Yet such an interpretation, as Desmond Seward shows in this powerfully-argued book, suggests a refusal to face the facts of history. Evenin the king’s lifetime there were rumors about his involvement in the murders of Henry VI and of his nephews, the "Princes in the Tower," while his reign was considered by many to be a nightmare, not least for the king himself. The real Richard III was both a chilling and compelling monarch, a peculiarly grim young English precursor of Machiavelli’s Prince.  Sweeping aside sentimental fantasy, this is a colorful, authoritative biography that offers a definitive picture of both the age and the man.

    At the center of a triangle of Anglo Saxons, Vikings, and Normans all jostling for control of England, Emma was a political pawn who became an unscrupulous manipulator. Regarded by her contemporaries as a generous Christian patron, an admired regent, and a Machiavellian mother, Emma was, above all, a survivor: hers was a life marked by dramatic reversals of fortune, all of which she overcame.

    The author of the highly praised The Wild Irish is back with a mesmerizing novel that probes one of the most intriguing unsolved mysteries in history -- what happened to the lost princes of YorkDebated for more than five centuries, the disappearance of the young princes Edward and Richard from the Tower of London in 1483 has stirred the imaginations of numerous writers from Shakespeare to Josephine Tey and posited the question: Was Richard III the boys' murderer, or was he not? In a captivating novel rich in mystery, color, and historical lore, Robin Maxwell offers a new, controversial perspective on this tantalizing enigma.The events are witnessed through the eyes of quick-witted Nell Caxton, only daughter of the first English printer, William Caxton, and Nell's dearest friend, "Bessie," daughter of the King of England, sister to the little princes, and founding ancestress of the Tudor dynasty.With great bravery and heart, the two friends navigate this dark and dangerous medieval landscape in which the king's death sets off a battle among the most scheming, ambitious, and murderous men and women of their age, who will stop at nothing to possess the throne of England.

     But now, history is changing, and the book is never written. When the Council for Temporal Studies asks time travelers Simon and Elizabeth Cross to "save Christmas," they think he's joking. But it's anything but a laughing matter. Simon and Elizabeth must go back to 1843 London and convince Dickens to write his endearing story, or the Christmas holiday we all know and love will cease to be--forever.

    For some, royal employment was the defining experience of their lives; for others it came as an unwelcome duty, or a prelude to greater things. Serving Victoria follows the lives of six members of her household, from the governess to the royal children, and her maid-of-honor to her chaplain and personal physician.Drawing on their letters and diaries - many hitherto unpublished - Serving Victoria offers a unique insight into the Victorian court, with all its frustrations and absurdities, as well as the Queen herself, sitting squarely at its center. Seen through the eyes of her household as she traveled between Windsor, Osborne and Balmoral, and to the French and Belgian courts, Victoria emerges as more vulnerable, more emotional, more selfish, more comical than the austere figure depicted in her famous portraits. We see a woman who was prone to fits of giggles, who wept easily and often, who gobbled her food and shrank from confrontation but insisted on controlling the lives of those around her. We witness her extraordinary and debilitating grief at the death of her husband Albert, and her sympathy towards the tragedies that afflicted her household.Witty, astute and moving, Serving Victoria is a perfect foil to the pomp and circumstance - and prudery and conservatism - associated with Victoria's reign, and gives an unforgettable glimpse of what it meant to serve the Queen.

    The acclaimed author of A Rose for the Crown takes us between the lines of history and into her heart. It is 1461: Edward, son of Richard of York, ascends to the throne, and his willful sister, Margaret, immediately becomes a pawn in European politics as Edward negotiates her marriage. The young Margaret falls deeply in love with Anthony Woodville, the married brother of Edward's queen, Elizabeth. But Edward has arranged for his sister to wed Charles, son of the Duke of Burgundy, and soon Margaret is setting sail for her new life. Her official escort: Anthony Woodville. Margaret of York eventually commanded the respect and admiration of much of Europe, but it appears to history that she had no emotional intimate. Anne Easter Smith's rare gift for storytelling and her extensive research reveal the love that burned at the center of Margaret's life, adding a new dimension to the story of one of the fifteenth century's most powerful women.

    And all her spells ever brought was trouble. Since her death, with no power of my own, I’ve stayed far, far away from magic . . . In a San Francisco struggling to recover from earthquakes and rising seas, and where technology can do things that are close enough to magic anyway, Maggie Lachlan is a computer whisperer. The one they call when no one else can find the elusive bug bringing a complex system to its knees. They call her the Techwitch. But she knows there’s nothing magical about what she does. It’s just hard-earned skill. So when Damon Riley, owner of the world’s biggest virtual reality gaming company comes calling with a problem that his entire empire of geeks can’t fix, Maggie leaps at the job. Riley Arts is the kind of place she feels at home. Wall-to-wall tech. No magic. Except, perhaps, for the unsettling chemistry she has with the man in charge. But she never imagined stepping into one of Damon’s games would reveal her mother lied about Maggie’s magic. Or that technology could break a spell she never knew she was under. Now she has a demon hunting her and a whole world she knows nothing about to navigate. To save herself—and the world—she needs to learn fast. Because, when it comes to magic, too many games are wicked. And if you lose, the price can be very, very high . . . The intriguing start to a new dark and sexy Urban Fantasy series from M.J. Scott, RITA® Award nominated author of The Four Arts series and the Half-Light City series. The TechWitch series Book 1 - Wicked Games What people are saying about M.J. Scott “Exciting and rife with political intrigue and magic…” RT Book Reviews “everything I love about Urban Fantasies, kick butt action, fantastic characters, romance that makes the heart beat fast…” Seeing Night Reviews “Scott’s writing is rather superb” Bookworm Blues “Strong and complex world building, emotionally layered relationships, and enough action to keep me up long past my bedtime.” Vampire Book Club “The story’s real strength lies in the web of intrigue Scott creates around her characters.” Publisher’s Weekly

