The stories are gorgeous in themselves, but the way they speak to each other is truly extraordinary.”—Elizabeth McCracken, author of An Exact Replica of a Figment of My Imagination From the author of the acclaimed memoir The Suicide Index, a virtuosic collection of stories, each a stirring parable of the power of love and the impossibility of understanding, much less controlling, it. In these seven beautifully wrought variations on a theme, a series of characters trace and retrace eternal yet ever-changing patterns of love and longing, connection and loss. The stories range over centuries and continents—from eighteenth-century Vienna, where Mozart and his librettist Da Ponte are collaborating on their operas, to America in the 1940s, where a love triangle unfolds among a doctor, a journalist, and the president’s wife. A race-car driver’s widow, a nursing-home resident and her daughter, a paralyzed dancer married to a famous choreographer—all feel the overwhelming force of passion and renunciation. With uncanny emotional exactitude, Wickersham shows how we never really know what’s in someone else’s heart, or in our own; how we continually try to explain others and to console ourselves; and how love, like storytelling, is ultimately a work of the imagination.

    Against this backdrop, Maxim Loskutoff shatters the myths of the West: a lonesome trapper falls in love with a bear; a newly married woman hatches a plot to murder a tree; and an unemployed millworker joins a militia after returning home. Written with “blade-sharp prose” (Electric Literature), the twelve stories in this debut collection expose the simmering rage and resentments of small-town America “with extraordinary eloquence and compassion” (National Book Review).

    Like that time he accused her of stealing her company from her best friend... Can Travis and Shayla overcome their differences and find a happily-ever-after together?Travis Cooper is the youngest son in a family stuffed with loud opinions and ginger-haired powerhouses. Yes, he has a loud bark too. He has to in order to get the ten thousand dairy cows he's responsible for to listen to him.But when he happens upon Shayla Nelson stranded on the side of the road, he probably doesn't need to tell her A - that he used to date her best friend, and B - that Shayla stole her successful outdoor outfitters company from that best friend.Besides the fact that it's not true, Travis should know better. And he does, honestly. He was just flustered that his most recent girlfriend had broken up with him only the day before.Shayla not only didn't steal the company from her former best friend, she's worked hard to mend the bridges between her and everyone that had gotten hurt in that tangled mess. When she runs into Travis again a few months later, there's still plenty of sparks flying between them.This time, though, it's the romantic kind and not the accusatory type. When he asks her to be his date to the annual Fall Ball in Sweet Water Falls, Shayla finds herself wanting to say yes to the handsome cowboy.He's never had a relationship for longer than a couple of months. She won't be able to put up with his attitude for long, but can Shayla tame the cross cowboy and capture his heart, or will she have to cut Travis loose the way every other woman has?

    A university professor studying racism by conducting a secret social experiment on his own son. A single mother desperate to buy her first home even as the world hurtles toward catastrophe. Each fighting to survive in America.Tough-minded, vulnerable, and brave, Jocelyn Nicole Johnson’s precisely imagined debut explores burdened inheritances and extraordinary pursuits of belonging. Set in the near future, the eponymous novella, “My Monticello,” tells of a diverse group of Charlottesville neighbors fleeing violent white supremacists. Led by Da’Naisha, a young Black descendant of Thomas Jefferson and Sally Hemings, they seek refuge in Jefferson’s historic plantation home in a desperate attempt to outlive the long-foretold racial and environmental unravelling within the nation.In “Control Negro,” hailed by Roxane Gay as “one hell of story,” a university professor devotes himself to the study of racism and the development of ACMs (average American Caucasian males) by clinically observing his own son from birth in order to “painstakingly mark the route of this Black child too, one whom I could prove was so strikingly decent and true that America could not find fault in him unless we as a nation had projected it there.” Johnson’s characters all seek out home as a place and an internal state, whether in the form of a Nigerian widower who immigrates to a meager existence in the city of Alexandria, finding himself adrift; a young mixed-race woman who adopts a new tongue and name to escape the landscapes of rural Virginia and her family; or a single mother who seeks salvation through “Buying a House Ahead of the Apocalypse.”United by these characters’ relentless struggles against reality and fate, My Monticello is a formidable book that bears witness to this country’s legacies and announces the arrival of a wildly original new voice in American fiction.

    A New Yorker, trying not to be jaded, accompanies a cash-strapped pot grower to a “clothing optional resort” in California. A nerdy high-schooler has her first sexual experience at Geology Camp. A college student, on the night of her father’s funeral, watches a video of her bat mitzvah, hypnotized by the image of the girl she used to be . . . Frank and irreverent, Rebecca Schiff’s stories offer a singular view of growing up (or not) and finding love (or not) in today’s ever-uncertain landscape. In its bone-dry humor, its pithy observations, and its thrilling ability to unmask the most revealing moments of human interaction—no matter how fleeting—The Bed Moved announces a new talent to be reckoned with.

