Sometimes we tell these stories to make people laugh. Sometimes we tell them to make people think. Sometimes we tell them so we can increase the chances we'll see the other person naked.Paul Shirley's stories are about an adulthood spent all over the world: living in Spain, playing in the NBA, and having his heart (and spleen) broken. But they're also stories about growing up in small-town Kansas: triumphant spelling bees, catastrophic middle school dances, and a Sex Ed. class taught by his mother.They're funny stories. They're vulnerable stories. Most of all, they're universal stories, just as the stories we tell on dates should be.

    Originally published in The Strand magazine from 1918 to 1922 and later collected as The Inimitable Jeeves, these ten tales by comedic master P. G. Wodehouse abound in sparkling wit. "Scoring off Jeeves" recounts a lunch with Aunt Agatha ("A pretty frightful ordeal … Practically the nearest thing to being disemboweled."), who insists that Bertie propose to Honaria Glossop ("simply nothing more nor less than a pot of poison"), necessitating Jeeves' rescue of the perennial bachelor ("and according to my nearest and dearest, practically a half-witted bachelor at that"). Other stories include "The Delayed Exit of Claude and Eustace," featuring Bertie's frolicsome cousins ("as innocuous as a pair of sprightly young tarantulas"); "Aunt Agatha Takes the Count," involving our hero's formidable relative and her intrusion upon his vacation in the south of France; and "Comrade Bingo," in which Bertie's school chum masquerades as a Bolshevist and Jeeves comes very near to being rattled.

    Here are vanishing cats and smoky bars, lonely hearts and mysterious women, baseball and the Beatles, woven together to tell stories that speak to us all.Marked by the same wry humor that has defined his entire body of work, in this collection Murakami has crafted another contemporary classic.

    The author has put together promising stories for every alphabet that are guaranteed to scare you out of your wits and question the presence of the supernatural.Pick up the book as the night crawls by for feeling those chills creeping up your skin and your heart beating out of your chest.

    His work will leave you impatient with other writers.' -Siddharth Dube, author of No One Else. Mohanaswamy has just lost his long-time partner, Karthik, to a woman. Even as he scrutinizes himself, the choices he’s made, the friends and lovers he’s gained and lost, Mohanaswamy dreams of living a simple, dignified life. A life that would allow him to leave, even forget, the humiliation and fears of adolescence, the slurs his mind still carries around – gandu sule, hennu huli – and the despair that made him crave to conform.A coming out of the closet for Vasudhendra himself, these stories of homosexual love and lives jolted Kannada readers out of their notions of the literary and the palatable. The gritty narratives of Mohanaswamy explore sexuality, urbanisation and class with a nuance and an unflinching honesty that will both unnerve and move readers in English and serve as a fine introduction to one of the strongest voices in Kannada literature.http://timesofindia.indiatimes.com/ci...Translator Rashmi Terdal is a journalist with the Times of India, Bengaluru.

    This edition includes Poe's most famous tales and poems, including "The Tell-Tale Heart," "The Fall of the House of Usher," "The Purloined Letter," "The Pit and the Pendulum," "The Raven," "Lenore," and "Annabel Lee."

    Francesca, Kelly, and Kelly's teenage sister Amanda are only meant to spend several hours at the pool together, while their professor parents finish up an afternoon of work at their lush, Oregon college. The younger girls are caught up in hair braiding and Marco Polo, but Amanda is poised on the cusp of an adult realm bursting with cruel secrets. When the girls run into a beautiful, anxious woman and her toddler, Amanda starts to act in ways that may well transform an unremarkable day into a dark turning point in all their lives. By turns enchanting and terrifying, and always bursting with vivid emotion, “Frito Lay” brings us deep into our own childhood memories, reminding us that the dark and sinister were never quite as far away as we might have believed.

    As they move from a cramped, ant-infested shack to a larger house on the other side of Bangalore, and try to adjust to a new way of life, the family dynamic begins to shift. Allegiances realign; marriages are arranged and begin to falter; and conflict brews ominously in the background. Things become “ghachar ghochar”—a nonsense phrase uttered by one meaning something tangled beyond repair, a knot that can't be untied. Elegantly written and punctuated by moments of unexpected warmth and humor, Ghachar Ghochar is a quietly enthralling, deeply unsettling novel about the shifting meanings—and consequences—of financial gain in contemporary India.

    Determined to stop the thief, Angus uses everything he’s got and more. This fast paced story will have you running alongside him right up until the surprise ending that you won’t see coming.(A Christmas short-story for kids 9-12 years.)

    If you enjoy small 'bite-size' stories, or are a fan of micro-fiction and flash fiction, you'll appreciate these sharply written, miniature creations from a "masterful wordsmith."

