. . Eberstadt is an expert, sensual, and at times truly breathtaking conjurer of New York City.” With Rat, Eberstadt has found a new setting she knows well, the South of France, and the story she tells is original, powerful, and heartrending—about a child’s search for a father she has never known.Rat is fifteen-year-old Celia Bonnet, who lives with her unmarried mother, Vanessa, a free-spirited local beauty, in a farmhouse compound with other single-parent families in the Pyrénées Orientales, a gorgeous but forlorn Mediterranean no-man’s-land just north of the Spanish Catalan border. Rat is the result of a one-night encounter between Vanessa and Gillem, the son of a London model from the 1960s, who used to spend summers in the area and whom Rat has never spoken to or met. But when Vanessa’s current boyfriend starts preying on Morgan, the orphaned nine-year-old who is Rat’s adopted brother, she decides to take Morgan and run away to her father in London. As the novel unfolds, the two children undertake a difficult journey to find the man who might finally explain to Rat who she is and where she belongs.This is an enthralling novel with a luminous sense of place—both physical and emotional—and, at its core, a bold, engaging young heroine for our times.

    As her 35th birthday looms, Suzanne embarks on a wrong-headed, but very funny, quest—to find Mr. Right and start the family she hopes will give meaning to her life. Her quest plunges us into the world of her Upper West Side apartment building, a world of overly invested mothers, fanatical dog-owners, curmudgeonly longtime residents, and young (and not so young) professionals. All are keenly observed by Suzanne, whose witty self-deprecation endears her to us even as it makes us want to shake some sense into her. Light in its tone but incisive in its social satire, Suzanne Davis Gets a Life balances its wit with true concern for its protagonist. We can't help but wish Suzanne success in "getting a life." But can such a search possibly yield the meaning she craves? When her extremely annoying mother arrives on the scene, it appears that her plan has been hijacked. But serious illness opens her to new people and a new perspective. She ends by getting a life—even as she may lose one.Cohen "portrays timeless and universal challenges through a buoyant combination of humor, pathos, and gumption."—Booklist"Suzanne Davis Gets a Life isn't just seriously entertaining, it's entertainingly serious…I want my romantic comedy heroines to have wit, but I want them to have character too, and be as interested in the world as in themselves. Paula Marantz Cohen has given me all of that."—Margo JeffersonA "witty commentary on contemporary life, enriched by a funny, flawed, and likable heroine."—Kirkus"Ms. Cohen is a perceptive, comic writer."—Wall Street JournalPaula Marantz Cohen's novels include Jane Austen in Scarsdale or Love, Death and the SATs, Jane Austen in Boca, and the recent What Alice Knew: A Most Curious Tale of Henry James and Jack the Ripper.

    Putting surreal and witty twists on the everyday, Chris McQueer creates recognisable characters you will love and want to avoid like the plague.Peter’s earned his night off, and there’s not a bloody chance he’s covering Shelley’s shift. He just needs to find some pals for the perfect cover story. Deek is going to be at the forefront of the outsider art movement and do Banksy proud. Davie loves tattoos and his latest is going to be a masterpiece. Tam is one of the most creative minds in the galaxy (apparently), but creating parallel universes can cause problems. Everybody on Earth wakes up with their knees on backwards.He caught folks’ imagination on Medium with his stories, had rooms howling with laughter on the spoken word circuit, and now it’s time to put Chris McQueer on the page. Are you ready?

