The woman who wrote it claims that Tommie is her daughter—and that she was kidnapped as a baby thirty-one years ago. Tommie wants to believe it’s all a hoax, but suddenly a girl who grew up on a Texas ranch finds herself linked to a horrific past: the slaughter of a family in Chicago, the murder of an Oklahoma beauty queen, and the kidnapping of a little girl named Adriana. Tommie races along a twisting, nightmarish path while an unseen stalker is determined to keep old secrets locked inside the dementia-battered brain of the woman who Tommie always thought was her real mother. With everything she has ever believed in question, and no one she can trust, Tommie must discover the truth about the girl who vanished—and the very real threats that still remain.

    She carries her Sig 9 in her Kate Spade handbag, and her golden retriever, Rhett, rides shotgun in her hybrid Escape. When her grandmother is murdered, Liz high-tails it back to her South Carolina island home to find the killer. But when her police-chief brother shuts her out of the investigation, she opens her own. Then her long-dead best friend pops in and things really get complicated. As more folks turn up dead, Liz must use more than just her wits and charm to keep her family safe, chase down clues from the hereafter, and catch a psychopath before he catches her.

    Three years ago, she was involved in a tragic incident that left three classmates dead. She served her time, and now her mother, Maria, is resolved to keep that devastating fact tucked far away from their new beginning, hiding the past even from her new husband and demanding that Zoe do the same.Tonight Zoe is giving a recital that Maria has been planning for months. It needs to be the performance of Zoe’s life. But instead, by the end of the evening, Maria is dead.In the aftermath, everyone—police, family, Zoe’s former solicitor, and Zoe herself—tries to piece together what happened. But as Zoe knows all too well, the truth is rarely straightforward, and the closer we are to someone, the less we may see.

    Readers of The Girl on the Train and Gone Girl will love Shalini Boland.’ Red Adept ‘Don’t take my baby.’ Kirstie Rawlings is jolted awake by a child crying. Racing upstairs to check on her new-born, she is plunged into every parents’ worst nightmare. She hears an unknown voice in the baby monitor, saying: ‘Let’s take the child – and go.’ Is someone trying to steal her little girl? In the bedroom, her daughter is safe asleep in her cot. Is the voice coming from a nearby house? But there aren’t any other babies living on her quiet country road… The police don't believe her. And neither does her husband. Kirstie knows something isn’t right. She thought she could trust her neighbours, now she isn’t sure. As she unravels the secrets of the people living on her street, Kirstie’s perfect life begins to fall apart. Because someone is hiding a terrible lie. And they will do anything to stop Kirstie uncovering the truth. But is the danger closer to home than she thinks?

    As the hostage negotiation instructor for the NYPD, she deals with worst-case scenarios every day. Nothing fazes her anymore.That all changes when she gets a call from Eden Fletcher, a fellow survivor of the infamous Wilcox cult. The two haven’t spoken since the night of a tragic, fiery massacre, when their paths diverged. But now Eden needs Abby’s help: someone has kidnapped her son and is demanding a $5 million ransom. As Abby throws herself into the case, she can’t help but wonder why the kidnapper has targeted Eden. But Eden refuses to talk. She’s silent about the relics of their shared past hanging on her walls. About the kidnapper’s possible motives. About what’s happened in the years since she and Abby parted ways.As the truth closes in, Abby realizes that her past may not be as far behind as she thought…and it’s come home to collect.

    One runs for her life. One is left behind.Twenty-eight years ago, Charlotte and Samantha Quinn's happy small-town family life was torn apart by a terrifying attack on their family home. It left their mother dead. It left their father—Pikeville's notorious defense attorney—devastated. And it left the family fractured beyond repair, consumed by secrets from that terrible night.Twenty-eight years later, Charlotte has followed in her father's footsteps to become a lawyer herself—the ideal good daughter. But when violence comes to Pikeville again, and a shocking tragedy leaves the whole town traumatized, Charlotte is plunged into a nightmare. Not only is she the first witness on the scene, but it's a case that unleashes the terrible memories she's spent so long trying to suppress--because the shocking truth about the crime that destroyed her family nearly thirty years ago won't stay buried forever. Packed with twists and turns, brimming with emotion and heart, The Good Daughter is fiction at its most thrilling.

    She's quick to dismiss the letter and focus instead on her busy day, amidst a preoccupied husband and eleven year-old-daughter. But the letter is only the beginning of a series of anonymous gifts, each more bizarre than the next, which shed light on a past long forgotten. Suspicious of her newfound admirer, Victoria soon finds herself trapped in a dangerous game of vengeance and betrayal, where her survival hangs in the very balance with every move that she makes.

    But her strange talent isn't the only thing that sets her apart from the townspeople of tiny Drexel, Mississippi. Jade is half-black and the unacknowledged bastard daughter of Drexel's "first lady," the imperious Lucille Longier. Jade's half sister, the pale, fragile, and legitimate Marlena, is married to Lucas Bramlett, the wealthiest man in the region. While the entire town knows of the blood bond between the two women, no one dares speak the truth out loud. Though her talents as a hairdresser are highly sought after by Drexel's elite, Jade accepts that she'll never truly be part of the town and lives her life the best she can. But on one hot summer day in 1952, Jade's world is turned inside out when Marlena, on a tryst with her lover, is savagely beaten and her young daughter kidnapped. Determined to find her niece before it's too late, Jade accepts help from a white sheriff's deputy, Frank Kimble. The forbidden attraction that ignites between them threatens to add to the violence already brewing in town. Carolyn Haines has written several acclaimed mysteries, but here she mines much darker, more serious territory, resulting in a suspenseful, lyrical, passionate, and literary crime novel.

