Evelyn set aside her career to marry late, and motherhood never became her. Her daughter Laura felt this acutely and wants desperately to marry, but she soon discovers her husband Gabe to be a man who expects too much of everyone in his life, especially his musician son. Grace has moved out from Laura and Gabe’s house, but can’t seem to live up to her potential—whatever that might be. In A Cloud in the Shape of a Girl we see these women and their trials, small and large: social slights and heartbreaks; marital disappointments and infidelities; familial dysfunction; mortality. Spanning from World War II to the present, Thompson reveals a matrilineal love story that is so perfectly grounded in our time—a story of three women regressing, stalling, and yes, evolving, over decades. One of the burning questions she asks is: by serving her family, is a woman destined to repeat the mistakes of previous generations, or can she transcend the expectations of a place, and a time? Can she truly be free? Evelyn, Laura, and Grace are the glue that binds their family together. Tethered to their small Midwestern town—by choice or chance—Jean Thompson seamlessly weaves together the stories of the Wise women with humanity and elegance, through their heartbreaks, setbacks, triumphs, and tragedies.

    Hers is no picturesque New England childhood but one of swap meets and factory seconds and powdered milk. Shame blankets her like the thick snow that regularly buries nearly everything in Waitsfield.As she grows older, Ruthie slowly learns how the town's prim facade conceals a deeper, darker history, and how silence often masks a legacy of harm--from the violence that runs down the family line to the horrors endured by her high school friends, each suffering a fate worse than the last. For Ruthie, Waitsfield is a place to be survived, and a girl like her would be lucky to get out alive.In her eagerly anticipated debut novel, Sarah Manguso has written, with characteristic precision, a masterwork on growing up in--and out of--the suffocating constraints of a very old, and very cold, small town. At once an ungilded portrait of girlhood at the crossroads of history and social class as well as a vital confrontation with an all-American whiteness where the ice of emotional restraint meets the embers of smoldering rage, Very Cold People is a haunted jewel of a novel from one of our most virtuosic literary writers.

    Restless, insatiably curious, Anna learns to read, and in this ancient city, famous for its libraries, she finds a book, the story of Aethon, who longs to be turned into a bird so that he can fly to a utopian paradise in the sky. This she reads to her ailing sister as the walls of the only place she has known are bombarded in the great siege of Constantinople. Outside the walls is Omeir, a village boy, miles from home, conscripted with his beloved oxen into the invading army. His path and Anna’s will cross.Five hundred years later, in a library in Idaho, octogenarian Zeno, who learned Greek as a prisoner of war, rehearses five children in a play adaptation of Aethon’s story, preserved against all odds through centuries. Tucked among the library shelves is a bomb, planted by a troubled, idealistic teenager, Seymour. This is another siege. And in a not-so-distant future, on the interstellar ship Argos, Konstance is alone in a vault, copying on scraps of sacking the story of Aethon, told to her by her father. She has never set foot on our planet.

    The great scholar, W. E. B. Du Bois, once wrote about the Problem of race in America, and what he called “Double Consciousness,” a sensitivity that every African American possesses in order to survive. Since childhood, Ailey Pearl Garfield has understood Du Bois’s words all too well. Bearing the names of two formidable Black Americans—the revered choreographer Alvin Ailey and her great grandmother Pearl, the descendant of enslaved Georgians and tenant farmers—Ailey carries Du Bois’s Problem on her shoulders.Ailey is reared in the north in the City but spends summers in the small Georgia town of Chicasetta, where her mother’s family has lived since their ancestors arrived from Africa in bondage. From an early age, Ailey fights a battle for belonging that’s made all the more difficult by a hovering trauma, as well as the whispers of women—her mother, Belle, her sister, Lydia, and a maternal line reaching back two centuries—that urge Ailey to succeed in their stead.To come to terms with her own identity, Ailey embarks on a journey through her family’s past, uncovering the shocking tales of generations of ancestors—Indigenous, Black, and white—in the deep South. In doing so Ailey must learn to embrace her full heritage, a legacy of oppression and resistance, bondage and independence, cruelty and resilience that is the story—and the song—of America itself.

    Spanning eras and generations, it tells of the lives of three unforgettable women: Miss May Belle, a wise healing woman; her precocious and observant daughter Rue, who is reluctant to follow in her mother's footsteps as a midwife; and their master's daughter Varina. The secrets and bonds among these women and their community come to a head at the beginning of a war and at the birth of an accursed child, who sets the townspeople alight with fear and a spreading superstition that threatens their newly won, tenuous freedom.Magnificently written, brilliantly researched, richly imagined, Conjure Women moves back and forth in time to tell the haunting story of Rue, Varina, and May Belle, their passions and friendships, and the lengths they will go to save themselves and those they love.

