Raised without her mother, she was a gospel prodigy who gave birth to two sons in her teens and left them and her native Detroit for New York, where she struggled to find her true voice. It was not until 1967, when a white Jewish producer insisted she return to her gospel-soul roots, that fame and fortune finally came via "Respect" and a rapidfire string of hits. She continued to evolve for decades, amidst personal tragedy, surprise Grammy performances, and career reinventions. Again and again, Aretha stubbornly found a way to triumph over troubles, even as they continued to build. Her hold on the crown was tenacious, and in Respect, David Ritz gives us the definitive life of one of the greatest talents in all American culture.

    A week later, conservative pundit Robert Novak revealed in his newspaper column that Ambassador Wilson's wife, Valerie Plame Wilson, was a CIA operative. The public disclosure of that secret information spurred a federal investigation and led to the trial and conviction of Vice President Dick Cheney's chief of staff, Scooter Libby, and the Wilsons' civil suit against top officials of the Bush administration. Much has been written about the "Valerie Plame" story, but Valerie herself has been silent, until now. Some of what has been reported about her has been frighteningly accurate, serving as a pungent reminder to the Wilsons that their lives are no longer private. And some has been completely false -- distorted characterizations of Valerie and her husband and their shared integrity. Valerie Wilson retired from the CIA in January 2006, and now, not only as a citizen but as a wife and mother, the daughter of an Air Force colonel, and the sister of a U.S. marine, she sets the record straight, providing an extraordinary account of her training and experiences, and answers many questions that have been asked about her covert status, her responsibilities, and her life. As readers will see, the CIA still deems much of the detail of Valerie's story to be classified. As a service to readers, an afterword by national security reporter Laura Rozen provides a context for Valerie's own story. Fair Game is the historic and unvarnished account of the personal and international consequences of speaking truth to power.

    It's likely that Du Noyer has spent more hours in formal, recorded conversation with McCartney than any other writer."Conversations with McCartney" is the culmination of Du Noyer's long association with McCartney and his music. It draws from their interview sessions across 35 years, coupling McCartney's own, candid thoughts with his observations and analysis.

    The sadness had its sources in the life. There was trauma from an early age, years of drug abuse, and a chronic sense of disconnection that sometimes seemed self-engineered. Smith died violently in LA in 2003, under what some believe to be questionable circumstances, of stab wounds to the chest. By this time fame had found him, and record-buyers who shared the listening experience felt he spoke directly to them from beyond: astute, damaged, lovelorn, fighting, until he could fight no more. And yet, although his intimate lyrics carried the weight of truth, Smith remained unknowable. In Torment Saint, William Todd Schultz gives us the first proper biography of the rock star, a decade after his death, imbued with affection, authority, sensitivity, and long-awaited clarity.Torment Saint draws on Schultz's careful, deeply knowledgeable readings and insights, as well as on more than 150 hours of interviews with close friends from Texas to Los Angeles, lovers, bandmates, music peers, managers, label owners, and recording engineers and producers. This book unravels the remaining mysteries of Smith's life and his shocking, too early end. It will be, for Smith's legions of fans and readers still discovering his songbook, an indispensable examination of his life and legacy.

     In "How to Look Spectacular: A Starlet's Confessions", Kaling gives her tongue-in-cheek secrets for surefire on-camera beauty, ("Your natural hair color may be appropriate for your skin tone, but this isn't the land of appropriate-this is Hollywood, baby. Out here, a dark-skinned woman s traditional hair color is honey blonde.") "Player" tells the story of Kaling being seduced and dumped by a female friend in L.A. ("I had been replaced by a younger model. And now they had matching bangs.") In "Unlikely Leading Lady", she muses on America's fixation with the weight of actresses, ("Most women we see onscreen are either so thin that they're walking clavicles or so huge that their only scenes involve them breaking furniture.") And in "Soup Snakes", Kaling spills some secrets on her relationship with her ex-boyfriend and close friend, B.J. Novak ("I will freely admit: my relationship with B.J. Novak is weird as hell.") Mindy turns the anxieties, the glamour, and the celebrations of her second coming-of-age into a laugh-out-loud funny collection of essays that anyone who's ever been at a turning point in their life or career can relate to. And those who've never been at a turning point can skip to the parts where she talks about meeting Bradley Cooper.

