But even as an adult with an accomplished professional life, Grace still has a dark, secret side. When her two worlds shockingly converge, Grace’s harrowing past returns with a vengeance. Both Grace and her newest patient are stunned when they recognize each other from a recent encounter. Haunted by his bleak past, mild-mannered Andrew Toner is desperate for Grace’s renowned therapeutic expertise and more than willing to ignore their connection. And while Grace is tempted to explore his case, which seems to eerily echo her grim early years, she refuses—a decision she regrets when a homicide detective appears on her doorstep. An evil she thought she’d outrun has reared its head again, but Grace fears that a police inquiry will expose her double life. Launching her own personal investigation leads her to a murderously manipulative foe, one whose warped craving for power forces Grace back into the chaos and madness she’d long ago fled.

    But railroad police Special Agent Sydney Rose Parnell, brought in by the Denver Major Crimes unit to help investigate, can't shake the feeling that larger forces are behind this apparent crime of passion.In the depths of an icy winter, Parnell and her K9 partner, Clyde ― both haunted by their time in Iraq ― descend into the underground world of a savage gang of rail riders. There, they uncover a wide-reaching conspiracy and a series of shocking crimes. Crimes that threaten everything Parnell holds dear.As the search for the truth puts her directly in the path of the killer, Parnell must struggle with a deadly question: Can she fight monsters without becoming one herself?

    The crime is eerily similar to a twenty-year-old cold case: another victim, brutally murdered, found in the Delaware River. Lead detective Parker Reed is intent on connecting the two murders, but the locals are on lockdown, revealing nothing.The past meets the present when Becca Kingsley, who returns to Portland to be with her estranged but dying father, runs into Parker, her childhood love. As the daughter of the former police chief, Becca's quickly drawn into the case. Coming home has brought something ominous to the surface - memories long buried, secrets best kept hidden. Becca starts questioning all her past relationships, including one with a man who's watched over her for years. For the first time, she wonders if he's more predator than protector.In a small town where darkness hides in plain sight, the truth could change Becca's life - or end it.

    Abducted at age six in broad daylight, the police, the public, perhaps even her family assumed the worst had occurred. And then Kathleen Lannigan was found, alive, six years later. In the early months following her freedom, as Kick struggled with PTSD, her parents put her through a litany of therapies, but nothing helped until the detective who rescued her suggested Kick learn to fight. Before she was thirteen, Kick learned marksmanship, martial arts, boxing, archery, and knife throwing. She excelled at every one, vowing she would never be victimized again. But when two children in the Portland area go missing in the same month, Kick goes into a tailspin. Then an enigmatic man Bishop approaches her with a proposition: he is convinced Kick's experiences and expertise can be used to help rescue the abductees. Little does Kick know the case will lead directly into her terrifying past…

    Ostracised by her colleagues, her family and her partner, she begins to wonder if she really is losing her mind.And then she meets the next victim.So compulsive you can't stop reading.So chilling you won't stop talking about it.A pitch-black and devastatingly original psychological thriller.

    A child is found wandering in an ancient woodland, her hands covered in blood. But it is not her own.Unwilling, or unable, to speak, the only person she seems to trust is the young officer who rescued her, Detective Sergeant Lucy Black. Soon afterwards, DS Black is baffled to find herself suddenly moved from a high-profile case involving the kidnapping of another girl, a prominent businessman's teenage daughter. Black's problems are not only professional: she's caring for her increasingly unstable father, and trying to avoid conflict with her frosty mother - who also happens to be the Assistant Chief Constable. As she struggles to identify the unclaimed child, Black begins to realise that her case and the kidnapping may be linked by events that occurred during the grimmest days of the country's recent history - events that also defined her own troubled childhood.Little Girl Lost is a devastating crime thriller about corruption, greed and vengeance, and a father's love for his daughter.

    Nobody comes "an unputdownable mystery about the nightmares that abound in the pursuit of Hollywood dreams" (Caroline Kepnes, author of the You series)."Stylish, riveting, hugely atmospheric--I couldn't put it down."--Lucy Foley, author of The Guest ListA woman has gone missing. But did she ever really exist?A leading British actress hoping to make a splash in America flies to Los Angeles for the grueling gauntlet known as pilot season, a time when every network and film studio looking to fill the rosters of their new shows entice a fresh batch of young hopefuls--anxious, desperate, and willing to do whatever it takes to make it.Instead, Mia Eliot, a fish out of water in the ruthlessly competitive and faceless world of back-to-back auditioning, discovers the sinister side of Hollywood when she becomes the last person to see Emily, a newfound friend. Standing out in a conveyor-belt world of fellow aspiring stars, Emily mysteriously disappears following an audition, after asking Mia to do a simple favor. But nothing is simple. Nothing is as is seems. And nothing prepares Mia for a startling truth: In a city where dreams really do come true, nightmares can follow.

