The year is 1880. Two hundred years after the trials in Salem, Adelaide Thom ('Moth' from The Virgin Cure) has left her life in the sideshow to open a tea shop with another young woman who feels it's finally safe enough to describe herself as a witch: a former medical student and "gardien de sorts" (keeper of spells), Eleanor St. Clair. Together they cater to Manhattan's high society ladies, specializing in cures, palmistry and potions--and in guarding the secrets of their clients. All is well until one bright September afternoon, when an enchanting young woman named Beatrice Dunn arrives at their door seeking employment. Beatrice soon becomes indispensable as Eleanor's apprentice, but her new life with the witches is marred by strange occurrences. She sees things no one else can see. She hears voices no one else can hear. Objects appear out of thin air, as if gifts from the dead. Has she been touched by magic or is she simply losing her mind? Eleanor wants to tread lightly and respect the magic manifest in the girl, but Adelaide sees a business opportunity. Working with Dr. Quinn Brody, a talented alienist, she submits Beatrice to a series of tests to see if she truly can talk to spirits. Amidst the witches' tug-of-war over what's best for her, Beatrice disappears, leaving them to wonder whether it was by choice or by force. As Adelaide and Eleanor begin the desperate search for Beatrice, they're confronted by accusations and spectres from their own pasts. In a time when women were corseted, confined and committed for merely speaking their minds, were any of them safe?

    Then the skill of divining harvests fell into ruin when sorcière Elena Boureanu was blindsided by a curse. Now, after breaking the spell that confined her to the shallows of a marshland and weakened her magic, Elena is struggling to return to her former life. And the vineyard she was destined to inherit is now in the possession of a handsome stranger.Vigneron Jean-Paul Martel naively favors science over superstition, and he certainly doesn’t endorse the locals’ belief in witches. But Elena knows a hex when she sees one, and the vineyard is covered in them. To stay on and help the vines recover, she’ll have to hide her true identity, along with her plans for revenge against whoever stole seven winters of her life. And she won’t rest until she can defy the evil powers that are still a threat to herself, Jean-Paul, and the ancient vine-witch legacy in the rolling hills of the Chanceaux Valley.

     In 1975, Paul and Roz Mellow write a bestselling Joy of Sex-type book that mortifies their four school-aged children and ultimately changes the shape of the family forever. Thirty years later, as the now dispersed family members argue over whether to reissue the book, we follow the complicated lives of each of the grown children and their conflicts in love, work, marriage, parenting, and, of course, sex—all shadowed by the indelible specter of their highly sexualized parents. Insightful, panoramic, and compulsively readable, The Position is an American original.

    Two families - the Bruces and the Balliols - vie for the throne. Robert the Bruce is in love with Elizabeth de Burgh, the daughter of an adherent of the ruthless Longshanks, King of England. In order to marry her and not give up his chances of someday becoming King of Scots, Robert must abandon his rebel ways and bide his time as Longshanks' vassal. But Edward, Longshanks' heir, doesn't trust the opportunistic Scotsman and vows to one day destroy him. While quietly plotting his rebellion, Robert is betrayed by one of his own and must flee Longshanks' vengeance. Aided by the unlikely brilliance of the soft-spoken young nobleman, James Douglas, Robert battles for his throne. Victory, though, is never certain and Robert soon learns that keeping his crown may mean giving up that which he loves most-his beloved Elizabeth.

    It’s a nice life, except for her tumultuous relationship history. She’s stoic about it, but at this point, Ellen wouldn’t mind a lasting one. When she meets Patrick, she’s optimistic. He’s attractive, single, employed, and best of all, he seems to like her back.Then comes that dreaded moment: He thinks they should have a talk. Braced for the worst, Ellen is pleasantly surprised. It turns out that Patrick’s ex-girlfriend is stalking him. Ellen thinks, Actually, that’s kind of interesting. She’s dating someone worth stalking. She’s intrigued by the woman’s motives. In fact, she’d even love to meet her.Ellen doesn’t know it, but she already has.

    But on V-J Day, her worst fear is realized. As celebrating crowds gather in Times Square, a soldier appears on her doorstep to claim Mary, the baby abandoned to Gwen one year earlier. Suddenly Gwen is on the verge of losing the child she has nurtured and loves dearly.With no legal claim to Mary, Gwen begins to teach Lieutenant John McKee how to care for his child, knowing that he will ultimately take Mary away. What starts as a contentious relationship, however, turns into something more, and Gwen must open her heart to learn that love means taking chances.While You Were Mine paints a vivid portrait of 1940s New York and tells an enchanting tale of the nature of love and trust.

