Start with the book: a rich, oversize anthology, jam-packed with America's most provocative and pointed satire -- including 80 Sunday strips in full color. From O.J. and Mr. Butts to Whitewater and Tailgate, from Mike, Kim, and Alex's funky software start-up company to Duke and Earl's Las Vegas long shots, Trudeau tracks the fierce strangeness of end-of-century life through the ever-intertwining fortunes of his substantial cast.Bundled with this impressive tome is the Doonesbury Flashbacks CD-ROM, a complete account of all things Doonesbury over the course of the strip's first 25 years. The disc contains more than 9,000 strips, archived with every search mode imaginable -- readers can locate strips by character, topic, chronology, dialogue, or location. Contemporary newspaper headlines, articles, quotes, and factoids give useful context for the historically clueless. Other features include a digital bibliography of Doonesbury books, posters, videos, and audio recordings; a Doonesbury trivia game, complete with unctuous host (Mike) and decorative hostess (Boopsie); a Doonesbury timeline; elaborate character bios; and animation. A useful print capability lets users generate crisp refrigerator art from any strip.Thanks to this digital cornucopia you can relive the ages of Aquarius, Reagan, and O.J. through the eyes of G.B. Trudeau and his merry band of misfits.

    As usual, Darryl and Wanda have their hands full chasing, refereeing, and pleading with their adorable and hilariously true-to-life kids. Featuring the best of Lift and Separate, I Shouldn't Have to Scream More Than Once!, and Motherhood Is Not for Wimps, it also includes original gems and insight from the creators themselves.

    Readers young and old see themselves in this work, and readers young and old are fast becoming hooked.This treasury, FoxTrot En Masse, contains all the cartoons from Black Bart Says Draw and Eight Yards, Down and Out.

    It's an age when nurturing moms who've spent years cuddling, tucking, and rocking their little boys suddenly find themselves on the outside trying to see in. Most moms and sons do not make the transition gracefully.Jerry Scott and Jim Borgman are trying something different with this collection of their phenomenally successful comic strip, Zits. They have combed through more than 10 years of strips and selected more than 200 of the most popular of the Mom/Son themed strips into one book.The idea is to provide a more focused look at the dynamic that drives almost all of the mountain of Zits e-mail and letters we receive every month," says Scott. Borgman adds, "If moms can stop what they're doing long enough to discover this book, we think they'll find a lot of comfort (and laughs) in seeing that their struggles with their grunting, slouching, uncommunicative, sloppy, and ultimately incomprehensible sons are universal."

    On the Media lauds Darby Conley as "the most successful cartoonist of the new generation." --National Public RadioAs Darby Conley's fourth treasury, this title presents strips from I'm Ready for My Movie Contract and Take Our Cat, Please!Named Best Comic Strip of the Year in 2002 by the National Cartoonists Society, Darby Conley's Get Fuzzy takes a keen and witty look at the dynamics of interspecies cohabitation.Beleaguered ad exec Rob Wilco is the mild-mannered guardian to Bucky, a sharp-fanged, self-absorbed house cat with a penchant for scheming and screenwriting, and Satchel, a gentle laid-back Shar-pei-Lab who frequently finds himself on the receiving end of Bucky's mischief.Inside this fourth treasury, Get Fuzzy fans will follow Bucky's vainglorious pursuit of fame while Rob holds a magazine intervention with Satchel.

    These newspaper comics were stand-alone funny in their time and, almost always, topical and thought provoking. The world of these lovable characters carried the flavor of the times in which they were penned and offered commentary on many of the political happenings - greed, political faux pas, scandals, sloth, feminism, racism and the pitfalls of love and having a tender heart were all fair game for this artist.

    Brilliantly drawn and bitterly funny, these cartoons thoroughly demonstrate better living through plywood, reaffirm that what's good for business is good for America-even if Your Government in Action has taken to the streets-the Madonna is out of order and Yoga has been made silly. 122,000 copies in print.

    Long may he reign."Everyday MUTTS marks the 11th book of the award-winning MUTTS strip. It is the follow-up to Patrick McDonnell's successful collection Who Let the Cat Out? as well as his first storybook, The Gift of Nothing, which reached the New York Times Best-Seller List for Children's Picture Books in January 2006. McDonnell's classic cartooning style not only delivers consistent laughs but often a message that reminds us to take care of our furry friends. With its expressive art and clever, often philosophical pet banter, MUTTS has built a large and loyal fan base among readers and cartoonists alike. McDonnell is a past winner of the National Cartoonists Society's Reuben Award, and MUTTS won the coveted Comic Strip of the Year Award in 1996. This unique collection includes 16 pages of full-color bonus material, including watercolors, other artwork, and items personally selected from the creator's sketchbook to accompany the black-and-white dailies and McDonnell's Sunday pages with his signature title panels. As always, the tales-and tails-of this especially close dog-kitty friendship can be counted on for charming adventures and gentle laughs, reminding us that there is more than it seems to the Everyday MUTTS we meet on the street.

