But Dasha is more worried about her own challenges as she negotiates family, friendships and school without her mother. Just as she begins to find her own feet, she gets word that she is to join her mother in America — a place that seems impossibly far from everything and everyone she loves.This gorgeous and subtly illustrated graphic novel signals the emergence of Dasha Tolstikova as a major new talent.

    But work takes a strange turn when she is promoted onto the Pfizer account and suddenly finds herself on the other side of the curtain, developing ads for an anti-depressant drug. Overwhelmed by her professional life and the self-scrutiny it inspires, her mania takes hold. She quits her job to become an artist, only to be hospitalized by her parents against her will. Over the course of her two weeks in the ward, she tries to find a path out of the hospital and this cycle of treatment. One where she can live the life she wants, finding freedom and autonomy, without sacrificing her dreams in order to stay well.

    And yet, here they both are at Camp Fielding, settling in with all the other losers and misfits who've been shipped off by their parents in a last-ditch effort to produce a child worth bragging about. But strange disappearances, spooky lights in the woods, and a chilling alteration that turns the dimmest, rowdiest campers into docile zombie Einsteins have Jenna and Lucas feeling more than a little suspicious...and a lot afraid.

    And while she would totally try out for her middle school's production of Moon Over Mississippi, she can't really sing. Instead she's the set designer for the drama department stage crew, and this year she's determined to create a set worthy of Broadway on a middle-school budget. But how can she, when she doesn't know much about carpentry, ticket sales are down, and the crew members are having trouble working together? Not to mention the onstage AND offstage drama that occurs once the actors are chosen. And when two cute brothers enter the picture, things get even crazier!

    The only problem is that Dick loathes spending his summers performing tired routines for a dwindling crowd.When the Lost Carnival, a wild and enchanting new attraction, opens nearby and threatens to pull Haly's remaining customers, Dick is among those drawn to its magical nighttime glow. But there are forces ancient and dangerous at work at the Lost Carnival, and when Dick meets the mysterious Luciana and her carnival workers--each stranger than the last--he may be too mesmerized to recognize the danger ahead.Beneath the carnival's dazzling fireworks, Dick must decide who he is and who he wants to be--choosing between loyalty to his family history and a glittering future with new friends and romance. Writer Michael Moreci and artist Sas Milledge redefine Dick Grayson in The Lost Carnival, a young adult graphic novel exploring the power and magic of young love.

    Join Adrienne, her guardian dragon, Sparky, and their plucky friend Bedelia as they begin their own quest in this one of a kind, action packed, all-ages adventure!Graphic Novel. Collects issues 1-4 of Princeless.

    From the spark of possibility and jolt of creativity in High Summer, to the need for release from anxiety and pressure during Monsoon, to the desolation and numbness of Winter, Thapp implores us to consider the seasons of our own emotional journeys.Articulating and validating the range of feelings we all experience, this is a book that allows us to feel connected and comforted by the experiences that make us human.

    His heart-breaking and emotional illustrations strike readers to the core, and take them along his family's journey through loss. Hart uses the graphic form to articulate his and his wife's on-going search for meaning in the aftermath of Rosalie's death, exploring themes of grief, hopelessness, rebirth, and eventually finding hope again. Hart creatively portrays the solace he discovers in nature, philosophy, great works of literature, and art across all media in this expressively honest and loving tribute to his baby girl. Rosalie Lighting is a graphic masterpiece chronicling a father's undying love.

    Presented in a loose narrative style that can be read front to back or dipped into at one’s leisure, the book spans three years of Debbie's life, from the end of college to the present day. In these early years of adulthood, Debbie slowly but finally discovers there is a name for her lifelong need to be alone: she’s an introvert.The first half of the book traces Debbie’s final year in college: socializing with peers, dating, falling in love (with an extrovert!), moving in, getting married, meeting new people, and simply trying to fit in. The second half looks at her life after graduation: finding a job, learning to live with her new husband, trying to understand social obligations when it comes to the in-laws, and navigating office life. Ultimately, Quiet Girl sends a positive, pro-introvert message: our heroine learns to embrace her introversion and finds ways to thrive in the world while fulfilling her need for quiet.

