Bright and brilliant, they are destined for great things, and the youngest of the group—Aurora Jackson—is delighted to be allowed to tag along. The evening starts like any other—they drink, they dance, they fight, they kiss. Some of them slip off into the woods in pairs, others are left jealous and heartbroken. But by morning, Aurora has disappeared. Her friends claim that she was safe the last time they saw her, right before she went to sleep. An exhaustive investigation is launched, but no trace of the teenager is ever found.Thirty years later, Aurora’s body is unearthed in a hideaway that only the six friends knew about, and Jonah Sheens is put in charge of solving the long-cold case. Back in 1983, as a young cop in their small town, he had known the teenagers—including Aurora—personally, even before taking part in the search. Now he’s determined to finally get to the truth of what happened that night. Sheens’s investigation brings the members of the camping party back to the forest, where they will be confronted once again with the events that left one of them dead, and all of them profoundly changed forever.

    But on this warm evening, three children do not return from the dark and silent woods. When the police arrive, they find only one of the children. He is gripping a tree trunk in terror, wearing blood-filled sneakers and unable to recall a single detail of the previous hours.Twenty years later, the found boy, Rob Ryan, is a detective on the Dublin Murder Squad and keeps his past a secret. But when a 12-year-old girl is found murdered in the same woods, he and Detective Cassie Maddox (his partner and closest friend) find themselves investigating a case chillingly similar to the previous unsolved mystery. Now, with only snippets of long-buried memories to guide him, Ryan has the chance to uncover both the mystery of the case before him and that of his own shadowy past.A gorgeously written novel that marks the debut of an astonishing new voice in psychological suspense.

    But he's never forgotten the two children she left behind...When Aisling Conroy's boyfriend Jack is found in the freezing black waters of the river Corrib, the police tell her it was suicide. A surgical resident, she throws herself into study and work, trying to forget - until Jack's sister Maude shows up. Maude suspects foul play, and she is determined to prove it.DI Cormac Reilly is the detective assigned with the re-investigation of an 'accidental' overdose twenty years ago - of Jack and Maude's drug- and alcohol-addled mother. Cormac is under increasing pressure to charge Maude for murder when his colleague Danny uncovers a piece of evidence that will change everything...This unsettling crime debut draws us deep into the dark heart of Ireland and asks who will protect you when the authorities can't - or won't. Perfect for fans of Tana French and Jane Casey.

    That was before he was tried for the murder of a young woman and acquitted. before his admission to a care home for dementia. Now his daughter has come to see him, to take him on a trip. Only she's not his daughter and, if she has her way, he's not coming back . . .Because Carl's past has finally caught up with him. The young woman driving the car is convinced her passenger is guilty, and that he's killed, other young women. Including her sister Rachel. Now they're following the trail of his photographs, his clues, his alleged crimes. To see if he remembers any of it. Confesses to any of it. To discover what really happened to Rachel. Has Carl truly forgotten what he did or is he just pretending? Perhaps he's guilty of nothing and she's the liar. Either way in driving him into the Texan wilderness she's taking a terrible risk. For if Carl really is a serial killer, she's alone in the most dangerous place of all . . .

    She's an officer in sleepy Woodbury, MA, where a bicycle theft still makes the newspapers. No one there knows she was once victim number seventeen in the grisly story of serial killer Francis Michael Coben. The only one who lived.When three people disappear from her town in three years―all around her birthday―Ellery fears someone knows her secret. Someone very dangerous. Her superiors dismiss her concerns, but Ellery knows the vanishing season is coming and anyone could be next. She contacts the one man she knows will believe her: the FBI agent who saved her from a killer all those years ago.Agent Reed Markham made his name and fame on the back of the Coben case, but his fortunes have since turned. His marriage is in shambles, his bosses think he's washed up, and worst of all, he blew a major investigation. When Ellery calls him, he can’t help but wonder: sure, he rescued her, but was she ever truly saved? His greatest triumph is Ellery’s waking nightmare, and now both of them are about to be sucked into the past, back to the case that made them...with a killer who can't let go.