    Classics from the website, including “Dear Sriracha Rooster Sauce,” “What It Means When You Say Literally,” and “What We Should Have Been Taught in Our Senior Year of High School,” are featured alongside never-before-seen works of epic hilarity that will delight veteran and newbie Oatmeal fans alike.Matthew Inman’s first collection of The Oatmeal.com spent six weeks on the New York Times bestseller list and sold 200,000 copies. This pivotal and influential comic collection titled 5 Very Good Reasons to Punch a Dolphin in the Mouth introduced Samurai sword-wielding kittens and informed us on how to tell if a velociraptor is having pre-marital sex. Matthew's cat-themed collection How to Tell If Your Cat Is Plotting to Kill You is a #1 New York Times bestseller and has sold over 350,000 copies. Now with Why Grizzly Bears Should Wear Underpants, Inman offers a delicious, tantalizing follow-up featuring all new material that has been posted on the site since the publication of the first book plus never-before-seen comics that have not appeared anywhere.  As with every Oatmeal collection, there is a pull-out poster at the back of the book.In this second collection of over 50 comics, you'll be treated to the hilarity of "The Crap We Put Up with Getting On and Off an Airplane," "Why Captain Higgins Is My Favorite Parasitic Flatworm," "This Is How I Feel about Buying Apps," "6 Things You Really Don't Need to Take a Photo of," and much more. Along with lambasting the latest culture crazes, Inman serves up recurrent themes such as foodstuffs, holidays, e-mail, as well as technological, news-of-the-day, and his snarky yet informative comics on grammar and usage. Online and in print, The Oatmeal delivers brilliant, irreverent comic hilarity.

    Three hundred black-and-white and forty-four color strips bring fans up to date on current affairs in Bloom County: Opus dances in an all-female nightclub and discovers the social penalties for penguin lust and more.

    Then Bill Watterson came along and reminded a new generation of what older readers and comic strip aficionados knew: A well-written and beautifully drawn strip is an intricate, powerful form of communication. And with Calvin and Hobbes, we had fun—just like readers of Krazy Kat and Pogo did. Opening the newspaper each day was an adventure. The heights of Watterson's creative imagination took us places we had never been. We miss that.This book was published in conjunction with the first exhibition of original Calvin and Hobbes Sunday pages at The Ohio State University Cartoon Research Library. Although the work was created for reproduction, not for gallery display, was a pleasure to see the cartoonist's carefully placed lines and exquisite brush strokes. In an attempt to share this experience with those who were unable to visit the exhibition, all of the original Sunday pages displayed are reproduced in color in this book so that every detail, such as sketch lines, corrections, and registration marks, are visible. On the opposite page the same comic strip is printed in full color. Because Watterson was unusually intentional and creative in his use of color, this juxtaposition provides Calvin and Hobbes readers the opportunity to consider the impact of color on its narrative and content.When I first contacted Bill Watterson about the possibility of exhibiting his original work, I used the term "retrospective." He replied that we might be able to do an exhibit, but that calling it a retrospective made him uncomfortable. He felt that a longer time was needed to put Calvin and Hobbes in the historical perspective implied by that term. Nonetheless, this show is a "look back" at the comic strip as we revisit favorites that we remember. Calvin and Hobbes: Sunday Pages 1985-1995 is particularly interesting because each work that is included was selected by Bill Watterson. His comments about the thirty-six Sunday pages he chose are part of this volume. In addition, he reflects on Calvin and Hobbes from the perspective of six years, and his essay provides insights into his life as a syndicated cartoonist.Reprint books of Calvin and Hobbes are nice to have, but the opportunity to see the original work and read Bill Watterson's thoughts about it is a privilege. He generously shared not only the art, but also his time and his thoughts. When I first reviewed the works included in the exhibit, I knew that everyone who visited it would begin with laughter and end with tears.On behalf of all who enjoyed Calvin and Hobbes, thank you, Bill Watterson.--Lucy Shelton Caswell, Professor and Curator The Ohio State University Cartoon Research Library, June 2001

    And boy does he make his first appearance count. --The Bob and Tom Radio ShowNominated by the National Cartoonist Society as Best Comic Strip, Jef Mallett's Frazz follows the life of Bryson Elementary School janitor and hit-songwriting-wonder Edwin Frazier. An all-round Renaissance man, role model, and friend rolled into one, Frazz feels as comfortable philosophizing with the students as he is with the teachers and principal.Always placing an emphasis on the importance of seizing opportunities to learn and grow, Frazz is a family favorite and multiple-year recipient of the Wilbur Award from the Religion Communicators Council for excellence in communicating values and ethics.

    We'll never quite know why, but sometimes they decide they've just had enough of this world- and that's when they start getting inventive. The Book of Bunny Suicides follows over one hundred bunnies as they find ever more outlandish ways to do themselves in. From an encounter with the business end of Darth Vader's lightsaber, to supergluing themselves to a diving submarine, to hanging around underneath a loose stalactite, these bunnies are serious about suicide. Illustrated in a stark and simple style, The Book of Bunny Suicides is a collection of hilarious and outrageous cartoons that will appeal to anyone in touch with their evil side.

    All Rights Reserved.The Far Side and the Larson signature are registered trademarks of FarWorks, Inc.The Far Side Gallery is an anthology of Gary Larson's The Far Side comic strips, which were printed from 1982–1984.

    The lead character in most is Bitchy Bitch, the perma-nently PMS'd and PO'd embodiment of the female id, who also stars in her own series of cartoon shorts on the Oxygen Network's X-Chromosome animated series.The raunchiest collection, focusing on Bitchy's sexual excapades.