    Epitomized by such classic, chart-topping bands as Yes, Genesis, Pink Floyd, Jethro Tull, and Emerson Lake Palmer, along with such successors as Rush, Marillion, Asia, Styx, and Porcupine Tree, prog sold hundreds of millions of records. It brought into the mainstream concept albums, spaced-out cover art, crazy time signatures, multitrack recording, and stagecraft so bombastic it was spoofed in the classic movie This Is Spinal Tap.With a vast knowledge of what Rolling Stone has called “the deliciously decadent genre that the punks failed to kill,” access to key people who made the music, and the passion of a true enthusiast, Washington Post national reporter David Weigel tells the story of prog in all its pomp, creativity, and excess.Weigel explains exactly what was “progressive” about prog rock and how its complexity and experimentalism arose from such precursors as the Beach Boys’ Pet Sounds and the Beatles’ Sgt. Pepper. He traces prog’s popularity from the massive success of Procol Harum’s “Whiter Shade of Pale” and the Moody Blues’ “Nights in White Satin” in 1967. He reveals how prog’s best-selling, epochal albums were made, including The Dark Side of the Moon, Thick as a Brick, and Tubular Bells. And he explores the rise of new instruments into the prog mix, such as the synthesizer, flute, mellotron, and—famously—the double-neck guitar.The Show That Never Ends is filled with the candid reminiscences of prog’s celebrated musicians. It also features memorable portraits of the vital contributions of producers, empresarios, and technicians such as Richard Branson, Brian Eno, Ahmet Ertegun, and Bob Moog.Ultimately, Weigel defends prog from the enormous derision it has received for a generation, and he reveals the new critical respect and popularity it has achieved in its contemporary resurgence.

    Navy SEAL Chris Kyle recorded the most career sniper kills in United States military history. The Pentagon has officially confirmed more than 150 of Kyle's kills (the previous American record was 109), but it has declined to verify the astonishing total number for this book. Iraqi insurgents feared Kyle so much they named him al-Shaitan (“the devil”) and placed a bounty on his head. Kyle earned legendary status among his fellow SEALs, Marines, and U.S. Army soldiers, whom he protected with deadly accuracy from rooftops and stealth positions. Gripping and unforgettable, Kyle’s masterful account of his extraordinary battlefield experiences ranks as one of the great war memoirs of all time.A native Texan who learned to shoot on childhood hunting trips with his father, Kyle was a champion saddle-bronc rider prior to joining the Navy. After 9/11, he was thrust onto the front lines of the War on Terror, and soon found his calling as a world-class sniper who performed best under fire. He recorded a personal-record 2,100-yard kill shot outside Baghdad; in Fallujah, Kyle braved heavy fire to rescue a group of Marines trapped on a street; in Ramadi, he stared down insurgents with his pistol in close combat. Kyle talks honestly about the pain of war—of twice being shot and experiencing the tragic deaths of two close friends.American Sniper also honors Kyles fellow warriors, who raised hell on and off the battlefield. And in moving first-person accounts throughout, Kyles wife, Taya, speaks openly about the strains of war on their marriage and children, as well as on Chris.Adrenaline-charged and deeply personal, American Sniper is a thrilling eyewitness account of war that only one man could tell.

    Though it sold miserably, the record made music history by documenting a burgeoning regional sound, the raw fusion of heavy metal and punk rock that we now know as grunge. But it wasn’t until five years later, with the seemingly overnight success of Nirvana’s “Smells Like Teen Spirit,” that grunge became a household word and Seattle ground zero for the nineties alternative-rock explosion.Everybody Loves Our Town captures the grunge era in the words of the musicians, producers, managers, record executives, video directors, photographers, journalists, publicists, club owners, roadies, scenesters and hangers-on who lived through it. The book tells the whole story: from the founding of the Deep Six bands to the worldwide success of grunge’s big four (Nirvana, Pearl Jam, Soundgarden and Alice in Chains); from the rise of Seattle’s cash-poor, hype-rich indie label Sub Pop to the major-label feeding frenzy that overtook the Pacific Northwest; from the simple joys of making noise at basement parties and tiny rock clubs to the tragic, lonely deaths of superstars Kurt Cobain and Layne Staley.Drawn from more than 250 new interviews—with members of Nirvana, Pearl Jam, Soundgarden, Alice in Chains, Screaming Trees, Hole, Melvins, Mudhoney, Green River, Mother Love Bone, Temple of the Dog, Mad Season, L7, Babes in Toyland, 7 Year Bitch, TAD, the U-Men, Candlebox and many more — and featuring previously untold stories and never-before-published photographs, Everybody Loves Our Town is at once a moving, funny, lurid, and hugely insightful portrait of an extraordinary musical era.

    In the category of major rock memoirs yet undone, this is at the top-a big autobiography by one of the most mysterious and influential musicians of the last 50 years. From growing up dirt poor in Mexico and suffering abuse to becoming a lowly dishwasher in the US with a hot guitar hand, to a person whom you might almost think is perpetually in a state of nirvana or at least bliss, this is the story of a fascinating man who brings the ideal combination of storytelling gold and a major marketing machine. This is one of the most sensory (and sensual) major rock bios you'll ever read. His voice comes through, it's deeply honest and frank, and from imagining the wisps of smoke from a long gone Miles Davis before Carlos's shows to describing the depths of his connection to sound, Santana brings a remarkable book to his huge following this fall.

