Her first collection of short stories is an extraordinary offering that deftly explores the dark side of everyday people—-and the lengths to which they will go to get what they want most....In five tantalizing and original tales, George plumbs the depths of human nature-—and human weakness—-as only she can. From the chilling tale of a marriage built on an appalling set of lies that only death can reveal...to the story of a squabbling set of Anglophiles saved from a killer thanks to Inspector Thomas Lynley...to the final, title story about a penniless schoolteacher whose ambitions turns murderous, I, Richard is filled with page-turning drama, danger, and unmatched suspense.Ironic, revealing, and undeniably entertaining, this imaginative collection proves once again why Elizabeth George is one of today’s best-loved authors. I, Richard belongs in the library of each and every mystery devotee.

    Her uncanny ability to pick up the most subtle audio, olfactory, and tactile cues in the world around her made her a law-enforcement legend. Today, her expertise is called for once again.When Kendra is approached by a dubious source about a serial murder investigation, her instincts tell her to steer clear. This time, however, the case is personal: The next name to turn up on the killer's hit list is Kendra's own ex-lover, an FBI agent who disappeared without a trace. Now it's up to Kendra to pick up the trail? Or close her eyes again ... forever.PRAISE FOR "CLOSE YOUR EYES.""Mind-blowing ... The scenes with Adam and Kendra ooze sexual tension, making this thriller a titillating delight." Booklist"Intrigue at its best!" Reader to Reader

    It’s an ordinary request on an ordinary Sunday afternoon, and Rachel has no reason to worry—until Ben vanishes.Police are called, search parties go out, and Rachel, already insecure after her recent divorce, feels herself coming undone. As hours and then days pass without a sign of Ben, everyone who knew him is called into question, from Rachel’s newly married ex-husband to her mother-of-the-year sister. Inevitably, media attention focuses on Rachel too, and the public’s attitude toward her begins to shift from sympathy to suspicion. As she desperately pieces together the threadbare clues, Rachel realizes that the greatest dangers may lie not in the anonymous strangers of every parent’s nightmares, but behind the familiar smiles of those she trusts the most.Where is Ben? The clock is ticking...

    Together they write and illustrate award-winning children’s books; their life together one of enviable privilege and ease—until, one evening after a delightful dinner, Oliver delivers a blow to Alice that renders her unconscious, and subsequently beats her into a coma.In the aftermath of such an unthinkable event, as Alice hovers between life and death, the couple’s friends, neighbours, and acquaintances try to understand what could have driven Oliver to commit such a horrific act. As his story unfolds, layers are peeled away to reveal a life of shame, envy, deception, and masterful manipulation.

    The newborn is swaddled in an Amish crib quilt, and the only other item found with the child is a hand-carved wood rattle, which Kate also recognizes as Amish. The little girl seems healthy and whole; but who would abandon her and why? Though the quilt and rattle could be purchased, Kate suspects the mother is Amish, possibly young and unmarried, both of which would be powerful motives for such a desperate act. With the rattle and the baby quilt as the only clues, Kate must call upon her own Amish roots, and with the help of state agent John Tomasetti, search the Amish and "English" communities of Painters Mill for clues to unravel the poignant, puzzling mystery.

    She was wrong. Deborah Jenkins pulls her coat around her as she sets out on her short walk home in the pouring rain. But she never makes it home that night. And she is never seen again …Four years later, an abandoned baby girl is found wrapped in dirty rags on a doorstep. An anonymous phone call urges the police to run a DNA test on the baby. But nobody is prepared for the results. The newborn belongs to Deborah. She’s still alive.If you love Lisa Gardner, Patricia Gibney and Robert Bryndza, you’ll love this jaw-dropping new crime thriller from Carla Kovach. The Next Girl will keep you guessing until the very last page.

    His father, Joseph Stanyer, has been struggling to cope with his wife Evie, whose dementia is rapidly worsening. When their bodies are found close to Blackwater Lake, a local beauty spot, the inquest rules the deaths as a murder-suicide. A conclusion that's supported by the note Joseph leaves for his son. Grief-stricken, Matthew begins to clear his parents' house of decades of compulsive hoarding, only to discover the dark enigmas hidden within its walls. Ones that lead Matthew to ask: why did his father choose Blackwater Lake to end his life? What other secrets do its waters conceal?A short (25,000-words) novella, Blackwater Lake examines one man's determination to uncover his family's troubled past.

    Their Dad was the local GP and they lived in the beautiful house on the hill. Their best friend, Brinley Booth, lived next door. They would do anything for each other but everything shifted on that fateful day when Dr Richard Carter and his wife Pamela were stabbed fourteen times with a pair of scissors in what has become the most talked about double murder of the modern age.The girls were aged ten and twelve at the time. One, nicknamed the Angel of Death, spent eight years in a children’s secure unit accused of the brutal killings. The other lived in foster care out of the limelight and prying questions. Now, on the anniversary of the trial, a documentary team has tracked down one of the sisters, persuading her to speak about the events of that night for the first time.Her explosive interview sparks national headlines and Brinley Booth, now a journalist, is tasked with covering the news story which brings to light fresh evidence and triggers a chain of events which will have devastating consequences.

