Walls has written a deeply moving novel about triumph over adversity and about people who find a way to love each other and the world, despite its flaws and injustices.

    Unfolding in a graveyard over the course of a single night, narrated by a dazzling chorus of voices, Lincoln in the Bardo is a literary experience unlike any other—for no one but Saunders could conceive it.February 1862. The Civil War is less than one year old. The fighting has begun in earnest, and the nation has begun to realize it is in for a long, bloody struggle. Meanwhile, President Lincoln’s beloved eleven-year-old son, Willie, lies upstairs in the White House, gravely ill. In a matter of days, despite predictions of a recovery, Willie dies and is laid to rest in a Georgetown cemetery. “My poor boy, he was too good for this earth,” the president says at the time. “God has called him home.” Newspapers report that a grief-stricken Lincoln returned to the crypt several times alone to hold his boy’s body.From that seed of historical truth, George Saunders spins an unforgettable story of familial love and loss that breaks free of its realistic, historical framework into a thrilling, supernatural realm both hilarious and terrifying. Willie Lincoln finds himself in a strange purgatory, where ghosts mingle, gripe, commiserate, quarrel, and enact bizarre acts of penance. Within this transitional state—called, in the Tibetan tradition, the bardo—a monumental struggle erupts over young Willie’s soul.Lincoln in the Bardo is an astonishing feat of imagination and a bold step forward from one of the most important and influential writers of his generation. Formally daring, generous in spirit, deeply concerned with matters of the heart, it is a testament to fiction’s ability to speak honestly and powerfully to the things that really matter to us. Saunders has invented a thrilling new form that deploys a kaleidoscopic, theatrical panorama of voices—living and dead, historical and invented—to ask a timeless, profound question: How do we live and love when we know that everything we love must end?

    But once in Russia, she quickly becomes entangled in a country she can’t escape. Many years later, Florence’s son, Julian, will make the opposite journey, immigrating back to the United States. His work in the oil industry takes him on frequent visits to Moscow, and when he learns that Florence’s KGB file has been opened, he arranges a business trip to uncover the truth about his mother, and to convince his son, Lenny, who is trying to make his fortune in the new Russia, to return home. What he discovers is both chilling and heartbreaking: an untold story of what happened to a generation of Americans abandoned by their country.The Patriots is a riveting evocation of the Cold War years, told with brilliant insight and extraordinary skill. Alternating between Florence’s and Julian’s perspectives, it is at once a mother-son story and a tale of two countries bound in a dialectic dance; a love story and a spy story; both a grand, old-fashioned epic and a contemporary novel of ideas. Through the history of one family moving back and forth between continents over three generations, The Patriots is a poignant tale of the power of love, the rewards and risks of friendship, and the secrets parents and children keep from one another.

    But after witnessing the death of his family at the hands of redcoats, he fears he’ll fight for revenge instead of honor. On the verge of a great battle, he pens a letter to Esther, the woman he loves.Esther Longfellow is in love with Hamilton, but her father is a loyalist, living in upcountry South Carolina and working for a wealthy British lord. When the Revolutionary War comes to her doorstep she is forced to choose between devotion to her father and her love for Hamilton.Chloe Daschle is the daughter of Hollywood royalty—a great director and an Oscar-winning actress. Yet her career has taken an unexpected turn: She’s the queen of death scenes. Trying to break out, she accepts a supporting role in a revolutionary war film. But she longs for the perfect role and the perfect real-life romance. Does happily ever after only exist in the movies?After a life-changing tragedy, MIT graduate Jesse Gates decides to leave his life behind and move to LA to try his hand at acting and screenwriting. When he finds a page from one of his ancestor’s letters, he becomes consumed with the love he finds there. Determined to help his grandfather find happiness at the end of his life, Jesse writes and sells a screenplay based on the events surrounding the lost love of previous generations.When Jesse meets the woman he has cast to play Esther Longfellow—his grandfather’s one true love—the stories of all four collide across time and space. The love letter from the past might have more power to affect the future than any of them could have imagined.