    But when he is ordered to kill a local crack whore and her newborn child he has a revalation that leads him into a desperate battle with a man who might be Satan himself. Caught in a struggle between good and evil, sanity and madness, redemption and damnation, the violence of the streets and the power of the occult, Malik must risk his life to save a newborn crack baby that he believes to be Jesus Christ. But is Malik a force good or were he and his employer both created millenniums ago by an evil geneticist for the same purpose, to ensure strife between the races. "Deeply disturbing in a way that only the most honest stories are, YACCUB is a fiercely written, daring journey through America's urban wilderness and into the souls of our forgotten brothers. But Wrath James White hasn't forgotten about them--and after reading this book, neither will you." --Brandon Massey, author of THE OTHER BROTHER "Wrath James White is the premiere author of hard-core horror. Period." --Edward Lee author of GOLEMESQUE, CITY INFERNAL and INFERNAL ANGEL "If Wrath doesn't make you cringe, then you must be riding in the wrong end of a hearse." --Jack Ketchum, author of THE GIRL NEXT DOOR, RED, and OFF SEASON "Wrath is a warrior. He comes at you on the written page with the intent to overpower you, yet he rarely overwhelms. This carnage has purpose. There's lit tle over-indulgence. His over-the-top cathartic bloodbaths are seldom pointless. Put bluntly, he isn't just going for the gross-out. Wrath is a philosopher, and he loves to flaunt his technique and sense of limitless ethics in each of his tales. He has wit and intelligence and utter ruthlessness..." --CEMETERY DANCE review "Without apologies, White tears through your emotions from sympathy to hate, humor to shock, blending everyday language and poetic imagery as his words wrap around your mind and cause you to pause and appreciate them..." --HorrorWeb

    Always thinking the grass is greener on the other side. But it never is. It’s still grass. Just a different patch of it, that’s all.’*****The past has a habit of tracking us down. And tripping us up.When Kate was twenty-two, she had an intense and passionate affair with a married man, Callum, which ended in heartbreak. Kate thought she’d never get over it.Seventeen years later, life has moved on – Kate, now a successful actress, is living in London, married to Matt and mother to little Tallulah. Meanwhile Callum and his wife Belinda are happy together, living in Edinburgh and watching their kids grow up. The past, it would seem, is well and truly behind them all.But then Kate meets Callum again.And they are faced with a choice: to walk away from each other . . . or to risk finding out what might have been.Second chances are a rare gift in life. But that doesn’t mean they should always be taken . . .

    Both entertaining and incisive, SHOGUN is a stunningly dramatic re-creation of a very different world.Starting with his shipwreck on this most alien of shores, the novel charts Blackthorne's rise from the status of reviled foreigner up to the heights of trusted advisor and eventually, Samurai. All as civil war looms over the fragile country.

    But legends sometimes forget the true history of things and Claire’s eyes are soon opened to a world she never knew. One that has been kept from her for most of her life. All Claire wants to do is return home and start looking for her mother, the only family she ever had. But the elves have different plans. The mysterious mark that appeared on her arm isn’t a curse, at least not to them anyway, and before she knows it, she is whisked away on a mission she never agreed to, unless they help her in return.Now she is stuck on an adventure with the perverted elf, Aeron, and one with an attitude, Farron. But there is more to this adventure than she’d ever hoped for.

    But she’s the Third Daughter of the Queen of Dharia—zero responsibilities and zero royal duties. She’s just the backup daughter, in case her older sisters’ arranged marriages—to take the crown or broker an alliance—don’t quite work out. But once Aniri reaches her 18th birthday, she’ll be truly free… and then she can marry the charming fencing instructor she meets for fevered kisses in the forest. But then the impossible happens—a marriage proposal. From a barbarian prince in the north, no less. And if Aniri refuses, the threat of their new flying weapon might bring war. So she agrees to the young prince’s proposal, but only as a subterfuge to spy on him, find the weapon, and hopefully avoid both war and an arranged marriage to a man she doesn’t love. But once she arrives in the sweeping mountains of the north, she discovers the prince has his own secrets… and saving her country may end up breaking her heart. This Bollywood-style royal romance takes you to an alternate East Indian world filled with skyships, saber duels, and lots of royal intrigue. THIRD DAUGHTER is the first book in the Royals of Dharia trilogy.

    Glory is from a family of witches, and is desperate to develop her 'Fae' powers and become a witch herself, though witch-activity carries a threat of being burned at the stake. Lucas is the son of the Chief Prosecutor for the Inquisition with a privileged life very different from the witches he is being trained to prosecute. And then one day, both Glory and Lucas develop the Fae. In one fell stroke, their lives are inextricably bound together. (Bloomsbury)

     A thousand years ago, the last grandson of Arthur Pendragon led the survivors of Britain through a magical gate to a new world, a world of magic and high elves, of orcs and kobolds and stranger, darker creatures. Now the descendants of the exiles rule a mighty kingdom, peaceful and prosperous under the rule of the High King. But a shadow threatens to devour the kingdom. RIDMARK ARBAN was once a Swordbearer, a knight of renown. Now he is a branded outcast, stripped of his sword, and despised as a traitor. But he alone sees the danger to come. CALLIANDE awakens in the darkness, her memories gone, and creatures of terrible power hunting her. For she alone holds the secret that can save the world…or destroy it utterly. The secret of the Frostborn.

    But as Caitlyn unearths the history of the castle, nothing scares her as badly as the secret she learns about herself, and the reason she was chosen to come to the Fortune School.And nothing breaks her heart as badly as falling in love with a dead guy.

    In a world not quite like this one, two lovers will be tested beyond their understanding.Machines Like Me occurs in an alternative 1980s London. Charlie, drifting through life and dodging full-time employment, is in love with Miranda, a bright student who lives with a terrible secret. When Charlie comes into money, he buys Adam, one of the first batch of synthetic humans. With Miranda’s assistance, he co-designs Adam’s personality. This near-perfect human is beautiful, strong and clever – a love triangle soon forms. These three beings will confront a profound moral dilemma. Ian McEwan’s subversive and entertaining new novel poses fundamental questions: what makes us human? Our outward deeds or our inner lives? Could a machine understand the human heart? This provocative and thrilling tale warns of the power to invent things beyond our control.