The widow of a resister murdered in the failed July 20, 1944, plot to assassinate Adolf Hitler, Marianne plans to uphold the promise she made to her husband’s brave conspirators: to find and protect their wives, her fellow resistance widows.First Marianne rescues six-year-old Martin, the son of her dearest childhood friend, from a Nazi reeducation home. Together, they make their way across the smoldering wreckage of their homeland to Berlin, where Martin’s mother, the beautiful and naive Benita, has fallen into the hands of occupying Red Army soldiers. Then she locates Ania, another resister’s wife, and her two boys, now refugees languishing in one of the many camps that house the millions displaced by the war. As Marianne assembles this makeshift family from the ruins of her husband’s resistance movement, she is certain their shared pain and circumstances will hold them together. But she quickly discovers that the black-and-white, highly principled world of her privileged past has become infinitely more complicated, filled with secrets and dark passions that threaten to tear them apart. Eventually, all three women must come to terms with the choices that have defined their lives before, during, and after the war—each with their own unique share of challenges. Written with the devastating emotional power of The Nightingale, Sarah’s Key, and The Light Between Oceans, Jessica Shattuck’s evocative and utterly enthralling novel offers a fresh perspective on one of the most tumultuous periods in history. Combining piercing social insight and vivid historical atmosphere, The Women in the Castle is a dramatic yet nuanced portrait of war and its repercussions that explores what it means to survive, love, and, ultimately, to forgive in the wake of unimaginable hardship.

    Five years later, Josef rescues a young girl, Mila, after her parents are killed while running to meet the Rebbe they hoped would save them. Josef helps Mila reach Zalman Stern, a leader in the Satmar community, in whose home Mila is raised as a sister to Zalman’s daughter, Atara. As the two girls mature, Mila’s faith intensifies, while her beloved sister Atara discovers a world of books and learning that she cannot ignore. With the rise of communism in central Europe, the family moves to Paris, to the Marais, where Zalman tries to raise his children apart from the city in which they live.      When the two  girls come of age, Mila marries within the faith, while Atara continues to question fundamentalist doctrine. The different choices the two sisters makes force them apart until a dangerous secret threatens to banish them from the only community they’ve ever known.      A beautifully crafted, emotionally gripping story of what happens when unwavering love, unyielding law, and centuries of tradition collide, I Am Forbidden announces the arrival of an extraordinarily gifted new voice and opens a startling window on a world long closed to most of us, until now.

    Izabela and prisoner of war Bill have secretly married and are on the run, with Izzy dressed as a man. The young husband and wife evade capture for as long as possible--until they are cornered by Nazi soldiers with tracking dogs.Izzy's disguise works. The couple are assumed to be escaped British soldiers and transported to a POW camp. However, their ordeal has just begun, as they face appalling living conditions and the constant fear of Izzy's exposure. But in the midst of danger and deprivation comes hope, for the young couple are befriended by a small group of fellow prisoners. These men become their new family, willing to jeopardize their lives to save Izzy from being discovered and shot.The Prisoner's Wife tells of an incredible risk, and of how our deepest bonds are tested in desperate times. Bill and Izzy's story is one of love and survival against the darkest odds.

    For readers of The Nightingale, Lilac Girls, and Sarah's Key.Austria, 1938.Kristoff is a young apprentice to a master Jewish stamp engraver. When his teacher disappears during Kristallnacht, Kristoff is forced to engrave stamps for the Germans, and simultaneously works alongside Elena, his beloved teacher's fiery daughter, and with the Austrian resistance to send underground messages and forge papers. As he falls for Elena amidst the brutal chaos of war, Kristoff must find a way to save her, and himself. Los Angeles, 1989. Katie Nelson is going through a divorce and while cleaning out her house and life in the aftermath, she comes across the stamp collection of her father, who recently went into a nursing home. When an appraiser, Benjamin, discovers an unusual World War II-era Austrian stamp placed on an old love letter as he goes through her dad's collection, Katie and Benjamin are sent on a journey together that will uncover a story of passion and tragedy spanning decades and continents, behind the just fallen Berlin Wall. A beautiful, poignant and devastating novel, The Lost Letter shows the lasting power of love.

