I was wowed by Keane’s writing and narrative skill—and by what she knows about trouble.” —Stephen King How much can a family forgive? Francis Gleeson and Brian Stanhope, rookie NYPD cops, are neighbors in the suburbs. What happens behind closed doors in both houses—the loneliness of Francis’s wife, Lena, and the instability of Brian’s wife, Anne, sets the stage for the explosive events to come.In Mary Beth Keane's extraordinary novel, a lifelong friendship and love blossoms between Kate Gleeson and Peter Stanhope, born six months apart. One shocking night their loyalties are divided, and their bond will be tested again and again over the next thirty years. Heartbreaking and redemptive, Ask Again, Yes is a gorgeous and generous portrait of the daily intimacies of marriage and the power of forgiveness.

    In the ensuing weeks, then months, the police investigation turns up nothing. Echoes of the disappearance reverberate across a tightly woven community, with the fear and loss felt most deeply among its women.Set on the remote Siberian peninsula of Kamchatka, Disappearing Earth draws us into the world of an astonishing cast of characters, all connected by an unfathomable crime. We are transported to vistas of rugged beauty – densely wooded forests, open expanses of tundra, soaring volcanoes and the glassy seas that border Japan and Alaska – and into a region as complex as it is alluring, where social and ethnic tensions have long simmered, and where outsiders are often the first to be accused.In a story as propulsive as it is emotionally engaging, and through a young writer's virtuosic feat of empathy and imagination, this powerful novel provides a new understanding of the intricate bonds of family and community, in a Russia unlike any we have seen before.Beautifully written, thought-provoking, intense and cleverly wrought, this is the most extraordinary first novel from a mesmerising new talent.

    In Munro’s hands, the people she writes about–women of all ages and circumstances, and their friends, lovers, parents, and children–become as vivid as our own neighbors. It is her miraculous gift to make these stories as real and unforgettable as our own. (back cover)RunawayChanceSoonSilencePassionTrespassesTricksPowers

    The person is genderless, racially ambiguous, and refuses to speak. One family takes the strange visitor in and nicknames them Pew.As the town spends the week preparing for a mysterious Forgiveness Festival, Pew is shuttled from one household to the next. The earnest and seemingly well-meaning townspeople see conflicting identities in Pew, and many confess their fears and secrets to them in one-sided conversations. Pew listens and observes while experiencing brief flashes of past lives or clues about their origins. As days pass, the void around Pew’s presence begins to unnerve the community, whose generosity erodes into menace and suspicion. Yet by the time Pew’s story reaches a shattering and unsettling climax at the Forgiveness Festival, the secret of their true nature—as a devil or an angel or something else entirely—is dwarfed by even larger truths.Pew, Catherine Lacey’s third novel, is a foreboding, provocative, and amorphous fable about the world today: its contradictions, its flimsy morality, and the limits of judging others based on their appearance. With precision and restraint, one of our most beloved and boundary-pushing writers holds up a mirror to her characters’ true selves, revealing something about forgiveness, perception, and the faulty tools society uses to categorize human complexity.

    

    Still, I never tried to hide or suppress my mind as some girls do, and thank God, because that would have been the beginning of the end.From childhood, Katherine knows she is different, and that her parents are not who they seem to be. But in becoming a mathematician, she must face the most human of problems—who is she? What is the cost of love, and what is the cost of ambition? On her quest to conquer the Riemann Hypothesis, the greatest unsolved mathematical problem of her time, she turns to a theorem with a mysterious history that holds both the lock and key to her identity, and to secrets long buried during World War II in Germany. Forced to confront some of the most consequential events of the twentieth century and rethink everything she knows of herself, she strives to take her place in the world of higher mathematics and finds kinship in the stories of the women who came before her—their love of the language of numbers connecting them across generations.In The Tenth Muse, Catherine Chung offers a gorgeous, sweeping tale about legacy, identity, and the beautiful ways the mind can make us free.

    With the grit of Raymond Carver, the humor of Grace Paley, and a blend of wit and melancholy all her own, Berlin crafts miracles from the everyday, uncovering moments of grace in the laundromats and halfway houses of the American Southwest, in the homes of the Bay Area upper class, among switchboard operators and struggling mothers, hitchhikers and bad Christians. Readers will revel in this remarkable collection from a master of the form and wonder how they'd ever overlooked her in the first place.

    In private houses and public parks, at work and at play, these Londoners inhabit a complicated place, as beautiful as it is brutal, where the thoroughfares hide the back alleys and taking the high road can sometimes lead you to a dead end. Depicting the modern urban zone—familiar to city-dwellers everywhere—NW is a quietly devastating novel of encounters, mercurial and vital, like the city itself.

