is an ode both to the soil, and those who have worked it alongside her' Daily Telegraph Joan Bomford wanted to be a farmer so much she always wore a tie like her dad. She ran away from school whenever she could to help him. As an 8 year-old she was the first person in the family to drive a tractor. No job was ever too tough for her. Now aged 83, she's still as active, still driving tractors, still feeding the farm's beef cattle and horses, and still giving riding lessons.This is her account of a lifelong love-affair with the land and the people who work on it. With the warmth and wit of a born story teller, she tells us what it's been like to live through an era of enormous change, her love of animals kindled by her father's shire horses who did all the heavy work until machinery took over. Up With The Lark is not only the portrait of a forgotten era, but also the story of one woman's overwhelming desire to do the thing she cared about more than anything else - being Farmer Joan.

     Who’d be a copper? follows Jonathan Nicholas in his transition from a long-haired world traveller to becoming one of ‘Thatcher’s army’ on the picket lines of the 1984 miner’s dispute and beyond. His first years in the police were often chaotic and difficult, and he was very nearly sacked for not prosecuting enough people. Working at the sharp end of inner-city policing for the entire thirty years, Jonathan saw how politics interfered with the job; from the massaging of crime figures to personal petty squabbles with senior officers. His last ten years were the oddest, from being the best cop in the force to repeatedly being told that he faced dismissal. This astonishing true story comes from deep in the heart of British inner-city policing and is a revealing insight into what life is really like for a police officer, amid increasing budget cuts, bizarre Home Office ideas and stifling political correctness. “I can write what I like, even if it brings the police service into disrepute, because I don’t work for them anymore!” says Jonathan Nicholas. Who’d be a copper? is a unique insight into modern policing that will appeal to fans of autobiographies, plus those interested in seeing what really happens behind the scenes of the UK police."I HAVE BOUGHT YOUR BOOK."  TW,  Sir Thomas Winsor, WS HMCIC"A WEALTH OF ANECDOTES. FASCINATING." John Donoghue, author of 'Police, Crime & 999'"AN ILLUMINATING ACCOUNT OF LIFE AS A FRONT LINE OFFICER IN BRITAIN'S POLICE, A SERVICE OFTEN STRETCHED FOR RESOURCES BUT MIRED IN RED TAPE AND POLITICAL CORRECTNESS."  Pat Condell, author of 'Freedom is My Religion'

    They will bond in nature and discover the glories of outdoor activity. What could go wrong? Well, among other things, it turns out that Angie loves hiking but Katie doesn't.Hilarious, poignant, and deeply felt, This One Wild Life explores parenting and marriage in a summer of unexpected outcomes and growth for both mother and daughter.

    Performing as a living statue in a wedding dress, she wordlessly asked thousands of passersby for their dollars. When she became a singer, songwriter, and musician, she was not afraid to ask her audience to support her as she surfed the crowd (and slept on their couches while touring). And when she left her record label to strike out on her own, she asked her fans to support her in making an album, leading to the world's most successful music Kickstarter.Even while Amanda is both celebrated and attacked for her fearlessness in asking for help, she finds that there are important things she cannot ask for-as a musician, as a friend, and as a wife. She learns that she isn't alone in this, that so many people are afraid to ask for help, and it paralyzes their lives and relationships. In this groundbreaking book, she explores these barriers in her own life and in the lives of those around her, and discovers the emotional, philosophical, and practical aspects of The Art Of Asking.Part manifesto, part revelation, this is the story of an artist struggling with the new rules of exchange in the twenty-first century, both on and off the Internet. The Art Of Asking will inspire readers to rethink their own ideas about asking, giving, art, and love.

    Webber adroitly uses the comics medium to convey the practical hurdles she faced as well as the fear and dread that accompanied her increasingly lonely journey to regain her life. Her raw cartooning style, occasionally devolving into chaotic scribbles, splotches of ink, and overlapping montages, perfectly captures her frustration and anxiety. But her ordeal ultimately becomes a hopeful story. Throughout, she learns to lean on the support of her close friends, finds self-expression in creating comics, and comes to understand and appreciate how deeply her voice and identity are intertwined.