    As arts editor for one of Vienna's principal newspapers, Moriz Scheyer knew many of the city's foremost artists, and was an important literary journalist. With the advent of the Nazis he was forced from both job and home. In 1943, in hiding in France, Scheyer began drafting what was to become this book. Tracing events from the Anschluss in Vienna, through life in Paris and unoccupied France, including a period in a French concentration camp, contact with the Resistance, and clandestine life in a convent caring for mentally disabled women, he gives an extraordinarily vivid account of the events and experience of persecution. After Scheyer's death in 1949, his stepson, disliking the book's anti-German rhetoric, destroyed the manuscript. Or thought he did. Recently, a carbon copy was found in the family's attic by P.N. Singer, Scheyer's step-grandson, who has translated and provided an epilogue.

    It was a journey that began in 1933, when she was eight years old and witnessed the beginnings of Jewish persecution, a journey along which she suffered the horrible deaths of her father, mother and sister. Sustained by great courage and resourcefulness, Lucille Eichengreen emerged from her nightmare with the inner strength to build a new life for herself in the United States. Only in 1991 did she return to Germany and Poland to assess the Jewish situation there. Her story is a testament to the very thing the Holocaust sought to destroy: the regeneration of Jewish life. Blessed with a remarkable memory that made her one of the most effective witnesses in the postwar trial of her persecutors, Eichengreen has composed a memoir of exceptional accuracy. As important as its factual accuracy is its emotional clarity and truth. Simple and direct, Eichengreen's words compel with their moral authority.

    In The Mousetrap -- winner of the 2003 San Diego Book Award for an Unpublished Memoir -- she tells the harrowing true story of her experiences as a young Bohemian woman in the years after the Second World War ended. She tells of the understandable brutality with which she and her family and friends were treated after the Germans lost the war. She also tells the story of a mother-daughter relationship that, because of the terrible times in which they lived, threatened to kill them both.At the time of her death, Ruth had nearly completed the next portion of her autobiography, which is currently being prepared for publication.Learn more about Ruth Eigner at TheMousetrapBook.com or find her on page on Facebook -- https://www.facebook.com/TheMousetrap...From the Introduction to The Mousetrap --Now that I have finally brought myself to write of these events, which took place nearly sixty-five years ago in a middle European land which no longer exists, I am faced with the fact that Americans now coming of age, like my own grandchildren, will need some historical background. The country was Czechoslovakia, created in 1918, made up of a hodge-podge of nationalities – Czechs, Slovaks, Germans, Hungarian, Poles and others -- previously ruled by the Austrians, losers of the First World War. My own people, ethnic Germans, had lived in this same territory for almost a thousand years, and since we spoke the same language as the Austrian rulers, I suppose we thought of ourselves as better than our neighbors. Many of us were also excessively proud of our German culture, believing that it was superior to that of the Slavic people who now vastly outnumbered us in the new country. There was great fear among chauvinists and prejudiced Germans that we might lose our national identity and be forced even to give up our language. These people argued and sometimes demonstrated violently for the creation of a new German country. And the uprisings they fomented were sometimes put down with corresponding violence. It was easy, therefore for Adolf Hitler to argue in 1938 that the German citizens of Czechoslovakia needed his protection. To “save” us, as he said, from the persecution of the Czechs, he annexed the part of the country in which we lived. I was only twelve when this happened, but I was old enough to remember that there was much cheering in the streets when the German troops marched in. I remember also that during the next seven years which passed before the defeat of the Nazis, Germans of my group, even boys I grew up with, enlisted or were drafted to fight in Hitler’s army. No doubt many of them joined in the persecution of those who had been our fellow Czechoslovakians for the past twenty years, the descendants of people who had been our neighbors for centuries. Who could blame the Czechs for wanting to get revenge once Hitler was gone, and they were back in power? They felt, that unless we were driven from the country, we would betray them again at the first opportunity. All this was understandable, but it did not lessen the fear of the German Czechoslovakians, both the innocent and the guilty among us, who faced this reciprocal terror. -- Ruth Hanka Eigner