    Professional. Perfect. Dead. Respected scientist Dr Eleanor Costello is found hanging in her immaculate home: the scene the very picture of a suicide.TOO LATE TO HIDEDCS Frankie Sheehan is handed the case, and almost immediately spots foul play. Sheehan, a trained profiler, is seeking a murderer with a talent for death.TOO CLOSE TO BREATHEAs Frankie strives to paint a picture of the killer, and their victim, she starts to sense they are part of a larger, darker canvas, on which the lines between the two blur.Olivia Kiernan's debut is a bold, brilliant thriller that will keep you guessing and leave you breathless.

    I hope you can forgive me…’Grace hasn't been the same since the death of her best friend Charlie. She is haunted by Charlie's last words, and in a bid for answers, opens an old memory box of Charlie's. It soon becomes clear there was a lot she didn't know about her best friend.

    Small and blond, from a distance she looked vulnerable and slight. . . the perfect bait to catch a killer. But as Quinn got older, she realised she needed to find a protegee, a younger field agent to take her place. So Quinn trains a twenty-two year old and lets her loose in the field. The plan works. Until the Route 66 killer not only takes the bait, but kills the bait too.Years on, Quinn is trying to move past the fact that she has a young woman's death on her conscience. She's now the perfect Stepford Wife - until she gets a knock on her door. The girl's body has finally been discovered. Quinn is pulled back into the case and the more she learns about the killer the more she comes to believe, despite the overwhelming forensic evidence to hand, that they have the wrong man.

    No more traffic gridlock or getting stuck on the tube in tunnels (you’re claustrophobic); now you’ve got an iconic Thames view, fresh air ?— a whole lifestyle upgrade. You’ve made new friends onboard — led by your hedonistic young neighbour, Kit ?— and just had your first ‘water rats’ Christmas drinks. But the first day back after Christmas, Kit isn’t on the morning boat. The river landmarks are all the same, but something’s off. You disembark to find the police waiting. Kit’s wife, Melia, has reported him missing and another passenger witnessed the two of you arguing on the last boat home after your drinks. Police say you had a reason to lash out at him. To kill him.You protest. You and Kit are friends ?— ask Melia, she’ll vouch for you. And who exactly is this other passenger pointing the finger? What do they know about your private lives? No, whatever coincidences might have occurred that night, you are innocent, totally innocent.Aren’t you?

    No body—only a hiking boot—has ever been found. Billie’s husband and teenage daughter cope with her death the best they can: Jonathan drinks, Olive grows remote.But then Olive starts having waking dreams—or are they hallucinations?—that her mother is still alive. Jonathan worries about Olive’s emotional stability, until he starts unearthing secrets from Billie’s past that bring into question everything he thought he knew about his wife. Together, Olive and Jonathan embark on a quest for the truth—about Billie, their family, and the stories we tell ourselves about the people we love.

    Meanwhile, she’s struggling to start a family, but her husband is distracted by the disappearance of his best friend, Nick. As stresses weigh her down in her professional and personal lives, Liza escapes into writing the chilling exploits of her latest heroine, Beth.Beth, a new mother, suspects her husband is cheating on her while she’s home caring for their newborn. Angry and betrayed, she aims to catch him in the act and make him pay for shattering the illusion of their perfect life. But before she realizes what she’s doing, she’s tossing the body of her husband’s mistress into the East River.Then, the lines between Liza’s fiction and her reality eerily blur. Nick’s body is dragged from the East River, and Liza’s husband is arrested for his murder. Before her deadline is up, Liza will have to face up to the truths about the people around her, including her own. If she doesn’t, the end of her heroine’s story could be the end of her own.

    In the aftermath, his widow, Jane Hawk, does what all her grief, fear, and fury demand: find the truth, no matter what. People of talent and accomplishment, people admired and happy and sound of mind, have been committing suicide in surprising numbers. When Jane seeks to learn why, she becomes the most-wanted fugitive in America. Her powerful enemies are protecting a secret so important—so terrifying—that they will exterminate anyone in their way. But all their power and viciousness may not be enough to stop a woman as clever as they are cold-blooded, as relentless as they are ruthless—and who is driven by a righteous rage they can never comprehend. Because it is born of love.

    Three hundred years ago, as legend goes, the frightened Yorkshire villagers smothered a crying babe in Keldale Abbey, where they'd hidden to escape the ravages of Cromwell's raiders.Now into Keldale's pastoral web of old houses and older secrets comes Scotland Yard Inspector Thomas Lynley, the eighth earl of Asherton. Along with the redoubtable Detective Sergeant Barbara Havers, Lynley has been sent to solve a savage murder that has stunned the peaceful countryside. For fat, unlovely Roberta Teys has been found in her best dress, an axe in her lap, seated in the old stone barn beside her father's headless corpse. Her first and last words were "I did it. And I'm not sorry."Yet as Lynley and Havers wind their way through Keldale's dark labyrinth of secret scandals and appalling crimes, they uncover a shattering series of revelations that will reverberate through this tranquil English valley—and in their own lives as well.