It’s built in a bowl like an amphitheatre, with the winding gear where the stage would be. The pit lies below.Ted Howker’s school is on the edge of Lower Terrace next to the chapel. Upper Terrace – in a thunderous echo of the Bible so loved by Ted’s grandfather – is Paradise. Ted and his father and his brothers live in Middle. In the beginning: a household of men, all of whom work in the pit...Susan Hill is an exceptional writer at the height of her powers. Every word is precisely right: the descriptions of the village and the pit, the people and the farm are exact and true; the heartbreak is inevitable yet new; and the imagery and imagination take your breath away.

    No Previous Experience. Eugene Blake’s quit his job to become an old-fashioned private eye. He’s got everything he needs: a 1940s raincoat, a detective’s notebook and a little clicky pen. When he meets the mysterious Melissa White she takes his breath away. Tasked with finding her missing husband, Eugene is drawn into the shadowy underworld of London and has to solve the dangerous puzzle of his very first case. Once he’s been chased, punched and shot at, he wonders whether he should have stuck to his day job. If you like your novels hardboiled you will love this funny, thrilling and very British twist on the private detective genre. The Fat Detective is the first book in the Eugene Blake trilogy by London novelist Christian Hayes. Read The Fat Detective now to discover how to solve a case when you’re completely unqualified…

    Collecting the sold-out War Toys trade paperback, now in full-color for the first time, and the sequel, Enemy Species, this highly anticipated Elephantmen Volume 00 is packed with extras, including Moritat and Boo Cook sketchbooks and work by Ladronn, Marian Churchland, and Rob Steen, plus a new prologue by Axel Medellin

    Having fallen in with an anarchist group determined to blow up a university building, he steals the dynamite instead, igniting an entirely different brand of trouble: the murder of his mentor; a three-way manhunt; and the mystery of the Ghost Machine, a walkman that replays snippets from his own twisted past. Told in a nonstop chain of Chapter Ones, Daniel Hoyt's debut novel explores the clash between chaos and calm, the instinct for self-destruction and the longing for redemption.

    The pieces come in the wake of a stroke Gilb suffered at his home in Austin, Texas, in 2009, and a majority of the stories were written over many months of recovery. The result is a powerful and triumphant collection that tackles common themes of mortality and identity and describes the American experience in a raw, authentic vernacular unique to Gilb.These ten stories take readers throughout the American West and Southwest, from Los Angeles and Albuquerque to El Paso and Austin. Gilb covers territory familiar to some of his earlier work—a mother and son’s relationship in Southern California in the story ‘Uncle Rock’ or a character looking to shed his mixed up past in ‘The Last Time I Saw Junior’—while dealing with themes of mortality and limitation that have arisen during his own illness. Confronting issues of masculinity, sexuality, and mortality, Gilb has recovered and produced what may be his most extraordinary achievement to date.

    Rich heir, Song Nanchuan, appears elegant and disciplined, but is the kind who just takes kisses without a word!…Madness!

    At 14, her mother disappeared. Now 28, and just days after the death of her father, Clarissa discovers that he wasn't her father after all, and the only clues to her true heritage are a world away. Abandoning her fiancé, she flies to Helsinki, seeking to uncover the secrets her mother kept for so long. While piecing together the fragments of her mother's mysterious past, Clarissa is led to the Sami, Lapland's native "reindeer people," who dwell in a stark and frozen landscape, under the northern lights. It is there that she must summon the courage to confront an unbearable truth, and the violent act that ties her to this ancient people. Vida's second novel is the riveting story of an unthinkable quest. Her indomitable heroine, Clarissa Iverton, slowly and painfully (but not without a sense of humor) peels away years of old lies in order to embrace a history she could never have imagined. Sharply focused and beautifully told, Let the Northern Lights Erase Your Name is an ambitious and accomplished work of fiction that resonates with the themes of truth and forgiveness. (Spring 2007 Selection)

    Jane Roger's classic bestselling novel of a nineteenth century sect, interweaving religious idealism with the beginnings of socialism

    At age nineteen in 1990s China, he feels pressure to follow suit with those around him and takes a job at the town’s saccharin factory. Slowly, he adjusts to the bureaucratic factory routine, making the best of the situation by bonding with coworkers, flirting with girls, and refusing to give in completely to the expectations of those around him.As Lu Xiaolu finds his way, a startling portrait of an economically expanding China comes into view; the propaganda of a common goal gives way to a bottom-line system that he sees as indifferent to individual happiness. But thanks to the relationships he develops, Lu Xiaolu decides to fight for the life he wants.

    After their deaths, each year on the anniversary of the broadcast, their souls would return to the Chinese village of their younger days. It’s where they had fought—and survived—a war that shook the world and changed their own lives in unimaginable ways. Now, seventy years later, the pledge is being fulfilled by American missionary Pastor Billy, brash gunner’s mate Ian Ferguson, and local soldier Liu Zhaohu.All that’s missing is Ah Yan—also known as Swallow—the girl each man loved, each in his own profound way.As they unravel their personal stories of the war, and of the woman who touched them so deeply during that unforgiving time, the story of Ah Yan’s life begins to take shape, woven into view by their memories. A woman who had suffered unspeakable atrocities, and yet found the grace and dignity to survive, she’d been the one to bring them together. And it is her spark of humanity, still burning brightly, that gives these ghosts of the past the courage to look back on everything they endured and remember the woman they lost.