    Although almost six centuries old, the Battle of Agincourt still captivates the imaginations of men and women on both sides of the Atlantic. It has been immortalized in high culture (Shakespeare's Henry V) and low (the New York Post prints Henry's battle cry on its editorial page each Memorial Day). It is the classic underdog story in the history of warfare, and generations have wondered how the English -- outnumbered by the French six to one -- could have succeeded so bravely and brilliantly. Drawing upon a wide range of sources, eminent scholar Juliet Barker casts aside the legend and shows us that the truth behind Agincourt is just as exciting, just as fascinating, and far more significant. She paints a gripping narrative of the October 1415 clash between outnumbered English archers and heavily armored French knights. But she also takes us beyond the battlefield into palaces and common cottages to bring into vivid focus an entire medieval world in flux. Populated with chivalrous heroes, dastardly spies, and a ferocious and bold king, Agincourt is as earthshaking as its subject -- and confirms Juliet Barker's status as both a historian and a storyteller of the first rank.

     In 1483, Richard, Duke of Gloucester, returns home a hero after a triumphant victory over the invading Scots. His adoring family awaits him, but their happiness will soon be shattered by the death of Richard’s brother, King Edward IV. With his young son as his only heir, Edward makes Richard Protector of England on his deathbed, entrusting him to guide and rule until the child king is old enough to take the throne. This spellbinding novel depicts a Richard III far removed from the popular legend of a bloodthirsty tyrant. A man who makes a loyal friend, but a hard enemy. A thoughtful husband, whose devoted care for his young wife is one of the great love stories in history. And a man betrayed from the time of his brother's death until the bloody climax of his reign on Bosworth Field. Praise for Some Touch of Pity: ‘The most moving novel about Richard that I have ever read’ - Rosemary Sutcliff 'An excellent book' - The Times 'The depth of the research and her love for her subject show through on every page... a compelling moving and sometimes haunting novel' - The Times Literary Supplement

    A year later she endured a traumatic birth that brought her and her son close to death. She was just thirteen years old.As the battle for royal supremacy raged between the houses of Lancaster and York, Margaret, who was descended from Edward III and thus a critical threat, was forced to give up her son – she would be separated from him for fourteen years. But few could match Margaret for her boundless determination and steely courage. Surrounded by enemies and conspiracies in the Yorkist court, Margaret remained steadfast, only just escaping the headman’s axes as she plotted to overthrow Richard III in her efforts to secure her son the throne.Against all odds, in 1485 Henry Tudor was victorious on the battlefield at Bosworth. Through Margaret’s royal blood Henry was crowned Henry VII, King of England, and Margaret became the most powerful woman in England – Queen in all but name. Nicola Tallis’s gripping account of Margaret’s life, one that saw the final passing of the Middle Ages, is a true thriller, revealing the life of an extraordinarily ambitious and devoted woman who risked everything to ultimately found the Tudor dynasty.

    They originated with pioneer women using up precious scraps of yarn to make blankets for their families, and over the years, many recognized, named patterns have been handed down from one generation to the next. Beyond this treasury of 75 different granny square motifs, Margaret Hubert shows the evolution of the granny square, how it can be used and interpreted in different ways with different yarns, and how today's crocheter can design her own projects using the granny squares of her choice with the yarn choices of today. Just as Margaret learned from her grandmother and mother and then passed the skill down to her daughter and granddaughter, each generation finds new uses and artistic ways to interpret granny squares.

    Schama, the author of the highly acclaimed Citizens and The Embarrassment of Riches, is one of the most popular and celebrated historians of our day, and in this magnificent work he brings history to dramatic life with a wealth of stories and vivid, colorful detail, reanimating familiar figures and events and drawing them skillfully into a powerful and compelling narrative. Schama's perspective moves from the birth of civilization to the Norman Conquest; through the religious wars and turbulance of the Middle Ages to the sovereignties of Henry II, Richard I and King John; through the outbreak of the Black Death, which destroyed nearly half of Europe's population, through the reign of Edward I and the growth of national identity in Wales and Scotland, to the intricate conflicts of the Tudors and the clash between Elizabeth I and Mary Queen of Scots. Driven by the drama of the stories themselves but exploring at the same time a network of interconnected themes--the formation of a nation state, the cyclical nature of power, the struggles between the oppressors and the oppressed--this is a superbly readable and illuminating account of a great nation, and its extraordinary history.

    

    So when an introverted wizard and a troublemaking witch cross paths, what could possibly go wrong? Lily Singer is a conscientious librarian who just wants to practice her wizardry and be left alone. Sebastian Blackwell is a ne’er-do-well witch for hire who enjoys getting under peoples’ skin but always gets the job done in the end. When circumstance forces them to band together against a common enemy, there’s no telling how the dice will fall. A prequel to the Love, Lies, and Hocus Pocus series, this meeting of opposites—and the mischief that follows—is a roller coaster of laughs and life lessons. The only question left is, what's a girl to do when she finds out her arch rival isn't so bad after all?

    Agnes Blakiston did not want to rent the old parsonage and soon came to regret it. At night the phone would ring and there would be unseen visitors. Was the house haunted? And did Miss Emily have a secret to terrible she would rather die than reveal it?