    Earlier in the summer, a vulnerable teenage girl met the same fate. They are not the first women lost to these dark waters, but their deaths disturb the river and its history, dredging up secrets long submerged. Left behind is a lonely fifteen-year-old girl. Parentless and friendless, she now finds herself in the care of her mother's sister, a fearful stranger who has been dragged back to the place she deliberately ran from—a place to which she vowed she'd never return. With the same propulsive writing and acute understanding of human instincts that captivated millions of readers around the world in her explosive debut thriller, The Girl on the Train, Paula Hawkins delivers an urgent, twisting, deeply satisfying read that hinges on the deceptiveness of emotion and memory, as well as the devastating ways that the past can reach a long arm into the present. Beware a calm surface—you never know what lies beneath.

    An unthinkable childhood left him with a fierce determination to protect the innocent. But it also marked him with an ability to identify the darkness in others—a darkness he recognizes still exists deep within himself.When a young man is found brutally murdered, Corrigan, responsible for South London’s Murder Investigation Team, takes the case. But what first appears to be a straightforward domestic murder very quickly leads Corrigan to several other victims and the most dangerous killer he's ever encountered. The perpetrator changes his modus operandi with each crime and leaves behind not a shred of usable forensic evidence. Still, Sean knows beyond a doubt that the same man is behind each of these deaths, and he soon finds himself in a lethal game of cat and mouse with a killer who strikes far too close to home.

    They seem made for each other, but the truth is ugly. Consumed by professional and personal betrayals and financial woes, the two both love and hate each other. As tensions mount, Sutton disappears, leaving behind a note saying not to look for her.Ethan finds himself the target of vicious gossip as friends, family and the media speculate on what really happened to Sutton Montclair. As the police investigate, the lies the couple have been spinning for years quickly unravel. Is Ethan a killer? Is he being set up? Did Sutton hate him enough to kill the child she never wanted and then herself? The path to the answers is full of twists that will leave the reader breathless.

    Now, the war is over but victory's wine has soured and Brodie's back in Scotland to try and save childhood friend Hugh Donovan from the gallows. Everyone thought Donovan was dead, shot down in the war. Perhaps it would have been kinder if he had been killed. The man who returned was unrecognizable: mutilated, horribly burned. Donovan keeps his own company, only venturing out for heroin to deaden the pain of his wounds. When a local boy is found raped and murdered, there is only one suspect...Donovan claims he's innocent but a mountain of evidence says otherwise. Despite the hideousness of the crime, ex-policeman Brodie feels compelled to try and help his one-time friend. Working with Donovan's advocate Samantha Campbell, Brodie trawls both the mean streets of the Gorbals and the green hills of western Scotland in their search for the truth. What they find is an unholy alliance of church, police and Glasgow's deadliest razor gang, happy to slaughter to protect their dark secrets. As time runs out for the condemned man, and the tally of murdered innocents rises, Brodie reverts to his wartime role as a trained killer. It's them or him.

    Every day after school, while his classmates swap football stickers, Steven goes digging to lay to rest the ghost of the uncle he never knew, who disappeared aged eleven and is assumed to have fallen victim to the notorious serial killer Arnold Avery.Only Steven's Nan is not convinced her son is dead. She still waits for him to come home, standing bitter guard at the front window while her family fragments around her. Steven is determined to heal the widening cracks between them before it's too late. And if that means presenting his grandmother with the bones of her murdered son, he'll do it.So the boy takes the next logical step, carefully crafting a letter to Arnold Avery in prison. And there begins a dangerous cat-and-mouse game between a desperate child and a bored serial killer . . .

    Their eight-year-old daughter has vanished. To find her, Nolan reaches out to a psychic gifted with uncanny visions about the lost girl. But Lyla thinks she sees right through him. Is he a con artist or the real thing? Either way, he might be telling the truth. And that’s too frightening for Lyla to bear.Alison Gaylin’s The Gift is part of Hush, a collection of six stories, ranging from political mysteries to psychological thrillers, in which deception can be a matter of life and death. Each piece can be read or listened to in one truly chilling sitting.

    It all started at the school fair…Charlotte was supposed to be looking after the children, and she swears she was. She only took her eyes off of them for one second. But when her three kids are all safe and sound at the school fair, and Alice, her best friend Harriet’s daughter, is nowhere to be found, Charlotte panics. Frantically searching everywhere, Charlotte knows she must find the courage to tell Harriet that her beloved only child is missing. And admit that she has only herself to blame.Harriet, devastated by this unthinkable, unbearable loss, can no longer bring herself to speak to Charlotte again, much less trust her. Now more isolated than ever and struggling to keep her marriage afloat, Harriet believes nothing and no one. But as the police bear down on both women trying to piece together the puzzle of what happened to this little girl, dark secrets begin to surface—and Harriet discovers that confiding in Charlotte again may be the only thing that will reunite her with her daughter....This breathless and fast-paced debut—perfect for fans of Big Little Lies and The Couple Next Door—takes you on a chilling journey that will keep you guessing until the very last page.