And every one of them carries a full supply of the human condition: parents in assisted-living—or assisted-dying—facilities, too many or too few people in their families and marriages, the ties that bind a sometimes messy knot, age an implacable foe, impulses pulling them away from comfort into distraction or catastrophe. Terrifyingly self-aware, they refuse to go gently—even when they’re going nowhere fast, in settings that range across the metropolitan and suburban Northeast to the countryside of upstate New York and New England. Relentlessly inventive, alternately hilarious and tragic, always moving, this book proves yet again that Gates is one of our most talented, witty and emotionally intelligent writers.

    Stories increasingly change point of view, switch location, and sometimes pack as much material as a short novel might,” writes guest editor Elizabeth Strout. “It’s the variety of voices that most indicates the increasing confluence of cultures involved in making us who we are.” The Best American Short Stories 2013 presents an impressive diversity of writers who dexterously lead us into their corners of the world.In “Miss Lora,” Junot Díaz masterfully puts us in the mind of a teenage boy who throws aside his better sense and pursues an intimate affair with a high school teacher. Sheila Kohler tackles innocence and abuse as a child wanders away from her mother, in thrall to a stranger she believes is the “Magic Man.” Kirstin Valdez Quade’s “Nemecia” depicts the after-effects of a secret, violent family trauma. Joan Wickersham’s “The Tunnel” is a tragic love story about a mother’s declining health and her daughter’s helplessness as she struggles to balance her responsibility to her mother and her own desires. New author Callan Wink’s “Breatharians” unsettles the reader as a farm boy shoulders a grim chore in the wake of his parents’ estrangement.“Elizabeth Strout was a wonderful reader, an author who knows well that the sound of one’s writing is just as important as and indivisible from the content,” writes series editor Heidi Pitlor. “Here are twenty compellingly told, powerfully felt stories about urgent matters with profound consequences.”

    Over the course of the last half century, the Review has launched hundreds of careers while publishing some of the most inventive and best-loved stories of our time. This anthology---the first of its kind---is more than a treasury: it is an indispensable resource for writers, students, and anyone else who wants to understand fiction from a writer’s point of view. "Some chose classics. Some chose stories that were new even to us. Our hope is that this collection will be useful to young writers, and to others interested in literary technique. Most of all, it is intended for readers who are not (or are no longer) in the habit of reading short stories. We hope these object lessons will remind them how varied the form can be, how vital it remains, and how much pleasure it can give."---from the Editors’ Note WITH SELECTIONS BYDaniel Alarcón · Donald Barthelme · Ann Beattie · David Bezmozgis · Jorge Luis Borges · Jane Bowles · Ethan Canin · Raymond Carver · Evan S. Connell · Bernard Cooper · Guy Davenport · Lydia Davis · Dave Eggers · Jeffrey Eugenides · Mary Gaitskill · Thomas Glynn · Aleksandar Hemon · Amy Hempel · Mary-Beth Hughes · Denis Johnson · Jonathan Lethem · Sam Lipsyte · Ben Marcus · David Means · Leonard Michaels · Steven Millhauser · Lorrie Moore · Craig Nova · Daniel Orozco · Mary Robison · Norman Rush · James Salter · Mona Simpson · Ali Smith · Wells Tower · Dallas Wiebe · Joy Williams

    Screenwriter, director, and star of the acclaimed film Me and You and Everyone We Know, Miranda July brings her extraordinary talents to the page in a startling, sexy, and tender collection.

    With themes reminiscent of Shirley Jackson, Thomas Ligotti, and Bruno Schulz, but with a strikingly unique vision, Padgett's work explores the mystery of human suffering, the agony of personal existence, and the ghastly means by which someone might achieve salvation from both. A bullied child seeks vengeance within a bed's hollow box spring. A lucid dreamer is haunted by an impossible house. A dummy reveals its own anatomy in 20 simple steps. A stuttering librarian holds the key to a mill town's unspeakable secrets. A commuter's worldview is shattered by two words printed on a cardboard sign. An aspiring ventriloquist spends a little too much time looking at himself in a mirror. And a presence speaks through them all. Contents: Introduction by Matt Cardin The Mindfulness of Horror Practice Murmurs of a Voice Foreknown The Indoor Swamp Origami Dreams 20 Simple Steps to Ventriloquism Infusorium Organ Void The Secret of VentriloquismEscape to Thin Mountain

    A child's collection of bottle caps becomes the tombstones of a graveyard. A lowly rightfielder's inexplicable death turns him into a martyr to baseball. Strains of Chopin floating down the tenement airshaft are transformed into a mysterious anthem of loss. Combining homely detail and heartbreakingly familiar voices with grand leaps of imagination, The Coast of Chicago is a masterpiece from one of America's most highly regarded writers.