    The first male child born in the newly established Republic of Texas, Eli McCullough is thirteen years old when a marauding band of Comanche storm his homestead and brutally murder his mother and sister, taking him captive. Brave and clever, Eli quickly adapts to Comanche life, learning their ways and language, answering to a new name, carving a place as the chief's adopted son, and waging war against their enemies, including white men-complicating his sense of loyalty and understanding of who he is. But when disease, starvation, and overwhelming numbers of armed Americans decimate the tribe, Eli finds himself alone. Neither white nor Indian, civilized or fully wild, he must carve a place for himself in a world in which he does not fully belong-a journey of adventure, tragedy, hardship, grit, and luck that reverberates in the lives of his progeny. Intertwined with Eli's story are those of his son, Peter, a man who bears the emotional cost of his father's drive for power, and JA, Eli's great-granddaughter, a woman who must fight hardened rivals to succeed in a man's world.Phillipp Meyer deftly explores how Eli's ruthlessness and steely pragmatism transform subsequent generations of McCulloughs. Love, honor, children are sacrificed in the name of ambition, as the family becomes one of the richest powers in Texas, a ranching-and-oil dynasty of unsurpassed wealth and privilege. Yet, like all empires, the McCoulloughs must eventually face the consequences of their choices.Harrowing, panoramic, and vividly drawn, The Son is a masterful achievement from a sublime young talent.

    It is 1946, and city-bred Laura McAllan is trying to raise her children on her husband's Mississippi Delta farm - a place she finds foreign and frightening. In the midst of the family's struggles, two young men return from the war to work the land. Jamie McAllan, Laura's brother-in-law, is everything her husband is not - charming, handsome, and haunted by his memories of combat. Ronsel Jackson, eldest son of the black sharecroppers who live on the McAllan farm, has come home with the shine of a war hero. But no matter his bravery in defense of his country, he is still considered less than a man in the Jim Crow South. It is the unlikely friendship of these brothers-in-arms that drives this powerful novel to its inexorable conclusion. The men and women of each family relate their versions of events and we are drawn into their lives as they become players in a tragedy on the grandest scale. As Kingsolver says of Hillary Jordan, "Her characters walked straight out of 1940s Mississippi and into the part of my brain where sympathy and anger and love reside, leaving my heart racing. They are with me still."

    Landreaux Iron stalks a deer along the edge of the property bordering his own. He shoots with easy confidence—but when the buck springs away, Landreaux realizes he’s hit something else, a blur he saw as he squeezed the trigger. When he staggers closer, he realizes he has killed his neighbor’s five-year-old son, Dusty Ravich.The youngest child of his friend and neighbor, Peter Ravich, Dusty was best friends with Landreaux’s five-year-old son, LaRose. The two families have always been close, sharing food, clothing, and rides into town; their children played together despite going to different schools; and Landreaux’s wife, Emmaline, is half sister to Dusty’s mother, Nola. Horrified at what he’s done, the recovered alcoholic turns to an Ojibwe tribe tradition—the sweat lodge—for guidance, and finds a way forward. Following an ancient means of retribution, he and Emmaline will give LaRose to the grieving Peter and Nola. “Our son will be your son now,” they tell them.LaRose is quickly absorbed into his new family. Plagued by thoughts of suicide, Nola dotes on him, keeping her darkness at bay. His fierce, rebellious new “sister,” Maggie, welcomes him as a coconspirator who can ease her volatile mother’s terrifying moods. Gradually he’s allowed shared visits with his birth family, whose sorrow mirrors the Raviches’ own. As the years pass, LaRose becomes the linchpin linking the Irons and the Raviches, and eventually their mutual pain begins to heal.But when a vengeful man with a long-standing grudge against Landreaux begins raising trouble, hurling accusations of a cover-up the day Dusty died, he threatens the tenuous peace that has kept these two fragile families whole.Inspiring and affecting, LaRose is a powerful exploration of loss, justice, and the reparation of the human heart, and an unforgettable, dazzling tour de force from one of America’s most distinguished literary masters.