    In short order, they establish a link between the victim, Julie Stender, and her landlady, Esther de Laurenti, who’s a bit too fond of drink and the host of raucous dinner parties with her artist friends. Esther also turns out to be a budding novelist—and when Julie turns up as a murder victim in the still-unfinished mystery she’s writing, the link between fiction and real life grows both more urgent and more dangerous. But Esther’s role in this twisted scenario is not quite as clear as it first seems. Is she the culprit—or just another victim, trapped in a twisted game of vengeance? Anette and Jeppe must dig more deeply into the two women’s pasts to discover the identity of the brutal puppet-master pulling the strings in this electrifying literary thriller.

    But is he a killer? Even liars tell the truth... sometimes.Twenty-six-year-old Cat Kinsella overcame a troubled childhood to become a Detective Constable with the Metropolitan Police Force, but she's never been able to banish these ghosts. When she's called to the scene of a murder in Islington, not far from the pub her estranged father still runs, she discovers that Alice Lapaine, a young housewife who didn't get out much, has been found strangled.Cat and her team immediately suspect Alice's husband, until she receives a mysterious phone call that links the victim to Maryanne Doyle, a teenage girl who went missing in Ireland eighteen years earlier. The call raises uneasy memories for Cat--her family met Maryanne while on holiday, right before she vanished. Though she was only a child, Cat knew that her charming but dissolute father wasn't telling the truth when he denied knowing anything about Maryanne or her disappearance. Did her father do something to the teenage girl all those years ago? Could he have harmed Alice now? And how can you trust a liar even if he might be telling the truth?Determined to close the two cases, Cat rushes headlong into the investigation, crossing ethical lines and trampling professional codes. But in looking into the past, she might not like what she finds...

    When body parts are found on the banks of the River Thames in Deptford, DI Angelica Henley is tasked with finding the killer. Eerie echoes of previous crimes lead Henley to question Peter Olivier, aka The Jigsaw Killer, who is currently serving a life sentence for a series of horrific murders. When a severed head is delivered to Henley's home, she realises that the copycat is taking a personal interest in her and that the victims have not been chosen at random. To catch the killer, Henley must confront her own demons - - and when Olivier escapes from prison, she finds herself up against not one serial killer, but two.

    Detective Sergeant Manon Bradshaw tries to sleep after yet another soul-destroying Internet date – the low murmuring of her police radio her only solace.Over the airwaves come reports of a missing woman – door ajar, keys and phone left behind, a spatter of blood on the kitchen floor. Manon knows the first 72 hours are critical: you find her, or you look for a body. And as soon as she sees a picture of Edith Hind, a Cambridge post-graduate from a well-connected family, she knows this case will be big.Is Edith alive or dead? Was her ‘complex love life’ at the heart of her disappearance, as a senior officer tells the increasingly hungry press? And when a body is found, is it the end or only the beginning?

    When Corbin Dell, a distant cousin in Boston, suggests the two temporarily swap apartments, Kate, an art student in London, agrees, hoping that time away in a new place will help her overcome the recent wreckage of her life.Soon after her arrival at Corbin’s grand apartment on Beacon Hill, Kate makes a shocking discovery: his next-door neighbor, a young woman named Audrey Marshall, has been murdered. When the police question her about Corbin, a shaken Kate has few answers, and many questions of her own—curiosity that intensifies when she meets Alan Cherney, a handsome, quiet tenant who lives across the courtyard, in the apartment facing Audrey’s. Alan saw Corbin surreptitiously come and go from Audrey’s place, yet he’s denied knowing her. Then, Kate runs into a tearful man claiming to be the dead woman’s old boyfriend, who insists Corbin did the deed the night that he left for London.When she reaches out to her cousin, he proclaims his innocence and calms her nerves--until she comes across disturbing objects hidden in the apartment and accidentally learns that Corbin is not where he says he is. Could Corbin be a killer? What about Alan? Kate finds herself drawn to this appealing man who seems so sincere, yet she isn’t sure. Jet-lagged and emotionally unstable, her imagination full of dark images caused by the terror of her past, Kate can barely trust herself, so how could she take the chance on a stranger she’s just met?