    His face, disfigured from a childhood accident, seemed to confirm he was the monster the community hoped to banish. With Paul in prison, the killings stopped.For seventeen years, Haven was peaceful again. But Paul served his time and has now returned to Haven--the town where he grew up, and the scene of his alleged crimes. Paul insists he didn't commit those crimes, and several townspeople believe him including the local priest, a young boy named Denny, and his best friend Billy.Trouble is, now that Paul is back home, the bizarre killings have started again--and the patterns match the deaths from Haven's past. If Paul isn't the killer, who is?Or WHAT is? An unlikely band of adventurers attempts to uncover the truth, delving into long-hidden tunnels that might actually be inhabited by a strange, predatory creature.Haven is a compelling horror epic in the spirit of It or Summer of Night, and a stunning debut novel from a gifted author who knows that the darkest horrors lurk inside human beings, even when there is a monster on the loose.Praise for Haven;"Haven is a big, generous, Stephen King-like small town boys vs. monster epic."— Stewart O'Nan, author of The Night Country and A Prayer for the Dying"A wonderfully entertaining ride, reminiscent of the Creature Features of yesteryear."— Sloane Kady, author of Irreparable Deeds"Full of well-drawn characters and slow burn suspense, Tom Deady's Haven is a terrific dose of New England horror that harkens back to some of my favorite classic monster fiction from writers like Rick Hautala and Charles L. Grant. If you’re a fan of this sort of thing, you’ll know that’s damn high praise. Give it a read."— Christopher Golden, New York Times bestselling author of Snowblind and Dead Ringers"Haven is about scars, both literal and figurative; it's about second chances and broken memories. This is a great small-town horror novel—a bullet-read with deep characters and perfect pacing. Best of all, it's creepy as hell."— Rio Youers, author of Westlake Soul and Point Hollow“If coming-of-age novels with a bad-ass monster sound good to you… if mounting suspense with a true to life cast of characters peaks your interest…then Tom Deady’s HAVEN is right up your alley. Reminiscent of Charles L. Grant, HAVEN is a fun and nostalgic romp that brought me back to my own youth in small-town New England. And who doesn’t love a good monster tale?” – John McIlveen, author of HANNAHWHERE, winner of the 2015 Drunken Druid Award and Stoker Award nominee.

    Alienated from her family except for her beloved brother, Mina has avoided being so close to her homeland for decades. But with a week off work and apart from her wife of thirty years, Mina hopes to accomplish something meaningful, among the abundance of Western volunteers who pose for selfies with beached dinghies and the camp's children. Soon, a boat crosses bringing Sumaiya, a fiercely resolute Syrian matriarch with terminal liver cancer. Determined to protect her children and husband at all costs, Sumaiya refuses to alert her family to her diagnosis. Bonded together by Sumaiya's secret, a deep connection sparks between the two women, and as Mina prepares a course of treatment with the limited resources on hand, she confronts the circumstances of the migrants displacement, as well as her own constraints in helping them. Not since the inimitable Aaliya of An Unnecessary Woman has Rabih Alameddine conjured such a winsome heroine to lead us to one of the most wrenching conflicts of our time. Cunningly weaving in stories of other refugees into Mina's singular own, The Wrong End of the Telescope is a bedazzling tapestry of both tragic and amusing portraits of indomitable spirits facing a humanitarian crisis.

    Gil­mo, a North Korean national who interprets the world through numbers, formulas, and mathematical theories, is arrested on the spot. Angela, a CIA operative, is assigned to gain his trust and access his unique thought-process.The enigmatic Gil­mo used to have a quiet life back in Pyongyang. But when his father, a preeminent doctor is discovered to be a secret Christian, he is subsequently incarcerated along with Gilmo, in a political prison overseen by a harsh, cruel warden.There, Gilmo meets the spirited Yeong-ae, who becomes his only friend. When Yeong-ae manages to escape, Gil­mo flees to track her down. He uses his peculiar gifts to navigate betrayal and the criminal underworld of east Asia—a world wholly alien to everything he's ever known.In The Boy Who Escaped Paradise, celebrated author J. M. Lee delves into a hidden world filled with vivid characters trapped by ideology, greed, and despair. Gilmo's saga forces the reader to question the line between good and evil, truth and falsehood, captivity and freedom.

    Honoring the tradition of noted historical fiction writers such as Ken Follett, Philippa Gregory, and James Clavell, The Opium Lord's Daughter artfully weaves true events and characters into the narrative, offering the reader a selective glimpse into a world populated with rogue drug traders, imperialist government officials, religious zealots, scrappy survivors. Su-Mei, the eponymous protagonist, is a young woman unbounded by convention. From the moment we meet little Su-Mei, she valiantly resists her wealthy and powerful father—one of the largest opium traders in mid-19th century China—who attempts to force her into the barbaric practice of foot binding. Through her, readers look with fresh eyes upon antiquated and harmful traditions, and understand how time and experiences truly shape a person during their life's journey.  Her defiance sets in motion a series of events, forever altering her fate, as well as the fates of those she holds dear. Su-Mei is forced to rapidly come-of-age and muster her heroic spirit to survive her crumbling world. Taboo romances, tumultuous adventures, and heart-wrenching tragedies befall Su-Mei and her loved ones throughout the course of the story. The Opium Lord's Daughter is an expedition through the destruction of a culture, underscoring the hold and havoc drug empires continue to exert in society, even to this day. A must read for fans of Shogun, Downtown Abbey, Outlander and other sweeping tales rooted in history!