    He talks about the team at every opportunity, wears their gear proudly in interviews and on the street, appeared in a series of videos promoting the team, and was once named honorary captain by owner Geoff Molson and Habs tough guy Chris Nilan. As he has said publicly, “I was raised both Catholic and Jewish, but really more than anything just a Habs fan.”In Born Into It, Baruchel’s lifelong memories as a Canadiens’ fan explode on the page in a collection of hilarious, heartfelt and nostalgic stories that draw on his childhood experiences as a homer living in Montreal and the enemy living in the Maple Leaf stronghold of Oshawa, Ontario. Knuckles drawn, and with the rouge, bleu et blanc emblazoned on just about every piece of clothing he owns, Baruchel shares all in the same spirit with which he laid his soul bare in his hugely popular Goon movies. Born Into It is a memoir unlike any other, and a book not to be missed.

    What is Rick Mercer going to do now? That was the question on everyone’s lips when the beloved comedian retired his hugely successful TV show after 15 seasons—and at the peak of its popularity. The answer came not long after, when he roared back in a new role as stand-up-comedian, playing to sold-out houses wherever he appeared. And then Covid-19 struck. And his legions of fans began asking again: What is Rick Mercer going to do now? Well, for one thing, he’s been writing a comic masterpiece. For the first time, this most private of public figures has turned the spotlight on himself, in a memoir that’s as revealing as it is hilarious. In riveting anecdotal style, Rick charts his rise from highly unpromising schoolboy (in his reports “the word ‘disappointment’ appeared a fair bit”) to the heights of TV fame. Along the way came an amazing break when, not long out of his teens, his one-man show Show Me the Button, I’ll Push It. Or, Charles Lynch Must Die, became an overnight sensation—thanks in part to a bizarre ambush by its target, Charles Lynch himself. That’s one story you won’t soon forget, and this book is full of them. There’s a tale of how little Rick helped himself to a tree from the neighbours’ garden that’s set to become a new Christmas classic. There’s Rick the aspiring actor, braving “the scariest thing I have ever done in my life” by performing with the Newfoundland Shakespeare Company; unforgettable scenes with politicians of every variety, from Jean Chretien to George W. Bush to Stockwell Day; and a wealth of behind-the-scenes revelations about the origins and making of This Hour Has 22 Minutes, Made in Canada, and Talking to Americans. All leading of course to the greenlighting of that mega-hit, Rick Mercer Report . . . It’s a life so packed with incident (did we mention Bosnia and Kabul?) and laughter we can only hope that a future answer to “What is Rick Mercer going to do now?” is: “Write volume two.”

    A Field Guide to Getting Lost draws on emblematic moments and relationships in Solnit's own life to explore the issues of wandering, being lost, and the uses of the unknown. The result is a distinctive, stimulating, and poignant voyage of discovery.

    John and Sunday's was a remarkable partnership that affected all those who crossed the threshold into Heide and which altered the course of art in Australia.

    Catherine Porter, a newly minted international reporter, was on the ground in the immediate aftermath. Moments after she arrived in Haiti, Catherine found her first story. A ragtag group of volunteers told her about a “miracle child”—a two-year-old girl who had survived six days under the rubble and emerged virtually unscathed.Catherine found the girl the next day. Her family was a mystery; her future uncertain. Her name was Lovely. She seemed a symbol of Haiti—both hopeful and despairing.When Catherine learned that Lovely had been reunited with her family, she did what any journalist would do and followed the story. The cardinal rule of journalism is to remain objective and not become personally involved in the stories you report. But Catherine broke that rule on the last day of her second trip to Haiti. That day, Catherine made the simple decision to enroll Lovely in school and to pay for it with money she and her readers donated.Over the next five years, Catherine would visit Lovely and her family seventeen times, while also reporting on the country’s struggles to harness the rush of international aid. Each trip, Catherine’s relationship with Lovely and her family became more involved and more complicated. Trying to balance her instincts as a mother and a journalist, and increasingly conscious of the costs involved, Catherine found herself struggling to align her worldview with the realities of Haiti after the earthquake. Although her dual roles as donor and journalist were constantly at odds, as one piled up expectations and the other documented failures, a third role had emerged and quietly become the most important: that of a friend.A Girl Named Lovely is about the reverberations of a single decision—in Lovely’s life and in Catherine’s. It recounts a journalist’s voyage into the poorest country in the Western Hemisphere, hit by the greatest natural disaster in modern history, and the fraught, messy realities of international aid. It is about hope, kindness, heartbreak, and the modest but meaningful difference one person can make.