    A high school English teacher specializing in the Gothic writer R. M. Holland, she teaches a course on it every year. But when one of Clare’s colleagues and closest friends is found dead, with a line from R. M. Holland’s most famous story, “The Stranger,” left by her body, Clare is horrified to see her life collide with the storylines of her favourite literature. To make matters worse, the police suspect the killer is someone Clare knows. Unsure whom to trust, she turns to her closest confidant, her diary, the only outlet she has for her darkest suspicions and fears about the case. Then one day she notices something odd. Writing that isn't hers, left on the page of an old diary: "Hallo, Clare. You don’t know me." Clare becomes more certain than ever: “The Stranger” has come to terrifying life. But can the ending be rewritten in time?

    Held in an underground cell, her only contact was with her sadistic captor, and reading his face was her entire existence. Learning his every line, every movement, and every flicker of thought is what kept her alive.After her experience with isolation and torture, she is left with a fierce desire for justice—and a heightened ability to interpret the body language of both the living and the dead. Despite colleagues’ doubts about her mental state, she resumes her role at Homicide. Her new partner, Detective Uriah Ashby, doesn’t trust her sanity, and he has a story of his own he’d rather keep hidden. But a killer is on the loose, murdering young women, so the detectives have no choice: they must work together to catch the madman before he strikes again. And no one knows madmen like Jude Fontaine.

    The local police claim it was an accident, but the FBI and State Department seem far less certain—and they won’t tell Matt why.The tragedy makes headlines everywhere because this isn’t the first time the Pine family has been thrust into the media spotlight. Matt’s older brother, Danny—currently serving a life sentence for the murder of his teenage girlfriend Charlotte—was the subject of a viral true crime documentary suggesting that Danny was wrongfully convicted. Though the country has rallied behind Danny, Matt holds a secret about his brother that he’s never told anyone: the night Charlotte was killed Matt saw something that makes him believe his brother is guilty of the crime.When Matt returns to his small hometown to bury his parents and siblings, he’s faced with a hostile community that was villainized by the documentary, a frenzied media, and memories he’d hoped to leave behind forever. Now, as the deaths in Mexico appear increasingly suspicious and connected to Danny’s case, Matt must unearth the truth behind the crime that sent his brother to prison—putting his own life in peril—and forcing him to confront his every last fear.Told through multiple points-of-view and alternating between past and present, Alex Finlay's Every Last Fear is not only a page-turning thriller, it’s also a poignant story about a family managing heartbreak and tragedy, and living through a fame they never wanted.

    Small and blond, from a distance she looked vulnerable and slight. . . the perfect bait to catch a killer. But as Quinn got older, she realised she needed to find a protegee, a younger field agent to take her place. So Quinn trains a twenty-two year old and lets her loose in the field. The plan works. Until the Route 66 killer not only takes the bait, but kills the bait too.Years on, Quinn is trying to move past the fact that she has a young woman's death on her conscience. She's now the perfect Stepford Wife - until she gets a knock on her door. The girl's body has finally been discovered. Quinn is pulled back into the case and the more she learns about the killer the more she comes to believe, despite the overwhelming forensic evidence to hand, that they have the wrong man.

    John's College-and Ireland's most prolific serial killer. Having stalked his four young victims, he drowned them in the muddy waters of the Grand Canal. Sentenced to life imprisonment when he was just nineteen, Will is locked away in the city's Central Psychiatric Hospital. Freshman Alison Smith moved to the Big Smoke to enrol in St. John's and soon fell hard for Will Hurley. Her world bloomed ... and then imploded when Liz, her best friend, became the latest victim of the Canal Killer-and the Canal Killer turned out to be the boy who'd been sleeping in her bed. Alison fled to the Netherlands and, in ten years, has never once looked back. When a young woman's body is found in the Grand Canal, Garda detectives visit Will to see if he can assist them in solving what looks like a copycat killing. Instead, Will tells them he has something new to confess-but there's only one person he's prepared to confess it to. The last thing Alison wants is to be pulled back into the past she's worked so hard to leave behind. Reluctantly, she returns to the city she hasn't set foot in for more than a decade to face the man who murdered the woman she was supposed to become. Only to discover that, until now, Will has left out the worst part of all ...