Fifty years later she is Patrice Leigh, a nationally celebrated medium. But cracks are forming in the carefully constructed barriers that keep her real history at bay.Leo is the journalist hired to write Patrice's biography. Struggling to reconcile the demands of his family, his grief for his lost son, and his need to understand his own background, Leo becomes more and more frustrated at Patrice's refusal to open up.Because behind closed doors, Patrice is hiding more than one secret. And it seems that now, her past is finally catching up with her.May thrills in this English familial mystery, adding enticing plot layers as intricate and divisive as the themes she introduces.'Intriguing with a cast of complex characters that keep you fascinated, this is a page-turner and surprisingly tender' Katie FForde'A resonant, emotional story about grief, loss and love with a complex, tragic heroine--a fake psychic reaching the end of her career. Although it's about death, this story is never depressing, and ultimately it's about recovery and healing' Julie Cohen'A beautiful and compelling story that delves into what is real, what we are willing to believe and the power of grief' Liz Fenwick'"All That is Lost" is a bold, beautiful thought-provoking novel, that sensitively confronts difficult themes' Rowan Coleman'It is a triumph. What Alison May has produced is an intimate and affecting study of loss, grief and identity that is just wonderful.' Linda's Book Bag'What an interesting and unique book... a fascinating, at times heart-wrenching, look at secrets, the cost of keeping them hidden, and whether hiding them requires lies.' Fireflies and Free Kicks

    But when she witnesses a gangland killing she has to ask herself if her fame could be the death of her.The killer is charismatic gangster Warwick Richards. A man more than capable of killing again to protect his secret. But does he know that Carolyn saw him commit murder?Take Two is a fast-paced full-length crime thriller and at 92,000 words is the equivalent of about 320 pages. Stephen Leather is one of the UK's most successful thriller writers. He was a journalist for more than ten years on newspapers such as The Times, the Daily Mail and the South China Morning Post in Hong Kong. Before that, he was employed as a biochemist for ICI, shovelled limestone in a quarry, worked as a baker, a petrol pump attendant, a barman, and worked for the Inland Revenue. He began writing full time in 1992. His bestsellers have been translated into more than ten languages. He has also written for television shows such as London's Burning, The Knock and the BBC's Murder in Mind series. Two of his books, The Stretch and The Bombmaker, were made into movies.

    At once a self-styled social scientist, a spy in the baffling adult world surrounding him, and a budding, hormone-driven emotional explorer, Oliver is stealthily (and perhaps a bit more nervously than he’d ever admit) nosing his way forward through the murky and uniquely perilous waters of adolescence. His objectives? Uncovering the secrets behind his parents’ teetering marriage, unraveling the mystery that is his alluring and equally quirky classmate Jordana Bevan, and understanding where he fits in among the pansexuals, Zoroastrians, and other mystifying, fascinating beings in his orbit.“It’s in my interests to know about my parents’ mental problems,” he reasons. Thus, when he discovers that his affable dad is quietly struggling with depression, Oliver marshals all the daytime-TV pop-psychology wisdom at his command–not to mention his formidable, uninhibited powers of imagination–in order to put things right again. But a covert expedition into the mysterious territory of middle-aged malaise is bound to be tricky business for a teenager with more to learn about the agonies and ecstasies of life than a pocket thesaurus and his “worldly” school chum Chips can teach him. Ready or not, however, Oliver is about to get a crash course. His awkwardly torrid and tender relationship with Jordana is hurtling at the speed of teenage passion toward the inevitable magic moment . . . and whatever lies beyond. And his boy-detective exploits have set him on a collision course with the New Age old flame who’s resurfaced in his mother’s life to lead her into temptation with lessons in surfing, self-defense . . . and maybe seduction. Struggling to buoy his parents’ wedded bliss, deep-six his own virginity, and sound the depths of heartache, happiness, and the business of being human, what’s a lad to do? Poised precariously on the cusp of innocence and experience, yesterday’s daydreams and tomorrow’s decisions, Oliver Tate aims to damn the torpedoes and take the plunge.

    But can they truly leave the city that's in their bones?Kate Tempest's novel reaches back through time--through tensely quiet dining rooms and crassly loud clubs--to the first time Becky and Harry meet. It sprawls through their lives and those they touch--of their families and friends and faces on the street--revealing intimacies and the moments that make them. And it captures the contemporary struggle of urban life, of young people seeking jobs or juggling jobs, harboring ambitions and making compromises.The Bricks that Built the Houses is an unexpected love story. It's about being young, but being part of something old. It's about how we become ourselves, and how we effect our futures. Rich in character and restless in perspective, driven by ethics and empathy, it asks--and seeks to answer--how best to live with and love one another.Kate Tempest, a major talent in the poetry and music worlds, sits poised to become a major novelist as well.

    Includes "There's a certain slant of light," "Because I could not stop for death," "It was not death for I stood up."

    From pop stars and princes to crack whores and street kids. From the Groucho Club toilets to the poppy fields of Afghanistan, we are all partners in crime. HIGH SOCIETY is a story or rather a collection of interconnected stories that takes the reader on a hilarious, heart breaking and terrifying journey through the kaleidoscope world that the law has created and from which the law offers no protection.