    A tone-perfect evocation of the free-spirited late 1970s and a riveting coming-of-age story.” —Karen Dukess, author of The Last Book Party“In LADY SUNSHINE, Amy Mason Doan has crafted an engrossing tale of secrets, memory, music, and the people and places you can never outrun. This novel will transport you to the ‘70s and summertime magic and a long overdue reckoning. A fantastic summer read.”—Laura Dave, New York Times bestselling author of The Last Thing He Told MeONE ICONIC FAMILY. ONE SUMMER OF SECRETS. THE DAZZLING SPIRIT OF 1970S CALIFORNIA.For Jackie Pierce, everything changed the summer of 1979, when she spent three months of infinite freedom at her bohemian uncle’s sprawling estate on the California coast. As musicians, artists, and free spirits gathered at The Sandcastle for the season in pursuit of inspiration and communal living, Jackie and her cousin Willa fell into a fast friendship, testing their limits along the rocky beach and in the wild woods... until the summer abruptly ended in tragedy, and Willa silently slipped away into the night.Twenty years later, Jackie unexpectedly inherits The Sandcastle and returns to the iconic estate for a short visit to ready it for sale. But she reluctantly extends her stay when she learns that, before her death, her estranged aunt had promised an up-and-coming producer he could record a tribute album to her late uncle at the property’s studio. As her musical guests bring the place to life again with their sun-drenched beach days and late-night bonfires, Jackie begins to notice startling parallels to that summer long ago. And when a piece of the past resurfaces and sparks new questions about Willa’s disappearance, Jackie must discover if the dark secret she’s kept ever since is even the truth at all.“Lady Sunshine is shot through with free love, hope, and all the magic of the ’70s, but under the sun and music lie dark secrets.It’s a thrilling ride, a beautiful evocation of an era, and a story that will keep readers entranced from the first page to the last.”—Rene Denfeld, bestselling author of The Child Finder“This book is gorgeous. A gold-drenched nostalgic dream with a fierce female friendship at its heart.”—Marisa de los Santos, New York Times bestselling author of I'll Be Your Blue Sky“Haunting and vivid, with layered, complex characters and an evocative setting that sparkles with detail, LADY SUNSHINE will stay with me for a long time.”—Julie Clark, New York Times bestselling author of The Last Flight

    

    It can be found only in the final book of the series that made her a famous writer. But does that book exist?This absorbing novel spans the entire twentieth century, telling the moving story of a mother, her daughter, and two granddaughters, one of whom is the only person alive who knows the whereabouts of Harriet's final book. When a hospitalization brings the family back together, the mystery not only of Harriet's last book, but also of her life, hangs in the balance. Will the truth ever be known, or is Harriet's story gone forever?A multi-generational tale of long-lost love, motherhood, and family secrets, this is Baggott's most sweeping and mesmerizing novel yet.

    Eliza Lucas is sixteen years old when her father leaves her in charge of their family's three plantations in rural South Carolina and then proceeds to bleed the estates dry in pursuit of his military ambitions. Tensions with the British, and with the Spanish in Florida, just a short way down the coast, are rising, and slaves are starting to become restless. Her mother wants nothing more than for their South Carolina endeavor to fail so they can go back to England. Soon her family is in danger of losing everything.Upon hearing how much the French pay for indigo dye, Eliza believes it's the key to their salvation. But everyone tells her it's impossible, and no one will share the secret to making it. Thwarted at nearly every turn, even by her own family, Eliza finds that her only allies are an aging horticulturalist, an older and married gentleman lawyer, and a slave with whom she strikes a dangerous deal: teach her the intricate thousand-year-old secret process of making indigo dye and in return -- against the laws of the day -- she will teach the slaves to read.So begins an incredible story of love, dangerous and hidden friendships, ambition, betrayal, and sacrifice.Based on historical documents, including Eliza's letters, this is a historical fiction account of how a teenage girl produced indigo dye, which became one of the largest exports out of South Carolina, an export that laid the foundation for the incredible wealth of several Southern families who still live on today. Although largely overlooked by historians, the accomplishments of Eliza Lucas influenced the course of US history. When she passed away in 1793, President George Washington served as a pallbearer at her funeral.This book is set between 1739 and 1744, with romance, intrigue, forbidden friendships, and political and financial threats weaving together to form the story of a remarkable young woman whose actions were before their time: the story of the indigo girl.

    The enigmatic and powerful man known only as the Commodore has ordered it, and his henchmen, Eli and Charlie Sisters, will make sure of it. Though Eli doesn't share his brother's appetite for whiskey and killing, he's never known anything else. But their prey isn't an easy mark, and on the road from Oregon City to Warm's gold-mining claim outside Sacramento, Eli begins to question what he does for a living - and whom he does it for.With The Sisters Brothers, Patrick deWitt pays homage to the classic Western, transforming it into an unforgettable comic tour de force. Filled with a remarkable cast of characters - losers, cheaters, and ne'er-do-wells from all stripes of life - and told by a complex and compelling narrator, it is a violent, lustful odyssey through the underworld of the 1850s frontier that beautifully captures the humor, melancholy, and grit of the Old West, and two brothers bound by blood, violence, and love.