In I Would Leave Me If I Could, she reveals never-before-seen poetry of longing, love, and the nuances of bipolar disorder.

    . . It’s honest to god the basic human playbook”These are some of the thousands of messages that Kate Baer has received online. Like countless other writers—particularly women—with profiles on the internet, as Kate’s online presence grew, so did the darker messages crowding her inbox. These missives from strangers have ranged from “advice” and opinions to outright harassment. At first, these messages resulted in an immediate delete and block. Until, on a whim, Kate decided to transform the cruelty into art, using it to create fresh and intriguing poems. These pieces, along with ones made from notes of gratitude and love, as well as from the words of public figures, have become some of her most beloved work.  I Hope This Finds You Well is drawn from those works: a book of poetry birthed in the darkness of the internet that offers light and hope. By cleverly building on the harsh negativity and hate women often receive—and combining it with heartwarming messages of support, gratitude, and connection, Kate Baer offers us a lesson in empowerment, showing how we too can turn bitterness into beauty.

    As every verse jockey worth their meter knows, there are no snakes in poems.

    The result is a memoir that is at once intellectually provocative and deeply honest; the book that readers of Poppy, The Orchard and Stravinsky's Lunch have been waiting for.

    

    Everything seems hopeless until the child returns to her room and sees the red tree. At that perfect moment of beauty and purity, the child smiles and her world stirs anew.With sensitivity and wonder, Shaun Tan's evocative images in The Red Tree open a window to our inexplicable emotions and tell a story about the power of hope, renewal and inspiration.

    Watching them fade into the grey fall of snow, Nance thought she could hear Maggie's voice. A whisper in the dark. "Some folk are born different, Nance. They are born on the outside of things, with a skin a little thinner, eyes a little keener to what goes unnoticed by most. Their hearts swallow more blood than ordinary hearts; the river runs differently for them." Nóra Leahy has lost her daughter and her husband in the same year, and is now burdened with the care of her four-year-old grandson, Micheál. The boy cannot walk, or speak, and Nora, mistrustful of the tongues of gossips, has kept the child hidden from those who might see in his deformity evidence of otherworldly interference. Unable to care for the child alone, Nóra hires a fourteen-year-old servant girl, Mary, who soon hears the whispers in the valley about the blasted creature causing grief to fall upon the widow's house. Alone, hedged in by rumour, Mary and her mistress seek out the only person in the valley who might be able to help Micheál. For although her neighbours are wary of her, it is said that old Nance Roche has the knowledge. That she consorts with Them, the Good People. And that only she can return those whom they have taken...

    A powerful call to end American gun violence from celebrated poets and those most impacted, including a foreword by Gabrielle Giffords and Mark Kelly and an introduction by Colum McCann, published on the fifth anniversary of the Sandy Hook shooting.Focused intensively on the crisis of gun violence in America, this volume brings together poems by dozens of our best-known poets, including Billy Collins, Patricia Smith, Mark Doty, Rita Dove, Natalie Diaz, Martin Espada, Robert Hass, Naomi Shihab Nye, Ocean Vuong, Danez Smith, Brenda Hillman, Natasha Threthewey and Juan Felipe Herrera.Each poem is followed by a response from a gun violence prevention activist, political figure, survivor, or concerned individual, including Nobel Peace Prize Laureate Jody Williams, Senator Christopher Murphy, Moms Demand Action founder Shannon Watts, survivors of the Columbine, Sandy Hook, Charleston Emmanuel AME, and Virginia Tech shootings, and Samaria Rice, mother of Tamir, and Lucy McBath, mother of Jordan Davis.The result is a stunning collection of poems and prose that speak directly to the heart; a persuasive and moving testament to the urgent need for gun control.

    Siken writes with ferocity, and his reader hurtles unstoppably with him. His poetry is confessional, gay, savage, and charged with violent eroticism. In the world of American poetry, Siken's voice is striking. In her introduction to the book, competition judge Louise Glück hails the “cumulative, driving, apocalyptic power, [and] purgatorial recklessness” of Siken’s poems. She notes, “Books of this kind dream big. . . . They restore to poetry that sense of crucial moment and crucial utterance which may indeed be the great genius of the form.”

