Or the one that matters most.A claustrophobic thriller set over twenty hours on one airplane flight, with the heart-stopping tension of The Last Flight and the wrenching emotional intensity of Room, Hostage takes us on board the inaugural nonstop flight from London to Sydney.Mina is trying to focus on her job as a flight attendant, not the problems of her five-year-old daughter back home, or the fissures in her marriage. But the plane has barely taken off when Mina receives a chilling note from an anonymous passenger, someone intent on ensuring the plane never reaches its destination. Someone who needs Mina's assistance and who knows exactly how to make her comply. It's twenty hours to landing. A lot can happen in twenty hours.

    Sunnie has spent years running from her past, burying secrets and building a life in which she needs no one and feels nothing. But a girl has gone missing, lost in the chaos of a bomb explosion, and the family needs Sunnie's help. Is the girl dead? Did someone take her? If she is out there, why doesn't she want to be found? It's time for Sunnie to face her own demons because they just might lead her to the truth about what really happened all those years ago.

    No body—only a hiking boot—has ever been found. Billie’s husband and teenage daughter cope with her death the best they can: Jonathan drinks, Olive grows remote.But then Olive starts having waking dreams—or are they hallucinations?—that her mother is still alive. Jonathan worries about Olive’s emotional stability, until he starts unearthing secrets from Billie’s past that bring into question everything he thought he knew about his wife. Together, Olive and Jonathan embark on a quest for the truth—about Billie, their family, and the stories we tell ourselves about the people we love.

    It's not. Quentin's podcast, Closure, focuses on a series of murders in the 1970s, committed by teen couple April Cooper and Gabriel LeRoy. It seems that Quentin has reason to believe Robin's own mother may be intimately connected with the killings.Robin thinks Quentin’s claim is absolutely absurd. But is it? The more she researches the Cooper/LeRoy murders herself, the more disturbed she becomes by what she finds. Living just a few blocks from her, Robin’s beloved parents are the one absolute she’s always been able to rely upon, especially now amid rising doubts about her husband and frequent threats from internet trolls. She knows her mother better than anyone—or so she believes. But all that changes when, in an apparent home invasion, Robin's father is killed and her mother's life hangs in the balance.Told through the eyes of Robin, podcaster Quentin, and a series of letters written by fifteen-year-old April Cooper at the time of the killings, Never Look Back asks the question:How well do we really know our parents, our partners—and ourselves?

    . .   The truth is easy to miss, even when it’s right in front of us. As a forensic reconstructionist, Rory Moore sheds light on cold-case homicides by piecing together crime scene details others fail to see. Cleaning out her late father’s law office a week after his burial, she receives a call that plunges her into a decades-old case come to life once more. In the summer of 1979, five Chicago women went missing. The predator, nicknamed The Thief, left no bodies and no clues behind—until police received a package from a mysterious woman named Angela Mitchell, whose unorthodox investigation skills appear to have led to his identity. But before police could question her, Angela disappeared. Forty years later, The Thief is about to be paroled for Angela’s murder—the only crime the DA could pin on him. As a former client of her father’s, Rory becomes reluctantly involved with the killer—though he continues to insist he didn’t murder Angela. Now he wants Rory to do what her father once promised: prove that Angela is, in fact, still alive. As Rory begins reconstructing Angela’s last days, another killer emerges from the shadows, replicating those long-ago murders. With every startling discovery she makes, Rory becomes more deeply entangled in the enigma of Angela Mitchell—and in The Thief’s tormented mind. Drawing connections between past and present is the only way to stop the nightmare, but even Rory can’t be prepared for the full, terrifying truth that is emerging . . .

    Green comes a devastating tale of psychological suspense: a teen pageant queen is found murdered in a small New England town, and her sister’s search for answers unearths more than she bargained for.Days after a young teenager named Jenny is found murdered, her small town grieves the loss alongside her picture-perfect parents. At first glance, Jenny’s tragic death appears clear-cut for investigators. In the murder of a former pageant queen from a safe and loving family, the most obvious suspect is a fan who got too close for comfort. But Jenny’s sarcastic, older half-sister Virginia isn’t so sure of his guilt and takes matters into her own hands to find the killer.But for Jenny’s case and and Virginia’s investigation, there’s more to the story. Virginia, still living in town and haunted by her own troubled teenage years, suspects that a similar darkness lay beneath the sparkling veneer of Jenny’s life. Alternating between Jenny’s final days and Virginia’s determined search for the truth, the sisters’ dual narratives follow a harrowing trail of suspects, with surprising turns that race toward a shocking finale.

    But we all know that it never ends there. Because, of course, one lie leads to another…Growing up, Jane and Marnie shared everything. They knew the other’s deep-est secrets. They wouldn’t have had it any other way. But when Marnie falls in love, things begin to change.Because Jane has a secret: she loathes Marnie’s wealthy, priggish husband. So when Marnie asks if she likes him, Jane tells her first lie. After all, even best friends keep some things to themselves. If she had been honest, then perhaps her best friend’s husband might still be alive today…For, of course, it’s not the last lie. In fact, it’s only the beginning…Seven Lies is Jane’s confession of the truth—her truth. Compelling, sophisticated, chilling, it’s a seductive, hypnotic page-turner about the tangled, toxic friendships between women, the dark underbelly of obsession and what we stand to lose in the name of love.

    Her advice column, Dear Amy, gets all kinds of letters - but none like the one she's just received:Dear Amy,I don't know where I am. I've been kidnapped and am being held prisoner by a strange man. I'm afraid he'll kill me.Please help me soon,Bethan AveryBethan Avery has been missing for years. This is surely some cruel hoax. But, as more letters arrive, they contain information that was never made public. How is this happening? Answering this question will cost Margot everything ...

