With The Old Man and Me, written when Dundy was living in England in the early 1960s, she tackles the American girl in London, a bit older but certainly no wiser. Honey Flood (if that’s her real name) arrives in London with only her quick wits and a scheme. To get what she wants, she’ll have to seduce the city’s brightest literary star, no matter how many would-be bohemians she has to charm, how many smoky jazz clubs she has to brave, or how many Lady Something-Somethings she has to humor. But with success within her reach, Honey finds that in making the Soho scene, she’s made a big mistake.

    Filled with an abiding sense of love and family, and of the forces that test them to the breaking point, Wildlife—first published by Atlantic Monthly Press in 1990 and now reissued as a Grove Press paperback—is a book whose spare poetry and expansive vision established it as an American classic.

    It was made into a play, a Broadway as well as a Hollywood musical, and a fabulous movie starring Rosalind Russell. Since then, Mame has taken her rightful place in the pantheon of Great and Important People as the world's most beloved, madcap, devastatingly sophisticated, and glamorous aunt. She is impossible to resist, and this hilarious story of an orphaned ten-year-old boy sent to live with his aunt is as delicious a read in the twenty-first century as it was in the 1950s.

    Four boys becoming men: Juice Terry, the work-shy fanny-merchant, with corkscrew curls and sticky fingers; Billy the boxer: driven, controlled, playing to his strengths; Carl, the Milky Bar Kid, drifting along to his own soundtrack; and the doomed Gally - who has one less skin than everyone else and seems to find catastrophe at every corner. As we follow their lives from the seventies into the new century - from punk to techno, from speed to Es - we can see each of them trying to struggle out from under the weight of the conditioning of class and culture, peer pressure and their parents' hopes that maybe their sons will do better than they did. What binds the four of them is the friendship formed by the scheme, their school, and their ambition to escape from both; their loyalty fused in street morality: back up your mates, don't hit women and, most importantly, never grass - on anyone. Despite its scale and ambition, Glue has all Irvine Welsh's usual pace and vigour, crackling dialogue, scabrous set-pieces and black, black humour, but it is also a grown-up book about growing up - about the way we live our lives, and what happens to us when things become unstuck.

    It chronicles one day in the life of Todd Andrews, a day on which he makes a very important decision. It was Barth's first novel.

    The radioactivity acts as a catalyst for the bug spray, causing his body to shrink at a rate of approximately 1/7 of an inch per day. A few weeks later, Carey can no longer deny the truth: not only is he losing weight, he is also shorter than he was and deduces, to his dismay, that his body will continue to shrink.

    Getting Even, a collection of his late '60s magazine pieces, offers a look into Allen's bag of shtick, back when it was new. From the supposed memoirs of Hitler's barber: "Then, in January of '45, a plot by several generals to shave Hitler's moustache in his sleep failed when von Stauffenberg, in the darkness of Hitler's bedroom, shaved off one of the Führer's eyebrows instead..." Even tho the idea of writing jokes about old Adolf--or addled rabbis, or Maatjes herring--isn't nearly as fresh as it used to be, Getting Even still delivers plenty of laughs. At his best, Woody can achieve a level of transcendent craziness that no other writer can match. If you're looking for a book to dip into at random, or a gift for someone who's seen Sleeper 13 times, Getting Even is a classic, with 316,000 copies sold to date.

    Is he a destroyer or a liberator? Why does he fight his hardest battle not against his enemies, but against the woman he loves?

    In an effort to retrieve his past, he withdraws to the family home somewhere in the hills between Milan and Turin. There, in the sprawling attic, he searches through boxes of old newspapers, comics, records, photo albums, and adolescent diaries. And so Yambo relives the story of his generation: Mussolini, Catholic education and guilt, Josephine Baker, Flash Gordon, Fred Astaire. His memories run wild, and the life racing before his eyes takes the form of a graphic novel. Yambo struggles through the frames to capture one simple, innocent image: that of his first love. A fascinating, abundant novel-wide-ranging, nostalgic, funny, full of heart-from the incomparable Eco.