    Through interviews with all of the principal troublemakers, Martin Popoff celebrates the formation of the band and the records that made them legends: Motörhead, Overkill, Bomber, Ace of Spades, No Sleep ’til Hammersmith, and Iron Fist. An in-depth coda brings the story up to date with the shocking recent deaths of Taylor and Kilmister.Motörhead comes to life in this book as bad-luck bad boys — doused in drink and drugs, most notably speed — incapable of running their lives right, save for Fast Eddie, who is charged with holding things together. Popoff also examines the heady climate of music through the band’s rise to prominence during the New Wave of British Heavy Metal, with detailed reflection on Motörhead’s unique position in the scene as both originators and embattled survivors who carried on the renegade spirit of those times.

    Her life was a dramatic roller-coaster of triumphant highs and devastating lows: the suicide of her husband, her feud with Johnny Carson, her estrangement from her daughter, her many plastic surgeries, her ferocious ambition and her massive insecurities. But Rivers' career was also hugely significant in American cultural history, breaking down barriers for her gender and pushing the boundaries of truth-telling for women in public life. A juicy, intimate biography of one of the greatest comedians ever-a performer whose sixty year career was borne, simply, out of a desire to make people laugh so she could feel loved-LAST GIRL BEFORE FREEWAY delves into the inner workings of a woman who both reflected and redefined the world around her.

    From his decade-long journey alongside Eddie Van Halen to his raucous solo career with Chickenfoot and everything in between—the drugs, groupies, and excesses of fame, the outrageous stadium tours, and the thrill of musical innovation—Hagar reveals all in this treasure trove of rock-and-roll war stories. Red is a life-changing look at one of music’s biggest talents—an essential read for music fans and anyone dreaming of becoming rock’s next number one star.

    Alongside former bandmates Don Henley, Glenn Frey, Randy Meisner, and Felder's childhood friend Bernie Leadon, he sold tens of millions of records (Eagles: Their Greatest Hits: 1971-1975 is the bestselling album of all time), performed before countless adoring fans, and co-wrote the renowned hit 'Hotel California'. His guitar-playing ability lifted the band from mere popularity to iconic status. And now Don Felder finally breaks the Eagles' decades of public silence to take fans behind the scenes - where drugs, greed and endless acrimony threatened to tear the band apart almost daily. Maybe there was too much talent. Maybe the personalities clashed with the egos. Whatever the reason, there were always these explosive arguments going on while I sat silently in a corner. I never expected it to survive. Never once did I feel, 'Hey, I got it made. This thing's gonna last for years.' Felder was wrong about that, but he was also right: the band split up in 1980, only to reunite for 1994's mega-selling 'Hell Freezes Over' album and tour.But tempers continued to flare, and in 2001, after 27 contentious years as an Eagle, Felder was summarily fired by the 'board of directors': Frey and Henley. Lawsuits and counter-suits followed. In 'Heaven and Hell', Felder takes us inside the pressurised recording studios, the trashed hotel rooms and the tension-filled courtrooms, where he, Frey, and Henley had their ultimate confrontation.

    Like his fellow rockers, Chuck Negron, the lead singer of the 1960s rock group Three Dog Night, succumbed to drug abuse and could have easily been among those who lived hard and died young. But while the lives of so many other rock'n'roll singers ended in tragedy, his is a life of triumph.From 1968 through the early 1970s, Three Dog Night was one of the most popular rack bands in the world. With his sweet, soulful sound, Chuck Negron guided the group through eighteen consecutive Top Twenty hits: three hit the #1 spot, including "Joy to the World", and eleven broke into the Top Ten. But while Three Dog Night was hitting the high notes of critical and commercial success, Negron was sinking into the darkness of drug addiction.The singer's downward spiral continued for several years, and after the band's thirteenth album failed to go gold in 1975, they called it quits. For Negron, who was supporting a $2,000-a.day drug habit, the descent was fast and long-lasting, encompassing two decades of horrendous drug abuse and terrifying near-death experiences. That he survived the ordeal at all is a miracle; that he today has a new foothold on life and devotes. a great portion of his time to helping others avoid the pitfalls of drug abuse is an inspiration.Three Dog Nightmare graphically traces the life and times of Bronx-bred Chuck Negron, who used his talent on the basketball court to earn a college scholarship, and turned his for singing into an unforgettable career. For the first time, Negron tells his full story, hoping that itwill teach others the life lessons he had to learn the hard way.

    Pivotal are the questions surrounding why Johnson was ignored by the core black audience of his time yet now celebrated as the greatest figure in blues history.Trying to separate myth from reality, biographer Elijah Wald studies the blues from the inside -- not only examining recordings but also the recollections of the musicians themselves, the African-American press, as well as examining original research. What emerges is a new appreciation for the blues and the movement of its artists from the shadows of the 1930s Mississippi Delta to the mainstream venues frequented by today's loyal blues fans.