    She longed to have relatives and knew precious little about her Czech father's childhood as a refugee.On the night before Juliet's father died, in 2006, Juliet's father suddenly looked up and said: 'The plane is in the hangar.' In the years after his death, Juliet comes to truly understand the significance of these words.On a trip to Prague she is shocked to see the Rieden name written many times over on the walls of the Pinkas Synagogue memorial. These names become the catalyst for a life-changing journey that uncovers a personal Holocaust tragedy of epic proportions.Juliet traces the grim fate of her father's cousins, aunts and uncles on visits to Auschwitz and Theresienstadt concentration camps and learns about the extremes of cruelty, courage and kindness.Then in a locked box in Britain's National Archives, she discovers a stash of documents including letters from her father that reveal intimate details of his struggle.Meticulously researched and beautifully told, this is the moving story of a woman's quest to piece together the hidden parts of her father's life and the unimaginable losses he was determined to protect his children from.PRAISE FOR THE WRITING ON THE WALL'Rieden sets out to chart her story with a journalist's rigour: facts, timelines, archival material. She does it brilliantly. But it is the small, powerful resonant moments within a harrowing arc that bring her story alive.' The Australian

    But after a few wrong turns, I found something else: him.He’s like his mountain—strong and mysterious. He saved my life and offered to get me home. But when his hands touch me, I think I might already be there.BrockI left my life behind to carve out a new one. Alone. But the moment I see her, it’s like the first time I saw my mountain. I know I have to make her mine.She came to my mountain for inspiration, but she just might be my muse instead.Kings of the Mountain is a series of steamy, sweet, insta love short story romances. Check out BROCK if you like curvy heroines and alpha heroes who fall hard and fast while carving out their happily ever after.

    After all,Australia’s just Canada with more sunshine and strange animals, right?But they soon discover things aren’t so simple. Steve struggles to settle and Ashley fears he will come to regret both the move and the marriage – especially after she loses her wedding rings on Bondi Beach. Baffled, homesick and increasingly anxious (in a land renowned for ‘no worries’), she is preparing to return to Canada when Steve shockingly announces that he wants to stay in Australia. Forever.For the sake of her marriage and her happiness, Ashley must find an Australia she can belong to: she decides to travel the country, learn its history, decode its cultural quirks and connect with as many residents as she can meet. How to Be Australian is a remarkable memoir, at once familiar and faraway, that shines a fresh, funny and fascinating light onto the country we think we know.

    Through photographs, poetry, prose, and a short story, Orion Carloto invites readers to remember the forgotten and reach into the past, find comfort in the present, and make sense of the intangible future. Film photography isn’t just eye candy; it’s timeless and romantic—the ideal complement to Carloto’s writing. In Film for Her, much like a visual diary, word and image are intertwined in a book perfect for both gift and self-purchase.

    That’s why Claire Wineland’s memoir, Every Breath I Take, Surviving and Thriving With Cystic Fibrosis, is so important. With her co-author, Chynna Bracha Levin, Claire describes with precision, honesty, and a remarkable sense of humor just what it’s like to live with an illness that is so often fatal. The book is a must read for anyone who feels compassion for a child, a relative, or friend going through an intense or even life-threatening illness. Claire explains exactly what it’s like to live as normal a life as possible while taking care of a condition that requires constant treatment and frequent hospitalization. Yet there’s nothing grim about Claire’s journey as she describes it. Claire finds the sunny side of life and the spirituality of her experiences in ways that captivate and amaze the reader. It’s impossible to come away from the book without a renewed sense of compassion and sensitivity toward anyone suffering from a serious illness. The book is required reading for anyone—adult or child—who wants to understand how it truly is possible to survive and thrive, no matter what.

    He is a good man and he is happy. But one day, he receives a call from his daughter's school to inform him that, for no apparent reason, fifteen-year-old Miriam has collapsed and stopped breathing. In that moment, he is plunged into a world of waiting, agonising, not knowing. The story of his life and the lives of his family are rewritten and re-told around this shocking central event, around a body that has inexplicably failed. In this exceptionally courageous and unflinching novel of contemporary life Sarah Moss goes where most of us wouldn't dare to look, and the result is riveting - unbearably sad, but also miraculously funny and ultimately hopeful. The Tidal Zone explores parental love, overwhelming fear, illness and recovery. It is about clever teenagers and the challenges of marriage. It is about the NHS, academia, sex and gender in the twenty-first century, the work-life juggle, and the politics of packing lunches and loading dishwashers. It confirms Sarah Moss as a unique voice in modern fiction and a writer of luminous intelligence.