    Keller goes in, does the job, gets out: usually at a few hours’ notice . . . Often Keller’s work takes him out of New York to other cities, to pretty provincial towns that almost tempt him into moving to the woods and the lakeshores. Almost but not quite. But then one job goes wrong in a way Keller has never imagined and it leaves him with a big problem. Finding himself with an orphan on his hands, Keller's job begins to interfere with his carefully guarded life. And once you let someone in to your life, they tend to want to know what you do when you're away. And killing for a living, lucrative though it is, just doesn't find favour with some folks.

    It tells the story of a young Algerian, Mersault, who defies society's rules by committing a murder and escaping punishment, then experimenting with different ways of life and finally dying a happy man. In many ways A Happy Death is a fascinating first sketch for The Outsider, but it can also be seen as a candid self-portrait, drawing on Camus's memories of his youth, travels, and early relationships. It is infused with lyrical descriptions of the sun-drenched Algiers of his childhood - the place where, eventually, Mersault is able to find peace and die 'without anger, without hatred, without regret'.

    It's not just that he thinks she's out of his league. It's more that the longer he stays with her, the closer to death he seems to come. A vicious dog is somehow let loose in his hotel room. He's threatened at gunpoint by a man in a skeleton costume. And when he finally ends up in the hospital, someone pushes his wheelchair down the stairs.Nothing anything like this has ever happened to Britt before--and while Manuela's never around when the so-called "accidents" happen, neither can Britt prove she's behind the many threats on his life. Is a rival for Manuela's affections trying to chase him away? Is there more to Manuela herself than meets the eye? Whatever it is, Britt better find out fast--before whoever's after him hits their mark, and the man who never thought he'd land the ultimate girl ends up paying the ultimate price.

    Brace yourselves. May 1565. Suleiman the Magnificent, emperor of the Ottomans, has declared a jihad against the Knights of Saint John the Baptist. The largest armada of all time approaches the knights' Christian stronghold on the island of Malta. The Turks know the knights as the "Hounds of Hell." The knights call themselves "The Religion." In Messina, Sicily, a French countess, Carla La Penautier, seeks passage to Malta in a quest to find the son taken from her at his birth twelve years ago. The only man with the expertise and daring to help her is a Rabelaisian soldier of fortune, arms dealer, former janissary, and strapping Saxon adventurer by the name of Mattias Tannhauser. He agrees to accompany the lady to Malta, where, amid the most spectacular siege in military history, they must try to find the boy--whose name they do not know and whose face they have never seen--and pluck him from the jaws of Holy War. The Religion is the first book of the Tannhauser Trilogy, and from the first page of this epic account of the last great medieval conflict between East and West, it is clear we are in the hands of a master. Not since James Clavell has a novelist so powerfully and assuredly plunged readers headlong into another world and time. Anne Rice transformed the vampire novel. Stephen King reinvented horror. Now, in a spectacular tale of heroism, tragedy, and passion, Tim Willocks revivifies historical fiction.

    It takes in calculating beauties and sadistic husbands along with such real-life supporting characters as Colette, the Duchess of Windsor, Montgomery Clift, and Tallulah Bankhead. Above all, this malevolently funny book displays Capote at his most relentlessly observant and murderously witty.

    In the first installment, Carter wins the affections of the "princess of Mars" and the respect of the Martian warlords whom he befriends. The excitement continues in The Gods of Mars when Carter engages the Black Pirates in airborne combat above the dead seas of Mars and leads a revolt to free the Martian races from a religion that thrives on living sacrifices. In the third book, Warlord of Mars, Carter overcomes the forces of evil that would destroy the planet. By the end of the trilogy the Martians all clamor for a triumphant John Carter to be their king.About the Author:Born in Chicago, Illinois, on September 1, 1875, Edgar Rice Burroughs grew to maturity during the height of the Industrial Revolution and witnessed the emergence of the United States as a twentieth-century world power. Hailing from a well-to-do family, Burroughs was given an aristocratic education steeped in Latin and Greek, but he was drawn more to an itinerant life of adventure than to a life in the boardroom. The author of Tarzan of the Apes (1912), Burroughs did not confine himself to a single genre; he also wrote medieval romances (The Outlaw of Torn, 1914), westerns (The War Chief of the Apaches, 1927), and mainstream novels (The Girl from Hollywood, 1922).