    Haunted, a collection of sixteen tales that range from classic ghost stories to portrayals of chilling psychological terror, raises the genre to the level of fine literature - complex, multi-layered, and gripping fiction that is very scary indeed. In the title story, "Haunted, " the pubescent Melissa and her best friend, the sexually precocious Mary Lou, ignore "no trespassing" signs to explore forbidden houses. But the deserted Minton farm is one place where they should not have gone, and years later Melissa is tormented by her memories of its malevolence...and the murder of Mary Lou. In the novella, "The Model, " a sexual threat seems to underlie the interaction between young Sybil Blake and "Mr. Starr, " who asks her to be his model, but the truth about her own identity, and his, shows that the danger is lurking in a different part of the heart. The "Accursed Inhabitants of the House of Bly, " a macabre reworking of Henry James's "The Turn of the Screw, " resurrects the evil of Miss Jessel and Quint, who are up to their old tricks with the children, Miles and Flora, but with new, perverse, and brilliant revelations. The tales in this collection plunge the reader into nightmare worlds where violence slips in unexpectedly, where reality turns into a funhouse mirror, and where American culture goes awry in shocking, provocative ways. Joyce Carol Oates is a master storyteller of the dark side. She writes with skillfully controlled prose, tightly woven plots, and deep psychological insight that m her fictional horror worthy to set alongside the stories of Edgar Allan Poe - and far above all the rest.Haunted --The doll --The bingo master --The white cat --The model --Extenuating circumstances --Don't you trust me --The guilty party --The premonition --Phase change --Poor Bibi --Thanksgiving --Blind --The radio astronomer --Accursed inhabitants of the House of Bly --Martyrdom

    Past winners and shortlisted authors have included the Pulitzer winners Junot Díaz, Anthony Doerr and Adam Johnson, plus Hilary Mantel, Ali Smith, Yiyun Li, CK Stead and Elizabeth Strout.Six Shorts 2017 brings together the six stories shortlisted for this year's award: ‘Reputation Management’ by Kathleen Alcott; ‘Half of What Atlee Rouse Knows about Horses’ by Bret Anthony Johnston; ‘The Hazel Twig and the Olive Tree’ by Richard Lambert; ‘The Tenant’ by Victor Lodato; ‘Every Little Thing’ by Celeste Ng; and ‘Mr Salary’ by Sally Rooney.Chosen by a hugely experienced and prestigious judging panel that included Booker-winner Anne Enright, Orange- and Whitbread-winner Rose Tremain, Booker-shortlistee Neel Mukherjee and critic and novelist Mark Lawson, the six stories represent the very best in contemporary English-language short fiction.

    A student plagiarizes a paper and holds fast to her alibi until she finds herself complicit in the resurrection of one professor's shadowy past. A dinner party becomes the occasion for the dissolution of more than one marriage. A woman is hired to find a wife for the one true soulmate she's ever found. In all, Rebecca Lee traverses the terrain of infidelity, obligation, sacrifice, jealousy, and yet finally, optimism. Showing people at their most vulnerable, Lee creates characters so wonderfully flawed, so driven by their desire, so compelled to make sense of their human condition, that it's impossible not to feel for them when their fragile belief in romantic love, domestic bliss, or academic seclusion fails to provide them with the sort of force field they'd expected.

    In this darkly humorous collection, Kansas becomes a state of mind as Mandelbaum's characters struggle to define their relationship to home and what it means to stay or leave, to hold on or let go.When a desperately lonely woman finds herself on a bad date with a rugged man, she must decide whether to sacrifice the life of a bear in order to keep the man's affection. After having a nightmare about a mallard, a young man wakes to discover he's choking the woman he loves. When his mother starts dating a slimy pizza parlor owner, a young boy must carefully consider his loyalties. The appealing and peculiar characters in Bad Kansas are determined to get what they want, be it love or sex or power, in a world determined to overlook them.