    Julie Otsuka’s long-awaited follow-up to When the Emperor Was Divine is a tour de force of economy and precision, a novel that tells the story of a group of young women brought from Japan to San Francisco as “picture brides” nearly a century ago.In eight incantatory sections, The Buddha in the Attic traces the picture brides’ extraordinary lives, from their arduous journey by boat, where they exchange photographs of their husbands, imagining uncertain futures in an unknown land; to their arrival in San Francisco and their tremulous first nights as new wives; to their backbreaking work picking fruit in the fields and scrubbing the floors of white women; to their struggles to master a new language and a new culture; to their experiences in childbirth, and then as mothers, raising children who will ultimately reject their heritage and their history; to the deracinating arrival of war.

    Richard Bowmaster—a 60-year-old human rights scholar—hits the car of Evelyn Ortega—a young, undocumented immigrant from Guatemala—in the middle of a snowstorm in Brooklyn. What at first seems just a small inconvenience takes an unforeseen and far more serious turn when Evelyn turns up at the professor’s house seeking help. At a loss, the professor asks his tenant Lucia Maraz—a 62-year-old lecturer from Chile—for her advice. These three very different people are brought together in a mesmerizing story that moves from present-day Brooklyn to Guatemala in the recent past to 1970s Chile and Brazil, sparking the beginning of a long overdue love story between Richard and Lucia.Exploring the timely issues of human rights and the plight of immigrants and refugees, the book recalls Allende’s landmark novel The House of the Spirits in the way it embraces the cause of “humanity, and it does so with passion, humor, and wisdom that transcend politics” (Jonathan Yardley, The Washington Post). In the Midst of Winter will stay with you long after you turn the final page.

    And in the title story, a stunning meditation on imagination, memory, and loss, a middle-aged cancer patient walks into the woods to commit suicide, only to encounter a troubled young boy who, over the course of a fateful morning, gives the dying man a final chance to recall who he really is. A hapless, deluded owner of an antique store; two mothers struggling to do the right thing; a teenage girl whose idealism is challenged by a brutal brush with reality; a man tormented by a series of pharmaceutical experiments that force him to lust, to love, to kill—the unforgettable characters that populate the pages of Tenth of December are vividly and lovingly infused with Saunders' signature blend of exuberant prose, deep humanity, and stylistic innovation.Writing brilliantly and profoundly about class, sex, love, loss, work, despair, and war, Saunders cuts to the core of the contemporary experience. These stories take on the big questions and explore the fault lines of our own morality, delving into the questions of what makes us good and what makes us human.Unsettling, insightful, and hilarious, the stories in Tenth of December—through their manic energy, their focus on what is redeemable in human beings, and their generosity of spirit—not only entertain and delight; they fulfill Chekhov's dictum that art should "prepare us for tenderness."

    For August and her girls, sharing confidences as they ambled through neighborhood streets, Brooklyn was a place where they believed that they were beautiful, talented, brilliant—a part of a future that belonged to them.But beneath the hopeful veneer, there was another Brooklyn, a dangerous place where grown men reached for innocent girls in dark hallways, where ghosts haunted the night, where mothers disappeared. A world where madness was just a sunset away and fathers found hope in religion.

    Sent to an obscure department of MI5 tasked with monitoring the comings and goings of British Fascist sympathizers, she discovers the work to be by turns both tedious and terrifying. But after the war has ended, she presumes the events of those years have been relegated to the past forever.Ten years later, now a radio producer at the BBC, Juliet is unexpectedly confronted by figures from her past. A different war is being fought now, on a different battleground, but Juliet finds herself once more under threat. A bill of reckoning is due, and she finally begins to realize that there is no action without consequence.

    Then there’s Violet Devohr, Zee’s great-grandmother, who they say took her own life somewhere in the vast house, and whose massive oil portrait still hangs in the dining room.The Hundred-Year House unfolds a generational saga in reverse, leading the reader back in time on a literary scavenger hunt as we seek to uncover the truth about these strange people and this mysterious house. With intelligence and humor, a daring narrative approach, and a lovingly satirical voice, Rebecca Makkai has crafted an unforgettable novel about family, fate and the incredible surprises life can offer.

    Now, twenty years later, in the heat of a New Mexican summer, Thomas has begun having bizarre conversations with his dead relatives and it's up to Amina-a photographer in the midst of her own career crisis-to figure out what is really going on. But getting to the truth is far harder than it seems. From Thomas's unwillingness to talk, to Kamala's Born Again convictions, to run-ins with a hospital staff that seems to know much more than they let on, Amina finds herself at the center of a mystery so thick with disasters that to make any headway at all, she has to unravel the family's painful past.