Jacket by Steven Stapleton.Co-produced with Durtro. 500 copies printed.(Out of print).Contents: -a quote from Stenbock-Robert Aickman: An Appreciation, by David Tibet-An Essay by Robert Aickman-Remembering Robert, by Ramsey Campbell-The Trains/ The Insufficient Answer/ The View/ The School Friend/ Ringing the Changes/ Choice of Weapons/ The Waiting Room/ Bind Your Hair/ Your Tiny Hand is Frozen/ My Poor Friend/ The Visiting Star/ Larger Than Oneself/ A Roman Question/ The Wine-Dark Sea/ Ravissante/ The Inner Room/ Never Visit Venice/ The Unsettled Dust/ The Houses of the Russians/ No Stronger Than a Flower/ The Cicerones/ Into the Wood. ..with Volume II, not sold separately.Note: An addendum was produced for the volumes.

    A cup full of tentacles mixed with existential nihilism and sprinkled with liberal quantities of gore, this is Lovecraftian horror with a bloody bent that few others have dared to explore. --Peter Rawlik, author of ReanimatorsThey called it the Event.The Event changed everything. The earthquakes came first, including the Big One, shattering the Pacific Rim and plunging the world into chaos. Then the seas came, the skies opened, and the never-ending rain began. But as bad as that was, there is something worse.The Rising has begun.A lone man who abandoned the world for his addictions searches a waterlogged Austin for something, anything to cling to. Little does he know that something else searches for him.In the Sonoran Desert, the downtrodden of the world search for a better life north of the border, only to see the desert become an ocean: an ocean that takes life and gives death.In the woods of Alabama, survivors escape to Fort Resistance, but soon discover that it isn't just the horrors of the deep places of the world that they need to fear; but rather a new and more deadly pestilence that has grown in their own ranks.In England, it's too late to fight, and all that's left is to survive. One man reaches for his own humanity, but what to do when humanity is an endangered species?And in the Pacific, He is rising.In The Abyssal Plain: The R'lyeh Cycle, authors William Holloway, Michelle Garza and Melissa Lason, Brett J. Talley, and Rich Hawkins have created a timely and uniquely modern reimagining of the Cthulhu Mythos.

    . . an alphabet soup of -delight in language. Eat up."—Alice Sebold"Brilliant. Wildly inventive, profane, and hilarious."—Bret Easton EllisThe author of the acclaimed cult classic Dear Dead Person ("refreshing, nauseating, hilarious"—Kirkus) returns with this long-awaited collection of brilliantly written and outrageously imaginative short stories.Benjamin Weissman is the author of Dear Dead Person (High Risk/Serpent’s Tail, 1995). He is a contributing editor to Bomb Magazine and writes regularly for the contemporary art magazines Parkett and Artforum. A painter and a professor at Art Center College of Design and Otis College of the Arts, he now lives in Los Angeles.

    From exploring an empty house with dreadful secrets to the account of an eccentric children’s ayah and from vengeful animals carrying a spirit to a bunch of anxious children in a stark landscape—these are some of the most interesting stories about the supernatural. Selected and compiled by Ruskin Bond, this collection includes stories by authors like Rudyard Kipling, Algernon Blackwood, R.L. Stevenson and Alice Perrin, among others.

    Following an undeniable call to pursue the one who abandoned it and seek revenge the quest for retribution had begun, and nothing or no one would stand in the way.

    Lovecraft and his successors. Here in the library, under lock and key, are some of the world’s most dangerous books, most famously the dreaded Necronomicon of the mad Arab, Abdul Alhazred. There was a notably unpleasant incident in the late 1920s, when a certain Wilbur Whateley tried to steal that particular volume, and met a hideous fate. Fortunately, that time at least, the head librarian and his colleagues were able to save the Earth from the dreadful danger of the Dunwich Horror. How safe are Miskatonic’s security precautions and what has perhaps disappeared from, or appeared in the collection since? What other creepy, maddening, extra-dimensional, or even sentient tomes reside on those forbidden shelves? What strange events have taken place among the stacks? Is there an inter-library loan system? Who, or what, comes after miscreants who fail to return books on time? In the modern, digital age, what would happen if some of the content escaped over the Internet? Are some of the books, or all of them, little more than slowly ticking time bombs? And what, dare we ask, can be found in the Cooking Section? If you learn all the secrets of the Miskatonic University Library, will you go mad—or just wish you had? A feast of bibliographical horrors by Don Webb, Adrian Cole, Dirk Flinthart, Harry Turtledove, P.D. Cacek, Will Murray, A.C. Wise, Marilyn Mattie Brahen, Douglas Wynne, Alex Shvartsman, James Van Pelt, Robert M. Price, and Darrell Schweitzer. If you learn all the secrets of the Miskatonic University Library, will you go mad—or just wish you had?

    In this collection he explores the dark depths of the human condition, offering tales of death, disaster and - just occasionally - redemption.