    Beautiful. Damned.Sumptuously evoking the Golden Age of Hollywood, a time when money is built on greed and love can be a trick of the light, Daisy Waugh’s stunning new novel is a compelling portrait of love, fame, and survival.It is the blistering summer of 1929 and Hollywood’s glamorous set appear to have it all. Everybody everywhere is living the Hollywood dream, including the elegant and charming, high-society couple, actor and actress Maximilian and Eleanor Beecham. But beneath the sophistication and glamour their insecure and unhappy marriage is on the brink of divorce and their finances are teetering on a knife’s edge after a series of failed films.When the creditors come in to take possession of the house, it seems all is lost and they have nowhere to turn but into the arms of their waiting lovers.But when they receive an invitation to one of the legendary weekend house parties at Hearst Castle – which they know will be filled every Hollywood big-shot around – they cannot resist one last shot of making it in the film industry. With gossip, glamour, scandal and decadence the party is the epitome of the Golden Era, but for Maximilian and Eleanor the time has come to make a decision that will change their future.Will they sacrifice everything for fame and fortune or can Eleanor and Maximilian learn to love each other again?

    Glen David Gold, author of the best seller Carter Beats the Devil, now gives us a grand entertainment with the brilliantly realized figure of Charlie Chaplin at its center: a novel at once cinematic and intimate, heartrending and darkly comic, that captures the moment when American capitalism, a world at war, and the emerging mecca of Hollywood intersect to spawn an enduring culture of celebrity.Sunnyside opens on a winter day in 1916 during which Charlie Chaplin is spotted in more than eight hundred places simultaneously, an extraordinary delusion that forever binds the overlapping fortunes of three men: Leland Wheeler, son of the world’s last (and worst) Wild West star, as he finds unexpected love on the battlefields of France; Hugo Black, drafted to fight under the towering General Edmund Ironside in America’s doomed expedition against the Bolsheviks; and Chaplin himself, as he faces a tightening vise of complications—studio moguls, questions about his patriotism, his unchecked heart, and, most menacing of all, his mother.The narrative is as rich and expansive as the ground it covers, and it is cast with a dazzling roster of both real and fictional characters: Mary Pickford, Douglas Fairbanks, Adolph Zukor, Chaplin’s (first) child bride, a thieving Girl Scout, the secretary of the treasury, a lovesick film theorist, three Russian princesses (gracious, nervous, and nihilist), a crew of fly-by-the-seat-of-their-pants moviemakers, legions of starstruck fans, and Rin Tin Tin.By turns lighthearted and profound, Sunnyside is an altogether spellbinding novel about dreams, ambition, and the dawn of the modern age.

    A profoundly wise and humorous rendering of the classic Chinese text on military strategy, as told through the delightful Chinese cartoon panels of best-selling author Tsai Chih Chung.

    The protagonist, a writer, is at a publisher-sponsored retreat to finish his novel. The beauty of the location however cannot compensate for the anxiety and hallucinations he experiences while watching a flock of brown birds pass by his window, and his sense of temporal disorientation is further compounded by the appearance of a strange woman who calls him Ge Fei. Fiction and reality blend into one as the story unfolds. Ge Fei’s prose renders in exquisite detail the fragility of time."It is impossible to enter the deeper aspects of contemporary Chinese literature without also entering the world of Ge Fei." - Enrique Vila-Matas

    A National Book Award finalist, Eat the Document is a riveting portrait of two eras and one of the most provocative and compelling novels of recent years.

    It has been called the Hong Kong Novel, and was first published in 1962 as a serial in a Hong Kong evening paper. As the unnamed Narrator, a writer at odds with a philistine world, sinks to his drunken nadir, his plight can be seen to represent that of a whole intelligentsia, a whole culture, degraded by the brutal forces of history: the Second Sino-Japanese War and the rampant capitalism of post-war Hong Kong.The often surrealistic description of the Narrator's inexorable descent through the seedy bars and night-clubs of Hong Kong, of his numerous encounters with dance-girls and his ever more desperate bouts of drinking, is counterpointed by a series of wide-ranging literary essays, analysing the Chinese classical tradition, the popular culture of China and the West, and the modernist movement in Western and Chinese literature.The ambiance of Hong Kong in the early 1960s is graphically evoked in this powerful and poignant novel, which takes the reader to the very heart of Hong Kong. Hong Kong director Freddie Wong made a fine film version of the novel in 2004.