    Meanwhile, she’s struggling to start a family, but her husband is distracted by the disappearance of his best friend, Nick. As stresses weigh her down in her professional and personal lives, Liza escapes into writing the chilling exploits of her latest heroine, Beth.Beth, a new mother, suspects her husband is cheating on her while she’s home caring for their newborn. Angry and betrayed, she aims to catch him in the act and make him pay for shattering the illusion of their perfect life. But before she realizes what she’s doing, she’s tossing the body of her husband’s mistress into the East River.Then, the lines between Liza’s fiction and her reality eerily blur. Nick’s body is dragged from the East River, and Liza’s husband is arrested for his murder. Before her deadline is up, Liza will have to face up to the truths about the people around her, including her own. If she doesn’t, the end of her heroine’s story could be the end of her own.

    Her ex-husband, Andrew, was sent to jail and Lindsey started over with a new life.Now, Lindsey is older and wiser, with her own business and a teenage daughter who needs her more than ever. When Andrew is finally released from prison, Lindsey believes she has cut all ties and left the past behind her. But she gets the sense that someone is watching her, tracking her every move. Her new boyfriend is threatened. Her home is invaded, and her daughter is shadowed. Lindsey is convinced it's her ex-husband, even though he claims he's a different person. But has he really changed? Is the one who wants her dead closer to home than she thought?

    Then she is assigned to work with Connie, a wife and mother accused of a despicable crime. Connie is suffering from dissociative amnesia—or at least seems to be.Now it is up to Emma to decide whether Connie can stand trial for her sins. But there is something about Connie that inexorably pulls Emma into her orbit. Perhaps it is the way she seems to see right through Emma, speaking to Emma’s deepest insecurities about her life, marriage, and her own tragic past. And soon Emma begins to understand how Connie’s complicated marriage and toxic relationship with her beautiful best friend Ness could have driven Connie to snap—or maybe, she is simply getting too close to a woman who is unforgivable…Alternating between the two women’s points of view, before and after Connie’s breakdown, Too Close is a masterfully written page turner about the powerful—yet dangerous—closeness between women.

    When Martha finds herself struggling to balance early motherhood and her growing business, Becky steps in to babysit her niece, Layla, without a second thought, bringing the two women closer than ever. But when Layla is found dead one morning, at only eight weeks old, Becky is charged with the unthinkable: the murder of her sister's child.Nine months later, Becky is on trial and maintains her innocence--and so does Martha. Unable to shake the feeling that her sister couldn't possibly be guilty, Martha sets out to uncover exactly what happened that night, and how things could have gone so wrong. As the trial progresses, fault lines between the sisters begin to show--revealing cracks deep in their relationship and threatening the family each has worked so hard to build. With incredible empathy and resounding emotional heft, The Good Sister is a powerhouse of a novel that will lead readers to question everything they know about motherhood, family, and the price of forgiveness.

    In her provocative and riveting third novel, Paula Daly focuses her masterful eye for psychological suspense and family drama on an indecent proposal that has fatal repercussions. Single mother Roz has a reached breaking-point. After the dissolution of her marriage, Roz’s business has gone under, debts are racking up, the rent is late (again), and she's struggling to provide for her nine-year-old son, who is starting to misbehave in school. Roz is in trouble. Real trouble. When Roz returns home from work one day and finds an eviction notice, she knows that it’s time for action—she has two weeks to find a solution otherwise they will be kicked out of their home. Increasingly desperate, Roz doesn’t know where to turn. Then the perfect opportunity presents itself. At her sister’s fortieth birthday party, Roz meets Scott Elias—wealthy, powerful, and very married. But the impression Roz leaves on him is indelible. He tracks her down and makes Roz an offer to spend the night with him—for money. He wants no-strings-attached intimacy and can guarantee total discretion. Could it be as simple as it sounds? With that kind of cash, Roz could clear her debts and get her life back on track. But as the situation spirals out of her control, Roz is forced to do things she never thought herself capable of. Can she ever set things right again?

    But a cell phone call from an unknown number changes everything: it's a woman on the line, informing her that she has Kylie bound and gagged in her back seat, and the only way Rachel will see her again is to follow her instructions exactly: pay a ransom, and find another child to abduct. This is no ordinary kidnapping: the caller is a mother herself, whose son has been taken, and if Rachel doesn't do as she's told, the boy will die. "You are not the first. And you will certainly not be the last." Rachel is now part of The Chain, an unending and ingenious scheme that turns victims into criminals—and is making someone else very rich in the process. The rules are simple, the moral challenges impossible; find the money fast, find your victim, and then commit a horrible act you'd have thought yourself incapable of just twenty-four hours ago. But what the masterminds behind The Chain know is that parents will do anything for their children. It turns out that kidnapping is only the beginning.

    The local junkyard is burning, and the town pariah Lizzie Oullette is dead—with her husband, Dwayne, nowhere to be found. As scandal ripples through the community, Detective Ian Bird’s inquiries unexpectedly lead him away from small-town Maine to a swank city townhouse several hours south. Adrienne Richards, blonde and fabulous social media influencer and wife of a disgraced billionaire, had been renting Lizzie’s tiny lake house as a country getaway…even though Copper Falls is anything but a resort town.As Adrienne’s connection to the case becomes clear, so too does her connection to Lizzie, who narrates their story from beyond the grave. Each woman is desperately lonely in her own way, and they navigate a relationship that cuts across class boundaries: transactional, complicated, and, finally, deadly. A Gone Girl for the gig economy, this is a story of privilege, identity, and cunning, as two devious women from opposite worlds discover the dangers of coveting someone else’s life.