    As their lives become more intertwined, all are forced to confront the uncomfortable truths of the past and seek out the courage to forgive.In 1945, Elsie Schmidt is a naive teenager, as eager for her first sip of champagne as she is for her first kiss. She and her family have been protected from the worst of the terror and desperation overtaking her country by a high-ranking Nazi who wishes to marry her. So when an escaped Jewish boy arrives on Elsie's doorstep in the dead of night on Christmas Eve, Elsie understands that opening the door would put all she loves in danger. Sixty years later, in El Paso, Texas, Reba Adams is trying to file a feel-good Christmas piece for the local magazine. Reba is perpetually on the run from memories of a turbulent childhood, but she's been in El Paso long enough to get a full-time job and a fiancé, Riki Chavez. Riki, an agent with the U.S. Border Patrol, finds comfort in strict rules and regulations, whereas Reba feels that lines are often blurred. Reba's latest assignment has brought her to the shop of an elderly baker across town. The interview should take a few hours at most, but the owner of Elsie's German Bakery is no easy subject. Reba finds herself returning to the bakery again and again, anxious to find the heart of the story. For Elsie, Reba's questions are a stinging reminder of darker times: her life in Germany during that last bleak year of WWII. And as Elsie, Reba, and Riki's lives become more intertwined, all are forced to confront the uncomfortable truths of the past and seek out the courage to forgive.

    In this, his final novel, he confronts the legacy of evil, and our unquenchable desire to wrest good from it. One week in late autumn of 1996, a group gathers at the site of a former death camp. They offer prayer at the crematoria and meditate in all weathers on the selection platform. They eat and sleep in the sparse quarters of the Nazi officers who, half a century before, sent more than a million Jews in this camp to their deaths. Clements Olin has joined them, in order to complete his research on the strange suicide of a survivor. As the days pass, tensions both political and personal surface among the participants, stripping away any easy pretense to resolution or healing. Caught in the grip of emotions and impulses of bewildering intensity, Olin is forced to abandon his observer’s role and to bear witness, not only to his family’s ambiguous history but to his own. Profoundly thought-provoking, In Paradise is a fitting coda to the luminous career of a writer who was “for all readers. He was for the world” (National Geographic).

    Berr brought a keen literary sensibility to her writing, a talent that renders the story it relates all the more rich, all the more heartbreaking. The first day Berr has to wear the yellow star on her coat, she writes, “I held my head high and looked people so straight in the eye they turned away. But it’s hard.” More, many more, humiliations were to follow, which she records, now with a view to posterity. She wants the journal to go to her fiancé, who has enrolled with the Free French Forces, as she knows she may not live much longer. She was right. The final entry is dated February 15, 1944, and ends with the chilling words: “Horror! Horror! Horror!” Berr and her family were arrested three weeks later. She went — as was discovered later — on the death march from Auschwitz to Bergen-Belsen, where she died of typhus in April 1945, within a month of Anne Frank and just days before the liberation of the camp.The journal did eventually reach her fiancé, and for over fifty years it was kept private. In 2002, it was donated to the Memorial of the Shoah in Paris. Before it was first published in France in January 2008, translation rights had already been sold for twelve languages.

    Discovered one year ago in Italy and never before published in English, this poignant and extraordinarily well-written account is strikingly accurate in bringing to life the methodical and relentless erosion of the freedoms and human dignity of the Italian Jews, from Mussolini's racial laws of 1938 to the institutionalized horror of Auschwitz. Through Sonnino's words, memory has the power to disarm these unspeakable evils.