    “They were windows into emotions I had and hadn’t had, into other settings and circumstances and observations and relationships.” Decades later, Sittenfeld was met by the same feeling selecting the stories for this year’s edition. The result is a striking and nuanced collection, bringing to life awkward college students, disgraced public figures, raunchy grandparents, and mystical godmothers. To read these stories is to experience the transporting joys of discovery and affirmation, and to realize that story writing in America continues to flourish. Godmother tea / Selena Anderson --The apartment / T.C. Boyle --A faithful but melancholy account of several barbarities lately committed / Jason Brown --Sibling rivalry / Michael Byers --The nanny / Emma Cline --Halloween / Marian Crotty --Something Street / Carolyn Ferrell --This is pleasure / Mary Gaitskill --In the event / Meng Jin --The children / Andrea Lee --Rubberdust / Sarah Thankam Mathews --It's not you / Elizabeth McCracken --Liberté / Scott Nadelson --Howl Palace / Leigh Newman --The nine-tailed fox explains / Jane Pek --The hands of dirty children / Alejandro Puyana --Octopus VII / Anna Reeser --Enlightenment / William Pei Shih --Kennedy / Kevin Wilson --The special world / Tiphanie Yanique

    In this collection, she evokes what it means to be young, to be a woman, to have both feet firmly planted both in this world & the virtual. She asks fascinating questions like, 'Is anyone moved by the plainness of raw skin anymore?' She makes you trust she's the necessary answers with intelligence & confidence. In this book, she builds an identity for herself, tears it down & builds herself anew. It's breathtaking to behold."--Roxane Gay, author of An Untamed State & Bad Feminist“The poems & prose pieces in this smart & complex collection illuminate the shape of a new, 21st century webcam feminism—one that questions its own ambitions, knows the shape of pornstar mouths & doubts the sanctity of individuality when pitted against the existential. Gabby writes with radical uncertainty about illusions of control, the limits of identity & what it means to still want to kiss another human amidst the screenshots. This is a book that invents its own female gaze & then, like a bad bitch, breaks the lens.”--Melissa Broder, author of Meat Heart“Gabby Bess’s Alone with Other People orchestrates an impressive catalog of young human want with a uncompromising style. In the span between its 1st phrase The sex can be rough & its last sentence, Panic, the reader forward thru a virtual rolodex of self-inquisition shaped by boredom, horror, aspiration, fear for future, wonder, lust. There’s a lot of intense light coming off this book full of screens & suns & large black dots.”--Blake Butler, author of Sky Saw“Don’t take me for crazy when I say that the verse “Hahaha, am I alone here?” is the one that best sums up Gabby’s incredible debut book, because it’s true. Thru each & every page that makes up Alone with Other People, the author manages to head out into the world with a sane, witty & protesting laugh. A laugh about the strength of woman, of youth, of poetry. When Gabby says hahaha, it also starts to unravel before our very eyes a series of texts that first & foremost find beauty in the mundane, followed by the universality of intimacy, & lastly (& most importantly): the sensation that with this book, we will never, ever feel lonely again.”--Luna Miguel, author of Bluebird & Other Tattoos“Of-the-moment, brilliant & triumphantly sad, Illuminati Girl Gang leader Gabby Bess’s debut Alone with Other People is a post-feminist, hyper selfconscious teen swansong of the Internet age. The line between girl body & Macbook is collapsed in these vignettes that riff from blog posts, text messages & tumblr memes, & what emerges is a “modern tragic figure who would sacrifice herself for whatever.”--Kate Durbin, author of E! Entertainment“Alone with Other People deftly deals with relationships in a highly mediated age–one that twists our perceptions of self & others. Gabby shows us how we can be simultaneously complicit in this culture but still have the desire to fight against it.”--Ann Hirsch, performance artist

    The titular story revolves around an aging English professor who, mourning the loss of his wife, robs other people's homes of their sentimental knick-knacks. In "Free Ham," a young dropout wins a ham after her house burns down and refuses to accept it. “Has my ham done anything wrong?” she asks when the grocery store manager demands that she claim it. In "Carry Me Home, Sisters of Saint Joseph," a failed commercial writer moves into the basement of a convent and inadvertently discovers the secrets of the Sisters of Saint Joseph. A girl, hoping to talk her brother out of enlisting in the army, brings Bob Dylan home for Thanksgiving dinner in the quiet, dreamy "North Of." In “The Idea of Marcel,” Emily, a conservative, elegant girl, has dinner with the idea of her ex-boyfriend, Marcel. In a night filled with baffling coincidences, including Marcel having dinner with his idea of Emily, she wonders why we tend to be more in love with ideas than with reality. In and out of the rooms of these gritty, whimsical stories roam troubled, funny people struggling to reconcile their circumstances to some kind of American Ideal and failing, over and over.  The stories of Safe as Houses are magical and original and help answer such universal and existential questions as: How far will we go to stay loyal to our friends? Can we love a man even though he is inches shorter than our ideal? Why doesn’t Bob Dylan ever have his own smokes? And are there patron saints for everything, even lost socks and bad movies? All homes are not shelters. But then again, some are. Welcome to the home of Marie-Helene Bertino.