    It’s the early 2000s and like generations of intrepid young hopefuls before her, Audrey Benton arrives in New York City on a bus in the dead of winter, eager to escape her troubled past. Broke but resourceful, she soon finds a home for herself amid the burgeoning music scene in Williamsburg, Brooklyn. But the city’s freedom comes with risks, and Audrey makes dangerous compromises to survive. As she becomes a minor celebrity in indie music circles, she finds an unlikely match in Theo Gorski, a shy but idealistic mill-town kid—the first in his family to attend college—who’s struggling to establish himself in the still-patrician world of books. As artistic “Brooklyn” explodes around them, the young lovers forge a bond as unlikely as it is unbreakable. But when an old friend from Audrey’s past disappears under mysterious circumstances, it sparks a dangerous series of escalating crises that force her and Theo to confront, head on, a shocking secret that threatens not just their relationship, but their very lives. From the raucous protests of Occupy Wall Street to the hushed halls of the publishing world, from million-dollar art auctions to late-night Bushwick drug dens, Kings County captures New York City at a heightened moment of cultural reckoning. Confronting the resonant issues and themes of our time—sex and violence, art and commerce, friendship and family—it’s a new kind of love story, both coolly classic and vividly contemporary, that dazzles with wit and moral resonance, with two unforgettable characters at its core. Richly plotted and deeply humane, Kings County is an epic coming-of-age tale about bravery, consequences, and finding one’s place in an ever-changing world.

     ‘What makes an innocent girl become a contract killer?’ Acapulco 1974: Rina Walker is on assignment. Just another quick, clean kill. She wakes to discover her employer’s severed head on her bedside table, and a man with an AK 47 coming through the door of her hotel room. She needs all her skills to neutralise her attacker and escape. After a car chase, she is captured by a Mexican drug boss who needs her radiant beauty and ruthless expertise to eliminate an inconvenient member of the government. Notting Hill 1956: Fifteen-year-old Rina is scavenging and stealing to support her siblings and her alcoholic mother. When a local gangster attacks her younger sister, Rina wreaks revenge and kills him. Innocence betrayed, Rina faces the brutality of the post-war London underworld - a world that teaches her the skill to kill... “Hugh Fraser’s Harm is the perfect combination of action, mystery and intrigue. It also features some superbly constructed characters, who develop over the course of the story - which is a rarity in mystery novels.” (Benjamin Maio Mackay)

    It provides a fascinating portrayal of a woman fighting to free herself from the constraints of ancient Chinese tradition amid the dramatic changes that shook China during the 1920s, '30s, and '40s.

    . . .A concubine at the palace learns quickly that there are many ways to capture the Emperor’s attention. Many paint their faces white and style their hair attractively, hoping to lure in the One Above All with their beauty. Some present him with fantastic gifts, such as jade pendants and scrolls of calligraphy, while others rely on their knowledge of seduction to draw his interest. But young Mei knows nothing of these womanly arts, yet she will give the Emperor a gift he can never forget.Mei’s intelligence and curiosity, the same traits that make her an outcast among the other concubines, impress the Emperor. But just as she is in a position to seduce the most powerful man in China, divided loyalties split the palace in two, culminating in a perilous battle that Mei can only hope to survive.The first volume of the Empress of Bright Moon duology paints a vibrant portrait of ancient China—where love, ambition, and loyalty can spell life or death—and the woman who came to rule it all.

    By turns hilarious and heartfelt, The One-Eyed Man is a revelation, a wonder." --Richard RussoRon Currie s three previous works of fiction have dazzled readers and critics alike with their originality, audacity, and psychological insight. A writer of unique vision and huge imagination, Currie excels at creating complex, troubled, yet endearing characters, and his work has won comparison to everyone from Kurt Vonnegut to George Saunders.K., the intriguing narrator of Currie s new novel, joins the ranks of other great American literary creations who show us something new about ourselves. Like Jack Gladney from White Noise, K. is possessed of a hyper-articulate exasperation with the world, and like Ignatius J. Reilly in A Confederacy of Dunces, he is a doomed truth teller whom everyone misunderstands. After his wife Sarah dies, K. loses his metaphorical capacity, becoming so wedded to the notion of clarity that he infuriates everyone, friends and strangers alike. When he intervenes in an armed robbery, K. finds himself both an inadvertent hero and the star of a new reality television program. Together with Claire, a grocery store clerk with a sharp tongue and a yen for celebrity, he travels the country, ruffling feathers and gaining fame at the intersection of American politics and entertainment. But soon, through a conflagration of biblical proportions, he discovers that the world will fight viciously to preserve its delusions about itself. K. s quixotic effort to fully understand the world he lives in makes for a singular and engaging novel, one which further establishes Ron Currie s position as one of today s rising stars in fiction.