    Born in 1905 to a wealthy family in the oil-boom city of Baku, at the edge of the czarist empire, Lev escaped the Russian Revolution in a camel caravan. He found refuge in Germany, where, writing under the names Essad Bey and Kurban Said, his remarkable books about Islam, desert adventures, and global revolution, became celebrated across fascist Europe. His enduring masterpiece, Ali and Nino–a story of love across ethnic and religious boundaries, published on the eve of the Holocaust–is still in print today.But Lev's life grew wilder than his wildest stories. He married an international heiress who had no idea of his true identity–until she divorced him in a tabloid scandal. His closest friend in New York, George Sylvester Viereck–also a friend of both Freud's and Einstein's–was arrested as the leading Nazi agent in the United States. Lev was invited to be Mussolini's official biographer–until the Fascists discovered his "true" identity. Under house arrest in the Amalfi cliff town of Positano, Lev wrote his last book–discovered in a half a dozen notebooks never before read by anyone–helped by a mysterious half-German salon hostess, an Algerian weapons-smuggler, and the poet Ezra Pound. Tom Reiss spent five years tracking down secret police records, love letters, diaries, and the deathbed notebooks. Beginning with a yearlong investigation for The New Yorker, he pursued Lev's story across ten countries and found himself caught up in encounters as dramatic and surreal, and sometimes as heartbreaking, as his subject's life. Reiss's quest for the truth buffets him from one weird character to the next: from the last heir of the Ottoman throne to a rock opera-composing baroness in an Austrian castle, to an aging starlet in a Hollywood bungalow full of cats and turtles.As he tracks down the pieces of Lev Nussimbaum's deliberately obscured life, Reiss discovers a series of shadowy worlds–of European pan-Islamists, nihilist assassins, anti-Nazi book smugglers, Baku oil barons, Jewish Orientalists–that have also been forgotten. The result is a thoroughly unexpected picture of the twentieth century–of the origins of our ideas about race and religious self-definition, and of the roots of modern fanaticism and terrorism. Written with grace and infused with wonder, The Orientalist is an astonishing book.

    In 2000, a suitcase arrived at a children's Holocaust education center in Tokyo, Japan, marked "Hana Brady, May 16, 1931." The center's curator searches for clues to young Hana and her family, whose happy life in a small Czech town was turned upside down by the invasion of the Nazis.

    An NCTE Orbis Pictus recommended book and a Sydney Taylor Book Award Notable Title.Ruth David was growing up in a small village in Germany when Adolf Hitler rose to power in the 1930s. Under the Nazi Party, Jewish families like Ruth's experienced rising anti-Semitic restrictions and attacks. Just going to school became dangerous. By November 1938, anti-Semitism erupted into Kristallnacht, the Night of Broken Glass, and unleashed a wave of violence and forced arrests.Days later, desperate volunteers sprang into action to organize the Kindertransport, a rescue effort to bring Jewish children to England. Young people like Ruth David had to say good-bye to their families, unsure if they'd ever be reunited. Miles from home, the Kindertransport refugees entered unrecognizable lives, where food, clothes -- and, for many of them, language and religion -- were startlingly new. Meanwhile, the onset of war and the Holocaust visited unimaginable horrors on loved ones left behind. Somehow, these rescued children had to learn to look forward, to hope.Through the moving and often heart-wrenching personal accounts of Kindertransport survivors, critically acclaimed and award-winning author Deborah Hopkinson paints the timely and devastating story of how the rise of Hitler and the Nazis tore apart the lives of so many families and what they were forced to give up in order to save these children.

    Despite the richness of her life story, there has never been a full-length biography of the ambitious, star-struck Ohio girl who evolved into a reviled disseminator of Nazi propaganda.At the outbreak of war in September 1939, Mildred had been living in Germany for five years. Hoping to marry, she chose to remain in the Nazi-run state even as the last Americans departed for home. In 1940, she was hired by the German overseas radio, where she evolved from a simple disc jockey and announcer to a master propagandist. Under the tutelage of her married lover, Max Otto Koischwitz, Gillars became the personification of Nazi propaganda to the American GI.Spicing her broadcasts with music, Mildred used her soothing voice to taunt Allied troops about the supposed infidelities of their wives and girlfriends back home, as well as the horrible deaths they were likely to meet on the battlefield. Supported by German military intelligence, she was able to convey personal greetings to individual US units, creating an eerie foreboding among troops who realized the Germans knew who and where they were.After broadcasting for Berlin up to the very end of the war, Gillars tried but failed to pose as a refugee, but was captured by US authorities. Her 1949 trial for treason captured the attention and raw emotion of a nation fresh from the horrors of the Second World War. Gillars s twelve-year imprisonment and life on parole, including a stay in a convent, is a remarkable story of a woman who attempts to rebuild her life in the country she betrayed.Written by Richard Lucas, a freelance writer and lifelong shortwave radio enthusiast, Axis Sally: The American Voice of Nazi Germany is the first thoroughly documented look at this mythologized figure of World War II."