    The stranger, Brat Farrar, has been carefully coached on Patrick's mannerism's, appearance, and every significant detail of Patrick's early life, up to his thirteenth year when he disappeared and was thought to have drowned himself. It seems as if Brat is going to pull off this most incredible deception until old secrets emerge that jeopardize the imposter's plan and his life.

    Preparations are in order. Friends and family are gathering in anticipation. Everything is going according to plan. Except that Annie herself has vanished. Did she have second thoughts?Or has something much worse happened to the bride-to-be?As the days pass, the list of suspects in her disappearance grows. Could it be the recently released man a young Annie misidentified as her mother’s killer? Could it be someone even closer to her?While her loved ones frantically try to track her down, they’re forced to grapple with their own secrets—secrets with the power to reframe entire relationships, leaving each to wonder how well they really knew Annie and how well they know themselves.

     Gibby's older brothers have already been to war. One died there. The other came back misunderstood and hard, a decorated killer now freshly released from a three-year stint in prison.Jason won't speak of the war or of his time behind bars, but he wants a relationship with the younger brother he hasn't known for years. Determined to make that connection, he coaxes Gibby into a day at the lake: long hours of sunshine and whisky and older women.But the day turns ugly when the four encounter a prison transfer bus on a stretch of empty road. Beautiful but drunk, one of the women taunts the prisoners, leading to a riot on the bus. The woman finds it funny in the moment, but is savagely murdered soon after.Given his violent history, suspicion turns first to Jason; but when the second woman is kidnapped, the police suspect Gibby, too. Determined to prove Jason innocent, Gibby must avoid the cops and dive deep into his brother's hidden life, a dark world of heroin, guns and outlaw motorcycle gangs.What he discovers there is a truth more bleak than he could have imagined: not just the identity of the killer and the reasons for Tyra's murder, but the forces that shaped his brother in Vietnam, the reason he was framed, and why the most dangerous man alive wants him back in prison.This is crime fiction at its most raw, an exploration of family and the past, of prison and war and the indelible marks they leave.

    With the assistance of his most trusted agent, Robert Wallets, Banquo recruits Peter Johnson, a dissolute, morally bankrupt liberal news journalist, to travel to Iran. Johnson poses as a sympathetic reporter writing a piece on the country’s nuclear facilities. His mission: to kill the scientist. Like many elaborate plans, Johnson’s assassination attempt fails. The journalist falls into Iranian hands and is tortured to confess—a staggering security crisis for the United States. Aided by Wallets and the battle-hardened Marjorie Morningstar—the CIA operatives who trained him—Johnson escapes from Iran.Now back in the United States, Johnson helps Banquo and his CIA cohorts lead a team of federal agents and New York City officials in tracking down a group of suspected Iranian terrorists in New York who are planning to commit nuclear terrorism by dispersing a highly radioactive material throughout the city streets and subways. When Johnson’s only daughter is kidnapped by the Iranians, he and Banquo must race against time to save her...and the City of New York.

    When she finds a threatening note warning her that she’s about to experience the same kind of judgment and speculation that she dishes out in her blog, Cathy writes it off as mischief . . . until her brother’s wife is murdered and all the “facts” point to him. The killer has staged the crime to make the truth too far-fetched to believe. Working to solve the murder and clear her brother’s name, Cathy and her two sisters, Holly and Juliet, moonlight as part-time private investigators. Juliet, a stay-at-home mom of two boys, and Holly, a scattered ne’er-do-well who drives a taxi, put aside their fear to hunt down the real killer.Stakes rise when their brother’s grieving five-year-old son is kidnapped. As police focus on the wrong set of clues, the three sisters and their battered detective friend are the only hope for solving this bizarre crime, saving the child, and freeing their brother.

    But as she adapts to life at the isolated Hardcastle House, it becomes clear there's something not quite right about the beautiful, mysterious Mrs England. Ostracised by the servants and feeling increasingly uneasy, Ruby is forced to confront her own demons in order to prevent history from repeating itself. After all, there's no such thing as the perfect family - and she should know.Simmering with slow-burning menace, Mrs England is a portrait of an Edwardian marriage, weaving an enthralling story of men and women, power and control, courage, truth and the very darkest deception. Set against the atmospheric landscape of West Yorkshire, Stacey Halls' third novel proves her one of the most exciting and compelling new storytellers of our times.

    This novel has been re-written and re-branded to feature Harry McNeil as the main protagonist. It has been re-edited and God Complex will no longer be available on or around Dec 26 2019 when it finishes its run on KDP. If you have read God Complex please DO NOT buy this book. It is essentially the same, with editorial revisions. A woman is found in a local cemetery, crushed to death under a gravestone. A production company is there, filming the remake of a classic sci-fi TV show in the grounds, making the investigation more difficult for DCI Harry McNeil. It's his first day in charge of the cold case unit in Edinburgh. After spending four years in Professional Standards, he has little choice but to take the promotion. The Crown Office decides which cold cases should be reviewed, and this time, they've decided the murder of a teenage girl from twenty years ago should be re-opened. A girl who was murdered by somebody pushing a gravestone on top of her... The case gets more complicated when they find out who the latest victim is. Suddenly there are no shortage of suspects. As the filming continues, so does the killing. And McNeil wonders, has a killer been murdering for twenty years? Or is this case completely unconnected? With Frank Miller's help, he's going to find out...the hard way...