    But there were restrictions too, that come with growing up in an orthodox Tamil Brahmin family, as well as the rarely spoken about dangers of predatory male relatives. Ruskin College, Oxford, gave her her first taste of freedom in 1955, at the age of 22. Oxford brought her a degree in philosophy and economics—as well as hardship, as she washed dishes in a cafe to pay her fees. It was here, too, that she had her early encounters with the sensual life. With rare candour, she writes of her romantic liaisons in Oxford and Harvard, and falling in love with her ‘unsuitable boy’—her husband, Lakshmi Jain, whom she married against her beloved father’s wishes.Devaki’s professional life saw her becoming deeply involved with the cause of ‘poor’ women—workers in the informal economy, for whom she strove to get a better deal. In the international arena, she joined cause with the concerns of the colonized nations of the south, as they fought to make their voices heard against the rich and powerful nations of the former colonizers. Her work brought her into contact with world leaders and thinkers, amongst them, Vinoba Bhave, Nelson Mandela, Desmond Tutu, Henry Kissinger, Amartya Sen, Doris Lessing and Iris Murdoch, her tutor at St Anne’s College, Oxford, who became a lifelong friend.In all these encounters and anecdotes, what shines through is Devaki Jain’s honesty in telling it like it was—with a message for women across generations, that one can experience the good, the bad and the ugly, and remain standing to tell the story.

    The real life and faith journey of Loretta Young -- her strong devotion to her Catholic faith and her passion for helping others in need.

    By the age of 16, Sonja joins a cult-like communist organization in Brooklyn--unaware of the dark nature of what awaits her.A small, skinny 8-year-old girl holding a teddy bear stands by the side of a country road with a young man she barely knows. They're hitchhiking from a commune in Quebec to one in California. It is 1973 and somehow the girl's parents think this is a good idea.    Sonja Larsen's is a childhood in which family members come and go and where freedom is both a gift and a burden. Her mother, thrown out of home as a pregnant teenager by her evangelical preacher father, is drawn to the utopian ideals and radical politics of communism. Her aunt Suzie is gripped by schizophrenia, her behaviour so erratic she eventually loses custody of her daughter. And then there is her cousin Dana, shunted back and forth long-distance between her parents--Dana, whose own need to escape leads to tragedy.     Looking for a sense of family, searching to belong, to have your life mean something--this is what all these girls and young women share. As a teenager, Larsen moves to Brooklyn, embedding herself with an organization known publicly as the National Labor Federation and privately as the Communist Party USA Provisional Wing. Over her three years at the organization's national headquarters, Larsen works sixteen-hour day, eager to prove herself. Noticed and encouraged by the Old Man, the organization's charismatic leader, he makes her one of his "special girls," as well as the youngest member of the organization's militia and part of its inner circle. But even as she and her comrades count down the days on the calendar until the dawning of their new American revolution, Larsen's doubts about the cause and the Old Man become increasingly difficult to ignore.     Red Star Tattoo explores the seductions and dangers of extremism, and asks what it takes to survive a childhood scarred by loss, abuse and the sometimes violent struggle for belonging.

    The poem describes coming to terms with his loss through the lens of her translation of Poem 101 by Catullus “for his brother who died in the Troad.” Nox is a work of poetry, but arrives as a fascinating and unique physical object. Carson pasted old letters, family photos, collages and sketches on pages. The poems, typed on a computer, were added to this illustrated “book” creating a visual and reading experience so amazing as to open up our concept of poetry.

    Mary is one such dreamer, a little girl who learns to read by tracing the letters on her mother's tombstone and whose only escape from her strict father and overbearing stepmother is through the stories she reads and imagines. Unhappy at home, she seeks independence, and at the age of seventeen runs away with poet Percy Bysshe Shelley, another dreamer. She travels to Europe and surrounds herself with more poets and writers, including Lord Byron and John Polidori. On a stormy summer evening, Byron suggests a contest to see who can create the best ghost story. After nine months of daydreaming, 21-year-old Mary Shelley's terrifying tale is published, a novel that goes on to become a very well-known monster story.