    She has a loving dad, an absent mother and a brother who plays more X-Box than is good for him. She also has the neighbours from hell: the five Oswald girls and their thuggish father Bob, vicious bullies all of them, whose reign of terror extends unchallenged over their otherwise quiet suburban street. And yet terrifying though they undoubtedly are, the stiletto-wearing, cider-swilling Oswald girls are also sexy - so when Saskia asks shy, virginal Rick Buckley for a ride in his new car, he can't believe his luck. Too bad that Saskia can't keep her big mouth shut. When, after a quick fumble, she broadcasts Rick's deficiencies to anyone who will listen, it puts ideas into her younger sisters silly head - ideas that will see Rick dragged off to prison, humiliated, and ultimately, in his fathers words, broken by the experience. From her hospital bed, Skunk guides us through the events that follow, as Saskia's small act of thoughtlessness slowly spreads through the neighbourhood in a web of increasing violence. Skunk watches as her shabby, hardworking father finds love, only for her courageous, idealistic teacher to lose it; as poor broken Buckley descends into madness, while across the street her brother Jed makes his first adolescent forays into sex; and as her own gentle romance with soft-hearted, tough-talking Dillon struggles to survive against a backdrop that seamlessly combines the sublime and the ridiculous. As we inch ever closer to the mystery behind her coma, Skunk's innocence becomes a beacon by which we navigate a world as comic as it is tragic, and as effortlessly engaging as it is ultimately uplifting, in this brilliant and utterly original debut novel.

    Smith, amiable, charming, yet strangely determined to keep suspicion simmering. For in his pocket, he has what seems to be an order for a thousand pounds, a huge amount, and he won't explain why, or where he comes from, or what he can be planning to do in the colonies that requires so much money.Should the New York merchants trust him? Should they risk their credit and refuse to pay? Should they befriend him, seduce him, arrest him; maybe even kill him?As fast as a heist movie, as stuffed with incident as a whole shelf of conventional fiction, Golden Hill is both a novel about the 18th century, and itself a book cranked back to the novel's 18th century beginnings, when anything could happen on the page, and usually did, and a hero was not a hero unless he ran the frequent risk of being hanged.This is Fielding's Tom Jones recast on Broadway - when Broadway was a tree-lined avenue two hundred yards long, with a fort at one end flying the Union Jack and a common at the other, grazed by cows.Rich in language and historical perception, yet compulsively readable, Golden Hill has a plot that twists every chapter, and a puzzle at its heart that won't let go till the last paragraph of the last page.Set a generation before the American Revolution, it paints an irresistible picture of a New York provokingly different from its later self: but subtly shadowed by the great city to come, and already entirely a place where a young man with a fast tongue can invent himself afresh, fall in love - and find a world of trouble.

    The last thing Robertson needs is a messy, racially fraught murder, even if it means overtime—and the opportunity to clinch the promotion he craves. Then there's that nutritionally demanding (and psychologically acute) intestinal parasite in his gut. Yes, things are going badly for this utterly corrupt tribune of the law, but in an Irvine Welsh novel nothing is ever so bad that it can't get a whole lot worse. . .

    He brings this vibrant city's long and noble history alive through the ever-shifting fortunes, fates, and intrigues of half-a-dozen families, from the age of Julius Caesar to the 20th century. Generation after generation, these families embody the passion, struggle, wealth, and verve of the greatest city in the world.

    So when a family of travellers sets up camp illegally in front of their farm, its the catalyst for a stand-off that can only end in disaster. But to Iris it's an adventure. She secretly strikes up a friendship with the gypsy boy, Trick, and discovers home can be something as simple as a carved out circle in a field of corn...

    There's Mel, a compulsively ambitious mother/publicity manager at a high-powered PR firm — living proof that balancing motherhood and a full-time job is no walk in the park. The hot-headed, indomitable Cleo, just out of college with a degree in hotel management, would like nothing better than to modernize and revive her family's dwindling hotel — but faces a constant battle with her old-fashioned parents. And finally, there's the stylish, sweet-tempered Daisy, a self-consciously curvy fashion buyer for an upscale clothing boutique, who has been struggling — and longing — to have a baby with her absolutely perfect boyfriend. Although unconnected, these three women have one thing in common: they all need a break from their stressful lives. ...these tough gals hit the nearest spa! So each one sets out for a little R & R at the new Clouds Hill spa, built by an American woman with her own secret turmoil. It is there that Mel, Cleo, and Daisy meet — their worlds and troubles colliding — forming an intimate bond that helps them to realize what matters most in life, always and forever.

    Kit is an eclipse chaser; Laura has never seen one before. Young and in love, they are certain this will be the first of many they’ll share. But in the hushed moments after the shadow passes, Laura interrupts a man and a woman. She knows that she saw something terrible. The man denies it. It is her word against his. The victim seems grateful. Months later, she turns up on their doorstep like a lonely stray. But as her gratitude takes a twisted turn, Laura begins to wonder—did she trust the wrong person? 15 years later, Kit and Laura are living under assumed names and completely off the digital grid: no Facebook, only rudimentary cell phones, not in any directories. But as the truth catches up to them, they realize they can no longer keep the past in the past.

    And she was pretty, wasn't she?""I didn't look ... And tell your girls, my son, that when they're running after you, they're not to come and ask your mother for you - tell them that - brazen baggages you meet at dancing classes"The marriage of Gertrude and Walter Morel has become a battleground. Repelled by her uneducated and sometimes violent husband, delicate Gertrude devotes her life to her children, especially to her sons, William and Paul - determined they will not follow their father into working down the coal mines. But conflict is evitable when Paul seeks to escape his mother's suffocating grasp through relationships with women his own age. Set in Lawrence's native Nottinghamshire, Sons and Lovers is a highly autobiographical and compelling portrayal of childhood, adolescence and the clash of generations.

    Forever Torn is the true and amazing story of two brothers and three generations of one family - a family torn apart by deaths, poverty, deceit and a promise made by a small boy to his Grandfather over 80 years ago.It is the story of one man who refused to acknowledge his past and his brother who remained bound to protect the secret, despite his own pain.If you have enjoyed fictional epics such as Blood Brothers and Kane and Abel, you will love Forever Torn, which unlike the aforementioned is based on a true and tragic story.