    Written in a lucid, simple style, the stories are narrated in a manner that the reader, himself will be transported into the world of great men, artists, philosophers. Spanning a vast territory of topics, the tales are crafted in a manner that they will create psychological awareness in life. Latent emotions of anger, greed, love, inferiority complex are woven into the intricate fabric of the stories and readers will find themselves inspired by interesting stories from the lives of Vincent Van Gogh, Thomas Edison, Steve Jobs, Helen Keller and other great people—who had through their work radicalised not only their own lives, but also the lives and thoughts of the human race. The profound wisdom of great philosophers like Buddha, Socrates, Ramanand Paramhansa, King Janaka, Sufi Saint Rabia, the captivating antics of the eccentric Mullah Nasruddin, Christ’s message to the earthlings, Ghalib’s passion, Walt Disney’s dreams, Vincent Van Gogh’s art and much more will urge us to relook at our concepts and philosophies of life. This story book is a must-read for people of all age groups. They will greatly benefit from these stories, thereby transforming their thinking and way of living and instilling hope and confidence that it is possible to lead a happy and stress-free life. The pithy morals at the end of each story, shall help re-strengthen faith in yourself and help you to look at the world in a different light.This book is available in English, Hindi and Gujarati.

    Over time he has learned to accept his confinement. After all, it is no more than he deserves given the heinous nature of his previous crimes. However, when a new member of the nursing staff begins taking an interest in Tommy, he learns things previously kept from him: Like why he is being permanently dosed with meds. How, and why, his parents really died. And is it just a coincidence his earlier crimes occurred at the time of a full moon? Nurse Jenny informs Tommy about the true nature of his world: Secret Government cabals, and their plans for a New World Order; the murder of his parents, and facing up to the reality of his life as a werewolf. Then, when she thinks he is ready, she tells him the biggest secret of all: Nurse Jenny has a way out of Broad-lands. But, as is often the case, nothing comes without a price. What is the real motivation for her aiding Tommy's escape? A tale of horror that unfolds beneath the light of a full moon.

    

    Get me the money I had kept with you, will give it to him. At least we will live in peace.” Munni was sweeping the floor, she turned and replied, “We have just three rupees. JUST THREE RUPEES.” Her anger was evident in her tone, “We have kept it to buy a blanket for the upcoming winters. How will we survive these brutal wintry nights, if we give our savings to him? Tell him, we will pay him when we sell our crop. We don’t have anything for him right now!” Halku stood there not knowing what to do. He tried to put his thoughts in order, so as to take a decision. Winter season was at its peak and without a blanket there was no way he could sleep out in the open, guarding his fields all through the night. But he knew that refusing the money monger would be even worse. He thought, it was better to die in the open field under the dark sky than listening to the abuses being hurled at him. Clear in his mind now, he dragged his hefty self towards Munni and with a fake smile said, “Come on, Munni. Give it to me. At least it will take the moneylender off my neck. I will think of something and get the blanket.” But Munni was in no mood to listen to his fake promises. She moved away from him and said, “Am fed up of you and your assurances. Tell me, what you are going to do about the blanket. Who will give it to you for free? Who knows, how fierce it’s gonna be for us? We survived the last time, but this time it will kill us.” She paused for a second, and continued, “Why don’t you leave farming? Are we going to live like this forever? We work our asses out to grow these bloody crops but what happens when the time for harvest comes? These morons line up outside our house and take away all that we have. For God’s sake, do something else. Earn some money and do whatever you want to of it. I am not going to give even a damn penny to them.”

    While reams have been written on it - in human rights documents, academic theses, non-fiction accounts of the turmoil, and government and military reports - the effects of the violence on its inhabitants have rarely been rendered in fiction. Feroz Rather's The Night of Broken Glass corrects that anomaly. Through a series of interconnected stories, within which the same characters move in and out, the author weaves a tapestry of the horror Kashmir has come to represent. His visceral imagery explores the psychological impact of the turmoil on its natives - Showkat, who is made to wipe off graffiti on the wall of his shop with his tongue; Rosy, a progressive, jeans-wearing 'upper-caste' girl who is in love with 'lower-caste' Jamshid; Jamshid's father Gulam, a cobbler by profession who never finds his son's bullet-riddled body; the ineffectual Nadim 'Pasture', who proclaims himself a full-fledged rebel; even the barbaric and tyrannical Major S, who has to contend with his own nightmares. Grappling with a society brutalized by the oppression of the state, and fissured by the tensions of caste and gender, Feroz Rather's remarkable debut is as much a paean to the beauty of Kashmir and the courage of its people as it is a dirge to a paradise lost.