    With a foreword by Robert Shapard and an afterword by Christopher Merrill, this book brings you fresh approaches to an exacting form that demands precision, a species of brevity that is surprisingly expansive. Writers say the pieces are hard to compose, but readers say they are easy to appreciate, a pleasure to envision, a wonder to watch life spun out and painted in small places. Real and surreal, lyrical and prosaic, here are 135 stories by 89 authors, certain to make you think.

    In “Books and Roses” one special key opens a library, a garden, and clues to at least two lovers’ fates. In “Is Your Blood as Red as This?” an unlikely key opens the heart of a student at a puppeteering school. “‘Sorry’ Doesn’t Sweeten Her Tea” involves a “house of locks,” where doors can be closed only with a key—with surprising, unobservable developments. And in “If a Book Is Locked There’s Probably a Good Reason for That Don't You Think,” a key keeps a mystical diary locked (for good reason).  Oyeyemi’s tales span multiple times and landscapes as they tease boundaries between coexisting realities. Is a key a gate, a gift, or an invitation?

    Durrant, Roxie Voorhees, Spencer Hamilton, Carla Eliot, Cass Oakley, Christopher Badcock, Carmilla, Joe Clements, Marcus Hawke and Patrick Whitehurst.In this anthology, you'll find incredible stories from some of the freshest faces in horror: in 'My White Star', a bittersweet love story is told through the lens of a chilling spectral haunting; in 'The Violent Snow', a strange artefact summons more from the blizzard than bargained for; in 'Everyone to the Table', sickening wishes come true...Settle in for a cold one. These stories are hard to swallow...

    With each flight of steps, the narrator recalls different memories of the time they have spent together their time in high school, their first jobs, a chance encounter on the train. However, just as the building's corridor twists and turn toward the flat, we realise that the story, too, is shifting under our feet. As details go missing and memories are contradicted, we are left wondering whose eyes we re looking through.Translated by Angus Turvil. Design by Nigel Aono-Billson.

    There's not a bad story in the lot." --Bud Webster

    

    We get to know the oldest resident; the cop on the beat; fine Peaches and her girl, Squeezie; Monkeyman; and Benny, a fighter on the way to a knockout. We meet Angela, who starts having prophetic dreams after her father is killed; Kitty, whose love for Mack pulls him back from the brink; and Big Joe, who wants a bang-up funeral while he's still around to enjoy it. Some of these stories are private, and some are the ones behind the headlines. In each one, characters jump off the page and pull readers right into the mix on 1-4-5.

    The eighteen stories of Manuel Gonzales’s exhilarating first book render the fantastic commonplace and the ordinary extraordinary, in prose that thrums with energy and shimmers with beauty. In “The Artist’s Voice” we meet one of the world’s foremost composers, a man who speaks through his ears. A hijacked plane circles a city for twenty years in “Pilot, Copilot, Writer.” Sound can kill in “The Sounds of Early Morning.” And, in the title story, a man is at war with the wife he accidentally shrank. For these characters, the phenomenal isn’t necessarily special—but it’s often dangerous. In slightly fantastical settings, Gonzales illustrates very real guilt over small and large marital missteps, the intense desire for the reinvention of self, and the powerful urges we feel to defend and provide for the people we love. With wit and insight, these stories subvert our expectations and challenge us to look at our surroundings with fresh eyes. Brilliantly conceived, strikingly original, and told with the narrative instinct of a born storyteller, The Miniature Wife is an unforgettable debut.

    His characters solicit sex on their lunch breaks, expose themselves to racist neighbors, sleep with their coworker's husbands, rub Preparation H on their hungover eyes, and, in an uproarious epilogue, take a punk band on a disastrous tour of Europe. They also travel to claim inheritances, push past personal trauma, and cultivate community while living on the margins of a white supremacist, heteronormative society.Armed with a deadpan wit that finds humor in even the lowest of nadirs, Brontez Purnell--a widely acclaimed underground writer, filmmaker, musician, and performance artist--writes with the peerless zeal, insight, and horniness of a gay punk messiah. From dirty warehouses and gentrified bars in Oakland to desolate farm towns in Alabama, Purnell indexes desire, desperation, race, and loneliness with a startling blend of levity and vulnerability. Together, the slice-of-life tales that writhe within 100 Boyfriends are a singular and uncompromising vision of an unexposed queer underbelly. Holding them together is the vision of an iconoclastic storyteller, as fearless as he is human.

    Sometimes it feels like we are all on a different planet earth. Sometimes we are!