    Education and looking ahead to the future isn’t all that college holds in-store for these ladies--grocery store protests, family reunions, and even an MMORPG wedding are all on this semester’s docket.  John Allison (Bad Machinery, Scary Go Round) and illustrators Max Sarin and Liz Fleming, take us to Sophomore year’s second semester in Giant Days Volume 7, which collects Issues #25-28 of the Eisner Nominated series.

    She just came out to her family and isn’t sure if her mom will ever speak to her again. But don’t worry, Juliet has something kinda resembling a plan that’ll help her figure out what it means to be Puerto Rican, lesbian and out. See, she’s going to intern with Harlowe Brisbane - her favorite feminist author, someone’s who’s the last work on feminism, self-love and lots of of ther things that will help Juliet find her ever elusive epiphany. There’s just one problem - Harlowe’s white, not from the Bronx and doesn’t have the answers. Okay, maybe that’s more than one problem but Juliet never said it was a perfect plan... Critically-acclaimed writer Gabby Rivera adapts her bestselling novel alongside artist Celia Moscote in an unforgettable queer coming-of-age story exploring race, idenrity and what it means to be true to your amazing self. even when the rest of the world doesn’t understand.

    With her father off fighting for the Hungarian army and the German troops quickly approaching, Katin and her mother are forced to flee to the countryside after faking their deaths. Leaving behind all of their belongings and loved ones, andunable to tell anyone of their whereabouts, they disguise themselves as a Russian servant and illegitimate child, while literally staying a few steps ahead of the German soldiers.We Are on Our Own is a woman's attempt to rebuild her earliest childhood trauma in order to come to an understanding of her lifelong questioning of faith. Katin's faith is shaken as she wonders how God could create and tolerate such a wretched world, a world of fear and hiding, bargaining and theft, betrayal and abuse. The complex and horrific experiences on the run are difficult for a child to understand, and as a child, Katin saw them with the simple longing, sadness, andcuriosity she felt when her dog ran away or a stranger made her mother cry. Katin's ensuing lifelong struggle with faith is depicted throughout the book in beautiful full-color sequences.We Are on Our Own is the first full-length graphic novel by Katin, at the age of sixty-three.

    Here is the continuation of her fascinating story. In 1984, Marjane flees fundamentalism and the war with Iraq to begin a new life in Vienna. Once there, she faces the trials of adolescence far from her friends and family, and while she soon carves out a place for herself among a group of fellow outsiders, she continues to struggle for a sense of belonging.Finding that she misses her home more than she can stand, Marjane returns to Iran after graduation. Her difficult homecoming forces her to confront the changes both she and her country have undergone in her absence and her shame at what she perceives as her failure in Austria. Marjane allows her past to weigh heavily on her until she finds some like-minded friends, falls in love, and begins studying art at a university. However, the repression and state-sanctioned chauvinism eventually lead her to question whether she can have a future in Iran.As funny and poignant as its predecessor, Persepolis 2 is another clear-eyed and searing condemnation of the human cost of fundamentalism. In its depiction of the struggles of growing up--here compounded by Marjane's status as an outsider both abroad and at home--it is raw, honest, and incredibly illuminating.

    Depicting her experiences from coming out right through to gender reassignment surgery, Lily's story provides vital advice on the social, emotional and medical aspects of transitioning and will empower anyone questioning their gender.

    Although she hasn’t heard from her parents in months, she loves the people at her school, adores capturing what she sees in pictures, and tries not to worry too much about Hitler’s war. But as France buckles under the Nazi regime, danger closes in, and Rachel must change her name and go into hiding.As Catherine Colin, Rachel Cohen is faced with leaving the Sèvres Home—and the friends she made there—behind. But with her beautiful camera, Catherine possesses an object with the power to remember. For the rest of the war, Catherine bears witness to her own journey, and to the countless heroes whose courage and generosity saved the lives of many, including her own.Based on the author’s mother’s own experiences as a hidden child in France during World War II.Includes a map and photographs of the real Catherine and her wartime experiences, as well as an interview with author Julia Billet.