Hers is a vision like no other. In “To My Big Nose,” she muses: “hard to imagine what the world would have looked like / if not seen through your pink shadow. / You who are built from random parts / like a mythical creature–a gryphon or sphinx–.”Fearless, focused, ironic, irreverent, truly and deeply felt, the poems in Luck Is Luck draw upon the circumstances of being a woman, the harsh realities of nature, the comfort of familiar things, and universally recognizable anxieties about faith and grief, love and desire. In “Languedoc,” she writes, “Long ago / I might have been attracted by your tights and pantaloons / but now they just look silly, ditto for your instrument / that looks like a gourd with strings attached / (the problem is always the strings attached).”Perillo’s versions of nature are always unflinching: “Most days back then I would walk by the shrike tree, / a dead hawthorn at the base of a hill. / The shrike had pinned smaller birds on the tree’s black thorns / and the sun had stripped them of their feathers. / . . . well, hard luck is luck, nonetheless. / With a chunk of sky in each eye socket. / And the pierced heart strung up like a pearl.”Down-to-earth, full of playful twists of language, and woven from grand themes in an accessible, appealing way, these poems pierce the heart and delight the mind. Not one word is wasted.

    Whether illuminating a common laborer or a legendary thinker, Dubie meets his subjects with utter compassion for their humanity and the dignity behind their creative work. In pursuit of the well-told story, his love of history is ever-present—though often he recreates his own.“With its restoration of so many out-of-print poems and its addition of new works, The Mercy Seat was one of last year’s most significant publications.” —American Book Review“The voices of Dubie’s monologues are full of astonishing intimacy.” —The Washington Post Book World

    These poems are written with the authority of classical myth, yet sound utterly contemporary: the poet's gaze - whether on the natural world or the details of his own life - is unflinching and clear, its utter seriousness leavened by a wry, dry and disarming humour. Alongside fine translations from Neruda and Montale and dynamic (and at times horrific) retellings of stories from Ovid, the poems in "The Wrecking Light" pitch the power and wonder of nature against the frailty and failure of the human. Ghosts sift through these poems - certainties become volatile, the simplest situations thicken with strangeness and threat - all of them haunted by the pressure and presence of the primitive world against our own, and the kind of dream-like intensity of description that has become Robertson's trademark. This is a book of considerable grandeur and sweep which confirms Robertson as one of the most arresting and powerful poets at work today.

    His first collection, set in the Midwest, alternately features a childhood Wisconsin farm, the record-breaking storm that destroyed it, and the turbulent marriage that recalls it. Love and wonder mingle in these lines.

    While focusing on the words from the project, new photography launches each section which speaks to the reader's journey through the world: Love Found, Being In Love, Love Lost, Hope, Despair, Living and Dying.

    Impelled by metaphor and lilting repetition, Mulberry seeks a sense of the world, and ultimately, finds a sense of the Infinite. Affording continual discoveries, Mulberry is a major work for the new century by an assured and lavishly gifted poet. Dan Beachy-Quick is the author of North True South Bright and Spell, He is chair of the MFA Writing Program at the School of the Art Institute of Chicago and recipient of a Lannan Foundation Residency.

    Moved on to Caius Became the baius knaius. 'Oxford Blues' is one of the many new poems in this expanded and revised edition of The State of Poetry, Roger McGough's book of short humorous verse which was published in 2005 as part of Penguin's 70s series celebrating its 70th anniversary. From a poem commissioned to commemorate Dylan Thomas in just 140 characters, which unfortunately comes to an end mid-word, to a pre-emptive erratum notice, these poems show McGough at his inventive, hilarious best - and there are also new line drawings by the author offered at no extra cost.

    I love how thick this writing is, sublimely claustrophobic yet expansive, like a child's nightmare of scale."—Dodie Bellamy"Autodidact and knight-errant, Ward often betrays the procedural forms he tries to impose on his labyrinthine ruminations in order to remain faithfully engaged to the traditional task of the post-Romantic poet, an 'ecstatic commingling' of okay-you know and 'starry anaphor.'"—Tyrone Williams"I should write a real blurb with real blurb-like things in it, but TCOIW, a kind of lullaby arranging the psychic terrain of my future prosodically, is saving my stupid ass."—Anselm Berrigan

    Teeming with revelations and glorious memories, Birth of a Dynasty celebrates the unforgettable 1996 Yankees season: the season that began one of the most respected team dynasties in sports history. Veteran New York Post columnist Joel Sherman, who has spent more time with the Bronx Bombers in the past 15 years than any other writer, draws on hundreds of interviews and years of on-the-spot reporting to re-create one of the Yankees' greatest years.

    Detective Marx is determined to unravel the mystery behind the notes before another innocent dies, but his efforts might put him directly in the killer’s path. note: Injustice for All is a spin-off from the Holly Novels, but it can be read as a standalone book. If you're wondering where this book falls in relation to the Holly Novels, here's the timeline: Criss Cross, Winter Memorial, Cross Fire, Crossed Off, Injustice for All.

    Ignorance is no excuse for the cops and creeps and exterminators whose desires shaped the world. Knowledge is a little power, a dangerous thing, to the cross-dressers and risk-takers who understand enough to damage the world more to their liking. They all collude and collide on a driverless ride, each trying to be the one to break the secret heart of the world. But only one can claim the prize of being the cosmos' corrupt ward boss. Only one can be the Godwalker.

    His wife Rita has disappeared. His credit cards are invalid. A stranger is living in his house and he keeps running into people who are convinced he was killed in action months ago. Worst of all, his wealthy father has suffered a stroke.Psychologist Charlotte Phillips claims to be his comatose father’s legal guardian. Rich is determined to learn what has happened, gain control of his father’s money, and unmask Charlotte as the gold-digging schemer he’s certain she is. He is shocked to find his father’s crusty old attorney has been taken in by her along with everyone else.Can Rich straighten out the mess his life has become?

    The police are shocked to discover that she’s a missing schoolgirl they’ve trying to find for the past three weeks. Traumatised by her ordeal, she’s unable to tell them what happened to her. A woman’s body is found crucified in a barn on the Yorkshire Moors. Evidence found at the crime scene links her to the schoolgirl. Hot on the heels of a commendation for her work on a serial killer case, Detective Inspector Danica Summers is invited to join an elite task force specialising in the investigation of high-profile crimes. Concerned that she’s only been invited because she’s good PR, Dani is desperate to prove that she’s worthy of her place on the team. When the case involving the missing schoolgirl and the murdered woman is taken on by the newly-formed Murder Force, Dani is touched by the vulnerability of the victims and is determined to capture the monster who ruined their lives.Her search for justice will take her to the heart of darkness.The Murder Force series by bestselling author Adam J. Wright will delight fans of LJ Ross, JD Kirk, Joy Ellis, Mark Dawson, and readers of fast-paced mystery thrillers and police procedurals.

    You could work around it, dodge it, run away from it. But in Bria Ford’s new life, the truth is always knocking … about the past, the fate of friends and family, the realities of burgeoning love, and the changed world. For Bria there’s no escaping the truth—no matter how much she may want to. In this unflinching sequel to Jacqueline Brown’s The Light, Bria and her friends stride into the heart of the post-disaster world and face test after test of their character and convictions. Bria must choose her path in this wounded world. Freedom or comfort? Give up or run? Who has she become since the world fell away?

     But there is more to Alexander Armstrong than meets the eye. When it becomes clear his intentions are pure, she is determined to help him on his quest. But will the looming threat of the Second World War ruin everything... or will Greta finally find love?