    Complicating these feelings of abandonment, as Kirabo comes of age she feels the emergence of a mysterious second self, a headstrong and confusing force inside her at odds with her sweet and obedient nature.Seeking answers, Kirabo begins spending afternoons with Nsuuta, a local witch, trading stories and learning not only about this force inside her, but about the woman who birthed her, who she learns is alive but not ready to meet. Nsuuta also explains that Kirabo has a streak of the “first woman”—an independent, original state that has been all but lost to women.Kirabo’s journey to reconcile her rebellious origins, alongside her desire to reconnect with her mother and to honor her family’s expectations, is rich in the folklore of Uganda and an arresting exploration of what it means to be a modern girl in a world that seems determined to silence women. Makumbi’s unforgettable novel is a sweeping testament to the true and lasting connections between history, tradition, family, friends, and the promise of a different future.

    Five characters, in very different circumstances—from a domestic cook in Mumbai, to a vagrant and his dancing bear, to a girl who escapes terror in her home village for a new life in the city—find out the meanings of dislocation and the desire for more.Set in contemporary India and moving between the reality of this world and the shadow of another, this novel of multiple narratives—formally daring, fierce, but full of pity—delivers a devastating and haunting exploration of the unquenchable human urge to strive for a different life.

    But with the Japanese army approaching, Meilin and her four year old son, Renshu, are forced to flee their home. Relying on little but their wits and a beautifully illustrated hand scroll, filled with ancient fables that offer solace and wisdom, they must travel through a ravaged country, seeking refuge.Years later, Renshu has settled in America as Henry Dao. Though his daughter is desperate to understand her heritage, he refuses to talk about his childhood. How can he keep his family safe in this new land when the weight of his history threatens to drag them down? Yet how can Lily learn who she is if she can never know her family’s story?Spanning continents and generations, Peach Blossom Spring is a bold and moving look at the history of modern China, told through the story of one family. It’s about the power of our past, the hope for a better future, and the haunting question: What would it mean to finally be home?

    Two Great Lakes. One furious storm.It's 1913 and Great Lakes galley cook Sunny Colvin has her hands full feeding a freighter crew seven days a week, nine months a year. She also has a dream—to open a restaurant back home—but knows she'd never convince her husband, the steward, to leave the seafaring life he loves.In Sunny’s Lake Huron hometown, her sister, Agnes Inby, mourns her husband, a U.S. Life-Saving Serviceman who died in an accident she believes she could have prevented. Burdened with regret and longing for more than her job at the dry goods store, she looks for comfort in a secret infatuation.Two hundred miles away in Cleveland, the youngest sister, Cordelia Blythe, has pinned her hopes for adventure on her marriage to a lake freighter captain. Finding herself alone and restless in her new town, she joins him on the season’s last trip up the lakes.On November 8, 1913, a deadly storm descends on the Great Lakes, bringing hurricane-force winds, whiteout blizzard conditions, and mountainous waves that last for days. Amidst the chaos all three women are offered a glimpse of the clarity they seek, if only they dare to perceive it.Inspired by actual events during the Great Lakes Storm of 1913, Sisters of the Sweetwater Fury is meticulously researched and grippingly told. A powerful debut.

    His attempts to achieve this monumental goal are constantly thwarted. And when his former girlfriend returns from Europe with a handsome fiancé in tow, his life becomes even more complicated. A sliver of hope appears in the form of a local TV cooking competition. Winning would offer the solution to all his problems: money for his mission and the chance to impress the girl he loves. But to win this competition, Eshaan first must face a secret that has the potential to destroy his life and his dreams. Can a young life that has been defined by a crisis ever really thrive? Will Eshaan’s pain-filled spirit ever hear the songs of salvation that the Universe sings for him, or will his demons ultimately win? Celebrated food writer Monica Bhide dishes up a page-turning story of sacrifice, determination, and an honest exploration of the human spirit. Set in contemporary India and seasoned with gentle love, dramatic loss, enchanting poetic verse, and exotic food, Karma and the Art of Butter Chicken will take you to a place where past and present keep uneasy yet delicious company. The cover photograph is by the talented and award-winning photographer, Simi Jois.

    It exposes the silences in families and the parts of ourselves we rarely reveal. A daughter asks her mother to shut up, only to shut her up for good; an exhausted wife walks away from the husband who doesn’t understand her; on holiday, lovers no longer understand each other away from home. The underlying themes of loneliness, secrets, family and displacement and also the desire to belong to someone, to some place; a yearning for love, intertwine these stories. The collection includes The Jam Maker, which has just been awarded the Harper’s Bazaar Short Story Prize 2020.