    Laidlaw knew him in his laboratory, was one man; but Mark Ebor, as he sometimes saw him after work was over, with rapt eyes and ecstatic face, discussing the possibilities of "union with God" and the future of the human race, was quite another. "I have always held, as you know," he was saying one evening as he sat in the little study beyond the laboratory with his assistant and intimate, "that Vision should play a large part in the life of the awakened man-not to be regarded as infallible, of course, but to be observed and made use of as a guide-post to possibilities-" "I am aware of your peculiar views, sir," the young doctor put in deferentially, yet with a certain impatience.

     Thirteen tales of original terror penned in the dead of the night with only the glow of a computer for light. The collection of short stories runs the gamut of horror. Within its bloody pages you will find a slasher clown, a blood red church, a little girl locked in a closet, a haunted sex doll, etc. 13 Nightmares is a fine collection of terror for the short story lover, but be warned. Some of these stores are not for the faint of heart. Do you dare enter a world where the supernatural, the macabre, and the horrific collide?

    The volume also includes extracts and translations by the author from Babylonian, Coptic and Biblical texts alongside poems and fairy tales.The book’s cover features artwork by David and design by Ania Goszczyńska; the frontispiece also reproduces a painting by David.

    Standard procedure. You pick it up the first time a white friend leads you across a room just to stand you up by another Indian, arrange you like furniture, like you should have something to say to each other. As one character after another tells it in these stories, much that happens to them does so because "I'm an Indian." And, as Stephen Graham Jones tells it in one remarkable story after another, the life of an Indian in modern America is as rich in irony as it is in tradition. A noted Blackfeet writer, Jones offers a nuanced and often biting look at the lives of Native peoples from the inside. A young Indian mans journey to discover America results in an unsettling understanding of relations between whites and Natives in the twenty-first century, a relationship still fueled by mistrust, stereotypes, and almost casual violence. A character waterproofs his boots with transmission fluid; another steals into Glacier National Park to hunt. One man uses watermelon to draw flies off poached deer; another, in a modern twist on the captivity narrative, kidnaps a white girl in a pickup truck; and a son bleeds into the father carrying him home. Rife with arresting and poignant images, fleeting and daring in presentation, weighty and provocative in their messages, these stories demonstrate the power of one of the most compelling writers in Native North America today.

    Something that threatens the whole of humanity. Something is going viral. 20 Minutes. 20 People. 20 stories that will make you want to stay inside and never greet another human being again. This is a short novella about a viral outbreak in a small town in the Lake District and shows how quickly disease can spread amongst the population. This isn't the Coronavirus. But it's just as scary. Humans. Viruses. Panic. Fear. There goes the countryside...

    It has had a passionate following for years. On its twentieth anniversary, Subterranean Press will release this novel as part of its Signature Series, in a volume that also contains stories that were inspired by, or drawn from, the novel while Lansdale waited for it to sell. The novel and stories have influenced numerous writers over the years, and are now gathered for the first time (with a new, never-before-published tale) in this unique tribute volume celebrating one of the most influential and award-winning writers of the last two decades. The God of the Razor will be designed as a companion volume to the Lansdale tribute anthology, Lords of the Razor, featuring a full color cover by TimothyTruman, and twenty full page black-and-white illustrations for the short stories and novel by Glenn Chadborne.

    There's something horrible in that storm over the ocean. What does "feed the pig" mean? What are those ropes in the sky? Why is Dad acting so funny? In these dark tales you will experience every type of horror imaginable. It is so gruesome, frightening, and demented that only the bravest of readers will make it through these pages.

    The journal includes nonfiction, literary horror fiction, poetry, artwork and non-classifiable hybrid pieces.Vol. 1, Issue 1 Contents:• Foreword to Teatro Grottesco essay by Thomas Ligotti•The Nightmare of His Art: The Horrific Power of the Imagination in "The Troubles of Dr. Thoss and "Gas Station Carnivals" essay by W. Silverwood•The Gods in Their Seats, Unblinking short fiction by Kurt Fawver• Affirmation of the Spirit: Consciousness, Transformation, and the Fourth World in Film short fiction by Christopher Slatsky•Try the Veal poem by Robert Beveridge•How to Construct a Gun from Your Own Flesh short fiction by Michael Uhall•Notes on a Horror essay by Dr. Raymond Thoss•"Eccentric to the Healthy Social Order" : Inversions of Family, Community, and Religion in Thomas Ligotti's "The Last Feast of Harlequin" essau by Michael J. Abolafia•Wraiths poem by Wade German•Eraserhead as Antinatalist Allegoryessay by Colby Smith•The Alienation of the Self: Marx, Polanyi, and Ligottian Horroressay by S. L. Edwards•The Theatre of Ovid short fiction by Aaron Worth•Infinite Light, Infinite Darkness short fiction by Martin Rose•Night Walks: The Films of Val Lewton essay by Michael Penkas• Solar Flare short fiction by Paul L. Bates•Strange Bird poem by Ian Mullins•Nervous Wares & Abnormal Staresshort fiction by Devin Goff•My Time at the Drake Clinic short fiction by Jordan Krall•Singing the Song of My Unmaking short fiction by Christopher Ropes•"They say I should kill myself and not try to spoil their enjoyment in being alive": An Interview with Thomas Ligottiinterview by Wojciech Gunia