    A man is booted out of his home after his wife discovers that the print of a bare foot on the inside of his windshield doesn’t match her own. Teenage cousins, drugged by summer, meet with a reckoning in the woods. A boy runs off to the carnival after his stepfather bites him in a brawl.In the stories of Wells Tower, families fall apart and messily try to reassemble themselves. His version of America is touched with the seamy splendor of the dropout, the misfit: failed inventors, boozy dreamers, hapless fathers, wayward sons. Combining electric prose with savage wit, Everything Ravaged, Everything Burned is a major debut, announcing a voice we have not heard before.

    In collections such as Will You Please Be Quiet, Please? and What We Talk About When We Talk About Love, Carver wrote with unflinching exactness about men and women enduring lives on the knife-edge of poverty and other deprivations. Beneath his pared-down surfaces run disturbing, violent undercurrents. Suggestive rather than explicit, and seeming all the more powerful for what is left unsaid, Carver’s stories were held up as exemplars of a new school in American fiction known as minimalism or “dirty realism,” a movement whose wide influence continues to this day. Carver’s stories were brilliant in their detachment and use of the oblique, ambiguous gesture, yet there were signs of a different sort of sensibility at work. In books such as Cathedral and the later tales included in the collected stories volume Where I’m Calling From, Carver revealed himself to be a more expansive writer than in the earlier published books, displaying Chekhovian sympathies toward his characters and relying less on elliptical effects.In gathering all of Carver’s stories, including early sketches and posthumously discovered works, The Library of America’s Collected Stories provides a comprehensive overview of Carver’s career as we have come to know it: the promise of Will You Please Be Quiet, Please? and the breakthrough of What We Talk About, on through the departures taken in Cathedral and the pathos of the late stories. But it also prompts a fresh consideration of Carver by presenting Beginners, an edition of the manuscript of What We Talk About When We Talk About Love that Carver submitted to Gordon Lish, his editor and a crucial influence on his development. Lish’s editing was so extensive that at one point Carver wrote him an anguished letter asking him not to publish the book; now, for the first time, readers can read both the manuscript and published versions of the collection that established Carver as a major American writer. Offering a fascinating window into the complex, fraught relationship between writer and editor, Beginners expands our sense of Carver and is essential reading for anyone who cares about his achievement.Contents--What We Talk About When We Talk About LoveWhy Don’t You Dance?ViewfinderMr. Coffee and Mr. FixitGazeboI Could See the Smallest ThingsSacksThe BathTell the Women We’re GoingAfter the DenimSo Much Water So Close to HomeThe Third Thing That Killed My Father OffA Serious TalkThe CalmPopular MechanicsEverything Stuck to HimWhat We Talk About When We Talk About LoveOne More ThingStories from FiresThe LieThe CabinHarry’s DeathThe PheasantCathedralFeathersChef’s HousePreservationThe CompartmentA Small, Good ThingVitaminsCarefulWhere I’m Calling FromThe TrainFeverThe BridleCathedralFrom Where I’m Calling FromBoxesWhoever Was Using This BedIntimacyMenudoElephantBlackbird PieErrandOther FictionThe HairThe AficionadosPoseidon and CompanyBright Red ApplesFrom The Augustine NotebooksKindlingWhat Would You Like to See?DreamsVandalsCall If You Need MeSelected EssaysMy Father’s LifeOn WritingFiresAuthor’s Note to Where I’m Calling FromBeginners (The Manuscript Version of What We Talk About When We Talk About Love)Why Don’t You Dance?ViewfinderWhere Is Everyone?GazeboWant to See Something?The FlingA Small, Good ThingTell the Women We’re GoingIf It Please YouSo Much Water So Close to HomeDummyPieThe CalmMineDistanceBeginnersOne More Thing--loa.org