    The warm, wry, and patient voice of a veterinarian father tells the heartfelt story of his young New England family enduring a moving trial of loyalty, hope, and faith after they are confronted with an unthinkable crisis.

    It is God without men.- Honoré de Balzac, Une passion dans le désert, 1830 Jaz and Lisa Matharu are plunged into a surreal public hell after their son, Raj, vanishes during a family vacation in the California desert. However, the Mojave is a place of strange power, and before Raj reappears inexplicably unharmed - but not unchanged - the fate of this young family will intersect with that of many others, echoing the stories of all those who have traveled before them. Driven by the energy and cunning of Coyote, the mythic, shapeshifting trickster, Gods Without Men is full of big ideas, but centered on flesh-and-blood characters who converge at an odd, remote town in the shadow of a rock formation called the Pinnacles. Viscerally gripping and intellectually engaging, it is, above all, a heartfelt exploration of the search for pattern and meaning in a chaotic universe.

    My attention often drifts during readings, but Wolff’s voice has this melodious and steely combination that simultaneously coaxes and commands my focus.Among other things, Treisman and Wolff talk about the almost accidental nature of the emergence of the story. Johnson, Treisman says, “was just writing down some anecdotes and bar stories he’d told, and not necessarily constructing this as a masterwork of literature.” It was a bit of a surprise that one of the touchstones of the contemporary short story emerged. This seems appropriate when we talk about Denis Johnson, a writer whose stories seem so desperate, whose narrators exist so much in the margins, and yet who has become a writer comfortably in the accepted canon of modern literature.In a bit of ironic disclosure, I should tell you that Deborah is my boss in the fiction department. I tell you this because the podcast got me thinking about the nature of what we do, and how it coexists with what writers do. There’s a similar lack of intentionality, though it comes from different sources. We publish almost fifty stories a year, and like them all, and some of them we think are just completely awesome. But we go on to the next one, since that’s our job, and then some years go by and we look back and realize, wow, that one was a classic.Anyway, listen to the podcast.Read more: http://www.newyorker.com/online/blogs...

    His wife has taken their kids and left him to live with her mother in New Jersey, and his best work feels as though it is years behind him. In the depths of despair, he receives an unexpected and unwelcome phone call from his old rival dating back to his days on the Harvard college newspaper, offering him the chance to go to Vietnam to write the definitive account of the end of America's longest war. Seeing his opportunity to regain his wife s love and admiration while reclaiming his former literary glory, he sets out for Vietnam. But instead of the return to form as a pioneering war correspondent that he had hoped for, he finds himself grappling with the same problems he thought he'd left back in New York.Following his widely acclaimed debut, From the Memoirs of a Non-Enemy Combatant, Alex Gilvarry employs the same thoughtful, yet dark sense of humor in Eastman Was Here to capture one irredeemable man's search for meaning in the face of advancing age, fading love, and a rapidly-changing world.

    His is a uniquely coveted skill, yet it is one of the few options open to the visually impaired in China. When he loses his life savings on the stock market he returns to his provincial hometown, fiancée in tow, to work for an old classmate. But the transition is not easy as Wang struggles to deal with his own career frustration, his brother's gambling troubles, and the pressures of pleasing his wife-to-be.His fellow workers have their own stories: Duhong is a former pianist whose striking beauty goes undetected by her blind colleagues; strong-headed Jin Yan travels cross-country in pursuit of a man she has never met; and Xiao Kong hides her relationship with Wang Daifu from her parents. Together these fiercely independent people are united by the challenges of their shared disability. Amid growing uncertainty, this community of diverse individuals supports one another unfailingly as they navigate their world of darkness.This stunning portrayal of disability and the strength of human character is a rare glimpse into a small yet very real component of Chinese society, from one of China's most acclaimed contemporary authors.

    When Constable O'Dowd brings her an 11th orphan he found on the streets, Ma Bigsby is reluctant to take her. But there's something about Elfie, it's the first day of a new century and Ma loves a mystery.